Rousseau jean jacques

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ROUSSEAU, Jean JacquesBiblio.com

Collection Complete Des Oeuvres

Jean-Jacques ROUSSEAUBiblio.com

Emile ou De l'education. Emile or On Education

176289002Amsterdam: Jean Néaulme 1762. Fine. Jean Néaulme Amsterdam 1762 9.5 x 17 cm In-12 4 volumes reliés First duodecimo edition or first edition in 12mo format illustrated with five fine plates by Eisen including two in the first volume and one frontispiece in each of the remaining three. Title pages printed in red and black. As expected the first volume has no half-title unlike the other three volumes.Contemporary full mottled calf binding. Smooth spines richly decorated. Tan morocco title and volume labels. Blue sprinkled edges. Small loss at the head of volume III short wormtrack at the head of volume I rubbing marks. Loss to the lower margin corner of the final leaf of volume I. A handsome copy. According to McEachern Bibliography of the writings of J.J. Rousseau this edition was printed before the original octavo edition published by Duchesne although it was released after the octavo. After signing a contract with the Maréchale de Luxembourg for the publication rights to Émile Duchesne reached an agreement in November 1761 with the publisher Jean Néaulme for an edition to be published outside France. He first printed the Dutch edition which was in fact printed in Paris with Amsterdam as the place of publication and then reimposed these volumes in octavo format with The Hague as the place of publication. This edition should not be confused with the counterfeit dated 1762 which has a different collation. However it is noteworthy that this 12mo edition does not contain the same typographical errors as the octavo edition and it also presents several peculiarities noted by Rochebilière Bibliographie des éditions originales d'auteurs français.: in volume I page 10 of the octavo the word appears as L'essenciel while in the 12mo it is L'essentiel. It is known that Rousseau himself corrected proofs for the 12mo edition. It must therefore be assumed that the 12mo edition benefited from Rousseau's corrections whereas the octavo was printed directly from the uncorrected 12mo. Jean Néaulme unknown

Rare Books Le Feu Follet - Edition-Originale.com · France2 875,00 €

ROUSSEAU, Jean 1644-1699Biblio.com

Traité de la Viole qui contient Une Dissertation curieuse sur son origine. Une Démonstration generale de son Manche en quatre Figures avec leurs explications. L'explication de ses Jeux differents & particulierement des Pieces par accords & de l'accompagnement à fond. Des Regles certaines pour connoître tous les agrémens qui se peuvent pratiquer sur cét instrument dans toutes sortes de Pieces de Musique. Le veritable maniere de gouverner l'Archet & des Moyens faciles pour transposer sur toutes sortes de Tons. Par Jean Rousseau Maître de Musique & de Viole

168738597Paris: Christophe Ballard seul Imprimeur du Toy pour la Musique . Avec Privilege de Sa Majesté 1687. Octavo. Full dark-tan mottled calf with raised bands on spine in decorative compartments gilt dark tan leather label titled in gilt red speckled edges. 1f. recto title verso blank iii dedication to Monsieur de Sainte Colombe iv "Avant Propos" and "Remarques" iii "Table" ii "Extrait du Privilege du Roy" i errata i blank 151 i blank pp. Decorative woodcut head- and tailpieces and initials throughout. With typeset musical examples to pp. 120-151 consisting of "Modelles pour la Transposition d'un degré plus haut & d'un degré plus bas; Modelles. d'une Tierce; and Modelles. d'une Quarte" and with additional numerous examples of typeset music in text. Two narrow engraved folding plates: "Manche Harmonique" 277 x 81 mm. between pp. 46 and 47 and "Manche pour la Tablature" between pp. 54 and 55 ca. 278 x 87 mm. Stylized "B" to blank lower inner margin of title possibly Ballard's monogram and manuscript paraph to foot of errata leaf possibly that of Rousseau. Manuscript correction in pencil to pp. 121 and 123 from "haut" to "bas". Provenance From the library of the noted English early music specialist Arnold Dolmetsch 1858-1940 with his small handstamp "Dolmetsch Library" to foot of verso of title. Binding slightly rubbed and bumped; joints cracked; small portions of spine lacking; hinges tender; endpapers worn browned and soiled. Minor internal wear; edges slightly browned; light dampstaining to upper inner margins of several leaves and lower outer margins of several others; occasional small stains; pp. 31-32 slightly detached at head with small tear to blank inner margin repaired with archival tape; minor printer's error to pp. 145/146. Lacking two sections the "Manche Diatonique" and "Manche Chromatic of what was originally a larger single folding plate. First Edition. Cortot p. 170. Hirsch I 513. Gregory Bartlett p. 237. Wolffheim 1162. RISM Écrits p. 720. One of the most important sources for the history and construction of the viola da gamba. A distinguished French viol player theorist and composer "Rousseau dedicated his Traité de la viole 1687 to Sainte-Colombe and in it he defended his master's innovative approach to the position of the left hand - one which facilitated performance in the melodic style 'jeu de mélodie' - refuting point by point the attacks on unharmonized compositions made by Machy in the preface to his Pièces de violle 1685 . The Traité also includes a discussion of the history of the viol in France which provides valuable information on construction techniques; Rousseau also mentions Thomas Young Henry Butler and John Price and the influence of the English viol school on French musicians. The discussion of technique and bowing is the most thorough before Loulié and in the discussion of ornamentation Rousseau draws upon the lute tradition as well as encouraging the adoption of conventions from vocal music." Robert A. Green in Grove Music Online Dolmetsch was an "English instrument maker and pioneer in the revival of performances of early music on original instruments. . His great gift was that in a period when early music was virtually ignored except for academic study he had both the imagination and the musicianship to take a musical work that had become a museum piece and to make it speak to the people of his own time in a language intelligible to them. He wrote the book The Interpretation of the Music of the XVII and XVIII Centuries London 1915/R2005 2/1946/R1969." Margaret Campbell revised by Katherine K. Preston in Grove Music Online A nice copy of an important work with distinguished provenance. Christophe Ballard, seul Imprimeur du Toy pour la Musique ... Avec Privilege de Sa Majesté unknown

J & J Lubrano Music Antiquarians LLC · États-Unis3 220,00 $US≈ 2 724,44 €

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