930 résultats
185965117Honfleur 1859. Fine. Honfleur 28 février 1859 13.10 x 20.50 cm 3 pages sur un feuillet remplié Remarkable autograph letter signed by Charles Baudelaire to Auguste Poulet-Malassis publisher of Les Fleurs du Mal dated 28 February 1859 and written in Honfleur. 64 lines in black ink some passages underlined housed in a modern black half-morocco folder. Baudelaire appears preoccupied with the Sainte-Beuve/Babou affair one of the many controversies following the Fleurs du Mal trial in which the writer Hippolyte Babou accused Sainte-Beuve of failing to defend Baudelaire during the proceedings. Excerpts from this letter were quoted by Marcel Proust in his celebrated Contre Sainte-Beuve where he lamented Sainte-Beuves cowardice during the trial of Les Fleurs du Mal and the undue esteem Baudelaire continued to show him. The poet writes from Honfleur where he had retired in January to live with his mother a revered figure who haunts her sons heart and mind. This letter was written eight days after a new development in the aftermath of the Fleurs du Mal trial. Torn by conflicting emotions Baudelaire confides in Malassis after his friend Hippolyte Babou had on 20 January published an article in La Revue française attacking Sainte-Beuve for failing to defend Baudelaire during the trial: He will glorify Fanny by Ernest Feydeau the honest man and remain silent about Les Fleurs du Mal he wrote. Despite Baudelaires pleas Sainte-Beuve had never published anything in support of the collection. In response to Babous attack Baudelaire received a horrible letter from Sainte-Beuve: It seems the blow . struck Sainte-Beuve deeply. I must do him the justice of saying he did not believe I had prompted Babou in any way. Although outraged by the accusations Sainte-Beuve did not hold Baudelaire personally responsible. Baudelaire is surprised by the critics vehemence writing to Poulet-Malassis: Truly here is a passionate old man with whom it is dangerous to fall out . You cannot imagine what that letter from Sainte-Beuve is like. It appears that for twelve years he had been noting every sign of malice from Babou. Baudelaire stands helpless amid the quarrel between two respected men while expressing a clear attachment to Sainte-Beuve now jeopardised by Babous article: Either Babou wanted to help me which would imply a certain degree of stupidity or he wanted to play a trick on me; or he simply pursued a mysterious grudge without any concern for my interests. Baudelaire indeed held Sainte-BeuveUncle Beuvein the highest regard. A senator an academician and the undisputed master of literary criticism Sainte-Beuves opinions carried great weight in Parisian literary circles. For years Baudelaire had awaited a formal sign of approval from Sainte-Beuve which might have bolstered his fragile career still tarnished by the scandal of Les Fleurs du Mal. The poet thus finds himself torn between his admiration for Sainte-Beuve and his long-standing friendship with Hippolyte Babouwho according to legend suggested the title Les Fleurs du Mal. To Poulet-Malassis he confides: What made this situation dangerous for me was that Babou appeared to be defending me against someone who had done me a great many favours. It remains unclear what Baudelaire meant by favours given that Sainte-Beuve had done relatively little to advance his career. This letter was later quoted in Marcel Prousts posthumously published Contre Sainte-Beuve 1954 a fierce and famous indictment in which Proust reproaches Sainte-Beuve for failing to recognise Baudelaires poetic genius and highlights his cowardice during the Fleurs du Mal trial. To preserve his position in the Senate Sainte-Beuve refrained from public support and provided only a defence strategy which the lawyer was authorised to use provided Sainte-Beuves name was not mentioned. Nearly two years after the verdict the disastrous trial of Les Fleurs du Mal still haunted B unknown
183258440Paris: Eugène Renduel 1832. Fine. Eugène Renduel Paris 1832-1839 14 x 22.50 cm 5 volumes reliés First edition the first volume being at the right date of 1832 which is very rare according to Clouzot. Binders in half navy blue morocco navy corners smooth back decorated with cartridges decorated with golden floral friezes golden dates in tails gilt fillets on the plates of marbled paper guards and contreplats of handmade paper blankets and back preserved elegant bindings in the romantic style signed by Champs. Rare and pleasant copy set in a perfect romantic binding of Champs. Eugène Renduel unknown
1850927T12Paris: Garnier Freres c1850-1880. Vellum. Very Good. 7" by 4.5". None. A fifteen volume set of the Causeries du Lundi or "Monday Chats" of French literary critic Charles Augustin Sainte-Beuve in the original French. French. Complete in fifteen volumes. Mixed edition with volume fifteen being a first edition volume thirteen being a second edition and all other volumes being third editions. A series of informal essays and topical columns originally published as the author's "Monday chats" in the newspaper Le Constitutionnel. This set contains critical and biographical essays on literary topics regarding French and European authors. Sainte-Beuve provided details on an author's character background appearance education religion and friendships creating a well-rounded view of the subject before beginning his critique of their work. These factors developed his style of criticism over a wide range of genres in ancient and contemporary literature. Published weekly from 1849 to 1869 the essays proved to be very popular and were collected in two sets the fifteen-volume Causeries du Lundi originally released from 1851 to 1862 and the thirteen-volume Nouveaux Lundis originally released from 1863 to 1870. Written by Charles Augustin Sainte-Beuve a French literary critic. In the original quarter paper vellum binding with marbled boards. Externally smart with rubbing and light bumping to the extremities. Fading and discolouration to the spine as is typical with ageing. The odd small mark to the boards with spine labels detached. Small cracks to the spine of volume fifteen. Internally firmly bound. Pages are very bright with the odd small spot and age toning to the endpapers. Very Good Garnier Freres hardcover
185745017Paris: Garnier frères 1857. Fine. Garnier frères Paris 1857 11.50 x 18.50 cm 15 volumes reliés Third edition first in parts. Contemporary half caramel-colored calf over marbled paper boards spine in six compartments with gilt dots and double gilt compartments richly gilt with decorative motifs dark red morocco title pieces and dark green volume labels some headpieces slightly rubbed headpiece of volume four repaired some joints cracked and repaired gilt fillet frame to covers marbled endpapers and pastedowns some corners bumped top edge gilt. Handsome autograph inscription signed by Charles Augustin Saint-Beuve to Madame Paul Huet the wife of the noted Romantic painter and friend of Victor Hugo. Manuscript ex donos of Pierre Jean David d'Angers' grandson to start of each volume. A little spotting sometimes heavy to some leaves. Garnier frères hardcover
184290713Paris: Imprimerie de H. Fournier et Cie 1842. From the library of Victorien Sardou: a rare surviving example of Sainte-Beuve's repudiated title First collected edition in a presentation binding. Charles Augustin Sainte-Beuve published his biographical portraits anonymously and for private circulation among his circle of friends. For obscure reasons he had second thoughts and destroyed most copies. It is said that he did not keep a copy for himself and that his bibliographer Paul Chéron a librarian the Bibliothèque Nationale only became aware of its existence through a bookseller who had brought a copy back from England. From the library of French playwright Victorien Sardou 1831-1908 with the bookplate from his library at Château de Marly on the front pastedown. Sardou is the author of many popular 19th-century plays including La Tosca on which Puccini based his opera. Laid in are four early 20th-century bibliographical documents and press cuttings. Octodecimo 174 x 114 mm. Fine presentation binding by S. David in black full levant morocco spine in compartments with gilt titles direct top edge gilt turn-ins gilt with foliate tools and stars at corners marbled endpapers green silk bookmark. Early 20th-century press cutting and bookplate on one initial blank. Extremities lightly rubbed binder's blanks faintly dampstained foxing throughout. An excellent copy. unknown
18381409290001Paris : L. Curmer 49 rue Richelieu 1838-01-01. Hardcover. Very Good. 4to. lvi 458p. 1 hand-coloured engraved map 7 ports 28 engravings all on mounted papier de Chine ca 450 vignettes throughout text. French. Bound in contemporary full red Moroccan leather. Gilt lettering and tooling on spine. Gilt tooling on spine. Inlaid gilt tooling on inside board extremities. 4 raised bands. AEG. Good binding and cover. Wear to extremities. Clean unmarked pages. Scattered foxing. Vicaire VII 42ff.; Carteret III 532-547; cf. Negley 1551; Fortunati/Trousson 489f. <br><br>Paul et Virginie or Paul and Virginia is a novel by Jacques-Henri Bernardin de Saint-Pierre first published in 1788. The novel's title characters are very good friends since birth who fall in love. The story is set in the island of Mauritius under French rule then named Ile de France which the author had visited. Written on the eve of the French Revolution the novel is hailed as Bernardin's finest work. It records the fate of a child of nature corrupted by the false artificial sentimentality that prevailed at the time among the upper classes of France. <br><br> Saint-Pierre attacked the issues of divided social classes present in eighteenth century French society. In Paul et Virginie Saint-Pierre describes perfect equality occurring on Mauritius where inhabitants share the same possessions have equal amounts of land and all work to cultivate it. They live in harmony without violence or unrest. These beliefs of Saint-Pierre's echo those of Enlightenment philosophers such as Jean-Jacques Rousseau. <br> The book also presents an Enlightenment view of religion: that God or "Providence" had perfectly designed the world to be harmonious and pleasing. Paris : L. Curmer, 49, rue Richelieu hardcover
1863366118Paris: Lévy 1863. 1st Edition. Hardcover. 28 Volumes. Finely bound copies in gilt-blocked quarter leather over marble boards. Raised spine bands. Internally bright and clean. Remains particularly well preserved over all. Physical description: 28 volumes. Contents: Nouveux Lundis Tome 1-13. Causerues Du Lundi Tome 1-15. Notes: Text is in French. Subjects: Informal essays. Literary history and criticism. French literature History and criticism Addresses essays lectures. Paris: Lévy hardcover
18421FislDe0028Paris France: Librairie Hachette 1842. Book. Very Good. Hardcover. Tome 2/ Vol. 2. 8vo or 8° Medium Octavo: 7¾" x 9¾" tall. 584 pp. Tome 2/ Vol. 2 only! Solidly bound copy with moderate external wear crisp pages and clean text. Text in French. No dj. Moderate foxing on page edges. Ex-Libris copy. Librairie Hachette Hardcover
183552475Bruxelles Brussels: Louis Hauman & Cie 1835. Fine. Louis Hauman & Cie Bruxelles Brussels 1835 10 x 15.50 cm 2 volumes reliés en 1 First Belgian edition one year after the first edition. Binding half shagreen red back with four nerves set with golden dots adorned with double gilded boxes and gilded typographic florets small traces of friction on the upper cap chestnut cardboard plates guards and contreplats of handmade paper corners very slightly blunted. Signed autograph from Sainte-Beuve to Ulysse Marcillac next to the title page of the first volume. Nice copy. Louis Hauman & Cie unknown
194339063Paris: Compagnie Française des Arts Graphiques 1943. A wonderful livre d'artiste featuring sonnets by Ronsard Du Bellay Louise Labé Jodelle Agrippa d'Aubigné Malherbe Cyrano de Bergerac Sainte-Beuve Nerval Musset Leconte de Lisle Baudelaire and others illustrated with ORIGINAL HORS-TEXTE ETCHINGS BY Camille Berg Jean Bersier Jacques Boullaire Yves Brayer Michel Ciry Daragnès Hermine David Dignimont Dunoyer de Segonzac Jean Frélaut Galanis Edouard Goerg André Jacquemin Marie Laurencin Luc-Albert Moreau Maurice Savin Vergé Sarrat Henri de Waroquier and Roger Wild and two small in-texte etchings by Bonfils. From a total edition of 326 numbered copies this is ONE OF 26 COPIES ON FINE ARCHES WOVE PAPER WITH A SECOND SUITE OF THE ETCHINGS ON FINE BERZELIUS PAPER. Large 4to. Loose as issued in original wraps. With the suite in a separate envelope. Wraps lightly worn else FINE AND BRIGHT. <br/><br/> Compagnie Française des Arts Graphiques paperback
186589346Poitiers: Imprimerie de N. Bernard 1865. Fine. Imprimerie de N. Bernard Poitiers 1865 14.2 x 22.5 cm Broché Rare first edition.Small tears and corner losses to the spine and boards.Signed autograph inscription from Joseph Louis Trouessart to Sainte-Beuve on the half-title. Imprimerie de N. Bernard hardcover
186084915s. l. 1860. Fine. s. l. 15 juillet1860 13.50 x 21 cm une page et demi sur un double feuillet Autograph letter signed by Sainte-Beuve 1 and a half pages on a double sheet. 25 lines in black ink. ""J'ai été très sensible cher monsieur à votre bon français et à l'envoi du très sage et instructif volume qui en est la cause. Vous me rappelez en effet des temps déjà bien anciens mais que ce qui a fini n'a pu effacer de ma mémoire : car à vous parler vrai quoi qu'il y ait bien de l'espace et bien de l'intervalle d'aujourd'hui à ce temps-ci il me paraît souvent qu'il y a du vide : et le tourbillon de la vie littéraire dont vous me parlez je ne le ressens guère. Ce qui me frappe c'est plutôt le contraire du tourbillon c'est à dire l'isolement la disparition ou le peu de mouvement de groupe. On se survit et l'on traîne un peu : je parle du moins pour moi aussi n'en suis-je que plus sensible. . de bons témoignages comme le vôtre qui attestent que le passé n'est pas oublié et qu'il a réellement existé. Croyez-moi je vous prie tout à vous. Sainte-Beuve."" ""I have been very touched dear sir by your good French and by the sending of the very wise and instructive volume which is the cause of it. You remind me indeed of times already quite ancient but which what has ended could not erase from my memory: for to speak truly to you although there is much space and much interval from today to that time it often seems to me that there is emptiness: and the whirlwind of literary life of which you speak to me I hardly feel it. What strikes me is rather the contrary of the whirlwind that is to say isolation the disappearance or the little group movement. One survives oneself and drags on a little: I speak at least for myself so I am all the more sensitive. . to good testimonies like yours which attest that the past is not forgotten and that it really existed. Believe me I beg you entirely yours. Sainte-Beuve."" unknown
183729576Paris: Eugène Renduel 1837. First edition presentation copy inscribed by Sainte-Beuve to the maritime painter Antoine Léon Morel-Fatio "A mon ami Monsieur Fatio signed St. Beuve". Octavo. Author's presentation inscription on half-title just shaved. Contemporary purple paper boards smooth spine with double gilt bands lettered gilt. Rubbed front joint chipped towards head a very good copy. hardcover
BN103496Robert Laffont. Softcover. Port-Royal édition du bicentenaire 2 volumes <br/><br/>Port-Royal édition du bicentenaire 2 volumes Robert Laffont paperback
185289895Paris: Garnier frères 1852. Fine. Garnier frères Paris 1852 11.8 x 18.2 cm Relié First edition on ordinary paper.Half red morocco binding spine with five raised bands framed with gilt fillets and decorated with double gilt panels gilt lettering at the foot of the spine reading ""Ex. de Sainte-Beuve"" double gilt fillets on the marbled paper boards small black spots on the covers comb-marbled endpapers and pastedowns original wrappers preserved gilt edges.Scattered foxing.Precious autograph inscription signed by Auguste Brizeux: ""A Sainte-Beuve au poète et à l'ami. A. Brizeux."" Garnier frères hardcover
186185575Paris: Poulet Malassis & De Broise 1861. Fine. Poulet Malassis & De Broise Paris 1861 14.50 x 21 cm relié First edition of most parts. Half blue morocco with corners spine with five raised bands date and place gilt in the middle of the spine marbled paper boards combed paper endpapers and pastedowns top edge gilt bookplate pasted on a pastedown binding signed Lemardeley. Handsome copy perfectly executed. Poulet Malassis & De Broise hardcover
18805553CB1880. Paris Garnier Frères 1880. Kl.-4°. XII 622 S. 2 Bl. Mit 32 handkolorierten Tafeln und Textillustrationen in Holzstich. Roter Halblederband aus der Zeit mit Rückenvergoldung und dreiseitigem Goldschnitt Blindprägung auf Deckeln Ch. Magnier. Sehr attraktiv illustrierte Ausgabe zusammengestellt aus den Werken von Georges Louis Leclerc de Buffon 17071788 die sich mit Säugetieren und Vögeln befasst. Kanten leicht berieben sonst schönes sauberes Exemplar Besitzereintrag auf Vorsatz. unknown
1837127321837. Paris Ollivier 1837. 2 vol. in-8 218 x 138 mm de lxxv - 292 pp. et 2 ff. de catalogue ÂŽditeur in fine ; 2 ff. n.fol. 283 pp. et 8 ff. de catalogue ÂŽditeur in fine. Reliures uniformes de pleine basane marbrÂŽes blondes plats jansÂŽnistes dos ˆ nerfs ornÂŽs de filets ˆ froid roulette et semis de points dorÂŽs sur les nerfs doubles filets dorÂŽs filets sinuso•daux dorÂŽs larges fleurons ˆ froid piÂces de tomaison circulaires de maroquin vert-empire tomaison dorÂŽe date dorÂŽe en queue jeu de filets obliques dorÂŽs sur les coupes tÂtes dorÂŽes plats de couverture conservÂŽs large dentelle intÂŽrieure dorÂŽe. Ensemble complet de ses deux volumes lesquels ont conservÂŽs leurs couvertures papier originelles. Exemplaires ˆ grandes marges ici revÂtus d'ÂŽlÂŽgantes reliures du temps. Edition en partie originale l'importante Notice de Sainte-Beuve paraissant ici pour la premiÂre fois et premiÂre ÂŽdition au format in-8. ''Nouvelle ÂŽdition mais qui prend ici toute son importance dans le mouvement romantique et du fait de la date d'ÂŽdition de 1837 et du fait aussi du jugement de Sainte-Beuve qui a autorisÂŽ la reproduction en guise de prÂŽface de l'ÂŽtude donnÂŽe par lui ˆ la Revue des Deux-Mondes en juillet 1837 .''. in Escoffier. ''ValÂŽrie parut pour la premiÂre fois en 1804 gr‰ce ˆ lÕaide de Chateaubriand; il sÕagit de lÕÃuvre la plus cÂŽlÂbre de Madame KrŸdener 1764-1824 appartenant ˆ la famille des livres intimes de lՎpoque comme Adolphe ƒdouard Obermann ou Werther.'' ''Ce roman sentimental et frÂŽnÂŽtique est unanimement reconnu comme un des chefs-d'oeuvres du prÂŽ-romantisme. C'est la seule oeuvre romanesque de Mme de KrŸdener''. Alain Marchiset. ''L'exaltation des sentiments est portÂŽe ˆ son comble dans cette oeuvre''. Vicaire IV Manuel de l'amateur de livres du XIXÂme 724 - Escoffier Le Mouvement romantique 1238 - Clouzot Guide du bibliophile franÂais p. 100. LÂŽgers frottements affectant nerfs et mors. PiÂces de titre absentes. Petit manque angulaire affectant le premier plat de la couverture papier du premier volume ainsi qu'au le dernier plat du second volume. Rousseurs dans le texte. Nonobstant belle condition. Rare. b42961 unknown
184239238Paris: Imprimerie H. Fournier et Cie 1842. Fine. Imprimerie H. Fournier et Cie Paris 1842 12 x 19 cm broché Edition with some parts in first edition not offered for sale. Small restoration to foot of spine otherwise handsome copy as issued bookplate pasted in. Rare work according to most bibliographers. Imprimerie H. Fournier et Cie unknown
182986881Paris: Delangle 1829. Fine. Delangle Paris 1829 10.50 x 16.50 cm relié First edition of Sainte-Beuve's first collection of poetry. Half navy blue calf binding spine in four compartments decorated with typographical motifs stamped in blind gilt frieze at foot of spine traces of rubbing to joints marbled paper boards upper corners slightly bumped contemporary Romantic binding Some foxing. Delangle hardcover
183467094Paris: Eugène Renduel 1834. Fine. Eugène Renduel Paris 1834 13.50 x 22 cm 2 volumes reliés First edition. Contemporary half purple sheep bindings spines with four raised bands uniformly faded decorated with blind-tooled compartments and gilt fillets paper boards imitating cardboard endpapers and pastedowns of pebbled paper. Manuscript gift inscription on verso of half-title of first volume. Bookplates pasted on first pastedowns of each volume. Scattered foxing. Eugène Renduel hardcover
184464299Paris: Didier 1844. Fine. Didier Paris 1844 11 x 18 cm relié New edition revised and corrected. Some foxinges. Binding half green shagreen back with five nerves adorned with cold nets and with traces of rubbing marbled paper plates guards and contreplats of handmade paper speckled edges corners very slightly blunt. Signed autograph from Sainte-Beuve to Arsene Houssaye. Didier unknown
1865927T13Paris: Michel Levy Freres 1865-1870. Vellum. Very Good. 7" by 4.5". None. A thirteen volume set of the works of French literary critic Charles Augustin Sainte-Beuve in the original French. French. Complete in thirteen volumes. Mixed editions with volumes four to thirteen being first editions volumes two and three being second editions and volume one being a third edition. A series of informal essays and topical columns originally published as the author's "Monday chats" in the newspaper Le Constitutionnel. This set contains critical and biographical essays on literary topics regarding French and European authors. Sainte-Beuve provided details on an author's character background appearance education religion and friendships creating a well-rounded view of the subject before beginning his critique of their work. These factors developed his style of criticism over a wide range of genres in ancient and contemporary literature. Published weekly from 1849 to 1869 the essays proved to be very popular and were collected in two sets the fifteen-volume Causeries du Lundi originally released from 1851 to 1862 and the thirteen-volume Nouveaux Lundis originally released from 1863 to 1870. Written by Charles Augustin Sainte-Beuve a French literary critic. In the original quarter paper vellum binding with marbled boards. Externally smart with rubbing and light bumping to the extremities. Fading and discolouration to the spine as is typical with ageing. The odd small mark to the boards with spine labels detached. Small cracks to the spine of volume fifteen. Internally firmly bound. Pages are very bright with the odd small spot and light age toning to the endpapers. Very Good Michel Levy Freres hardcover
1885009248Paris France: Calmann Levy 1885. Book. Near Fine. Half-Leather. 6th Edition. 12mo - over 6¾ - 7¾" tall. Set of 13 volumes 1885. Quarter leather with marbled covers and endpapers in all volumes. Sixth revised edition. Ex-library the only library marks consisting of "Portland Public Library" being punched neatly on the title page the word "Withdrawn" stamped there and a library number stamped at the bottom of the first Advertisement page. There are no card pocket in any volumes. All 13 volumes are similar in size tight and bright with no other marks. No tears. Text in French. Calmann Levy Hardcover
1856264883Paris: Gustave Barba 1856. First Edition. Softcover. Good set in original stiff card wrappers with some wear and tear as with age. Remains well-preserved overall; bright and clean. Physical description; 20 vols. ; 18 cm. Subjects; France — History — Louis XIV 1643-1715. France — History — Regency 1715-1723. France — Court and courtiers. Paris: Gustave Barba paperback