Gabriel RichardsonBiblio.com
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1627030866Oxford: Henry Cripps 1627 An extremely rare and interesting account of European states as they were in 1627. In new full leather binding with raised bands and gilt titles to spine. It is missing some preliminaries including probably the main title page. The title page remaining has had a paper repair and has been much written on over the centuries. There is a clear signature from 1859 but all others have been crossed out. The preface is a dedication from the author to the Bishop of Lincoln. The text is then divided into the 14 books each paginated separately. Books I to III cover England and Wales; Book IIII covers Scotland; V - VII Spain; VIII - X France; XI - XIIII part - Germany; and the remainder of XIIII covers Switzerland Netherland Denmark Norway Sweden Poland Hungary Croatia and and Dalmatia. Each book has a woodcut header and a woodcut decoration to the intial letter. There is also woodcut decoration to the ends of sections. The contents are generally clean and bright although there is some browning to the edge of pages Book I is particularly affected by this and occasional spotting. There are occasional old notes in ink. Henry Cripps hardcover
1841750851st Series 26 plates including letterpress of which 3 are coloured; 2nd Series 35 plates 5 of which are coloured; 3rd Series 44 sepia plates including title pages and illustrated letterpress also included are 9 loose plates/letterpress which appear to belong to one of the volumes and are dated 1841 Published by Thomas McLean hardcover
2022x-052183306XCambridge University Press 2022. 4 Hardback books. New. 1st edition. 3000 pages. 9.65x6.38x4.96 inches. Cambridge University Press hardcover
197610943435Popular Library 1976. First Popular. Mass Market Paperback. Good. Small crease in front corner. Pages yellowed. Signed by owner on first page. Popular Library paperback
19012512New York: Charles Scribner's Sons 1901. Hardcover. Very Good. xiv. 248 pages. Red cloth covered boards Volume 1 Ownership plate in front for The New York Acadamy of Medicine. Faint purple stamp on title page <br/><br/> Charles Scribner's Sons hardcover
184526913London: Charles Knight & Company Ltd. Very Good with no dust jacket. 1845. Second Edition. Hardcover. 8vo; 648 pages; 3 folding engraved maps outlined in color. Maps with some foxing and splits at folds. Contains a detailed geographic description of every location in America based on leading authorities of the day including a chapter on the Republic of Texas. The map of North America shows Texas with the Panhandle extending up to Santa Fe. Second and best edition text revised and with the maps that did not appear in the first edition of 1841. . Charles Knight & Company Ltd. hardcover
191942738NY: Alfred A. Knopf. Very Good with no dust jacket. 1919. First Edition. Hardcover. Maroon cloth with spine label red topstain. First American edition. Spine ends/edge lightly bumped slight corner wear trace soil. Firm binding/hinges. First novel of "Pilgrimage" series. ; 8vo 8" - 9" tall; 285 pages . Alfred A. Knopf hardcover
1845B1627Suffolk: Thomas McLean 1845. Minor wear to extremities. Occasional foxing otherwise a very good to excellent set. Binding: Contemporary maroon half calf with marbled boards. Spine with raised bands gilt title and gilt decoration. Cover with gold fillets. Marbled endpapers. All edges gilt. Size: Folio Illustration: Illustrated with lithographed title-page 23 paper-guarded lithotint or lithographed plates of text surrounded by decorative carvings and plasterwork and 47 lithotint plates of exteriors of manor houses mansions and gardens room interiors decorative fireplaces doorways staircases cabinets and paneling 3 double-page. Volume: 4 vols in 2 References: Abbey Life 54. Pages: Pages unnumbered. Category: Book Art Architecture & Design; Book Europe United Kingdom; Thomas McLean hardcover
1754310843London 1754. hardcover. very good. 6 of 7 volumes -- LACKING volume V. 12mo full contemporary brown calf ornately gilt spines with burgundy and black spine labels. Light age toning and some foxing London: Printed for S. Richardson 1754. A very good charming set although missing the one volume.<br/> <br/> unknown
17761360300London: John Donaldson 1776. Seventh Edition. Hardcover. Octavos 2 vii-ix 3 345 2 Vol. 1; 315 1 Vol. 2; 223-2991 Vol. 3; 3-308 1 Vol. 4; 3-324 1 Vol. 5; 3-320 Vol. 6; 3-322 Vol. 7; 3-346 1 Vol. 8. Good; bound in contemporary leather with burgundy and gilt spine titles some areas of discoloration to covers wear and slight tears to spine edges and corners all volumes are in protective plastic covers; some boards slightly shaken bindings else tight; text blocks age toned but clean; pages clean; half-title in Vol. 1 only; previous owner names in ink on ffeps "Jannett McCurdy's;" "AH Has ; J.C. Jennings;" long transcription of an extract from Chateaubriand in ink to front matter of Vol. 1 and dedication see Notes. Shelved above WWI. Samuel Richardson 1689 - 1761 was an English writer and printer known for his epistolary novels. He printed almost 500 works including journals and magazines working periodically with the London bookseller Andrew Millar. Richardson had been apprenticed to a printer whose daughter he eventually married. He lost her along with five sons but remarried and had four daughters who reached adulthood but had no male heirs to continue the print shop. As it ran down he wrote his first novel at the age of 51 and joined the admired authors of his day. via Wikipedia<br> <br /> <br> <br /> Much like the Bertrams in Mansfield Park Jane Austen and her siblings were fond of putting on "theatricals" at home for their friends and neighbors. In 1793 at the age of eighteen Jane Austen began writing and shortly afterwards abandoned a dramatic adaptation of this work entitled "Sir Charles Grandison or the happy Man a comedy in 6 acts." She completed it in 1800.<br> <br /> <br> <br /> Extract copied into Volume 1:<br> <br /> "Of all representations of madness says dr. Joseph Warton that of Clementina's is most deeply interesting. I know not whether even the madness of Lear is wrought up and expressed by so many little strokes of nature & passion - it is absolute pedantry to prefer and compare the madness of Orestes in Euripides to this of Clementina"<br> <br /> <br> <br /> Richardson has founded the excellence of his good characters entirely upon a Christian basis. He has exemplified the beautiful ideal of human nature -- the character of Clementina Sir Charles Grandison and Clarissa Harlowe are the most virtuous amiable accomplish'd and noble that can well be imagined -- they are supported with strict propriety & elevated by uncommon dignity -- and charm the reader while they command his admiration -- they show that mankind are truly happy only in proportion as they listen to the dictates of conscience and follow the path of duty --- where could Richardson a bookseller and a printer immersed in the occupation of his shop and his press acquire such a correct acquaintance with high life and refined society such exalted sentiments of religion honor love freindship and philanthropy as he has displayed in his works -- Where did he acquire such a command over our feelings such a power "to open the sacred source of sympathetic tears"<br> <br /> <br> <br /> The best answer to these questions is -- that he deriv'd those treasures from the rich resources of his own mind from the study of the bible and a quick insight into human nature & character. He has been justly styled "the great master of the human heart" -- "the Shakespeare of romance." -- Clarissa Harlowe -- & Sir Charles Grandison are long works because they are designed to develop the springs of human action and give a distinct view of the progressive various and complex movement of the human mind -<br> <br /> <br> <br /> Prolixity is made the pretext of the frivolous novel readers of the present age to neglect these invaluable works - alltho if they be weighed in the balance of literary justice they will be found to comprise as much if not more sterling excellence than half the novels that have been written since their publication."<br /> <br> <br /> Transcribed from The Beauties of Christianity pp. 103-104 by Chateaubriand tr. 1813 Frederic Shoberl<br> <br /> <br> <br /> There is a dedication in the same hand as the extract _______ "from her dear mother" on the recto of the title facing page. The dedicatee's name has been scratched out. 1360300. Shelved Dupont Bookstore. John Donaldson hardcover
1824008222London: Hurst Robinson and Co 1824. Book. Very Good Plus. Hardcover. First Edition. 8vo - over 7¾" - 9¾" tall. Edinburgh : Printed by James Ballantyne & Co. Ballantyne's Novelist's Library v. 6-8.edited by Sir Walter Scott. Three volumes bound in contemporary full polished calf the backs with two brown calf labels lettered in gilt and three sections ornately decorated in gilt printer's name in gilt at tail edges marbled prior owner name and small gift inscription in pencil light wear at edges mild toning approx. 25 pp. Vol. III with creasing a Very Good Plus set. RARE the last copy sold at auction 1972 RBH. The first editions of these novels published 1740-1742. . "Pamela" is considered by most to be the first novel published in English. A heavy set please be advised added shipping charges will be requested for priority mail and international orders please inquire before ordering. v. 1. Pamela or Virtue Rewarded. The History of Clarissa Harlowe in a series of letters -- v .2. The History of Clarissa Harlowe -- v. 3. The History of Sir Charles Grandison Bart. in a series of letters. Hurst, Robinson, and Co Hardcover
2006126483New York: JMC & GHB Editions 2006. First edition. Hardcover. Number 13 of only 20 slipcased copies. A collection of images of the punk environment in Southern California in the early 1980's that Richardson was a part of. A very fine copy in a fine dust jacket and in a very near fine slipcase. Includes two original photographs one in color and one in black and white both of which have been signed and numbered by Richardson who has additionally signed the book on the colophon page. At publisher price. JMC & GHB Editions unknown books
elala3552Montreal: Armour & Ramsay… 1838. First Edition. Scarce. From 1834 to 1837 Richardson served in the British legion a volunteer force employed in support of the Spanish royalists and commanded by General De Lacy Evans. This is one of three works he wrote relating to his experiences in Spain. It continues in greater detail the account of the rupture between Richardson and General Evans begun in the addenda to his Movements of the British Legion in Spain 1837 a greatly enlarged second edition of his Journal of the Movements Of The British Legion in Spain 1836. It is also the first work of his to be published in Canada. Richardson who had been wounded in the Spanish campaign was promoted a major in 1836 and was awarded a knighthood in the military Order of St. Ferdinand for his courage in battle. Casey I 1637. Dionne III 346. Gagnon I 3016. Lande 2130. Morley 45. TPL 2209. 8vo. pp. 145 1errata iv. original cloth-backed bds. spine defective joints cracked occasional spotting Montreal: Armour & Ramsay…, 1838 hardcover
2022Manohar-9780367465650Routledge 2022. Paperback. New. Routledge paperback
2022Manohar-9780367465650Routledge 2022. Paperback. New. Routledge paperback
2013HTSLEATHER115Book Palace Books 2013. Hard Cover. M - Mint. Frank Bellamy. #115 from the Leatherbound Numbered edition limited to 120 copies with embossed slipcase. Comes with additional 24 pages of meticulously scanned reproductions of original Bellamy Heros artwork never before seen in public. Heros the Spartan is the most eagerly anticipated reprint of any classic British comic strip. In 1962 Frank Bellamy was asked to draw a new Roman epic strip for the Eagle written by Tom Tully. Bellamy had previously honed his artistic skills on Robin Hood and King Arthur in the Swift both available from Book Palace Books and The Happy Warrior the Story of Winston Churchill Montgomery of Alamein Marco Polo and Fraser of Africa also in the Eagle. At the pinnacle of his artistic skills this new commission gave him a unique opportunity. The new strip Heros the Spartan was being presented on the centre double page spread of the Eagle. This enormous canvas gave Bellamy a format few comic strip artists ever achieve or even dream of. The double page format enabled Bellamy to create the greatest comic strip adventure ever presented to the public. He excelled himself with revolutionary page and panel design and dramatic ink line work all in glorious colour and his ink lines and colour work on this strip have yet to be equalled by any other artist on any strip. Universally regarded as THE greatest British comic strip ever produced the art has never before been reprinted since its initial publication in 1962. We at Book Palace Books have longed to reprint Heros the Spartan. Our opportunity to do so came over 2 years ago and coupled with current advanced scanning and reproduction techniques we are proud to be able to present Heros in this most luxurious format at a quality of reproduction far superior to the original comic printing. This had been a tremendous undertaking and we have had a lot of help from dedicated Bellamy collectors from around the globe. The introductory chapters which feature Dez Skinn and Dave Gibbons' interview with the great man many thanks to both Dez and Dave also includes mouth watering reproductions of key examples of Bellamy artwork that are largely sourced from high resolution scans and add an extra zing to the whole production. Finding Bellamy Heros originals was as problematic as can be anticipated with artwork of this vintage. The search continued throughout the eighteen months that this project occupied us and we did manage to unearth a lot of Heros artwork that had remained unseen for decades. One of the spreads high on our list was of course the famous massacre of the fifth legion which was one of the strip's many artistic high spots. We did locate the spread in question and we were delighted to reproduce at least a sizeable chunk of original artwork adding a lot of extra lustre to what is already a very desirable book. This means that each spread runs over two pages the binding on this book is such that each spread opens out without information getting lost in the gutter. We have designed the whole book to emphasize the panoramic feel and to reinforce this cinematic effect. Over 18 months of meticulous scanning colour corrections and with the best printing money can buy Heros the Spartan is now available again after over 50 years. We took the decision to reproduce the Heros pages to the same size as they first appeared in the Eagle comic some fifty years ago. For those who remember the strip this will bring back very fond memories. For those of you who have only previously heard of Heros or who have only seen a few examples boy are you in for a treat! After 50 years Bellamy's Heros is in print to excite a whole new generation of knowledgeable comic enthusiasts collectors and art aficionados. This is number 115 from the Leather edition limited to 120 hand numbered copies with an additional tipped in plate. The custom-dyed leather cover is embossed with an image of Heros and the page edges are gold blocked. The Leather edition contains an additional 24 pages of meticulously scanned reproductions of original Bellamy Heros artwork not previously seen by the public. Bask in the full detail of the masterful pen and ink and colour compositions for the first time in over 50 years. This VERY special leather edition is enclosed in its own unique embossed custom-dyed leather slipcase. A Book Palace Books publication. 296 pages. Full Colour illustrations. 11" x 14" 270mm x 360mm. Slipcase. 4 Book Palace Books hardcover
1941134870Hollywood: Paramount Pictures 1941. Vintage double weight studio still photograph of hapless Henry Fonda and beguiling Barbara Stanwyck from the 1941 film. Rubber stamp on the verso dated December 4 1940 indicating that Hollywood Advisory Council i.e. Hayes Office has approved the photo as not being scandalous. <br/><br/>8 x 10 inches. Fine. <br/><br/>National Film Registry. Criterion Collection 103. Paramount Pictures unknown books
1913147845London: Arthur L. Humphreys 1913. First edition of this work exploring the relationship between physical movement dance and beauty. Octavo bound in full crushed purple morocco by Sangorski & Sutcliffe with gilt titles to the spine in six compartments within raised bands Art Nouveau stamped in blind gilt turn-ins all edges gilt tissue-guarded frontispiece bound in. Ten plates under printed guards were extracted from the book and are present in a folding chemise within the case. In near fine condition. Housed in a custom folding case. A very attractive example. Lady Constance Stewart Richardson a Scottish aristocrat and early 20th-century dancer was a pioneering advocate for natural movement and physical expression particularly for women. Her book Dancing Beauty and Games emphasizes the importance of dance as both an artistic and physical practice promoting health grace and self-expression. Rejecting rigid Victorian ideals of femininity Richardson encouraged freedom of movement often performing barefoot in flowing garments aligning her philosophy with emerging modern dance principles. The book also explores the role of physical activity in cultivating beauty and well-being positioning dance as an essential component of both artistic and personal development. Her work reflects broader cultural shifts of the time challenging traditional constraints on women's physicality and reinforcing the idea that movement is integral to both aesthetic and physical vitality. Arthur L. Humphreys hardcover
1792240340London: B. Law and Son T. Cadell and more 1792. First Edition. Hardcover. Bound in near contemporary full tree calf with gilt-blocked leather lable to the spine. Some wear to the spine and panel edges as with age. Remains well-preserved overall; bright clean and sharp-cornered. Physical description; 8 volumes. Summary; Pressured by her unscrupulous family to marry a wealthy man she detests the young Clarissa Harlowe is tricked into fleeing with the witty and debonair Robert Lovelace. He however proves himself to be an untrustworthy rake whose vague promises of marriage are accompanied by unwelcome advances. Pressured by her unscrupulous family to marry a wealthy man she detests the young Clarissa Harlowe is tricked into fleeing with the witty and debonair Robert Lovelace and places herself under his protection. Lovelace however proves himself to be an untrustworthy rake whose vague promises of marriage are accompanied by unwelcome and increasingly brutal sexual advances. And yet Clarissa finds his charm alluring her scrupulous sense of virtue tinged with unconfessed desire. Told through a complex series of interweaving letters ""Clarissa"" is a richly ambiguous study of a fatally attracted couple and a work of astonishing power and immediacy. A huge success when it first appeared in 1747 and translated into French and German it remains one of the greatest of all European novels. Subjects; England — Social life and customs — Fiction. General & literary fiction ; Novels other prose & writers ; Literary studies: 16th to 18th centuries. Fiction / Classics. England - Fiction. Kidnapping - Fiction. Young women - Crimes against - Fiction. Genres; Bibliography. Epistolary fiction. Novel. London: B. Law and Son, T. Cadell, and more hardcover
a870591948 American Physical Society. One large volume of July 1 thru December 15 of 1948 of this important journal of experimental and theoretical physics. Many important developments in modern physics in one volume. This volume includes landmark works as Bardeen & Brattain's "Transistor a Semi-Conductor Triode"; Richardson "Life of a Heavy Meson" Feynman "Relativistic Cut-Off for Classical Electrodynamics" Brattain and Bardeen "Nature of Forward Current in Germanium point contacts"; Shockley and Pearson "Modulation of conductance of thin film of semi-conductors" and much more. Hardcover. 4to. 1932p. gilt printed red buckram. Two small stamps of an industrial library inside front cover and on title page and blank strip of paper to hold library card neatly tipped inside rear cover. Near Fine. a very few pages have slight curl on extreme lower page tip. No other marks. . hardcover
1782298728London: J. Stockdale; R. Faulder 1782. First Edition. Half Leather. Very Good binding. 8vo.; in an attractive later binding of red half-goat over marbled boards with raised bands with morocco label lettered vertically; with marbled endpapers; 2 49 1 pages.~~A note on this rather interesting binding: we assume that the binder was charged with binding a group of different books to a uniform size -- the title page is trimmed and mounted and all the other leaves are folded neatly to fit the bottom edge and then the leading edge over it. Rather astonishing actually.~~This is Ritson’s first book in which he attacks Thomas Warton’s History of English Poetry in such vitriolic tones -- Warton is a pretender a cheater and a liar -- as to cause quite a contretemps in late 18th century English literary circles. One assumes this actually pleased Ritson as he went on the next year to attack Samuel Johnson and George Steevens. Eventually Ritson went complete mad barricading himself in his rooms at Gray’s Inn and setting fire to a pile of manuscripts. Very Good binding. J. Stockdale; R. Faulder unknown
1948158992Buckinghamshire: London Film 1948. Two vintage reference photographs of director Carol Reed on the set of the 1948 British film one showing Reed with a camera crew on location and the other showing Reed between takes with actors Ralph Richardson and Bobby Henrey. Both photographs with printed mimeo snipes affixed the versos one with the stamp of photographer Leslie Baker on the verso and one with a studio stamp incorrectly crediting Anthony Asquith's 1948 film "The Winslow Boy." <br /> <br /> Based on Graham Greene's 1936 short story "The Basement Room" about a diplomat's son who comes to suspect that his family's beloved butler has committed a murder. <br /> <br /> Shot on location in London. <br /> <br /> One photograph 9.75 x 8 inches one photograph 10 x 8 inches. Near Fine. <br /> <br /> Criterion Collection 357. Grant UK. Penzler 101. Selby UK. Selby UK Masterwork. Spicer UK. London Film unknown
194314104London: Oxford University Press Indian Branch. Very Good in Very Good- dust jacket. 1943. First Edition. Hardcover. Circular blind-stamp of the "Preparatory Research Council / American Aero-Medical Mountain Mission" on the front endpaper and title page. Dust wrapper spine has some tears and losses and signs of label removal.; xvi 447 pages. Green cloth boards. Page dimensions: 247 x 182mm.The dust wrapper and endpapers are of hand made paper manufactured in Bhutan for the Tibetan market. The front panel of the dust wrapper has the same type setting as the title page. Printed in India. Scarce particularly with the dust wrapper. Aurel Stein's Preface is dated "Camp Bahawalpur January 1 1943". "His Holiness the Fourteenth Dalai Lama Jetsun Jampel Ngawang Lobsang Yishe Tendzin Gyatsho was born on the sixth of June 1935 near Kumbum in the district to the south-east of Lake Kokonor which the Tibetans call Amdo. A visit to Lhasa in 1940 in connexion with his installation gave opportunity for much of the work which has been done on these books. Based on an examination of syllables the books show how it is that Dalai means Ocean that Lama means one who is Above All that Kumbum means the Hundred Thousand Images that Lhasa means the Place of God that the word Serthringaso which we render as Installation means the Request to Take Possession of the Golden Throne and that the names of the Dalai Lama mean The Holy One The Tender Glory Mighty in Speech Of Excellent Intellect Of Absolute Wisdom Holding the Doctrine The Ocean" - from the author's "General Preface". Basil Gould and Hugh Richardson working for the Indian Civil Service featured very prominently in the story of Britain's political relations with Tibet in the first half of the Twentieth Century. Hugh Richardson became a notable British scholar of Tibetan history many of Richardson's writings on Tibetan history were collected in the book "High Peaks Pure Earth" 1998. For more on the British cadre in Tibet before 1950 see Alex McKay's "Tibet and the British Raj: The Frontier Cadre 1904-1947" 1997 and the works of Sir Charles Bell. ; 4to . Oxford University Press, Indian Branch hardcover
1782263934London: J. Stockale; R. Faulder 1782. First Edition. Half Leather. Very Good binding. Ritson's first book in which he attacks Thomas Warton's History of English Poetry in such vitriolic tones -- Warton is a preternder a cheater and a liar -- as to cause quite a contretemps in late 18th century English literary circles. One assumes this actually pleased Ritson as he went on the next year to attack Samuel Johnson and George Steevens. Eventually Ritson went complete mad barricading himself in his rooms at Gray's Inn and setting fire to a pile of manuscripts. In an attractive later binding in red half-goat over marbled board with raised bands. We assume the binder was charged with binding a group of different books to a uniform size -- the title page is trimmed and mounted and all the other leaves are folded neatly to fit the bottom edge and then the leading edge over it. Rather astonishing actually. Very Good binding. J. Stockale; R. Faulder unknown books
06388Chicago: P.F. Volland & Co. 1915. The Classic American "Mother Goose"<br /> Inscribed by the Frederick Richardson to his Grandchildren<br /> <br /> RICHARDSON Frederick illustrator. GROVER Eulalie Osgood editor. Mother Goose. The Volland Edition. Arranged and Edited by Eulalie Osgood Grover. Illustrated by Frederick Richardson. Chicago: Published by P.F. Volland & Co. 1915.<br /> <br /> First Volland edition inscribed by Frederick Richardson to his Grandchildren. <br /> <br /> Large quarto 11 15/16 x 8 15/16 inches; 304 x 227 mm. 120 pp. With 108 full-page color illustrations by Frederick Richardson printed on coated stock in the rich and luminous palette characteristic of Volland productions.<br /> <br /> Original light blue cloth front cover with a large and elaborately die-cut pictorial onlay laid into a matching blind-stamped panel a distinctive feature of Volland's decorative bindings. Color pictorial endpapers. Apart from some light fading to the spine and edges and the most minor evidence of handling an unusually well-preserved and highly attractive example of a book seldom found in such pleasing condition.<br /> <br /> Provenance: Inscribed on the front free endpaper:"To / My dear Grandchildren / from / Grandpa Fred / Christmas 1915" and additionally signed below in full "Fred Richardson."<br /> <br /> A charming and highly personal presentation copy bringing the book directly into the illustrator's own family circle-an association of particular intimacy and rarity.<br /> <br /> A quintessential example of the Volland "Happy Children Books" aesthetic combining durability with exceptional visual appeal through high-quality color printing and imaginative design. Richardson's illustrations-softly modeled decorative and imbued with warmth-rank among the most appealing American interpretations of the Mother Goose tradition harmonizing perfectly with Grover's thoughtful arrangement of the classic nursery rhymes.<br /> <br /> Frederick Richardson 1862 - 15 January 1937 was an American illustrator of the late nineteenth and early twentieth centuries perhaps best remembered for his illustrations of Mother Goose and the works by L. Frank Baum.<br /> <br /> His first illustrated book was L. Frank Baum's Queen Zixi of Ix which was published serially in St. Nicholas Magazine in 1904 and 1905 and in book form 1905. Richardson also drew pictures for Baum's "A Kidnapped Santa Claus" which first appeared in The Delineator in December 1904. His artwork also appears in the California State Series "Third Reader". He followed that initial work with many other book-illustration projects including editions of the works of Hans Christian Andersen Aesop's Fables Mother Goose Pinocchio and East of the Sun and West of the Moon and two volumes in the series of Andrew Lang's Fairy Books. Richardson also did an abundant amount of work for the Chicago publisher P. F. Volland; in illustrating collections of tales by Georgene Faulkner he varied his usual artistic style imitating Japanese art for her Little Peachling and Other Tales of Old Japan 1928 and Indian art for her The White Elephant and Other Tales from Old India 1929. Chicago: P.F. Volland & Co., 1915 unknown
