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1945004071Paris Aux Editions des quatre vents 1945 In-12 Broché Ed. originale
In-4° (cm. 27,2x19,2), pp. 16 (da p. 50 a p. 66). Fasc. edit. a graffe. Lo scrittore SGORLON pubblicò poi nel 1961 un intero saggio su Kafka.
1937D17794Paris: Cahiers G.L.M. 1937. First Edition. Paperback. Very Good. Work by Rene Crevel Pablo Neruda Franz Kafka and others. Original illustrations by Kurt Seligmann. An uncut copy. <br/><br/> Cahiers G.L.M. paperback
1937311078PARIS: G.L.M. Fine. 1937. First Edition. Close to fine in creme-colored printed wrappers. 56pp. 5 3/4" X 7 3/4" Slight spine lean Features 4 illustrations by Kurt Seligmann. Contributions by Rene Crevel Pablo Neruda Franz Kafka & others. A lovely copy. GC . G.L.M. unknown
200022401Göttingen : Vandenhoeck und Ruprecht, 2000. 196 S., broschiert.
2007256392München : Verl. Sankt Michaelsbund, 2007. 120 Seiten. Mit zahlreichen Schwarz-Weiß- Illustrationen. 20 cm Pp.
1982V13835Berlin (Eulenspiegel Verlag) 1982 (= 2.Auflage). 8°, Originalleinen mit illustriertem Originalumschlag (Hardcover), 351 S., Farbtafeln, 2
1990480161Stuttgart, Metzler 1990. 216 S. 8° . Original-kartoniert, Bibliotheksexemplar mit Rückenschild, Rücken etwas verblaßt, Vorderdeckel leicht lichtrandig, Ecken u. Kanten teils etwas bestoßen, Signaturen u. Stempel (entwidmet) a. Schnitt, Vorsatz u. Titelblatt, vereinzelt leichte Bleistiftanstreichungen, sonst gut.
198588578Königstein: Athenäum 1985. 248 S.. Taf. Kart.mS.
198511070CBWien, Braumüller, 1985. 8°. VII, 210 S. OKt., 1 Einbandecken leicht geknickt. (= Schriftenreihe der Franz-Kafka-Gesellschaft 1).
2007915077Würzburg : Königshausen & Neumann, 2007. 316 S. : graph. Darst. Broschiert.
198823455Los Angeles CA: Twelvetrees Press 1988. First Edition. First Printing. Hardcover. Fine/Fine Dust Jacket. Los Angeles CA: Twelvetrees Press 1988. Hardcover. Fine/Fine. First Edition/First Printing. Unpaginated. The photographer's breakthrough debut collection. One of the greatest photography books of the 20th century. Limited Edition of 2000 copies. The true First Edition. Precedes and should not be confused with the 2014 Steidl New Edition. Published as a hardcover original only. The Limited Edition is now rare. An austerely elegant production by Ken Schles and Jack Woody: Regular-sized volume format. Cloth boards with titles on cover and spine as issued. Photographs by Ken Schles. Text-quotations by Jean Baudrillard Jorge Luis Borges Franz Kafka Lewis Mumford and George Orwell. Printed in rich gravure on thick uncoated stock paper in the United States to the highest standards. A masterpiece of sheetfed gravure printing outstanding in every respect. In black pictorial DJ with titles on the cover and spine as issued. Presents Ken Schles' "Invisible City". Haunting nocturnal images of city streets juxtaposed with the people who inhabit them. They share an eerily disturbing quality which makes them seem meant for each other: A desolate place for a shadowy people. It is well-known that the photographs were taken in New York City and evoke Weegee's great work "Naked City" 1945. But there is no doubt that Schles also intends them to be seen as transcending their actual place and having a universal significance: As the intensely personal vision of an artist. His work seems to have haunted Ken Schles because it took him thirteen years - an eternity in our restless time - to produce his second collection "Geometry of Innocence" 2001. The latter looks outwardly where "Invisible City" was more inward-looking. "Stands alongside Brassai's 'Paris de Nuit' and van der Elsken's 'Love On The Left Bank' as one of the twentieth century's great depictions of nocturnal bohemian experience" Gerhard Steidl. An absolute "must-have" title for Ken Schles collectors. This title is a great photography book. This is one of few copies of the true First Edition/Limited Edition still available online and is in especially fine condition: Clean crisp and bright. Please note: Precedes and should NOT be confused with the 2014 Reissued Edition. Copies available online even those that are signed have serious flaws. Obtained directly from the publisher this is surely an accessible and lovely alternative. A rare copy thus. 45 sheetfed gravure plates. One of the most brilliant artist/photographers of our time. A fine collectible copy. SEE ALSO OTHER KEN SCHLES TITLE IN OUR CATALOG. ISBN 094264235X. Twelvetrees Press hardcover
200115593Ostfildern-ruit Germany: Hatje Cantz Publishers 2001. First Edition. First Printing. Hardcover. As New/No Dust Jacket As Issued. Ostfildern-ruit Germany: Hatje Cantz Publishers 2001. Hardcover. As New/None As Issued. First Edition/First Printing. 128 pages. Retrospective collection of photographs. Now considered a contemporary art photography classic. Limited Slipcased Edition of 50 numbered and signed copies. Precedes and should not be confused with the regular trade edition. They have the same ISBN. The Limited Edition is now rare. A brilliant production by Ken Schles: Oversize-volume format. Black cloth boards with black titles embossed on the spine as issued. Photographs and Manifesto/Essay by Ken Schles. The title comes from the lyrics of Bob Dylan's "Tombstone Blues". Text fragments by Franz Kafka Ralph Ellison Walter Lippmann and Italo Calvino. Original 8 X 10 inch photographic print matted framed and laid into its own black cloth folder. Matching black cloth slipcase. Printed on glossy stock paper in Germany to the highest standards. Without DJ as issued. Presents in its Limited Edition format Ken Schles' "The Geometry of Innocence". His "philosophical" collection. There is something disturbing and uncompromising about each image by itself and in the context of the relentless whole. Schles' point is that we should not be distracted but instead be completely immersed. If "Invisible City" is inward-looking "The Geometry of Innocence" looks outward at the larger world and sees both good and bad cause for hope and reason for despair. Still the prevailing sentiment is dark and melancholy and as such is reminiscent of his debut collection. Schles also has a didactic purpose articulated in his Manifesto/Essay which is "must-reading" for anyone uncritically enamored of photography which includes many photographers and critics. While his essay is critical about photography Schles is obviously not against photography. Indeed the latter stance would be self-defeating because even the most subversive "anti-photographic" photograph can be easily coopted by the system to reinforce unjust social structures and feed a corrupt mass culture. Instead he is for a photography that somehow retains its subversive existential power and empowers people given the fact that "we are formed by a flawed society. Yet however boldly or tenuously we engage our lives we love we hate we struggle" Ken Schles. An absolute "must-have" title for Ken Schles collectors. This is a copy of the Limited Slipcased Edition of 50 copies indicated/numbered as such on the Back Copyright Page. It comes with an 8 X 10 inch original photographic print that is very prominently and beautifully numbered titled and signed in pencil on verso by the photographer: "Ken Schles The End of the World From The Geometry of Innocence 43/50". This title is a contemporary art photography classic. This is one of few copies of the Limited Edition still available online and is in especially fine condition: Clean crisp and bright. Please note: Copies available online have serious flaws which are publisher's flaws rather than caused by handling or use. This is surely an accessible and lovely alternative. A rare signed copy thus. 106 color 87 duotone plates 1 original print. One of the most brilliant photographers of our time. A fine collectible copy. SEE ALSO OTHER KEN SCHLES TITLES IN OUR CATALOG. ISBN 3775710116. Hatje Cantz Publishers hardcover
br. Il volume raccoglie interventi su Kafka, o connessi al mondo kafkiano. Riguardano "Il Processo" (testimonianza, legge, colpa, situazioni estreme), racconti quali "Il messaggio dell'imperatore" (malattia della tradizione e tramonto del narrare), "Giuseppina la cantante" (eclissi del canto), "La "verità intorno a Sancio Pancia" (liberarsi di Don Chisciotte?), il brano sul "negativo del mio tempo", temi quali l'iconoclastia, la citazione, la speranza, la deformazione, l'oblio, lo studio. Ampio spazio è dato alle letture di Kafka di George Steiner e, nel contesto milanese, di allievi di Banfi quali Remo Cantoni ed Enzo Paci. A far da cerniera è il tema della città, articolato su più piani. Nel panorama delle città che Kafka incontrò ovviamente di gran lunga preminente è la sua città, Praga; ma tra le città che Kafka visitò un rilievo particolare assume Milano, la città italiana che Kafka meglio conobbe; non pochi, e pour cause, ipotizzano che il penultimo capitolo del "Processo" sia ambientato nell'interno del duomo di Milano. Milano fu anche la prima città in Italia che gli dedicò un'attenzione non trascurabile.
19581720Chez Seghers, Paris, 1948. 1 volume petit in-8 (195 x 125 mm) broché, couverture imprimée en noir et rouge rempliée. Édition originale. 4 POINTES-SÈCHES ORIGINALES D' OTTO WOLS HORS-TEXTE. UN DES RARISSIMES EXEMPLAIRES SUR CHINE comportant les 4 pointes sèches de Wols. Celui-ci justifié HC 1/5 (15 ex + 5 HC). Bel exemplaire malgré de claires rousseurs sur les tranches, inhérentes au papier Chine. Note historique : Wols (Alfred Otto Wolfgang Schulze) est un artiste plasticien allemand, né le 27 mai 1913 à Berlin, mort le 1er septembre 1951 à Paris. Photographe, peintre et graphiste, proche du surréalisme, Wols est considéré comme un pionnier et un représentant important du tachisme et de l'Art informel en Europe. Il a vécu en France après avoir fui le régime hitlérien.
46790Marseille, directeur: Jean Ballard. Un volume de 80 pages. Exemplaire en bon état. Eluard: La Vie la Nuit. Kafka: Aphorismes. Jean-Paul Sartre: Un nouveau mystique, troisième partie (sur L’Expérience intérieure de Georges Bataille), Témoignage, par René Daumal.
196322210Köln/Berlin, Kiepenheuer & Witsch, 1963. 8°, 115 Seiten. Orig.Pappband.
ril. Come è stato possibile l'Olocausto? Come "spiegare" razionalmente ciò che sembra eccedere ogni misura razionale? Si situa in questo contesto problematico l'incontro di Hannah Arendt con Franz Kafka. Storicamente documentato da una conferenza tenuta nel 1944 a Mount Holykoke, a pochi mesi dalla fine della seconda guerra mondiale, e dalla scoperta della tragedia del genocidio, il rapporto con lo scrittore praghese si rivela essere cruciale nel progetto teorico perseguito da Arendt. Secondo la filosofa, Kafka ha compreso fino in fondo - ed espresso mediante parabole - un assunto che ella aveva condiviso, attraverso un'adesione non solo intellettuale, ma anche psicologica ed emotiva. Aveva individuato nell'uomo, nell'enigma dell'uomo, nell'imperscrutabilità della sua essenza più profonda, negli abissi di quello che è destinato comunque a restare un mistero, l'origine del male, in tutte le sue manifestazioni individuali e sociali. Kafka è "pensatore politico" - come Arendt lo definisce - proprio perché è la guida più affidabile per esplorare gli intrecci che connettono etica e politica, e che ritrovano nell'individuo la radice delle forme politiche.
2017G-672-440NORMA EDITORIAL S.A. 2017. Paperback. Fine. Volume 3. Ammareal gives back up to 15% of this item's net price to charity organizations. NORMA EDITORIAL, S.A. paperback
BN317188NORMA EDITORIAL S.A. Softcover. BUNGOU STRAY DOGS 03 <br/><br/>BUNGOU STRAY DOGS 03 Sango Harukawa et Kafka Asagiri NORMA EDITORIAL, S.A. paperback
2003133904[Furth im Wald] : Vitalis - [Prague] : Vitalis. 2003. 192 S. : Ill. 21*12,5 cm. OPappband.
1998056327Praha , Prag., Verlag Vitalis., 1998. Dritte stark erweiterte und überarbeitete Ausgabe. 203 Seiten mit Fotografien. Guter Zustand. 8°. OPappband.
200266095[Furth im Wald]: Vitalis - [Prag]: Vitalis 2002. 5., verb. Ausg. 198 S.: Ill., Kt.; 21 cm Pappe 0
200035900[Furth im Wald] : Vitalis - [Prag] : Vitalis [2000]. 203 S. : Ill. ; 21 cm gebundene Ausgabe, Hardcover/Pappeinband, Exemplar in gutem Erhaltungszustand
200731337Vitalis, 2007. In-8 brohé (20,5 x 12 cm), 207 pages, illustré de photographies dans le texte, plan.- 400g. Bon état.
