(to Boris VIAN) - Jean ROSTANDBiblio.com
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194773033Paris: Stock 1947. Fine. Stock Paris 1947 11.50 x 17.50 cm relié The first edition of which there were no deluxe copies a Service de Presse advance copy. Handsome copy. Bradel binding in full decorated paper black shagreen title-label covers preserved binding signed Goy & Vilaine. Very precious signed autograph inscription from Jean Rostand to his friend and neighbor Boris Vian: ""Pour Boris bien amicalement. Jean Rostand."" ""For Boris with warm friendship. Jean Rostand."" Jean Rostand who was Boris Vian's neighbor in Ville d'Avray introduced him to Gallimard and brought his works to Raymond Queneau's attention. Stock unknown
197142556Paris:: Editions Jacques Frapier. Near Fine in Very Good dust jacket. 1971. Hardcover. B0012OP1G6 . Text is in French. Foreword by Louis Pauwels. Illustrated with 35 monotypes and 113 gravures. First edition. INSCRIBED by Tremois to the legendary bookseller H. P. Kraus. Also laid in is a four page letter in French two pages typed and two pages written by hand dated 1973 SIGNED twice from Tremois to Kraus and the artist's card with a phone number written on it by hand. Near fine in a very good age toning dust jacket. . Editions Jacques Frapier, hardcover
1899ST20804Paris: Armand Magnier 1899. No. 42 OF 500 COPIES this ONE OF 20 ON JAPON WITH ENGRAVINGS IN THREE STATES. 300 x 207 mm. 12 x 8". 4 p.l. <br/> ELEGANT SCARLET CRUSHED MOROCCO GILT AND INLAID BY THE CLUB BINDERY and LEON MAILLARD Finisher both names stamp-signed in gilt on front turn-ins covers framed by curling gilt vines bearing citron morocco blossoms a total of 104 inlays on each cover raised bands spine panels with gilt vine circlets blooming with a total of 20 inlaid citron morocco flowers gilt lettering turns-ins elaborately gilt marbled endpapers top edge gilt other edges untrimmed. Original paper wrappers bound in the pictorial front cover present in three additional states black & white B&W before letters and color. In slightly worn matching morocco-backed jacket. With 54 wood engravings by Romagnol after François Thévenot cover and portrait Adrien Moreau Act I Charles Léandre Act II Albert Laurens Act III François Flameng Act IV and Albert Besnard Act V including five full-page plates all in three states one before letters the full-page plates also in a color state separately furnished to subscribers by the publisher per a notice bound in at the end of the text. Front pastedown with morocco bookplate of Robert Hoe. Lower corners a bit bumped tail edge of lower board with shallow one-inch dent occasional paper flaws or discoloration to edges of leaves but an excellent copy the interior clean and fresh and the binding lustrous.<br/> <br/> This is a luxurious illustrated edition of Rostand's classic work offered in a sumptuous binding done by the Club Bindery for its co-founder and manager Robert Hoe. Rostand's influential and enduringly popular 1897 verse play in five acts--sometimes referred to colloquially as the "Romance of the Nose"--is loosely based upon the real-life story of the French author and duelist Cyrano de Bergerac 1619-55 who was famous for having a prodigious proboscis. A theatrical triumph from its opening night the play focuses on the eloquent Cyrano's unrequited love for the comely Roxanne whom he must court as secret proxy for a friend of handsome visage but wooden tongue. Rostand 1868-1918 wrote a number of successful plays often like "Cyrano" based on figures from French history. The present beautiful large-format copy was originally owned by Robert Hoe a founder of the Grolier Club and one of the world's great book collectors. After Grolier was established in 1884 it soon became apparent that the country's few established hand binders were overtaxed in providing repairs and rebinding for the club members' rapidly accumulating acquisitions. As a consequence in 1895 Grolier members along with Edwin Holden and other wealthy collectors established the Club Bindery in order to attract European craftsmen to provide close to home fine quality binding work rivalling what was available abroad. The Club Bindery was in operation until 1909 with Hoe being its manager and most important client. It provided bindings that tended to be traditional in style--though frequently with elaborate decoration--and that lived up to its patrons' expectations in terms of excellence. The first members of the staff of the Club Bindery were the Englishmen R. W. Smith and Frank Mansell. They were subsequently joined by a number of French binders chief among them being Leon Maillard who had worked previously for Cuzin Gruel and Marius-Michel and whose precise and intricate finishing is impressively demonstrated on our binding here. It is said by Beverly Chew that Hoe 1839-1911 had a collection that was "the finest America has ever contained." He acquired illuminated manuscripts early printing he owned a Gutenberg Bible on paper and one on vellum fine bindings French and English literature and Americana and when his library was sold in 1911-12 it fetched nearly $2 million a record that held until the Streeter sale more than 50 years later. The present volume represents the fine level of aesthetic achievement typical of the bindery and it is especially impressive because of its significant dimensions. Armand Magnier unknown
