676 résultats
189186092Paris 22 oct[obre] 1891 | 13.30 x 20.50 cm | une page sur un bifeuillet
188283518Charpentier & Cie | Paris 1882 | 11 x 17.50 cm | broché
187590869Paris: Ernest Leroux 1875. Fine. Ernest Leroux Paris 1875 1879 12.2 x 11.8 cm Broché Second edition the dedication to Pierre Laffitte is dated 1879. A study of madness from a positivist perspective based on the work of Auguste Comte. The dedicatee Pierre Laffitte was the editor of the review ""Le Positivisme"". Spine cracked with small losses occasional foxing and a horizontal crease at the foot of the upper cover small marginal tears on the cover firts cover reattached. With a fine signed presentation inscription from Emile François Eugène Sémérie to Émile Zola on the half-title: ""A Mr. Émile Zola. Sémérie d'Aix"" the final word underlined. The close connections between positivism and naturalism the literary doctrine developed in the 1860s1880s are well known: positivist philosophy the observation of reality and the primacy of experience influenced naturalist writers in their concern to depict reality with strict objectivity. Zola made an essential contribution to the movement with his study ""Roman expérimental"" 1880. Ernest Leroux unknown
189480728s. l. Rome Rome 1894. Fine. s. l. Rome Rome Dimanche 4 novembre 1894 13.20 x 20.50 cm une page sur un double feuillet et une enveloppe Autograph letter signed by Emile Zola addressed to Ugo Ojetti. One page written in black ink on the first page of a double sheet. Folding inherent to postal transmission. Envelope included. This letter was addressed by the father of naturalism to journalist Ugo Ojetti when he had just arrived in Rome: ""Monsieur je vais remercier infiniment le comte Joseph Primoli de l'amabilité qu'il a mise à vous adresser à moi et je serai très heureux de vous recevoir si vous voulez bien me venir voir le soir qu'il vous plaira à six heures."" ""Sir I wish to thank Count Joseph Primoli infinitely for the kindness he has shown in directing you to me and I shall be very happy to receive you if you would be so good as to come and see me any evening that suits you at six o'clock."" Having arrived a few days earlier in the eternal city to conduct research for Rome Emile Zola hoped to meet Count Joseph Primoli there. The latter was unfortunately in Paris but he sent him this young journalist from La Tribuna who would serve as his guide but also as secretary. The two men clearly got along well and Zola even authorized Ojetti to adapt an opera libretto from his famous Nana. The project would unfortunately never come to fruition. Joseph Napoléon Count Primoli 1851-1927 was the great-great-nephew of Napoleon Bonaparte. Very close to the imperial family under the Second Empire he subsequently remained faithful to the salon of his beloved aunt Princess Mathilde in her private mansion on rue de Berri. His refined and witty conversation worked wonders there and he met as a passionate bibliophile some of the greatest writers of his time: Gustave Flaubert Théophile Gautier the Goncourts and Guy de Maupassant. unknown
186657850BBParis, Librairie Centrale. 1866. 18,5x12 cm. 98 p., 1 p. n.ch. table des matieres, 8 p. extrait du catalogue de la librairie Centrale. Reliure demi maroquin rouge à coins, titre, date et filets dorés, couverture conservée (signé mais illlisible).
1886803R45Paris: Librairie L. Conquet 1886. Leather. Near Fine. 8.5" by 5.5". None. A lovely illustrated limited edition of Emile Zola's short story collection in the original French language and bound in delightful leather. 'Contes de Ninon' was amongst Zola's earlier works a collection of short stories which first appeared in 1864 to which 'Nouveaux Contes a Ninon' was a sequel. First published in 1870 this collection includes works such as 'Le Grand Michu' 'Les Fraises' 'Lili' 'Le Forgeron' 'Le Chomage' and 'Le Jeune' amongst countless others. Illustrated with a frontispiece to volume I and thirty illustrations throughout by Ed. Rudaux.Limited edition of five hundred copies this being one of the 350 on Marais vellum and out of series. Presentation copy exemplaire offert hence out of series. Signed by the publisher to the limitation page. With the original wraps bound in. Written by Emile Zola a French novelist and writer known for his role in the political liberalization of France. He was nominated for Novel Prizes in Literature in both 1901 and 1902 the first two years of the prize.Bound by G. Rykers. Rel.Containing the ownership bookplate of E. L. B. with a delightful cockerel. In the original French language. In a half crushed morocco binding. Externally lovely with just the slightest general wear. Ownership bookplate to the front pastedown of each volume. Internally firmly bound. Pages are just slightly spotted to the first and final leaves but otherwise bright and clean. Near Fine Librairie L. Conquet hardcover
1892feb1187461892. Used. For more details please contact me unknown
1889046694Paris: E. Plon Nourrit etc. 1889. First Edition. Hardcover Half Leather. Near Fine Condition. Jean-Francois Raffaelli. Half green morocco over marbled boards spine a bit sunned original wrappers bound in. Black and white and hand colored illustrations throughout and 10 heliogravure by Raffaelli - number 29 of 40 on Japan and with an additional folding etching a version of the frontis signed in pencil by Raffaelli tipped in before the frontis. A lovely production. Size: Quarto 4to. Illustrator: Jean-Francois Raffaelli. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Literature & Literary; Inventory No: 046694. E. Plon, Nourrit etc. hardcover
1889046694Paris: E. Plon Nourrit etc. 1889. First Edition. Hardcover Half Leather. Near Fine Condition. Jean-Francois Raffaelli. Half green morocco over marbled boards spine a bit sunned original wrappers bound in. Black and white and hand colored illustrations throughout and 10 heliogravure by Raffaelli - number 29 of 40 on Japan and with an additional folding etching a version of the frontis signed in pencil by Raffaelli tipped in before the frontis. A lovely production. Size: Quarto 4to. Illustrator: Jean-Francois Raffaelli. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Literature & Literary; Inventory No: 046694. E. Plon, Nourrit etc. hardcover books
1888215987Median 1888. unbound. 2 full pages 8.5 x 5.25 inches Median France October 16 1888. In this letter Zola invites a colleague for a visit and conversation in part: ".Je suis tres heureux qu'un homme de votre grand talent et de votre grande experience veuille bein se charger d'un travail qu ne sera pas commode je le crains. " Slight creasing and natural folds; still very good condition.<br/><br/> unknown books
1897BB062<br /><b>ZOLA</b> Emile:<br /><br /><i><b>Nouvelle Campagne 1896</b></i><br /><br />Paris: Bibliothèque-Charpentier 1897.<br /><br />8vo v 296pp 1 index; blue contemporary French quarter-calf with Campbell Clarke's initials at the foot of the spine marbled sides original printed.<br /><br />First edition.<br /><br />Presentation copy from Zola to Sir Campbell Clarke inscribed "<i>á Campbell Clarke/son dévoué confrère/Emile Zola</i>." <i> With the bookplate of Sir Campbell Clarke </i>inside front cover.<br />A collection of articles mostly from <i>Le Figaro</i>. The work is scarce inscribed and it is pleasing that this example was given to a fellow journalist and man of letters; the recipient of this copy Sir Campbell Clarke was a British journalist and author well known and regarded in France and an Officer of the French Legion of Honor.<br /> Bibliothèque-Charpentier hardcover books
1888215987Median 1888. unbound. 2 full pages 8.5 x 5.25 inches Median France October 16 1888. In this letter Zola invites a colleague for a visit and conversation in part: ".Je suis tres heureux qu'un homme de votre grand talent et de votre grande experience veuille bein se charger d'un travail qu ne sera pas commode je le crains. " Slight creasing and natural folds; still very good condition.<br/> <br/> unknown
188747500G. Charpentier 1887 In-12, bradel demi-percaline brune, 138 pp. Rousseurs. Bon exemplaire.
1867128154Paris, E. Dentu 1867 In-8 24 x 15,5 cm. Broché, couverture gris-bleu, dos muet, auteur et tire en noir sur le premier plat de couverture. Couverture effrangée, premier plat froissé, pages de garde avec traces de ruban adhésif.
187590869Ernest Leroux | Paris 1875 (1879) | 12.2 x 11.8 cm | Broché
188226932« Je vous approuve vivement d'avoir renoncé pour votre journal au titre de Pot-Bouille » Médan, 23 juillet [18]82. 1 f. (135 x 215 mm) de 2 p., encre noire. « Mon cher confrère, Je vous approuve vivement d'avoir renoncé pour votre journal au titre de Pot-Bouille, qui ne signifiait rien […]. Je me suis retiré de la presse, je suis résolu à ne pas y rentrer ; dès lors, pourquoi me poserais-je en donneur de conseils ? […] Ce serait là jouer au personnage, et je ne veux pas courir le risque de ce ridicule. Allez donc bravement de vous-même. Vous n'avez pas besoin de moi. Quand vous lanciez Pot-Bouille, il fallait bien que Zola vous autorisât. Mais vous lancez Rabelais, et Zola n'a ici que faire, Rabelais étant de force à s'expliquer tout seul ».
1886CLL-854Paris, Conquet, 1886 2 volumes in-8 de (2)ff., IV, 184pp., (1)f., 1 f.bl. - (2)ff., 195pp. (verso bl.), (1)f., 1 f.bl., maroquin vert, double encadrement de filets dorés sur les plats, dos à nerfs ornés de caissons de filets dorés, coupes et bordures ornées de filets dorés, tranches dorées sur témoins, couvertures conservées (Chambolle-Duru).
189045314Paris Charpentier et Cie, 1890 In-12, demi-maroquin bordeaux coins, plats de papier marbr; dos quatre nerfs orn de jeux de filets dors et portant le nom de l'auteur, le titre de l'ouvrage et la date de l'dition en petites capitales pousses or sur des pices de titre mosaques en maroquin noir; doublures et gardes de papier marbr, tte dore, non rogn, couverture imprime (E. Jarrigeon).Edition originale. Exemplaire du tirage ordinaire.
18889858Paris, G. Charpentier et Cie, 1888. 1 vol. in-12 carré. Demi-chagrin aubergine, double filet doré sur les plats, dos à nerfs orné, titre et auteur dorés,tête dorée, couvertures conservées, exemplaire non rogné.
1884115157Paris Charpentier 1884 1 vol. relié in-12, demi-maroquin marron à coins, dos à nerfs, chiffre doré en pied, tête dorée, couvertures et dos conservés, non rogné (Champs-Stroobants), 379 pp. Édition originale enrichie d'un envoi autographe signé de l'auteur.
1884115157Paris Charpentier 1884 1 vol. relié in-12, demi-maroquin marron à coins, dos à nerfs, chiffre doré en pied, tête dorée, couvertures et dos conservés, non rogné (Champs-Stroobants), 379 pp. Édition originale enrichie d'un envoi autographe signé de l'auteur.
189874340Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Février 1898 31 x 27 cm une feuille et une serpente Rare original colour lithograph executed by Albert-Émile Artigue for L'Estampe Moderne series no. 10 published in February 1898. One of 50 deluxe proofs printed on Japon with wide margins artist's signature within the stone publisher's blindstamp depicting a child's profile in the lower margin numbered stamp of the deluxe issue on the verso; the print is preceded by a captioned tissue guard with the artist's name the title and an excerpt from the work; with additional plain tissue guard. Lithograph inspired by an excerpt from Emile Zola's novel La Faute de l'abbé Mouret reproduced on the tissue guard of the print. A magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe Moderne comprises original chromolithographs which unlike other periodicals such as Les Maîtres de l'Affiche and as specified on the tissue guards were created expressly for the journal by each artist. In all 100 prints were published encompassing the major artistic movements of the late 19th century: Symbolism Art Nouveau the Pre-Raphaelites Orientalism and the Belle Époque. Each issue of four plates was printed in 2000 copies sold at 3.50 francs and 100 on Japon paper offered at 10 francs. Henri Piazza also planned an exclusive printing of the utmost luxury: 50 copies on Japon with wide margins and 50 in black on China paper at the considerable price of 30 francs. This large-format print is superbly printed on the most prestigious of papers: Japon. Thick silky satin-finished and pearly it elevates each sheet into a work of art in its own right. Its exceptional capacity for ink absorption and affinity with colour make it the ideal medium for these splendid lithographs. The interest of French collectors in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this craze coined the term affichomanie. The poster originally popular and pasted up on the streets of the capital then became an art object its ephemeral support transformed into something precious and destined for preservation. Piazza resolved to remove the poster from its advertising purpose and elevate it to the rank of a work of art in its own right on a par with the deluxe illustrated book. In this way he assembled a prestigious collection of entirely original works by the most prominent European artists of the time: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. A handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
18380056141838 Paris, Desessart et Cie, 1838. Deux tomes reliés en un volume in-8 (209 X138 mm) demi-chagrin noir, dos à nerfs surlignés de filets à froid, titre doré (Reliure de l'époque). Tome I : Frontispice, (2) ff. de faux-titre et titre, 327 pages - Tome II : 325 pages, (1) f. de table. L'exemplaire a été relié sans les feuillets de faux-titre et de titre du tome II ni sans le feuillet (pages 39/40) de faux-titre du chapitre IV du tome II "Cuncta supergilio mota". Deux infimes trous de la taille d'une tête d'épingle dans le compartiment inférieur et en bas du mors supérieur, pointes de rousseurs à la gravure ajoutée, trace de colle sur la partie gauche de la page de titre (morceau collé de la gravure), mouillure claire au faux-titre, mention manuscrite à l'encre brune « acheté à Médan - 1862 » en tête du faux-titre, mention à l'encre brune de la même main (ex-libris ?) biffée au verso du faux-titre, trace de cachet encré (ex-libris) effacé en marge latérale de la page de titre.
188385833Paris, Charpentier et Cie, 1883, in-8, 3-521 pp, demi toile gris souris à la bradel de l'époque, tranches mouchetées, couvertures conservées, Édition originale. Originalement paru en 75 livraisons dans la revue Gil Blas du 17 décembre 1882 au 1er mars 1883, Au bonheur des dames est un des romans les plus célèbres d'Émile Zola. Il constitue le onzième volume du cycle des Rougon-Macquart. Joris-Karl Huysmans qualifiera ce récit de "colosse" dont Zola devait "être fier et très fier". Petit manque au second plat de couverture, quelques rousseurs, coins frottés. Couverture rigide
1899123081899 Charpentier éditeur Paris 1899. E.O. L’un des 200 ex. sur Hollande. Deux volumes brochés in-8 plein papier parcheminé, très bel état