Sainte-Beuve, CaBiblio.com
930 résultats
1021101346.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1022689436.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
18347984521Eugene Renduel 1834. Volume 2. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. The book is octavo with worn cloth boards a worn backstrip and firm binding. The text is clean apart from some foxing Please note the Image in this listing is a stock photo and may not match the covers of the actual item400grams ISBN: Eugene Renduel hardcover
19952-0791424529State Univ of New York Pr 1995. Paperback. New. 288 pages. 9.25x6.00x0.75 inches. State Univ of New York Pr paperback
192582230Paris : Henri JonquiÂres 1925. 200x150mm. frontispice brochÂŽ. Couverture rempliÂŽe. Edition originale sur papier vÂŽlin teintÂŽ de Rives numÂŽrotÂŽ n.¡ 783 / 1101. Bel exemplaire. Ex-libris. 738 Henri JonquiÂres unknown
1840112001Paris : Charpentier 1840. 175x110mm. demi-basane rouge de lÕpoque titre et ornementations dors au dos plats papier marbr quelques rousseurs autrement bon tat. 370 Charpentier unknown
192882636Paris : EugÂne Fasquelle 1928. 205x145mm. frontispice reliure demi-chagrin ˆ coins. Plats papier marbrÂŽ. Auteur et titre dorÂŽs au dos. Couvertures et dos conservÂŽs. Edition originale sur papier vÂŽlin pur fil des Papeteries du Marais numÂŽrotÂŽ n.¡ 1018 / 3000. Belle reliure. Bel exemplaire. 701 EugÂne Fasquelle unknown
183467094Paris: Eugène Renduel 1834. Fine. Eugène Renduel Paris 1834 13.50 x 22 cm 2 volumes reliés First edition. Contemporary half purple sheep bindings spines with four raised bands uniformly faded decorated with blind-tooled compartments and gilt fillets paper boards imitating cardboard endpapers and pastedowns of pebbled paper. Manuscript gift inscription on verso of half-title of first volume. Bookplates pasted on first pastedowns of each volume. Scattered foxing. Eugène Renduel hardcover
184548814Paris: Charpentier 1845. Fine. Charpentier Paris 1845 11.50 x 18.50 cm relié Third edition published anonymously with some parts in first edition as it was revised and corrected. Full glazed navy calf binding spine with four raised bands decorated with double gilt compartments gilt fillets at head and foot lower headcap with a slight tear gilt roulettes on headcaps triple gilt fillet frames on boards gilt fillets on leading edges gilt dentelle frame on pastedowns marbled endpapers and pastedowns top edge gilt elegant unsigned contemporary binding. Some minor foxing of no consequence. A perfectly established copy. Charpentier hardcover
183552475Bruxelles Brussels: Louis Hauman & Cie 1835. Fine. Louis Hauman & Cie Bruxelles Brussels 1835 10 x 15.50 cm 2 volumes reliés en 1 First Belgian edition one year after the first edition. Binding half shagreen red back with four nerves set with golden dots adorned with double gilded boxes and gilded typographic florets small traces of friction on the upper cap chestnut cardboard plates guards and contreplats of handmade paper corners very slightly blunted. Signed autograph from Sainte-Beuve to Ulysse Marcillac next to the title page of the first volume. Nice copy. Louis Hauman & Cie unknown
194062403Paris: Garnier Frères Classiques Garnier 1940. Brossura wrappers. Molto buono Very Good. Dedica e firma autografe di Petre Ciureanu datata Genova 15 giugno 1956 Inscribed and signed by Petre Ciureanu dated Genova 15 giugno 1956. Avec un appendice contenant les témoignages et jugements contemporains. Introduction et notes par Maurice Allem. Edition nouvelle contenant les variantes et des documents inédits. Allegata una cartolina postale di Petre Ciureanu ad Antonio Baldini con un lungo scritto del letterato Rumeno studioso di Sainte-Beuve. 16mo. pp. XX 472. Dedica e firma autografe di Petre Ciureanu datata Genova 15 giugno 1956 Inscribed and signed by Petre Ciureanu dated Genova 15 giugno 1956. Molto buono Very Good. . Garnier Frères, Classiques Garnier unknown
1018403760.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0266307264.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1332561896.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1835030841Bruxelles: Hauman 1835. Due tomi in un volume 10x16 cm di 342 e 295 pagine. Minime bruniture. Legatura coeva in mezza pelle marrone con titolo e fregi dorati al dorso un'etichetta; piatti con carta marmorizzata. Condizioni molto buone. Edizione di un anno successiva a quella originale. Hauman unknown
2013099401.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1145055583.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1021054666.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1022529617.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
18770088250Paris: Calmann Levy 1877. Hardcover. Very Good. Nouvelle Edition." Boards Very Good copy age-toning to the pages light edgewear to the book's covers no dust jacket. Text in French. Calmann Levy hardcover
0259830739.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0484175483.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
38430Paris: J. Haumont. 1945. LIMITED EDITION 131/200 on velin blanc de Rives plus 300 on vergé teinté. 8vo.20 x 13 cm. pp.49tablecolophon. Original yellow printed wrappers. 2 woodcut chapter heading vignettes by Jean Chièze. Light wear generally a very good copy. Paris: J. Haumont. 1945 unknown
19622110502150201782Heibonsha 1962. Soft Cover. Fine. Volume: 1 Heibonsha paperback
185965117Honfleur 1859. Fine. Honfleur 28 février 1859 13.10 x 20.50 cm 3 pages sur un feuillet remplié Remarkable autograph letter signed by Charles Baudelaire to Auguste Poulet-Malassis publisher of Les Fleurs du Mal dated 28 February 1859 and written in Honfleur. 64 lines in black ink some passages underlined housed in a modern black half-morocco folder. Baudelaire appears preoccupied with the Sainte-Beuve/Babou affair one of the many controversies following the Fleurs du Mal trial in which the writer Hippolyte Babou accused Sainte-Beuve of failing to defend Baudelaire during the proceedings. Excerpts from this letter were quoted by Marcel Proust in his celebrated Contre Sainte-Beuve where he lamented Sainte-Beuves cowardice during the trial of Les Fleurs du Mal and the undue esteem Baudelaire continued to show him. The poet writes from Honfleur where he had retired in January to live with his mother a revered figure who haunts her sons heart and mind. This letter was written eight days after a new development in the aftermath of the Fleurs du Mal trial. Torn by conflicting emotions Baudelaire confides in Malassis after his friend Hippolyte Babou had on 20 January published an article in La Revue française attacking Sainte-Beuve for failing to defend Baudelaire during the trial: He will glorify Fanny by Ernest Feydeau the honest man and remain silent about Les Fleurs du Mal he wrote. Despite Baudelaires pleas Sainte-Beuve had never published anything in support of the collection. In response to Babous attack Baudelaire received a horrible letter from Sainte-Beuve: It seems the blow . struck Sainte-Beuve deeply. I must do him the justice of saying he did not believe I had prompted Babou in any way. Although outraged by the accusations Sainte-Beuve did not hold Baudelaire personally responsible. Baudelaire is surprised by the critics vehemence writing to Poulet-Malassis: Truly here is a passionate old man with whom it is dangerous to fall out . You cannot imagine what that letter from Sainte-Beuve is like. It appears that for twelve years he had been noting every sign of malice from Babou. Baudelaire stands helpless amid the quarrel between two respected men while expressing a clear attachment to Sainte-Beuve now jeopardised by Babous article: Either Babou wanted to help me which would imply a certain degree of stupidity or he wanted to play a trick on me; or he simply pursued a mysterious grudge without any concern for my interests. Baudelaire indeed held Sainte-BeuveUncle Beuvein the highest regard. A senator an academician and the undisputed master of literary criticism Sainte-Beuves opinions carried great weight in Parisian literary circles. For years Baudelaire had awaited a formal sign of approval from Sainte-Beuve which might have bolstered his fragile career still tarnished by the scandal of Les Fleurs du Mal. The poet thus finds himself torn between his admiration for Sainte-Beuve and his long-standing friendship with Hippolyte Babouwho according to legend suggested the title Les Fleurs du Mal. To Poulet-Malassis he confides: What made this situation dangerous for me was that Babou appeared to be defending me against someone who had done me a great many favours. It remains unclear what Baudelaire meant by favours given that Sainte-Beuve had done relatively little to advance his career. This letter was later quoted in Marcel Prousts posthumously published Contre Sainte-Beuve 1954 a fierce and famous indictment in which Proust reproaches Sainte-Beuve for failing to recognise Baudelaires poetic genius and highlights his cowardice during the Fleurs du Mal trial. To preserve his position in the Senate Sainte-Beuve refrained from public support and provided only a defence strategy which the lawyer was authorised to use provided Sainte-Beuves name was not mentioned. Nearly two years after the verdict the disastrous trial of Les Fleurs du Mal still haunted B unknown
