George SandBiblio.com
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0266986048.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1356948898.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3743725444.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
185522066New York: W. P. Fetridge & Co 1855. First American Edition. Octavo 19.25cm.; original brown patterned cloth gilt spine yellow glazed endpapers; xxix18-2808adspp. Inconsistency in pagination as usual. Spine faded to tan with gilt equally dull; small loss to spine crown extremities a bit rubbed; textblock foxed with occasional soil spots. An About Very Good copy. First published in the French in 1845. W. P. Fetridge & Co unknown
384307318X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2012DADAX3849140695TREDITION CLASSICS 2012-11-22. paperback. New. 5.43x0.67x8.23. Buy with confidence. Excellent Customer Service & Return policy. TREDITION CLASSICS paperback
3849140695.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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A15OSa-00224Amadeus Press. Collectible - Very Good. Signed Copy Collectible - Very Good. Good dust jacket. Signed/Inscribed by author on front endpage. Amadeus Press unknown
2005x-1574671200Amadeus Pr 2005. Paperback. New. new edition edition. 240 pages. 9.00x6.00x0.50 inches. Amadeus Pr paperback
V18OS-00144Amadeus. Collectible - Like New. Signed Copy Collectible - Like New. Very Good dust jacket. Signed by author on front endpage. Signed by subject on front endpage. Amadeus unknown
2003Q-1574670522Amadeus Press 2003-03-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Amadeus Press hardcover
2005Q-1574671200Amadeus 2005-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! Amadeus paperback
2000x-1574670522Amadeus Pr 2000. Hardcover. New. 240 pages. 9.50x6.50x1.00 inches. Amadeus Pr hardcover
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50996Revue des deux mondes - XXXIIe année - édition originale In-8 25 cm 253pp. Nb-0145 suivi de: Les Chants populaires de l'Italie moderne par M. Rathery - l'Administration locale en France et en Angleterre par M. Dupont-White - La Suisse chrétienne et la philosophie du XVIIIe siècle pages inédites de Rousseau et de Voltaire etc. . . unknown
1930400545EPhiladelphia: J. B. Lippincott Company 1930. Hardcover. Very Good/Very Good. Translated by Margaret Bloom. 12 colour illustrations. 304 pp. Pink endpapers with green illustrations. Green cloth with orange titles. Slightly faded spine. Beige DJ with black titles and colour illustration. Small chips wear along the edges. VG/VG <br/> <br/> J. B. Lippincott Company hardcover
1841Sand14<p><strong>DELACROIX SAND George 1804-1876</strong></p><p>Autograph letter signed " G.S. " to Eugène Delacroix<br />Paris Postal mark 23rd December 1841 1 p. 1/2 in-8°<br />Autograph address on fourth folio wax seal : " Monsieur Delacroix rue des Marais Saint Germain 17 "</p><p><strong>Superb letter to her friend Delacroix about her desire to write "a few pages on painting" the <em>Femmes d'Alger</em> her contempt for the <em>Ingresque</em> school and other artistic news</strong></p><p><em>" Vous avez bien fait cher ami de ne pas venir à l'Opéra. <strong>C'était ennuyeux à crever malgré la beauté et la pompe du spectacle.</strong> J'espère que vos truffes vous auront donné de meilleures inspirations musicales que la reine de Chypre n'en a donné à Mr Halevy.1</em><br /><strong><em>Venez ce soir comme vous me l'avez promis. J'ai à vous parler sur des matières artistiques !!!</em></strong> le mot est entouré par Sand d'un triple trait de plume.<strong><em> Sans plaisanterie j'écris quelques pages sur la peinture et j'ai besoin de vous pour savoir si je ne déraisonne pas. </em></strong><em>2</em><br /><em>Bonjour et bonne nuit. Il est 6h du matin. Vous devriez venir dîner avec nous. Nous avons embelli notre existence d'un pot-au-feu quotidien et avec le dîner de l'anglais3 et du bon café c'est supportable.</em><br /><em>G.S.</em><br /><strong><em>La Lélia</em></strong><em>4<strong>avec son moine et son mort me frappe et me plaît de plus en plus c'est ce qui m'a mise en veine d'écrire sur la couleur et ce qu'il faut entendre par la forme. Avec ça j'ai vu vos femmes d'Alger</strong>5 ce matin. Si vous m'encouragez je suis capable de faire le prochain salon dans notre revue</em> La Revue indépendante<em> et <strong>vous savez que je ne caponnerai pas</strong></em> ne se montrera pas lâche <strong><em>avec tout cette école silhouettiste</em></strong><em>6<strong> qui se dit en possession du dessin</strong> ".</em></p><p>1 <em>La Reine de Chypre</em> an opera in five acts by Halévy to a libretto by St. George took place the day before December 22 1841. Unlike George Sand Richard Wagner who was also present at the premiere considered the music "noble moved and even new and exhilarating" although he criticized Halévy's failings in simple orchestration.<br />2 In Horace which George Sand was then writing she staged a rapin a pupil of Delacroix but there were no "few pages on painting". Is this an article intended for the Independent Review – which it has just created – but which it has renounced The word written in postscript confirms that it is an aesthetic reflection that focuses on "color" and "form".<br />3 Possible reference to an English restaurateur or caterer frequented by George Sand.<br />4 <em>Lélia avec son moine et son mort</em> is the third work offered by Delacroix to George Sand for the gifts of 1842. It is a pastel depicting Lélia kneeling near Stenio's corpse while the monk Magnus "in the shadows leaning stiffly against the wall of the cave darted on her his sparkling eyes". The subject was treated several times by Delacroix.<br />5 This is the <em>Femmes d'Alger dans leur appartement</em> a painting presented at the Salon of 1834 where it caused a sensation. A synthesis of orientalism and romanticism this painting expresses a deep "melancholy" for the poet and art critic Baudelaire.<br />6 George Sand refers to the school of Ingres as a "Silhouettist school". We know the adversity between the two painters that animated the artistic scene of the nineteenth century. The writer had resolutely taken Delacroix's side that of "form" and "color".</p><p><u>Bibliography:</u><br /><em>George Sand</em> – Correspondance t. V Lubin Garnier p. 529-531 lettre n°2369<br /><em>Correspondance</em> éd. Françoise Alexandre Les éditions de l'Amateur p. 117-118 n°50</p><p><u>Provenance:</u><br />Achille Piron Delacroix's universal legatee<br />Bibliothèque Marc Loliée</p>
1973747474PN. New. 1973. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
