303 résultats
189875660London:: Leonard Smithers 1898. Second edition. publisher's white and gold cloth gilt-lettered on the spine. Ink ownership name on front free endpaper; endsheets tanned; a very few smudges and spots to text and deckled fore-edges a bit tanned. The original binding is dust-soiled and stained; spine quite tanned; but tight and sound. . 8vo. Leonard Smithers, hardcover
1891BB17290London: James R. Osgood McIlvaine & Co. 1891. First Edition. Hardcover. Fair. 8vo. Rebound in plain olive cloth leather spine label lettered in gilt. 258 pp. Title page and premilinary blanks detached. Sold as is. <br/><br/> James R. Osgood McIlvaine & Co. hardcover books
1881D1284Boston: Roberts Brothers 1881. First American Edition First Issue. Hardcover. Very Good. Grey cloth gilt-stamped lettering and detail on upper board and spine yellow topstain pretty decorative endpapers. Spine tips and corners just a little rubbed and frayed; text block rolled with upper board extending nearly 1/4 inch beyond lower. A tight clean copy. <br/><br/> Roberts Brothers hardcover books
1892009173Manchester: George Falkner and Sons 1892. Reissue of the 1878 offprint with new preface and French translation. Inscribed "with Author's Compliments." Small pieces torn from outer edge of rear wrapper; blank corners of final leaf and folding table torn off; two library ink stamps on front wrapper; embossed stamp on title page. Privately published version. Unrecorded on OCLC/WorldCat. Collation: vi 17 1 iv 18 pp. folding table. Reissue. Original Printed Wrappers. Good. George Falkner and Sons Paperback
187848040Manchester, T. Sowler and Co., 1878. 8vo. In the original printed wrappers. Offprint from ""The Proceedings of the Manchester Literary and Philosophical Society"", April 30. Author's presentation inscription to front wrapper ""Edmund J Mills / with the Author's Compliments"". Miscolouring to lower part of front wrapper. Internally fine and clean. 25 pp. + 1 folded plate.
187848040Manchester T. Sowler and Co. 1878. 8vo. In the original printed wrappers. Offprint from "The Proceedings of the Manchester Literary and Philosophical Society" April 30. Author's presentation inscription to front wrapper "Edmund J Mills / with the Author's Compliments". Miscolouring to lower part of front wrapper. Internally fine and clean. 25 pp. 1 folded plate. <br/><br/><em>Scarce offprint issue with author's presentation inscription of Wilde's contribution to the origin of elements and his views on the newly created periodic system.Henry Wilde 1833 - 1919 a wealthy individual from Manchester England who used his self-made fortune to indulge his interest in electrical engineering. He invented the dynamo-electric machine or self-energising dynamo published in 1866. The machine was considered remarkable at the time especially since Wilde was fond of spectacular demonstrations such as the ability of his machine to cause iron bars to melt. </em> unknown
1891BOOKS324407New York: THE FORTNIGHTLY REVIEW February 1891. Collectible-Very Good/NO DUSTJACKET. 1891. First Printing. Paperback. First appearance in the United States of this Oscar Wilde publication pages 292-319. Other contributors include E. B. Lanin David F. Schloss and a continuing story by George Mededith. Ref. - Mason #52. . Sm 4to. One advertising page has a tear without anything missing. A period magazine club readers list glued to rear cover. . THE FORTNIGHTLY REVIEW February, 1891 paperback
1898635478Leonard Smithers London 1898. 2nd Edition. Hardcover. Good/No Jacket. 8vo. - Second Edition though lacks the Printed "Second Edition" to the title page verso - Publication date February 1898 to copyright page - Also includes the numerous amendments made to that edition - Oscar Wilde's last work published pseudonymously using his prisoner designation - Quarter bound in white linen over cinnamon linen boards w/ gilt lettering to spine - Printed on handmade paper w/ deckled edges on one side of the page only - Covers heavily tanned and marked - Lettering to spine faded - Corners and spine ends bumped and crushed - Endpapers toned and stained - Content lightly toned and foxed throughout w/ scratches and marks to some leaves particularly near the rear - Rear hinge very slightly open but still strong - Book ow/ solid and clean - 31 pages No Jacket Leonard Smithers, London hardcover
189320184The Spirit Lamp. Vol. IV No. 2. June 1893 1893. Book. Fair. Soft cover. 1st Edition. First edition. Lettered sewn card wrappers both of which are detached and somewhat nicked and chipped with some edge loss and with portions of the unprinted paper spine absent. Some discolouration to the margins of the first and final leaves where the wrappers are defective yet really a very crisp copy thereafter. This constitutes the first appearance in print of Wilde's prose-poem predating its appearance with the other five examples in July 1894 issue of 'The Fortnightly Review'. Other contributors to this issue include Eric Stenbok his essay 'The Other Side. A Breton Legend' A.R.Bayley his essay 'The Defence of Posey' and his poem 'In Lyonesse' Gleeson White his essay 'In Praise of Idleness' Max Beerbohm his essay 'The Incomparable Beauty of Modern Dress' contributed as 'H.M.Beerbohm' John Addington Symonds his brief poem 'From the Arabic' and the editor his poems 'In Summer' and 'Apologia Pro Classe Sua'. A somewhat distressed example and yet most uncommon. Mason 265. The Spirit Lamp. Vol. IV, No. 2. June 1893 Paperback
1884124354London: Richard Bentley and Son 1884. First Edition. Hardcover. Very Good. London Richard Bentley and Son 1884. Octavo iv 297 pages with the title page printed in red and black. Original cloth lettered in gilt on the spine and front cover; cloth a little rubbed mottled and sunned with minimal wear to the head of the front joint; paper lightly tanned; small nameplate on the front pastedown; minimal signs of age and use; a very good copy. A rare and spirited travel book by Jane Francesca Agnes Wilde circa 1821-1896 influential Irish poet translator and feminist and the mother of Oscar Wilde. 'From 1846 she began to contribute prose as "John Fanshawe Ellis" and verse as "Speranza" to the "Nation" where on 23 January 1847 her poem "The stricken land" retitled "The famine year" was the great famine's first major poetic response. It indicted her own Anglo-Irish landlord class in terms used in Longfellow's anti-slavery poems . "Driftwood from Scandinavia" 1884 based on old friendships with Swedes and her voyages to Sweden with her husband Sir William in 1858 included much of value on Scandinavian sociology and German romanticism' 'Dictionary of Irish Biography'. The appendix consists of an essay by Sir William Wilde: 'On the Scandinavian Antiquities lately discovered at Islandbridge near Dublin'. Richard Bentley and Son hardcover
1888024406Cassell 1888. No Binding. Near Fine. Assorted. 1st edition Volume I 4to 12¼ x 9½ ins. Original 3/4 leather and cloth boards. Quite worn with spine missing and both covers loose. First 4 1/2 3/4 pages torn along bottom right-hand edge & Final 2 pages 571/2 torn along center. Pp. iv 572 pages v-viii. All other contents are very good and better Many illustrations and color plates. NOTE: This is NOT a reprint it is the Original Printing from 1888. <br/> <br/> Cassell unknown
1882List3658Boston Massachusetts: W. A. Evans & Bro 1882. Folio illustrated wraps. Pages detached from each other small chip to corner images and music fine remains good to very good and quite attractive. Good to very good. A visually striking example of Oscar Wilde–related ephemera issued during the height of the writer’s American lecture tour of 1882. Though lacking a printed date the title strongly suggests publication in connection with Wilde’s appearance at the Boston Music Hall on January 31 1882 where he delivered his lecture “The English Renaissance†as part of his widely publicized tour across the United States. Contemporary accounts describe the event as a notable cultural moment including the presence of Harvard students dressed in exaggerated aesthetic costume who occupied the front rows of the hall reflecting both the fascination with and satirical reception of Wilde’s aesthetic persona.1<br /> <br /> The lithographic cover prominently depicts a figure carrying an oversized sunflower an image closely associated with Wilde and the broader Aesthetic Movement. Such illustrated sheet music functioned not only as musical publications but also as collectible artifacts capitalizing on the figure of Wilde. Over the course of several months he traveled widely across the United States and Canada delivering lectures on art decoration and cultural taste and quickly became a subject of both admiration and parody in the American press. Although he never returned for a comparable national tour Wilde maintained a lasting connection to American audiences. We know of a variant edition of the Evans imprint with a different illustration as well as a different version published in Boston by Ditson the same year. <br /> <br /> OCLC 500491189 specifying this edition with the large sunflower illustration locating five copies. <br /> <br /> 1 “Freshmen at Oscar Wilde’s Lecture†The Harvard Crimson February 1 1882. W. A. Evans & Bro unknown
1891WRCLIT84623London: Osgood McIlvaine and Co. 1891. Small octavo. Original salmon paper over boards printed and decorated in dark brown. Ink name dated 1892 on endsheet internally very good. The fragile binding shows heavy wear at the extremities is frayed at head and joints of the darkened spine with small repair and has a surface scrape on the upper board at the top corner causing loss of paper and affecting a few letters. A reasonably sound copy of this easily abused book. First edition. The edition consisted of two thousand copies of which five hundred were sent to the U.S. MASON/MILLARD 345. Osgood, McIlvaine and Co. hardcover books
189823069London: Leonard Smithers 1898. Sixth Edition. Hardcover. Orig. cream cloth and light brown cloth spine darkened. Very good. 31 pages. 23 x 14 cm. One of a 1000 copies on handmade paper. The last edition to identify the author as "C.3.3." -- Wilde was imprisoned in cell block C landing C Cell 3. This narrative a tale of Charles Thomas Woodbridge's 1896 execution at Reading for the murder of his wife. Small owner signature free front endpaper free endpapers toned. Leonard Smithers hardcover
184420765Dublin: William Curry Jun. and Company. 1844. Second Edition. Hardcover. Very Good. Slight tanning and very light occasional foxing to first and last few pages. Former owner's name on front free endpaper. Lacks one map the Chart of the Coast of Tyre. Spine and hinges professionally repaired. ; This is the observation of a journey taken in 1937. The first edition was published in 1840 in two volumes. The journey includes Corunna Lisbon Madeira Teneriffe Gibraltar Algiers Sicily Egypt Asia Minor Syria Palestine Jerusalem and Greece. Including colored map of Jerusalem frontispiece but lacking the second map the Chart of the Coast of Tyre. Dark blue cloth boards with blindstamped linear design and gilt spine lettering and gilt pictorial design. ; 8vo 8" - 9" tall; xv 648 pages . William Curry, Jun. and Company hardcover
1887012823Milano: Sonzogno 1887 1895 18. Prima edizione italiana delle poesie di Whitman; First Italian Editions. In un volume dimensioni 11x17 cm che contiene anche a seguire: George Eliot: LE TRIBOLAZIONI DEL REVERENDO AMOS BARTON. Prefazione di Gaetano Negri. Oscar Wilde: RACCONTI. Traduzione e prefazione di Francesco Stocchetti. G.B. Shaw: IL DISCEPOLO DEL DIAVOLO. -In tutti i casi prime edizioni italiane di quelle opere edite da Sonzogno nella Biblioteca Universale. - Tutte le opere hanno alla pagina di titolo firma e data di possesso di Davide Casella Napoli. - I due CANTI SCELTI DI WHITMAN pur avendo lo stesso titolo e curatore sono in realtà due diverse serie che si completano come spiega il curatore nell'avvertenza alla seconda raccolta e rappresentano la prima edizione delle poesie pubblicate nel 1887 e otto anni dopo nel 1895. Alla prima raccolta all'ultima pagina 103-04 sono stati tagliati i margini superiore e inferiore dove il possessore aveva scritto alcune note di commento; ma il taglio non tocca la stampa. -Legatura degli anni Venti in tela marrone con una scritta in oro al dorso: AUTORI INGLESI.- Di notevole rarità queste prime edizioni italiane riunite. Sonzogno unknown
1891503897New York: Dodd Mead and Company 1891. Hardcover. Fine. First American edition using the English sheets see Mason 343: "Of the English edition. . 600 copies were printed for America. Octavo. 258pp. Pinkish-red cloth stamped in yellow. Spine is slightly faded else a nice very near fine copy. Scarce. Dodd, Mead and Company hardcover
1890972Boston: Roberts Brothers 1890. Hardcover. Very Good. Illustrated by Walter Crane and Jacomb Hood Very Good condition with water marks and soiling to original gray cloth cover. Interior text as new no markings binding tight Roberts Brothers hardcover
1893371134Oxford: published for the Proprietor by James Thornton High Street 1893. 100 pp. Squarish 8vo. Blue printed paper wrappers. Some chipping and loss to covers; toning to pages. 100 pp. Squarish 8vo. Featuring "The Disciple" by Oscar Wilde and pieces by Lord Alfred Douglas H. M. Beerbohm and John Addington Symonds. published for the Proprietor by James Thornton, High Street unknown
1891WRCLIT61926New York: Dodd Mead 1891. Rose cloth over boards lettered in yellow top edge stained brown. Spine a trifle darkened with some hand-smudging to cloth small nick at crown of spine but a very good copy. An American issue of the British sheets. Mason/Millard was unable to examine a copy of the American issue of the first edition sheets but describes a literal date in the title-imprint in a binding of the same color of cloth as this copy with the same overall dimensions. However the American issue of the second London edition does bear a literal date 1894 in the title imprint and is bound in tan cloth. Hence the copy in hand is most likely not a variant of the American issue of the second edition and may very well be the American issue of the first edition sheets 600 copies at variance from Mason/Millard's speculative description. With the pencil ownership inscription of American publisher Ingalls Kimball dated Chicago August 1894. MASON/MILLARD 343. Dodd, Mead hardcover books
1881WB18283London: David Bogue 1881. Second Edition. Hardcover. Near Fine. 8vo. Modern 3/4 green morocco and cloth slight fading to spine. Small booklabel of Henry Southern Ltd and a larger bookplate of Giles Alexander Esme Gordon. <br/><br/> David Bogue hardcover books
1891WRCLIT75377New York: The Humboldt Publishing Company 1891. 48pp. plus 4ff of adverts. Large octavo. Printed self-wrappers. Uniform tanning diagonal crease across lower forecorner of rear wrapper and adverts minute loss at toe of spine neat repair at crown; a very good copy of this characteristically fragile pamphlet. First US printing in this format published as HUMBOLDT LIBRARY OF SCIENCE No. 147 in company with Morris's "The Socialist Ideal - Art" and Owen's "The Coming Solidarity." Wilde's essay is featured as the wrapper- title. The essay first appeared in British and US editions of THE FORTNIGHTLY REVIEW in February 1891. The first UK edition in book form appeared 'privately' in an edition of fifty copies in 1895. Not in Mason/Millard. Uncommon in wrappers. The Humboldt Publishing Company unknown books
189140615New York: Dodd Mead and Company 1891. First American Edition. Octavo pink cloth stamped in yellow. Of a total of 1500 copies printed 900 were for sale in the UK and 600 were bound with the Dodd Mead and Company title page. Very Good condition spine darkened time toned paper. No dust jacket. Dodd, Mead and Company hardcover
1898004339London: Leonard Smithers 1898. Wilde used his prisoner's number as his nom de plume for the early printings. This is a Very Good copy of the "Fourth Edition" Printing. Tan and cream-coloured binding with gilt titling on the spine. Clean text; 31 pages text printed only on the recto. There is a contemporary 22 May 1898 previous-owner signature only three letters on the front free endpaper. There is a tiny bookseller label Brentano's Paris on the rear paste-down. The paste-downs and free endpapers are typically tanned. The corners are bumped; surfaces soiled; and there is a crease on the rear cover. The spine has darkened but the lettering remains readable. Within this rather used-looking exterior the textblock is wonderfully fresh and bright. A solid copy of this rare edition. Fourth Edition. Hard Cover. Very Good/No Jacket. 8vo - over 7¾" - 9¾" tall. Leonard Smithers Hardcover
187346830London, Taylor and Francis, 1873. 8vo. Offprint, seperately paginated, with author presentation inscription to top of front wrapper (""Joseph Sidelbotham / with the Author's best regards""). Fine and clean. 8 pp. + 1 folded plate.