788 résultats
1966URICEDI00lrHer Majesty's Stationary Office 1966. Very Good. Richardson J. S. and Marguerite Wood. Edinburgh Castle. Edinburgh: Her Majesty's Stationary Office 1966. 38pp. 8vo. Wraps. Book condition: Very good. Her Majesty's Stationary Office paperback books
1966URICEDI00JMJHer Majesty's Stationary Office 1966. Very Good. Richardson J.S. Edinburgh Castle. Wood Marguerite. Edinburgh: Her Majesty's Stationary Office 1966. 38pp. Illustrated. 8vo. Pamphlet. Book condition: Very good with brief note on first page and old flattened dog-ears . With folding map of Edinburgh Castle at terminus. Her Majesty's Stationary Office unknown books
1880002417Burlington VT: Wells Richardson & Co. 1880. First Edition. Very good. First edition n. d. ca 1880; 5 x 3 1/4; pp. 1-32; brown illustrated wraps; 1" closed cut to spine along back wrap else minor wear; illustrated with drawings; very good condition. Wells Richardson and Company were well-known in the late 19th century for developing and manufacturing aniline dyes under the trademark Diamond Dyes baby food and patent medicines. The current booklet published as an advertisement described the Diamond Dyes the colors they achieved the way they worked and the various materials they would color shoes wood ribbons cotton etc. It also promoted their proprietary brand of food for babies and invalids - Lactated Food - and supplied testimonials of satisfied mothers. Lastly it touted the benefits of Kidney-Wort a proprietary medicine. Wells, Richardson & Co. paperback books
19974781Gainsville: University Press of Florida. Fine in Fine dust jacket. 1997. Hardcover. 0813015391 . Foreword by David Lowenthal. First printing. Fine in a fine dust jacket. . University Press of Florida hardcover books
1997187572Eastminster Presbyterian Church 1997-01-01. Unknown Binding. Very Good. Glossy pictorial boards. Clean has a good binding no marks or notations. Light wear. HB HS Eastminster Presbyterian Church unknown books
183561406Holley NY 1835. Small 4to notebook approx. 8 x 6 1/4 in. bound in original half calf over marbled boards containing approximately 80 leaves with manuscript entries and designs composed and drawn in ink and pencil; some blank pages scattered throughout. Approximately 50 designs including fully realized furniture styles with measurements some sketches or details of design elements table legs column styles acanthus leaf patterns etc. some more abbreviated images of design features. Dates on some of the drawings indicate the notebook was used between 1830 and 1833. One manuscript entry includes a grid-style list of prices for joints in various woods; another describes the construction of a portable desk giving the cost of various additions to the basic design such as a hollow for pens a square drawer and a book rest. Another 10 pp. offer approximately 18 recipes for stains and varnishes. Three loose scraps containing designs laid in. Moderate wear dampstaining to endpapers otherwise very good. The letterpress broadside advertises Richardson's business and reads in part: "Holley / Cabinet / Ware House. / C. Richardson / would inform the people of Holley and vicinity / that he still continues the cabinet making business 3 doors south of Perry's Tavern." Brockport: A. Edwards Printer 1835. The broadside measures 14 x 11 in. printed in various sizes and styles of type with a central composite image of period furniture including a dresser chairs settee and wash stand the text within a thick ornamental border. Old fold lines some foxing else a nice example. This broadside appears to be unrecorded. A very faint contemporary pencil notation on the front endpaper of the notebook reads "Chase Richardson 1832." This is most likely the same Richardson who had the broadside printed given that some of the illustrations on the broadside appear to be taken from drawings in the accompanying manuscript. Records from Hillside Cemetery Clarendon Orleans County NY just 3 miles from Holley NY mention a Chase Richardson 1810-1839. Both items are housed in recent cloth clamshell boxes with gilt stamped leather labels. At the beginning of the 19th century the furniture industry in America saw a sudden shift of its epicenter from Philadelphia to New York. Dubbed the "London of America" it was thought at the time that New York would in fact be the leader in business in the United States. To facilitate the cabinetmaking industry a new directory for cabinetmakers in New York was published in 1805 and various guides were issued helping craftsmen to price their furniture. Styles were elegant and influenced highly by the European furniture which was also being imported into New York. Phyfe Allison and Ash produced some of the finest examples of furniture from that period. However although the high styles of the time may have been determined by these well known cabinetmakers others imitated and added their own interpretations.<br/>John L. Scherer in his exhibition catalog "New York Furniture: The Federal Period 1788-1825" Albany: 1988 states: "Eventually cabinetmakers in upstate towns and villages who picked up New York City styles rendered their own versions. Using local woods this furniture evokes a spirit of the time with a dash of country charm. As trends in New York State furniture moved upstate they also spread across the country. New York remained in the forefront of furniture design and production until the end of the century." This fine group of material illustrates an 1830's provincial craftsman working in the newly fashionable Empire-style designs. Among the more fully executed designs in this notebook are a washstand stool dressing tables and secretaries each with detailed measurements. Some are titled such as "French Bureau" "Grecian Card Table" and "Portable Secretary." Others may have been sketched during a trip to York Ontario now Toronto including "York Bureau No. 1 and 2." Richardson was aware of the developments in furniture design in other parts of the state. One of the notes beside a drawing of a "Dress Beauro sic Plain" mentions what the same item sold for at Meads & Alvords. John Meads & William Alvord operated a successful cabinet-maker's shop in Albany NY until Alvord's death in 1847 according to a "Bi-centennial History of Albany" published by W.W. Munsell in 1886. The notebook also includes details of carving designs such as foliage scrolls turning profiles and volutes. In the back of the volume are several recipes for varnishes and stains some intended to imitate more expensive materials such as mahogany curly maple and marble. For example to imitate birds eye maple one had only to mix "cuprite two shades darker than white lead & chrome yellow & V. Red plus Raw Terra de Sena" using a quill and fingers as tools. Many of these recipes are credited to other cabinet-makers residing in Ontario and northern New England. A recipe for white varnish came from John Bradshaw of Waterson sp a stain for Rose Wood Chairs from Silas Alden of Boston a German Polish recipe from Clark H. Ober of New Ipswich etc. While information and documentation for furniture makers in the larger cities is often obtainable information on smaller local artisans is much more scarce. <br/>Both items were inherited by Gertrude Cole Simmons 1895-1985 of an old Holley-area family. Her grandmother was Ellen Maria Richardson Cowles 1838-1873 who may have been the daughter or niece of the cabinet maker C. Richardson. <br/><br/> hardcover books
183548691Holley NY 1835. Small 4to notebook approx. 8" x 6¼" bound in original half calf over marbled boards containing approximately 80 leaves with manuscript entries and designs composed and drawn in ink and pencil; some blank pages scattered throughout. Approximately 50 designs including fully realized furniture styles with measurements some sketches or details of design elements table legs column styles acanthus leaf patterns etc. some more abbreviated images of design features. Dates on some of the drawings indicate the notebook was used between 1830 and 1833. One manuscript entry includes a grid-style list of prices for joints in various woods; another describes the construction of a portable desk giving the cost of various additions to the basic design such as a hollow for pens a square drawer and a book rest. Another 10 pp. offer approximately 18 recipes for stains and varnishes. Three loose scraps containing designs laid in. Moderate wear dampstaining to endpapers otherwise very good. The letterpress broadside advertises Richardson's business and reads in part: "Holley / Cabinet / Ware House. / C. Richardson / would inform the people of Holley and vicinity / that he still continues the cabinet making business 3 doors south of Perry's Tavern." Brockport: A. Edwards Printer 1835. The broadside measures 14" x 11" printed in various sizes and styles of type with a central composite image of period furniture including a dresser chairs settee and wash stand the text within a thick ornamental border. Old fold lines some foxing else a nice example. This broadside appears to be unrecorded. A very faint contemporary pencil notation on the front endpaper of the notebook reads "Chase Richardson 1832." This is most likely the same Richardson who had the broadside printed given that some of the illustrations on the broadside appear to be taken from drawings in the accompanying manuscript. Records from Hillside Cemetery Clarendon Orleans County NY just 3 miles from Holley NY mention a Chase Richardson 1810-1839. Both items are housed in recent cloth clamshell boxes with gilt stamped leather labels. At the beginning of the 19th century the furniture industry in America saw a sudden shift of its epicenter from Philadelphia to New York. Dubbed the "London of America" it was thought at the time that New York would in fact be the leader in business in the United States. To facilitate the cabinetmaking industry a new directory for cabinetmakers in New York was published in 1805 and various guides were issued helping craftsmen to price their furniture. Styles were elegant and influenced highly by the European furniture which was also being imported into New York. Phyfe Allison and Ash produced some of the finest examples of furniture from that period. However although the high styles of the time may have been determined by these well known cabinetmakers others imitated and added their own interpretations. John L. Scherer in his exhibition catalog "New York Furniture: The Federal Period 1788-1825" Albany: 1988 states: "Eventually cabinetmakers in upstate towns and villages who picked up New York City styles rendered their own versions. Using local woods this furniture evokes a spirit of the time with a dash of country charm. As trends in New York State furniture moved upstate they also spread across the country. New York remained in the forefront of furniture design and production until the end of the century." This fine group of material illustrates an 1830's provincial craftsman working in the newly fashionable Empire-style designs. Among the more fully executed designs in this notebook are a washstand stool dressing tables and secretaries each with detailed measurements. Some are titled such as "French Bureau" "Grecian Card Table" and "Portable Secretary." Others may have been sketched during a trip to York Ontario now Toronto including "York Bureau No. 1 and 2." Richardson was aware of the developments in furniture design in other parts of the state. One of the notes beside a drawing of a "Dress Beauro sic Plain" mentions what the same item sold for at Meads & Alvords. John Meads & William Alvord operated a successful cabinet-maker's shop in Albany NY until Alvord's death in 1847 according to a "Bi-centennial History of Albany" published by W.W. Munsell in 1886. The notebook also includes details of carving designs such as foliage scrolls turning profiles and volutes. In the back of the volume are several recipes for varnishes and stains some intended to imitate more expensive materials such as mahogany curly maple and marble. For example to imitate birds eye maple one had only to mix "cuprite two shades darker than white lead & chrome yellow & V. Red plus Raw Terra de Sena" using a quill and fingers as tools. Many of these recipes are credited to other cabinet-makers residing in Ontario and northern New England. A recipe for white varnish came from John Bradshaw of Waterson sp a stain for Rose Wood Chairs from Silas Alden of Boston a German Polish recipe from Clark H. Ober of New Ipswich etc. While information and documentation for furniture makers in the larger cities is often obtainable information on smaller local artisans is much more scarce. Both items were inherited by Gertrude Cole Simmons 1895-1985 of an old Holley-area family. Her grandmother was Ellen Maria Richardson Cowles 1838-1873 who may have been the daughter or niece of the cabinet maker C. Richardson. See also: Finkelman Encyclopedia of the New American Nation: The Emergence of the United States 1754-1829. Detroit 2006; Scherer New York Furniture: The Federal Period 1788-1825. Albany 1988; and Scherer New York Furniture at the New York State Museum Alexandria VA 1984. <br/><br/> hardcover books
1928816Boston: Houghton Mifflin and Company 1928. First edition. First edition. Original boards with cover insert by Elizabeth Shippen Green. Corners chipped some shelfwear very good. <br/><br/> Houghton Mifflin and Company hardcover books
1981139433Hollywood: Paramount Pictures 1981. Vintage studio still photograph from the American release of the 1981 film. Snipe affixed to the image. <br/><br/>Peter MacNicol best known for his role in the Academy Award winning drama "Sophie's Choice" plays a young magician apprentice faced with stopping a ferocious dragon. The film was notable for its advanced visual effects even receiving two Academy Award nominations. Cinematographer Derek Vanlit shot the seminal science fiction classic "Alien" two years earlier. <br/><br/>Set in a 16th century kingdom shot in various locations across the UK. <br/><br/>10 x 8 inches. Very Good plus. <br/><br/>Complete collation details available on request. Paramount Pictures unknown books
199533974New York and San Francisco: Umbra Editions and Chronicle Books 1995. 127p.10x9.5 inches profusely illustrated with photos by Wouter Deruytter Michael Fazakerly Jesse Frohman and others designed by Rich Patrick very good first edition trade paperback pictorial wraps. Umbra Editions and Chronicle Books unknown books
1985134952Baltimore MD: Baltimore Museum of Art 1985. First edition. Softcover. A look at these two important woman and collectors whose collection forms the backbone of the Baltimore Museum of Art. Foreword by Arnold L. Lehman. Essays by Gertrude Stein and Brenda Richardson. Includes numerous color and black and white illustrations. An about very good copy in wrappers with some minor wear. Baltimore Museum of Art unknown books
1985126516Baltimore Maryland: Baltimore Museum of Art 1985. Softcover. VG- Some creasing at spine. Color illustrated wraps; 202 pp.; Profusely illustrated in bw and color. An overview of the collection of Dr. Claribel and Miss Etta Cone which was bequested to the Baltimore Museum of Art and features works by Matisse Picasso Cezanne Renoir and others; Includes essays by Gertrude Stein and Brenda Richardson as well as annotated chronology of the Cone acquisitions. Baltimore Museum of Art unknown books
1992Embry 146804Baltimore Museum of Art 1992. Revised edition. Fine in custom mylar cover. Full page color reproductions. Oversized paperback. Baltimore Museum of Art, 1992. Revised edition. paperback books
1985026141Baltimore: Baltimore Museum of Art 1985. 202p. colored and b/w illus. original stiff printed wrappers quarto format. Baltimore Museum of Art unknown books
1999243135Tallahassee: Naiad Press 1999. Paperback. 167p. very good first edition trade paperback in pictorial wraps. Lesbian detective in Toronto. Naiad Press paperback books
1967WRCLIT21439New York: Holt 1967. Cloth and boards. First edition. Very good in dust jacket. Holt hardcover books
1960WRCLIT21430Ann Arbor: Univ. of MI Press 1960. Cloth. First edition. A fine copy in very good spine and edge tanned dust jacket. Univ. of MI Press hardcover books
1973WRCLIT21420New York: Knopf 1973. Cloth. First American edition. Fine in slightly spine darkened dust jacket. Knopf hardcover books
2006012044Manchester University Press 2006. Cloth. Fine/Near Fine. 4to - over 9¾" - 12" tall. 255p. index bibliography. The author has unearthed a wide range of previoulsy published documentary evidence as well as consulting published works that deal with ordinary households which influenced tragedies. Consequintly it enables us to see the background of theatre that has often been missed. The aurthor is lecturer in English and History at the Shakespeare Institute. Manchester University Press unknown books
184731606NY: D. Appleton 1847. Hardcover. Very good. Frontis 127pp. Rebound in modern black cloth with new endpapers. Two small spots of loss at the top of the frontis light scattered foxing else internally very good. <br/><br/> D. Appleton hardcover books
1822286019New York 1822. unbound. very good. Partly-printed DS a Marriage License 6.25" x 4" New York Minister of the Methodist Episcopal Church certifying that "James Macbeath and Charlotte Oakley were joined together in Holy Matrimony on the 1st day of April in the year of our Lord one-thousand eight hundred twenty two 1822 in the County of New York and state of New York." Richardson has boldly signed at the conclusion. Fine condition.<br/><br/> Prominent Methodist minister of the Episcopal Church who was recognized as a member of eight successive General Conferences 1820-1852.<br/><br/> unknown books
199758588London: New Cavendish Books. Very Good. 1997. Hardcover. 1872727239 . Large blue cloth boards with silver stamping near fine in like dj . New Cavendish Books hardcover books
1989146487Los Angeles: Twentieth Century-Fox 1989. Shooting script for the 1990 film. With rainbow revision pages throughout.<br/><br/>Sequel to the 1988 action thriller based on the unrelated 1987 novel "58 Minutes" by Walter Wager. Two years after the Nakatomi Tower incident hard-nosed cop John McClane returns to save Dulles International Airport from grenade-wielding ex-military mercenaries. <br/><br/>Set in Washington DC and shot on location in Colorado California and Michigan. <br/><br/>Red titled wrappers dated SEPTEMBER 26 1989. Title page present dated November 16 1989 noted as SHOOTING SCRIPT with credits for screenwriter Doug Richardson and revision credits to Steven E. de Souza. 139 leaves with last page of text numbered 125. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 11/25/89 and 3/20/90. Pages Near Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox unknown books
190445011Leipzig: Verlag von S. Hirzel 1904. Offprint. Octavo 22.5cm.; publisher's salmon printed wrappers; 16pp. Upper cover a bit toned else Very Good to Near Fine. German translation of an early paper by the British physicist on thermionic emission later known as Richardson's law. Richardson received the Nobel Prize in Physics in 1928 for his work on the thermionic phenomenon. Cambridge only in OCLC as of July 2019. Verlag von S. Hirzel unknown books
9792London: Printed by William Bulmer and Co for W. J. and J. Richardson et al. 1810. First Edition Thus. Full calf. very good -. 2 volumes. Lg. 4to. xcvi11571;4xxiv8533pp. Double column text. With the leaf of ads at the back of Volume II a tape repair to a blank portion of the leaf and the half-title in Volume II no half-title required in Volume I. Cont. calf boards quite rubbed & worn calf chipped along the edges and some corners. Both volumes nicely rebacked with red morocco spine labels. A number of old rubber stamps of the Mercantile Library New York who sold off their books in the 1970s. Each volume with an old inscription of a preliminary blank from one Joseph Wolff to his friend J. King. Very scarce. The greatly revised "New Edition" with extensive revisions by the great orientalist Charles Wilkins Richardson died in 1795. The work was originally printed in 2 folio volumes in 1777-1780 in Oxford.<br/>Richardson also wrote A SPECIMEN OF PERSIAN POETRY 1774 and both an Arabic Grammar 1776 and a Persian Grammar 1771. The first volume is Arabic and Persian words translated to English and the second volume English words translated to Arabic and Persian. Printed by William Bulmer and Co, for W. J. and J. Richardson, et al. unknown books