Joyce james

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JOYCE, JAMESBiblio.com

ULYSSES

JOYCE, JAMESBiblio.com

HAVETH CHILDERS EVERYWHERE. FRAGMENT FROM WORK IN PROGRESS

1930ST15753bParis: Henry Babou and Jack Kahane; New York: Fountain Press 1930. FIRST EDITION LIMITED ISSUE. No. 24 OF 100 COPIES ON IRIDESCENT HANDMADE JAPON SIGNED BY THE AUTHOR plus an additional 500 on paper and 75 writer's copies. 283 x 191 mm. 11 1/8 x 7 1/2". 72 2 pp. Original white paper covers with printed titling on front and spine leaves untrimmed and UNOPENED IN THE ORIGINAL GLASSINE PROTECTIVE WRAPPER. The whole in the original slightly rubbed three-panel stiff card folder covered with gilt paper. Without the original slipcase. Title printed in green and black initials and headlines printed in green. Inside front cover of folder with bookplate of John Kobler see below. Slocum & Cahoon A-41. Corners just slightly bumped one small faint brown spot to tissue cover but AN OUTSTANDING COPY the very fragile and always-torn glassine entirely intact and the text with no signs of use most of it never having seen the light of day. This luxury version of an excerpt from "Finnegans Wake" is printed on especially pleasing handmade paper that glows like a pearl. In his book review for the New York Times 11 January 1931 Herbert Matthews says this fragment is "an attempt to enrich and refashion the English language and as such is highly stimulating and carries the reader through a form of mental gymnastics which is not without its profit and amusement." However he admits "after an honest and patient effort backed by a previous reading of all of Mr. Joyce's work 'Haveth Childers Everywhere' still remained absolutely incomprehensible" and he expresses concern that "Mr. Joyce has gone a little further on the path he is hewing for himself toward what seems to be complete linguistic chaos." Perhap our previous owner found it equally rough going for this copy has obviously never been read. That owner could well have been the prolific biographer John Kobler 1910-2000 who wrote biographies of among others Al Capone John Hunter and John Barrymore and who contributed regularly to the New Yorker Collier's and the Saturday Evening Post. Fountain Press unknown

Phillip J. Pirages Fine Books and Medieval Manuscripts · États-Unis13 000,00 $US≈ 10 999,30 €

BRANCUSI, Constantin Joyce, JamesBiblio.com

Tales Told of Shem and Shaun. Three Fragments from Work in Progress.

192943637Paris.: The Black Sun Press. 1929. Original publisher's cream wrappers with printing in red and black to upper cover and spine monochrome 'black sun' vignette to rear wrapper original glassine wrapper. 4to. 212 x 168 mm. Half-title title printed in red and black contents leaf leaf with monochrome etched abstract portrait frontispiece by Constanin Brancusi signed in the plate preface by C. K. Ogden pp. xv The Mookse and the Gripes pp. 1 - 16 The Muddest Thick that was Ever Heard Dump with mathematical diagram on pg. 32 pp. 17 - 43 The Ondt and the Gracehoper pp. 45 - 55 justification leaf with achevé d'imprimer June 1929. Printed 21 lines per page in hand-set Caslon headlines and initials printed in red throughout. Harry Marks' nominatif copy on Japon - conforming to the édition de tête - signed by Joyce.From the edition limited to 650 copies with this nominatif copy conforming to the edition de tête of 50 hors commerce on Japanese Vellum signed by Joyce in black ink to the half-title; this copy was printed for Harry F. Marks: 'This copy is for / Harry F. Marks' see the justification.'The entire edition is for sale at the / Bookshop of Harry F. Marks / 31 West 47 Street New York'. From the justification.Printed in Paris by Harry and Caresse Crosby's Black Sun Press and with an introduction by C. K. Ogden 'Tales Told of Shem and Shaun' was offered for sale in New York at the 'Bookshop of Harry F. Marks 31 West 47 Street New York'. This was the second separately published fragment of Joyce's fabled 'Work in Progress' after 'Anna Livia Plurabelle' in 1928 although sections had been printed in periodicals as early as 1924 a work which would eventually coalesce - on May 4th 1939 after 17 years of work - into Finnegans Wake.Picasso had been the first choice to provide a frontispiece but refused on the grounds that he did not produce portraits 'sur commande' and Joyce suggested Constantin Brancusi as an alternative. Brancusi's final 'portrait' the abstract 'Symbol of James Joyce' prompted Joyce's father to remark on seeing it: 'the boy seems to have changed a good deal'.'A portrait as abstract as the author's text . '. The Artist and the Book.The Artist and the Book 32; Slocum & Cahoon A36; see Joyce by Richard Ellmann pg. 614. The Black Sun Press. unknown

Sims Reed Rare Books · Royaume-Uni9 500,00 £GB≈ 10 847,10 €

Joyce, JamesBiblio.com

Ulysses

1935241728New York: Limited Editions Club 1935. Signed Limited Edition. Publisher's brown cloth decorated in gilt top edge speckled in glassine jacket housed in publisher's plain pale yellow slipcase spine titled in brown. Fine in toned and lightly chipped original glassine jacket in near fine publisher's slipcase. Illustrated by Henri Matisse in six etchings with accompanying preliminary sketches on blue and yellow transparent overlays. i-iii-xv 3 363 3pp. 12" x 9.5" NOT EVERY PICTURE TELLS THE STORY In October 1929 the stock market crashed and the twenty-nine year old George Macy 1900-1956 introduced the first book in his publishing venture The Limited Editions Club. Subscribers paid an affordable monthly price for editions de luxe of literary classics illustrated and signed by notable artists often designed by Macy in a limitation of 1500 copies. At the time the idea was groundbreaking and surprisingly well-received and Macy displayed an unflagging all-American spirit of purpose driven by risk-taking that would keep his publishing passion afloat through the Depression and onward. As its centenary approaches it appears that LECs have also survived the quirks and whims of book collectors thanks to Macy's unbridled instinct for matching artists with texts. Take for example the strangest marriage of them all Henri Matisse meets James Joyce's Ulysses the most valuable blunder in LEC history. An indignant Joyce finding out that Matisse had never read the book dropped out of the project at the eleventh hour signing only 250 copies sparking endless gossip and criticism and making it the most desirable of any of the LECs. Our copy may not have Joyce's imprimatur but it is otherwise complete and in spectacular condition making it a special offering from our Spring acquisitions. Limited to the standard 1500 signed and numbered copies of which this is number 364 signed by Matisse in pencil on the limitation page--preserved here in incredibly scarce original glassine. Slocum 22. Limited Editions Club unknown

The Hermitage Bookshop · États-Unis10 500,00 $US≈ 8 884,05 €

JOYCE, JamesBiblio.com

Typed letter signed to Jacob Schwartz.

1930190805Paris: 1930. Lady Cunard. is sending over a person to hear Sullivan An unpublished letter sent to the future proprietor of the Ulysses Bookshop enlisting him in the promotion of the Irish tenor John O'Sullivan. Joyce first heard the singer perform in October 1929 and was immediately enthralled by his powerful voice. Upon meeting Joyce and O'Sullivan became friends and drinking companions and Joyce worked tirelessly to help O'Sullivan achieve success. In early 1930 Joyce was struggling against a creative slump in his work on Finnegans Wake. Furthering O'Sullivan's career became an alternative pursuit; Joyce was himself an amateur tenor and regarded the singer as "a kind of alter ego" Ellman p. xlv. He attended as many performances as possible always sitting in the front row and responding enthusiastically and encouraged his friends and admirers to do the same. He also attempted to get the tenor noticed by music critics and potential patrons such as Nancy Cunard's mother who he mentions in the present letter: "I have written to Lady Cunard and she is sending over a person to hear Sullivan". Ultimately few others were found who shared Joyce's enthusiasm for the singer but he was immortalized as the character "Jean Souslevin" i.e. "under the wine" in Finnegans Wake. Jacob Schwartz was "one of the first to recognize the market potential for letters and manuscripts of Joyce" Brockman p. 174. He met the writer in London in 1929 and shortly afterwards embarked on a journey to Dublin to purchase Joyce-related documents and memorabilia. The Ulysses Bookshop opened later in 1930. Single sheet of Joyce's printed letterhead 232 x 158 mm typed on one side. Housed in custom orange cloth chemise with acetate internal pocket. Short splits at ends of former folds two with small tape repairs to verso holding fast edges a little chipped and creased lightly toned. In very good condition. Richard Ellman ed. Letters of James Joyce Volume II 1966; William S. Brockman "Jacob Schwartz - 'The Fly in the Honey'" Joyce Studies Annual vol. 9 Summer 1998. hardcover

Peter Harrington · Royaume-Uni6 750,00 £GB≈ 7 707,15 €

Collins, Joseph [James Joyce]Biblio.com

Taking the Literary Pulse: Psychological Studies of Life and Letters.

1924151436New York: George H. Doran Company 1924. First edition of this work analyzing modern authors and their literary characters through a psychological lens. Octavo original publisher's red cloth illustrated with tipped in plates. Association copy inscribed by the author to fellow writer James Joyce on the front free endpaper "James Joyce with the writers compliments Joseph Collins." The recipient James Joyce was an Irish modernist writer whose novel Ulysses 1922 is widely regarded as one of the most influential works of twentieth-century literature. Set in Dublin over the course of a single day the novel employs innovative narrative techniques—most notably stream of consciousness—to explore the inner lives of its characters while drawing structural parallels to Homer’s Odyssey. Joseph Collins was the first person to review Ulysses for the New York Times after Joyce lent Collins the Little Review installments of Ulysses. Collins groaned to Nutting the next day "I have in my files writing by the insane just as good as this" and gave a medical explanation of the deterioration of the artist's brain. Later on however he began to think better of the book. Joyce even had Molly Bloom memorialize Collins's manner in Ulysses: "Floey made me go to that dry old stick Dr Collins for womens diseases on Pembroke road. I wouldn't trust him too far to give me chloroform or God knows what else still I liked him when he sat down to write." Richard Ellman James Joyce page 516. Near fine in a very good dust jacket. An exceptional association. Dr. Joseph Collins 1866–1950 was an American neurologist author literary critic and medical educator known for his contributions to the study of nervous and mental disorders in the early twentieth century. A graduate of New York University Collins served as a professor of neurology and was actively involved in clinical practice and medical writing producing works that addressed both specialized neurological topics and broader issues of health and psychology. In addition to his scientific publications he wrote essays and books aimed at general audiences often exploring the relationship between mind and body as well as the social implications of medical knowledge. George H. Doran Company hardcover

Raptis Rare Books · États-Unis8 800,00 $US≈ 7 445,68 €

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