17 688 résultats
4 vols., 4to., First Edition, with frontispieces and very numerous illustrations and photographs in the text; cloth, backstrips lettered in black, coloured endpapers, front board of first volume lightly browned at extreme upper edge else all near fine copies in unclipped dustwrapper (dustwrapper of first volume moderately browned). The set comprises: Vol. I: 1881-1906 (1991 ); Vol. II: 1907-1917 (1996); Vol.III: 1918-1932 (2007); Vol. IV: 1933-1943 (2022). THE UK EDITIONS ARE FAR SCARCER THAN THEIR US COUNTERPARTS; COMPLETE SETS OF THE UK EDITION ARE EXCEEDINGLY SCARCE.
190319805New York: The Century Co. 1903. Twelve volumes bound in ten. First edition. Limited to only 135 sets. Each volume with a very fine engraved frontispiece portrait from various sources contemporary to the authors and with handsome colour decorated title pages in an Arts & Crafts Movement style throughout the set are 46 fine engraved plates by various authors with captioned tissue-guards including Charles Brock's 8 plates to PRIDE AND PREJUDICE and Cruikshank's 4 plates to HUMPHREY CLINKER. The plates and decorated titlepages are printed on a fine heavy stock reminiscent of parchment. Large 8vo publisher's Deluxe bindings of three-quarter green/brown morocco lettered and decorated in gilt on the spines between raised bands softly marbled endpapers a.e.g. A lovely set with spines lightly mellowed as would be usual very minimal evidence of age signatures unopened internally as pristine. INCLUDES WORKS FROM THE SPECTATOR PAMELA JOSEPH ANDREWS PRIDE AND PREJUDICE HUMPHRY CLINKER THE CAXTONS CONINGSEY JANE EYRE IT IS NEVER TOO LATE TO MEND AND THE BARCHESTER TOWERS. This Comedie Humaine selection is based on the one by Balzac. From English literature works were selected as a group of masterpieces in the study of character and manners. Various writers and periods are represented and thus the writings make not only a collection of the best work in English literature but as well an instructive historical survey of successive periods of English social life. The Century Co. hardcover
1967165381London: Woodfall Film Productions 1967. Draft script for the 1968 British film.<br /> <br /> A satirical antiwar film depicting the follies of the British Army during the Crimean War interspersed with animated sequences and opening credits by Richard Williams. The film debuts of Natasha and Joely Richardson daughters of director Tony Richardson. Nominated for seven BAFTA Awards. <br /> <br /> Shot on location in London Greenwich and Hampshire in the UK and in Pecenek Central Anatolia Istanbul and Saraycik Turkey. <br /> <br /> Tall blue wrappers with a die-cut title window in the British style. Title page present dated 31st March 1967 with credit for screenwriter Charles Wood. 115 leaves with last page of text numbered 113. Mimeograph duplication on eye-rest green stock rectos only. Pages Very Good plus wrappers Very Good plus bound internally with three silver brads. Woodfall Film Productions unknown
178567202à Genève Geneva: Chez Paul Barde 1785. Fine. Chez Paul Barde à Genève Geneva 1785 13.30 x 20.80 cm 10 tomes en 10 volumes reliés First octavo edition in Letourneur's new translation illustrated with 21 fine figures by Chodowiecki and a frontispiece portrait by Pujos on strong paper. The figures printed before letters. The English original was published in 1748. Contemporary full porphyry sheep bindings. Smooth spines very richly decorated with ornamental compartments Greek fillets at head and tail fillets between compartments. Red morocco title label volume label with urn and garland in black morocco. Leather of upper joint of volume I narrowly split at head; slight lack at tail. Small leather lack at head of volume II revealing the board; lacks to joint at tail; lack to lower joint at head. Volume III: lower joint split at tail. Volume IV: lower joint split at tail. Volume V: upper joint narrowly split. Volume VI: Lower and upper joints with lacks at tail and narrow splits along the lower joint. Volume VII: Top of headcap rubbed and slightly worn. Volume IX: Upper joint split at head and top of headcap rubbed. Volume X: Lower joint open at head same at tail upper joint split at head. Some corners slightly bumped. No half-titles were bound in this copy. Fresh copy overall full-margined some engravings are shorter in right margin. Despite the mentioned defects superb set in rich decorative binding. Clarissa Harlowe is the second major novel published by the author after the immense success of Pamela; it is again a sentimental novel whose virtuous heroine finds herself forced by her family to marry a noble ugly and obese man against her will. She will flee with one Lovelace the very type of elegant villainous and deceitful libertine who desires to constrain her body and soul leading her into social and moral decline but this will be without counting on Clarissa's virtuous qualities. If the novel from a modern viewpoint suffers from sentimentalism and length it nonetheless remains true that the construction of the plot the dramatic twists and the psychology would durably mark European literature. Diderot would proclaim it in his Eloge de Richardson and numerous authors would claim it as influence or undergo its influence: Rousseau Jane Austen Choderlos de Laclos. Chez Paul Barde hardcover
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195023596Laramie: Top-of-the-World Press 1950. Limited edition. Hardcover. Very good. 4to. vii 1 752pp. Red buckram spine title in gilt. Illustrated with photographs and facsimiles. Spine sunned gilt darkened else this is a very good copy.<br /> <p><br /> With the stamp of Revue Productions and the signature of Lillian Rose on the front pastedown. Rose was a scriptwriter for Revue known for her scripts for Death Valley Days and The Lone Ranger.<br /> <p><br /> Limited edition one of 1000 numbered copies; This is number 575. Signed by all three authors on the title page. <br /> <p><br /> The fairly definitive history of pioneer ranches and ranchers in the Laramie Plains of Wyoming in the 19th and early 20th centuries. Top-of-the-World Press hardcover
1828130401London: John Murray 1828. First Edition. Hardcover. ex library-fair. xxiv 320 clvii p. 29 cm. 31 plates. 5 maps #5 missing. Full leather with gold trim. All edges gilt. Ex library with labels on endpapers ink notation on rear of title page. Front board detached. Corners and edges worn spine missing stain on front scuffs to leather. Tear in inner margin of title and page opposite. Ink stain on text block edge. Rough edge to one rear fold-out map. <br/><br/>Franklin explored the Arctic coast from the Mackenzie Delta west to Point Barrow while Richardson's team explored east to the mouth of the Coppermine River. Their combined exploration added 1200 miles of coast line to the map of the Canadian Arctic. Plates are fine engravings by Edward Finden after drawings and sketches by Lieut. Kendall and Capt. Back. Scientific data listed in Appendices. TPL 1434. Lande 1182. Sabin 25628. John Murray hardcover
1942010344Detroit: Arnold-Powers Inc. 1942. Book. Very Good. Cloth. Signed by Authors. 1st Edition. 8vo - over 7¾ - 9¾" tall. SIGNED at half-title page by author Sullivan and Arnold Whitaker and Kenneth C. Van Hee the two men who accompanied Sullivan one their expedition down the Pan American highway in a stock model 1941 Plymouth built in Detroit. Very Good lacking the dust jacket two perhaps prior owner signatures in pencil also at half-title spine a touch sunned slight rubbing at edges. Illustrated map end papers. 330 pages with numerous black and white photos. Uncommon SIGNED by all 3 men. . Arnold-Powers, Inc. Hardcover
1796373757New York: Printed by Mott & Lyon for Evert Duycinck 1796. 144pp. 1 vols. 12mo. Contemporary calf backed patterned paper boards. Small tear at lower outer corner of title just touching a few letters. Cloth clamshell box. 144pp. 1 vols. 12mo. First published in London 1740 the first American abridged edition of Richardson's important epistolary novel was published in Philadelphia 1792 Evans 24744. A lovely example. ESTC W12615; Evans 31101; Welch 1103.5 Printed by Mott & Lyon, for Evert Duycinck unknown
181023369London: Pamela & Clarissa: Printed for F.C. & J. Rivington et al; Grandison: Printed for T. Payne G. Robinson et al 1810. Book. Good Plus. Hardcover. 12mo. 19 Volumes in Total. Contemporary acid-washed calf with gilt-tooled boarder smooth spine ruled in gilt with newer double spine labels in gilt-stamped leather marbled endpapers. Covers worn scuffed and rubbed spine gilt faded corners rubbed and rounded chipping to head of spines but original headbands intact. All volumes contain a previous owner's ink signature with the date of 1862. "Pamela" originally published in 1740 is considered the first modern novel and was a sweeping success; "Clarissa" oringally published in 1747/8 is considered Richardson's masterpiece; "Sir Charles Grandison" originally published in 1753/4 was written in answer to his female friends' requests to create a male character as virtuous as his heroines "Pamela" and "Clarissa". Overall a good plus complete set. Pamela & Clarissa: Printed for F.C. & J. Rivington, et al; Grandison: Printed for T. Payne, G. Robinson, et al Hardcover
26040RICHARDSON Jonathan. STRAWBERRY HILL PRESS RICHARDSON Jonathan. THE WOR OF JONATHAN RICHARDSON. Strawberry Hill: T. and J. Egerton and others 1792. 4to. Contemporary vell spine marbled boards. ii 287 pages 12 plates. First edition. This is an unsophisticated uncut copy of original Strawberry Hill edition of this famous work a great influence on the classical school of painting in England specifically William Hogarth and Sir Joshua Reynolds. Richardson's works were popular in early America and were in the library of Thomas Jefferson. A forgery of this edition was also published in 1792 identified plates portraits of old masters on tinted pink paper and the omission of th binder's instruction for the plates. With a few pencil notations throughout. very scarce book rare in original boards which are heavily rubbed. unknown
1902326992London: Chapman and Hall 1902. Limited. hardcover. near fine. Introduction by Ethel M.M. McKenna. 20 volumes. Frontispiece portrait and 16 additional plates. Tall 12mo handsomely bound in 3/4 red morocco over marbled boards with simple gilt-decorated spines with raised bands; marbled endpapers uncut edges top edges gilt. London: Chapman & Hall 1902. Limited edition. The Ranelagh Edition -- number 174 of 250 copies. Some minor scuffing still a near fine set.<br/> <br/> Chapman and Hall unknown
1923258560London: The London & Counties Press Association 1923. First edition No. 127 of only 475 complete sets. Profusely illustrated with the frontispiece of Vol. I being an original signed etching by Alick P.F. Ritchie. 3 vols. Large 4to 12-1/2 x 10-3/4 inches. Original dark brown morocco almost fine. First edition No. 127 of only 475 complete sets. Profusely illustrated with the frontispiece of Vol. I being an original signed etching by Alick P.F. Ritchie. 3 vols. Large 4to 12-1/2 x 10-3/4 inches. An imposing substantial study of flat racing steeplechasing breeding training stable management and sporting history contained in three massive volumes printed on heavy rag paper totaling over 1200 pages with 229 superb plates and representing an extraordinary production which would be impossible to duplicate today. Loder 1162 The London & Counties Press Association unknown books
26040RICHARDSON Jonathan. STRAWBERRY HILL PRESS RICHARDSON Jonathan. THE WOR OF JONATHAN RICHARDSON. Strawberry Hill: T. and J. Egerton and others 1792. 4to. Contemporary vell spine marbled boards. ii 287 pages 12 plates. First edition. This is an unsophisticated uncut copy of original Strawberry Hill edition of this famous work a great influence on the classical school of painting in England specifically William Hogarth and Sir Joshua Reynolds. Richardson's works were popular in early America and were in the library of Thomas Jefferson. A forgery of this edition was also published in 1792 identified plates portraits of old masters on tinted pink paper and the omission of th binder's instruction for the plates. With a few pencil notations throughout. very scarce book rare in original boards which are heavily rubbed. unknown books
1902158811Philadelphia: Lippincott 1902. hardcover. very good. Introduction by Ethel M.M. McKenna. 20 volumes. Frontispiece portrait and 16 additional plates. tall 12mo handsomely bound in 3/4 black morocco over marbled boards with ornate gilt-stamped spines edges a bit rubbed; marbled endpapers uncut edges t.e.g. Philadelphia: Lippincott & London: Chapman Hall 1902. An attractive set in very good condition.<br/><br/> Lippincott unknown books
1901Embry 157921Croscup & Sterling Company New York: 1901. Edition de Bibliophile one of twenty named copies this being the "Catherine Lintot" copy signed by the publisher. Spines of four volumes sunned a shade occasional slight rubbing overall a fine and very attractive set. Illustrated throughout with illustrations in two states sometimes three the first state of each being hand-colored and signed in pencil presumably by the colorist. Full crushed green morocco by Stikeman. Spine panels stamped with leaf and floral central devices with double gilt surrounds. Boards elaborately gilt with leaf and floral boarder with red onlay corners encompassing a stippled field of leaf and flower devices. Pastedowns in full green morocco with repeating leaf and floral pattern wide border and with red morocco central panel with a gilt cartouche of Richard's initials against a pen and paper background. This is eight volumes from a twenty volume set but is the complete work "The History of Clarissa Harlowe." Croscup & Sterling Company, New York: 1901. Edition de Bibliophile, one of twenty named copies, this being the "Cath hardcover books
181934051819. Aquatint printed in colors with additional hand-coloring. Originally published by the artist Newcastle: 1819. A modern impression printed on hand-made wove paper with wide margins and in excellent condition. Thomas M. Richardson was a Newcastle-based artist who began his career as an engraver of local views. From 1818 he exhibited paintings in several places in London including the Royal Academy. Views of his native city and its environs were a staple of his output. In this view we can identify several buildings which still stand: the neoclassical Moot Hall with its porticoed entrance and the Castle Keep behind it. Toward the center of the composition the neo-Gothic spire of St. Nicholas' church now cathedral rises above a terrace of houses. unknown books
186516105London 1865. Chromolithograph. Trimmed and mounted on board as issued. In excellent condition with the exception of a tear in the image. Scratch in upper section of image with small puncture mark. Image size: 16 3/4 x 25 13/16 inches. A picturesque view of St. Goar on the Rhine by the celebrated landscape painter Thomas Richardson.<br/> <br/>Thomas M. Richardson born and died in Newcastle upon Tyne but spent a considerable amount of time traveling in France Switzerland Italy and Germany and produced lithographs of the watercolours he did there. This excellent study on the Rhine being a perfect example. The printing a major element in the success of a chromolithograph was done by M. & N. Hanhart. Richardson was son and pupil of T. M. Richardson the Elder who taught him to work in oils and watercolours. After his father's death Richardson the Younger worked exclusively in watercolour. He was a member of the Society of Painters in Watercolour and a member of the Royal Scottish Academy. Chromolithography was achieved by using a series of carefully registered tint stones to create a smooth richly coloured image. This printing process became immensely popular towards the end of the nineteenth century and was widely used in fine art as well as commercial printing. One of the most important chromolithographic firms was M & N Hanhart in London. The firm founded by Michael Hanhart began publishing its first prints in 1840 and remained in business until the end of the century. Hanhart's was known for its large separately published chromolithographs but it printed everything from book illustrations to song sheets. This stunning print after Richardson is a fine example of Hanhart's superior chromolithographs. Its intense colour and meticulous detailing is common of Hanhart's superior printing techniques representing the best example of nineteenth century chromolithography.<br/> <br/>Benezit Dictionary of Artists. unknown books
178566986London: printed for J. F. and C. Rivington. T. Davies B. Law T. Cadell G. Robinson J. Johnson W. Goldsmith W. Lowndes. J. Knox W. Fox C. and T. Wilkie P. Maqueen and E. Newberry 1785. 8 volumes 12mo original pink pastepaper wrappers; engraved frontispieces in each volume folding plate of engraved music in volume II; overall wear wrappers rubbed especially on volume VIII and worn but the binding is sound. Volumes II and V partially unopened the remainder unopened save volume I. Leaf of ads at the back of volume III and a 9-page catalogue at the back of volume VIII. First published in 1748 this remains one of the greatest English novels. printed for J. F. and C. Rivington. T. Davies, B. Law, T. Cadell, G. Robinson, J. Johnson, W. Goldsmith, W. Lowndes. J. Knox, W. unknown