[Samuel Richardson]Biblio.com
158 résultats
1770860N63Amsterdam: - 1770. Leather. Very Good Indeed. 6.5" by 4". None. A leather bound French translation of Samuel Richardson's epistolary novel. The first four volumes of Samuel Richardson's epistolary novel are bound into two leather bound books. Published in French. First published in 1753 the novel was a response to Henry Fielding's The History of Tom Jones which parodied the morals presented in Richardson's previous novels. After rejecting the advances of Sir Hargrave Pollexfen Harriet Byron is kidnapped by the him until Sir Charles Grandison comes to her rescue. Grandison then becomes the central figure and focuses on his life and history. Prior owner's bookplate to both volumes. No author given. In a full mottled calf binding. Externally generally smart. Lightly rubbed to the boards a little more so to the joints and the spine. Volume II is missing a tiny bit of calf to the head of the spine. The front and rear hinges of volume I are starting but firm. Internally firmly bound. Pages are bright and generally clean with the occasional spot to the front and rear of the volume. Very Good Indeed - hardcover
1750L014.005GB: T. Woodward Etc 1750. Contemporary old full leather with raised bands but no title label. Book is in very good condition with minor signs of wear and/or age. . Hardback. VG/No DW. T. Woodward Etc Hardcover
1784R300123916A Londres. 1784. In-24. Relié cuir dos-coins. Etat d'usage, Couv. légèrement passée, Coiffe en tête abîmée, Intérieur frais. 347 + 348 pages - une gravure en noir et blanc hors texte dans chaque tome. Contreplats jaspés. Tranches dorées. Signets conservés. Plats et coins légèrement frottés. 2e plat du tome 9 légèrement troué. Titre, tomaison et motifs dorés. Coiffes frottées.. . . . Classification Dewey : 840.05-XVIII ème siècle
17921701250009London : Sold by T. and J. Egerton Whitehall ; J. Debrett Piccadilly ; R. Faulder and W. Miller 1792-01-01. Hardcover. Acceptable. Quarto. vi 287 pp. 11 of 12 plates on pink tinted paper. Contemporary calf original spine reacked on modern cloth. Wear to edges chipping to spine darkening to leather. Marginal dampstain throughout. Foxing and soiling to plates. Dampstain prominent on plates affecting engraving of last plate. A reading copy. London] : Sold by T. and J. Egerton, Whitehall ; J. Debrett, Piccadilly ; R. Faulder, and W. Miller hardcover
1786GIT00ee3A Rouen chez Jean Racine 1786. 8 tomes en 4vol in-12 XVI 196 238 224 204 224 264 236 295pp. Demi cuir de Russie vert lierre, dos lisse et plat orné en place des nerfs de filets dorés, tranches mouchetées, relié début XIXe siècle. Bel exemplaire, bien relié.
1768395<p>1768. leather. Good. Photo Gallery Clarissa or the History of a Young Lady Vol. 4 -By Samuel Richardson 6th Edition Publisher-Printing Location: London Printed for J. and F. Rivington Date and Numbering: 1768 Size and Page Count: 4.25"" X 7"" Tall approx. 380 pages</p><p>Condition: Good binding good some age yellowing to pages cover has shelf wear first page torn markings on endpages last few pages <strong>missing</strong></p><p>----An excellent opportunity for the collector researcher or historian----</p><p>Contains:</p><p>Clarissa or the History of a Young Lady is an epistolary novel by Samuel Richardson published in 1748. It tells the tragic story of a heroine whose quest for virtue is continually thwarted by her family and is the longest real novel in the English language. -Wikipedia</p> hardcover
17991356Glasgow: Printed for John Murdoch 1799. 2nd Edition . Hardcover. Good. Small 12mo. 162 pages. Quarter bound in dark morocco with patterned paper-covered boards. Text block with all edges gilt. Patterned endpapers. 7 folding engraved plates and 7 folding maps; plate 6 Lanark Cotton Mills is missing. Boards rather heavily worn along edges; lightly rubbed elsewhere. Pages toned but generally clean; a few foxing spots on some maps. Hinges just starting to crack but otherwise binding remains firm. <br/> <br/> Printed for John Murdoch hardcover
17871245661787 A Rouen, Chez la Veuve de Pierre Dumesnil / Labbey - M. DCC. LXXXVII. (1787) - Complet des 8 tomes reliés en 4 volumes in-12 (17.5x10.5 cm), reliure demi-cuir, dos lisse orné de filets horizontaux en doré, pièce de titre sur fond rouge et pièce de tomaison sur fond noir au dos, tranche mouchetées rouges - 212 + 237 + 224 + 222 + 268 + 278 + 282 + 277 pages
17517061C1751. Bände 1-3 von insgesamt 6 Bänden. Dresden. Walther. 1751 ca. 16 x 102 cm. III 544 S.; 510 S.; 440 S. Mit mehreren Stichen. Französische Sprache. Papp-Einbände der Zeit mit montierten Rückentiteln Bände 2 und 3 und bräunlich marmorierten Deckeln. Einband von Band 1 mit Schadstellen am Rücken Bindung etwas gelockert. Einbände von Band 2 und 3 mit Abrieb an hinteren Buchdeckeln insbesondere bei Band 3. Innen sind die drei Bände gut erhalten vereinzelt stockfleckig. Insgesamt noch guter Zustand für ein so altes Werk. Band 1-3 der insgesamt 6 Bände erschienen 1751-1752 im Verlag von George Conrad Walther in Dresden. Richardsons Roman wird literaturgeschichtlich als englische Prosa der Empfindsamkeit eingeordnet. Die Dresdner Ausgabe ist in französischer Sprache erschienen. Vom Englischen ins Französische übersetzt wurde sie von Antoine-François Prévost dem später durch sein Werk "Manon Lescaut" berühmt gewordenen französischen Schriftsteller. Angesichts nur kleiner Auflage für gehobene Kreise 270 Jahren seit Erscheinen und den Zerstörungen im 2. Weltkrieg heute sehr seltene Ausgabe von denen hier die ersten 3 Bände von 6 vorliegen. unknown
1787165902London : Printed for J. Debrett Opposite Burlington-House Piccadilly 1787. First Edition. Paperback. Very good ex-library copy in the original calf over marble boards with minor library marks remaining. Raised bands with gilt-blocked titling. Minor generalized wear to the bands and panel edges. Remains uncommonly well-preserved overall; tight bright clean and strong; 8vo 8"" - 9"" tall; 176 pages; Physical desc. : 176 i. E.167 p. Last numbered page misnumbered. With a half-title and a final errata leaf. Subject: France - Commerce - Treaties. Great Britain - Commercial treaties London : Printed for J. Debrett, Opposite Burlington-House, Piccadilly paperback
1783h114.056GB: Joseph Johnson 1783. "Doctor Gourlay 1783" written on reverse of title page. 442 pages plus index. Clean tight text. Text edges a bit worn and waved. In old marbled boards with plain leather spine. Binding bit worn. Book is in very good minus condition with minor but noticeable signs of wear and/or age. . Hardback. VG-/No DW. Joseph Johnson Hardcover
1781002426London: W. Strahan J. Rivington and Sons 1781 London: Strahan Rivington 1781. Seventh edition. 12mo. 316 360 376 334. Frontispiece. Leather binding is dry and cracked. All volumes have repairs to hinges with very old tape that needs to be replaced. Volume 4 is lack a front board; back board has separated. Previous owner from 1794 on ffep. Titles rubbed off spines of volumes I and II. Pages and signatures exceptional for the age of the books. Overall good condition. exceptions noted above. W. Strahan, J. Rivington and Sons hardcover
177197828452251431771, Aux dépens de la Compagnie, in-12 plein veau marbré, dos à 5 nerfs avec titrage et tomaison doré, tranches marbrées, traduit de l'anglois de Richardson par M. L'Abbé Prévost | Etat : état correct, coins et coiffes abîmés, dos usés (Ref.: ref96855)
17742020721London & Edinburgh: J. Murray / J. Creech 1774. First London Edition & Second Edition Corrected. Hardcover. Good. 16mo 224 pages full contemporary calf recently rebacked in plain leather <br/><br/>This work has been called one of the founding works of psychological criticism. "Shakespeare inventing the characters of Hamlet Macbeth or Othello actually felt the passions and contending emotions ascribed to them." - Introduction. This edition was preceded by the 1774 edition at Glasgow where Richardson was a professor. Jaggard p.262 / J. Murray / J. Creech hardcover
180041860Boston 1800. 19 1 blank pp. Stitched. With the half title in elegant typescript. Bound in contemporary pale blue wrappers heavy ink writing has caused some wrapper tears no printed text affected. Mild foxing. Upper margins trimmed closely removing page numbers but not affecting the text of the Oration. Good.<br /> <br /> "'Boston' in the imprint is a logogram" ESTC.<br /> Unlike most countries we assemble "not to pay the servile homage of adulation for the birth of kings and despots." Our revolution was not the "demon of anarchy"-- as in France-- and there are "no provinces defolated to mark the flaming path of Equality." <br /> Evans 38402. ESTC W28799. unknown
17921380941792. A New Edition Corrected with the Additions of An Essay on the Knowledge of Prints and Cautions to Collectors. Hardcover. G Marks from a variety of previous owners; some foxing to select pages; book block must have been rebound once and only 9 of the 12 original plates on pink paper were stitched in as part of that process. Comparing this copy to a scanned one shows that the missing images are of Pietro da Cortona Peter Paul Rubens and Anthony Van Dyck. Three-quarters brown & white paper boards with brown leather corners and spine gilt letters on spine gilt top edges 287 pp. 9 of expected 12 BW plates. Title on spine: Richardson on Painting. A later reprint of essays first written by Jonathan Richardson 1667-1745 in the early 1700s and considered to be the first such writings in English which addressed artistic theory. Enhanced by occasional BW plates of representative artists. A classic. hardcover
17921380941792. A New Edition Corrected with the Additions of An Essay on the Knowledge of Prints and Cautions to Collectors. Hardcover. G Marks from a variety of previous owners; some foxing to select pages; book block must have been rebound once and only 9 of the 12 original plates on pink paper were stitched in as part of that process. Comparing this copy to a scanned one shows that the missing images are of Pietro da Cortona Peter Paul Rubens and Anthony Van Dyck. Three-quarters brown & white paper boards with brown leather corners and spine gilt letters on spine gilt top edges 287 pp. 9 of expected 12 BW plates. Title on spine: Richardson on Painting. A later reprint of essays first written by Jonathan Richardson 1667-1745 in the early 1700s and considered to be the first such writings in English which addressed artistic theory. Enhanced by occasional BW plates of representative artists. A classic. hardcover books
180035808Boston 1800. 19 1 blank pp. With the half title. Light to moderate foxing disbound Good.<br/><br/> Unlike most countries we assemble "not to pay the servile homage of adulation for the birth of kings and despots." Our revolution was not the "demon of anarchy"-- as in France-- and there are "no provinces defolated to mark the flaming path of Equality." <br/>Evans 38402. unknown books
1792O22926DUBLIN: JAMES MOORE 1792. Full-Leather. Fair. Spine on the book is split apart. Pages are all present. There is some edge wear. Front cover is in pretty good shape. Back has some cuts in the leather and some stains. PROMPT PROFESSIONAL SERVICE! JAMES MOORE hardcover
1789E16986London: J. Murray 1789. Second edition. Wraps. Very Good. 12mo in original plain paper wraps. 96 pp. Fore edge uncut. Half title reads: "Essay On Falstaff &c./ Priced sewed Two Shillings". The second edition the first being the previous year. Wraps with moderate even soiling and a old round small sticker top corner and though still tight lacking the spine strip ; interior generally fine and clean. As early as 1820 this was considered a collectible book as referenced in A Catalogue of Rare Curious and Valuable Old Books on sale by Alfred Russell Smith it would have cost you 3 shillings 6 in those days. Hubbard's Shakespeariana notes that there is no apparent difference between this edition and the 1788. J. Murray unknown
17856048423Harrison and Co. 1785. Volume 20. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Re-bound by library. Octavo size. Cloth boards. Gilt lettering on spine. Internally clean and tight. Please note the Image in this listing is a stock photo and may not match the covers of the actual item950grams ISBN: Harrison and Co. hardcover
1769s020.055GB: C. Bathurst. Mess. Kincaid and Bell in Edinburgh 1769. Errata on verso of A4 with pasted-on slip at bottom. Clean tight text is a bit waved. Name of Cha: Bill at top of title page which is a bit dust marked and has a small repair to reverse top right. Fitted with new cream endpapers and professionally rebound in cream paper covered boards and grey cloth spine with modern title label. Front cover a little marked at base. Still a most presentable book. Book is in very good condition with minor signs of wear and/or age. . 1st Edition. Hardback. VG/No DW. C. Bathurst. Mess. Kincaid and Bell in Edinburgh Hardcover
176650301766 Paris, Chez les libraires associés, 1766-1770, 13 tomes en 6 volumes in-12 reliés pleine basane naturelle de l'époque, dos lisse à 5 faux nerfs en roulette dorée ornés de fleurons dorés, pièce de titre bordeaux, titre (histoire de clarisse) et tomaison, coiffes supérieures arrasées sur deux volumes (peu visible), 9 gravures hors texte non signées, le dernier cahier du tome I est relié en fin du tome II, très bon état
176815455Amsterdam Schreuder 1768 4 tomes en 2 volumes in-12 (10 X 17 xm) basane havane, dos à nerfs ornés de fers dorés, pièce de titre rouge. 276 + 333 + 304 + 308 pp. (Reliure de l'époque).
177115284Traduit de l'Anglois de Richardson par l'Abbé Prévost. 8 tomes reliés en 4 volumes.A Amsterdam, Aux dépens de la Compagnie 1771.Reliure plein veau de l'époque. Dos à nerfs orné et doré avec pièces de titre. Tranches rouges. Coins émoussés. Quelques épidermures. Coiffes frottées. Pas de rousseur. Quelques légères mouillures marginales sur une vingtaine de feuillets au T8. Format in-12° (17x10).Richardson (1689-1761) avait cinquante ans lorsque, à la demande de plusieurs libraires, il se mit à écrire un recueil de lettres morales. A mesure qu’il poussait son travail, il en résulta Paméla ou la Vertu récompensée (Londres, 1740). Le succès énorme de cet ouvrage fit instantanément de Richardson un des écrivains les plus connus et admirés de son époque. Il a influencé des écrivains tels que Jane Austen, Goethe, Jean-Jacques Rousseau ou Choderlos de Laclos.
