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Roma-Milano, C.E.I., 1967, in-16, br. edit., pp. 80, (2), 78. Con ill. in b.n. e note bibliografiche. Collezione di tascabili doppi "Giano", n. 26.
6234Bari. Gius. Laterza & figli, editori. 1936. In-8° broché. 263 pages. E.O.
6404Bari. Gius. Laterza & figli. 1936. In-8° broché. 263 pages. E.O. Envoi autographe de Glauco Natoli à son confrère beyliste Charles Simon. Très propre.
1972FB4152 (1 to 10) /L11<p>Red cloth binding with black title plate gilt decoration and title on the spine. Embossed floral pattern on both boards. Dimensions are for one volume. <strong>There may be extra carriage cost on this item due to weight.</strong></p><p>A lovely and well produced set of Stendhal's work. Marie-Henri Beyle; 23 January 1783 – 23 March 1842 better known by his pen name Stendhal was a 19th-century French writer. Best known for the novels Le Rouge et le Noir The Red and the Black 1830 and La Chartreuse de Parme The Charterhouse of Parma 1839 he is highly regarded for the acute analysis of his characters' psychology and considered one of the early and foremost practitioners of realism. A self-proclaimed egotist he coined the same characteristic in his characters' 'Beylism'. Stendhal syndrome Stendhal's syndrome or Florence syndrome is a psychosomatic condition involving rapid heartbeat fainting confusion and even hallucinations allegedly occurring when individuals become exposed to objects artworks or phenomena of great beauty and antiquity. The affliction is named after the 19th-century French author Stendhal pseudonym of Marie-Henri Beyle who described his experience with the phenomenon during his 1817 visit to Florence in his book Naples and Florence: A Journey from Milan to Reggio. When he visited the Basilica of Santa Croce where Niccolò Michelangelo and Galileo Galilei are buried he was overcome with profound emotion. Stendhal wrote: 'I was in a sort of ecstasy from the idea of being in Florence close to the great men whose tombs I had seen. Absorbed in the contemplation of sublime beauty . . . I reached the point where one encounters celestial sensations . . . Everything spoke so vividly to my soul. Ah if I could only forget. I had palpitations of the heart what in Berlin they call 'nerves'. Life was drained from me. I walked with the fear of falling.' Although psychologists have long debated whether Stendhal syndrome exists the apparent effects on some individuals are severe enough to warrant medical attention. The staff at Florence's Santa Maria Nuova hospital are accustomed to tourists suffering from dizzy spells or disorientation after viewing the statue of David the artworks of the Uffizi Gallery and other historic treasures of the Tuscan city. Though there are numerous accounts of people fainting while taking in Florentine art dating from the early 19th century the syndrome was only named in 1979 when it was described by Italian psychiatrist Graziella Magherini who observed over a hundred similar cases among tourists in Florence. There exists no scientific evidence to define Stendhal syndrome as a specific psychiatric disorder; however there is evidence that the same cerebral areas involved in emotional responses are activated during exposure to art. The syndrome is not listed as a recognised condition in the Diagnostic and Statistical Manual of Mental Disorders. A more recent account of the Stendhal syndrome was in 2018 where a visitor to the Uffizi Gallery in Florence suffered a heart attack while admiring Sandro Botticelli's The Birth of Venus.</p> Chez Jean De Bonnot. hardcover
19812-2070109445Editions Gallimard 1981. Leather Bound. New. 1680 pages. French language. 7.56x4.57x1.65 inches. Editions Gallimard hardcover
71962P., Editions Universitaires (Classiques du XXe siècle), 1959, in 12, cartonnage illustré de l'éditeur, 127 pages ; jaquette rhodoid.
42270P., Editions des Cahiers Libres, 1932, petit in 8° broché, 290 pages.
53945P., Hachette (Collection "Les Grands Ecrivains Français"), 1892, in 12 broché, 161 pages ; portrait en frontispice ; des rousseurs ; cachets ; couverture fanée, dos cassé.
1935172425-1Paris, Les Éditions Rieder 1935. 106 S. Mit 40 Abb. Original-Kartonband
19741008Hatier 1974 1 vol. broché in-12, broché, 204 pp., bibliographie. Bon état général.
19741008Hatier 1974 1 vol. broché in-12, broché, 204 pp., bibliographie. Bon état général.
Milano, Mondadori, 1949, 16mo brossura editoriale con copertina illustrata a colori (piccolo strappo al dorso) pp. 270 (Biblioteca Moderna Mondadori, 57) .
Milano, Mondadori, 1949, 16mo brossura editoriale con copertina illustrata a colori, pp. 270 (Biblioteca Moderna Mondadori, 57) .
194347265Nouvelle Revue Critique, coll. "A la Gloire de..." 1943 1 vol. relié in-8, bradel pleine percaline verte, pièce de titre de basane fauve, couvertures conservées, 222 pp., frontispice et 33 reproductions hors-texte. Bon état.
194347265Nouvelle Revue Critique, coll. "A la Gloire de..." 1943 1 vol. relié in-8, bradel pleine percaline verte, pièce de titre de basane fauve, couvertures conservées, 222 pp., frontispice et 33 reproductions hors-texte. Bon état.
pp. 127, cm 18x11, bross., II° edizione revue et augmentee, Classique du XX siecle
193457103Boivin 1934 1 vol. broché in-8, broché, non coupé, 318 pp., 6 planches hors-texte. Bon état général.
193457103Boivin 1934 1 vol. broché in-8, broché, non coupé, 318 pp., 6 planches hors-texte. Bon état général.
189249004Paris Hachette, coll. "Les Grands écrivains français" 1892 1 vol. relié in-12, bradel demi-chagrin maroquiné noir, non rogné, 160 pp., portrait-frontispice. Quelques rousseurs, sinon bel exemplaire de l'édition originale, finement relié.
189249004Paris Hachette, coll. "Les Grands écrivains français" 1892 1 vol. relié in-12, bradel demi-chagrin maroquiné noir, non rogné, 160 pp., portrait-frontispice. Quelques rousseurs, sinon bel exemplaire de l'édition originale, finement relié.
5185aafParis, Boivin, s.d. (1934), in-8°, frontispice-portrait de Stendhal + 318 p. + 2 ff., brochure originale.
192325634ABMchn., Georg Müller 1923. 1. Aufl. 8°. 325 S. 1 Bl. m. einem Bildnis. OLn. m. Goldaufschr. a. Deckel u. Rü., Kopfschnitt etwas stockfleckig, geringe Gebrauchsspuren, gut erhalten. 1
1923805547München, G. Müller, 1923. 326 S. Wildldrbd. (Gesamm. Werke).
In 8° pp. 548 bella leg. in m/pergamena con tass. e tit. in oro al dorso, br. originale mantenuta.
51771Plon.1902.In-8 demi-relié.548 p.Belle édition, reliure à coins légèrement insolée.