8 183 résultats
1891WRCLIT61926New York: Dodd Mead 1891. Rose cloth over boards lettered in yellow top edge stained brown. Spine a trifle darkened with some hand-smudging to cloth small nick at crown of spine but a very good copy. An American issue of the British sheets. Mason/Millard was unable to examine a copy of the American issue of the first edition sheets but describes a literal date in the title-imprint in a binding of the same color of cloth as this copy with the same overall dimensions. However the American issue of the second London edition does bear a literal date 1894 in the title imprint and is bound in tan cloth. Hence the copy in hand is most likely not a variant of the American issue of the second edition and may very well be the American issue of the first edition sheets 600 copies at variance from Mason/Millard's speculative description. With the pencil ownership inscription of American publisher Ingalls Kimball dated Chicago August 1894. MASON/MILLARD 343. Dodd, Mead hardcover books
1881WB18283London: David Bogue 1881. Second Edition. Hardcover. Near Fine. 8vo. Modern 3/4 green morocco and cloth slight fading to spine. Small booklabel of Henry Southern Ltd and a larger bookplate of Giles Alexander Esme Gordon. <br/><br/> David Bogue hardcover books
190360320Portland Maine: Thomas B. Mosher 1903. Limited edition of 600 copies printed on Van Gelder hand-made paper and the type distributed. Printed paper boards slightly edge darkened in the scarce original dust jacket which has some chipping loss to head of jacket closed tear spine darkened. A very good copy. <br/><br/> Thomas B. Mosher hardcover books
1891WRCLIT75377New York: The Humboldt Publishing Company 1891. 48pp. plus 4ff of adverts. Large octavo. Printed self-wrappers. Uniform tanning diagonal crease across lower forecorner of rear wrapper and adverts minute loss at toe of spine neat repair at crown; a very good copy of this characteristically fragile pamphlet. First US printing in this format published as HUMBOLDT LIBRARY OF SCIENCE No. 147 in company with Morris's "The Socialist Ideal - Art" and Owen's "The Coming Solidarity." Wilde's essay is featured as the wrapper- title. The essay first appeared in British and US editions of THE FORTNIGHTLY REVIEW in February 1891. The first UK edition in book form appeared 'privately' in an edition of fifty copies in 1895. Not in Mason/Millard. Uncommon in wrappers. The Humboldt Publishing Company unknown books
1939Embry 140319Ransohoffs 1939. Limited edition. 1 of 200 copies. Fine in very good dust jacket with some light wear and chips in mylar cover. Illustrated by Mallette Dean. Silk-backed marbled boards leather spine label. Printed by the Grabhorn Press. Ransohoffs, 1939. Limited edition. 1 of 200 copies. hardcover books
1909mon0004059945THE PEARSON PUBL 1909T. hardcover. Good. . 10-volume set. deluxe library edition half morocco by Brentano's with raised bands and gilt decorations top edges gilt marbled boards. some of the spines with professional repair joints starting top boards on 2 of the volumes detached. the ""Poems in Prose"" volume contains work by Lady Wilde ""De Profundis"" is from the original unexpergated German edition translated by Henry Zick there is an introduction by Richard Le Gallienne a 296-page biography of Wilde and Wilde's translation of Barbey D'Aurevilly's ""What Never Dies"" is included. THE PEARSON PUBL hardcover
51-2530Mount Horeb Wisconsin: Perishable Press Walter Hamady 1985. Original handmade paper covers. 26 x 19 cm. Full page illustrations. Unpaginated. Edition of 200 copies. Fine.Mailing label from Perishable Press included. John Wilde an American surrealist associated with the Magic Realist school of painting whose fantastic darkly humorous images brought him fame far beyond his native Wisconsin died on March 9 2006 at his home in Cooksville. He was 86.The cause was cancer said his dealer Tory Folliard of the Tory Folliard Gallery in Milwaukee.Mr. Wilde pronounced WILL-dee dedicated his six-decade career to painting with an exacting touch narratives involving grotesque doll-like people in otherworldly situations. He was inspired partly by Salvador Dalí and partly by Northern Renaissance masters like Bosch and Grünewald.Mr. Wilde often painted himself into his pictures giving himself a weirdly oversized and misshapen head. He also created intensely detailed colorful and mysteriously glowing still lifes.Although he lived his whole life in Wisconsin -- except for a wartime stint in the Army -- Mr. Wilde rejected the regionalism of artists like Grant Wood and John Steuart Curry. Instead he became part of a loose community of like-minded Midwesterners -- including Marshall Glasier his teacher at the University of Wisconsin and the Chicago-based fantasy painter Gertrude Abercrombie -- who advocated idiosyncratic and freely imaginative forms of expression. His paintings also relate to those of New York-based Magic Realists like Paul Cadmus and George Tooker. For Mr. Wilde's solo exhibition in New York at the Edwin Hewitt Gallery in 1950 the ballet impresario Lincoln Kirstein a friend of Cadmus and the New York Magic Realists wrote the brochure text.Paintings by Mr. Wilde were included in "Surrealism USA" a major exhibition at the National Academy Museum in New York last year. Currently two shows of Mr. Wilde's works are on view: at Spanierman Gallery in New York and at Tory Folliard Gallery in Milwaukee Mount Horeb, Wisconsin: Perishable Press (Walter Hamady), 1985 unknown
1903006235Paris London: Leonard Smithers 1903. Wilde's satire of upper-class life premiered in 1893. This particular publication is a rather deceptive edition LIMITED to 250 copies. No publisher is given but per COPAC it is Wilde's friend Leonard Smithers who published many of the "decadent" writers of his day including Captain Sir Richard Burton. The city of publication is named as Paris but even this is in doubt and is most likely London; citing Paris may have allowed a hint of scandal to attach. Tan cloth binding with titling and the date "1903" in gilt on the spine. Clean text;154 pages. Very Good condition with minor rubbing to the margins and some red stains on the rear cover. There is a signature on the limitation page and a different one on the Title Page. The only real defect to be noted is the presence of many more signatures - as if practicing - on the endpapers and half-title page. One would be tempted to call this "juvenalia" but these appear to be adult handwriting. Some of these are pencil and others ink. Limited. Hard Cover. Very Good/No Jacket. 8vo - over 7¾" - 9¾" tall. [Leonard Smithers] Hardcover
1906140212Sunderland: Keystone Press 1906. First edition of Wilde's report on his lecture tour throughout America in 1882. Octavo original stiff paper wrappers. One of fifty numbered copies this is number 24. Very good with the majority of the original dust jacket. Wilde’s “theme is not as is often supposed art’s divorce from life but its inescapable arraignment by experience. His creative works almost always end in unmasking. The hand that adjusts the green carnation suddenly shakes an admonitory finger. While the ultimate virtue in Wilde’s essays is in make-believe the denouement of his dramas and narratives is that masks have to go. We must acknowledge what we are. Wilde at least was keen to do so. Though he offered himself as the apostle of pleasure his created world contains much pain†Ellmann xvi. Keystone Press unknown
189140615New York: Dodd Mead and Company 1891. First American Edition. Octavo pink cloth stamped in yellow. Of a total of 1500 copies printed 900 were for sale in the UK and 600 were bound with the Dodd Mead and Company title page. Very Good condition spine darkened time toned paper. No dust jacket. Dodd, Mead and Company hardcover
190545608London: Arthur L. Humphreys 1905. Softcover. g to vg. Duodecimo. 222pp. Bound in a beautiful period grey-brown morocco binding with gilt lettering and ruling on the front cover with raised bands and gilt stamped motifs and lettering on a red label on the spine. Top edge of the book block in gilt. Gilt dentelles and decorative pattered endpapers. The binding was created by acclaimed London-based firm Sangorski & Sutcliffe for sale in the book department of the famous Chicago department store Marshall Field & Company. Binder's ink stamp on the verso of the front endpaper. <br /> <br /> Reprinted from the "Fortnightly Review" by permission of Messrs Chapman & Hall. Publication in the Belles Lettres series of Humphreys's Royal Library. Contains epigrams and aphorisms and the essay "The Soul of Man" a reprint of the essay originally published with the title "The Soul of Man Under Socialism." Mason # 633.<br /> <br /> Binding with light rubbing to extremities including head and tail of spine as well as raised bands. Small stain on the front cover. Covers sunned along the edges. Interior with some smudging to the half-title. Binding in very good- interior in near fine condition overall. Arthur L. Humphreys unknown
1928BOOKS005552INew York: Macy/Masius: Vanguard 1928. 1st . Hardcover. Good. Lynd Ward. Near fine in restored dust jacket. <br/> <br/> Macy/Masius: Vanguard hardcover
1898004339London: Leonard Smithers 1898. Wilde used his prisoner's number as his nom de plume for the early printings. This is a Very Good copy of the "Fourth Edition" Printing. Tan and cream-coloured binding with gilt titling on the spine. Clean text; 31 pages text printed only on the recto. There is a contemporary 22 May 1898 previous-owner signature only three letters on the front free endpaper. There is a tiny bookseller label Brentano's Paris on the rear paste-down. The paste-downs and free endpapers are typically tanned. The corners are bumped; surfaces soiled; and there is a crease on the rear cover. The spine has darkened but the lettering remains readable. Within this rather used-looking exterior the textblock is wonderfully fresh and bright. A solid copy of this rare edition. Fourth Edition. Hard Cover. Very Good/No Jacket. 8vo - over 7¾" - 9¾" tall. Leonard Smithers Hardcover
192941921New York: E.P. Dutton & Company 1929. 1/200. Good. John Vassos. 102pp. Small quarto 24 cm 1/2 black leather over gray illustrated boards. Title gilt stamped on backstrip. Bright pink endsheets. Heavy rubbing to extremities corners exposed 1" loss to spine at head toning and light wear to boards; hinges cracked but holding ink name on front pastedown light spotting to endpapers light foxing to half-title and rear flyleaf else interior is clean and lightly toned. Includes sixteen full page illustrations from the imagination of John Vassos. This is the third Wilde work illustrated by 1930s book illustrator and industrial designer John Vassos. This edition was limited to 200 signed and numbered copies this is copy 165. Signed by the illustrator on the limitation page. E.P. Dutton & Company unknown
1890972Boston: Roberts Brothers 1890. Hardcover. Very Good. Illustrated by Walter Crane and Jacomb Hood Very Good condition with water marks and soiling to original gray cloth cover. Interior text as new no markings binding tight Roberts Brothers hardcover
1979bj1612Tartas Pierre de Sélection Abraxas-libris Livre en feuillets 1979 In-folio (29x39 cm), ouvrage en feuillets sous couverture argentée imprimée à froid (et représentant les portes de la prison) et sous emboîtage, chaque page est dans un ton ocre vert et propose une impression de murs de prison en fond, le poème d'Oscar Wilde est illustré de compositions originales de Bernard Locca ; notre exemplaire (n°77), signé par l'artiste et l'éditeur, comporte une suite des 5 doubles planches tirées sur grand vélin d'Arches et signées par l'artiste. Bien complet de la planche double supplémentaire inédite ; excellent état pour ce rare ensemble. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1993BN647361993. 1993. 978E12 <br/><br/> unknown
1980mon0000038432Heron Books London 1980-01-01. Hardcover. Good. in x in x in. 1948 edition illustrated by Arthur WRagg. Ex-library book usual markings. Rebound by library. Heron Books London hardcover
19262221753<p>ONE OF 105 SPECIAL COPIES INSCRIBED</p><p>First edition. 10 1/4" x 8". 16 illustrations and facsimiles. Original tan linen over yellow boards light soiling. Spine label. No dust jacket. Very good. 140 pages. Scarce.</p><p>Over 329 items plus A items. Includes many listings for items not mentioned in Stuart Mason's Bibliography.</p><p>Copy #32. Inscribed November 1928: "Mrs. Burns Habner with kind regards from the publishers."</p><p>Printed by R. & R. Clark Limited Edinburgh.</p> Dulau & Company Limited hardcover books
88705Stockholm 1741. 4:o. 4 52 544 55 1 s. 3 utvikbara tryckta tabeller. Ã…terkommande lätt fuktrand i övre marginal. Sammanhäftad med bihanget: WILDE Jacob. De praejudiciis transmarinis circa jura quae dicuntus regalia & majestatica cavendis propempticum commercii literarii argumentum illustrssimo politissimoque juveni dn Nicaolao Adamo comiti de Bielcke ab alma Lundinensi ad Upsalensem transeunti datum. Stockholm Typographia R. Historiographi 1738. 4:o. 4 62 2 s. Fläckig inledningsvis och det andra bladet med reva och ett litet hÃ¥l. Häftade oskurna och ouppsprättade i grÃ¥pappomslag. Warmholtz 2523 not & 6745. Sonen Anders Wildes latinska översättning av faderns förberedelse eller inledning till Pufendorfs svenska historia. Endast första delen översattes till latin men utökades varför denna latinska enligt Warmholtz är att föredra framför den svenska. Den svenska upplagans första del utkom 1738 och dess andra som utgavs av Anders Wilde 1743. Här med det 1738 separat tryckta â€De praejudiciis†som i titeln utlovas som bilaga. unknown
191947472Hannover: Der Zweemann Verlag Robert Goldschmidt 1919. First edition. Hardcover. g to vg. 76/100. Signed and numbered by the artist on colophon. Quarto. Original half vellum over decorative handmade paper. Frontispiece. Second German translation of "The Priest and the Acolyte" by E. Sander with illustrations by Ernst Schütte. <br /> This short story was first published with the German translation of Wilde's "Teleny" the homoerotic story of the French dandy Camille and the Hungarian pianist René Teleny. <br /> <br /> This work was originally credited to Oscar Wilde however the presumed author is John Francis Bloxam. In his trial against Queensberry Wilde contested the authorship and deemed the story "tasteless." This work contains two stunning lithographically reproduced Art Nouveau images of Ernst Schütte's work. Text in German. Spine with some light wear small chips and closed tears. Borads slightly bent outwards. Binding in overall good interior in very good condition. Der Zweemann Verlag Robert Goldschmidt hardcover
19236000868NY: Putnam 1923. Bound in grey boards with blue cloth spine. Dustwrapper shows a bit of darkening to spine and light chipping to bottom end. Top chip 1/3" but not affecting any text. Overall in well above average condition. This is the true first U.S. edition of this title in the original dustwrapper. A three act play with an introductory note and a letter to "Mrs. Chan Toon". This copy is listed as the Second Edition F'cap 8vo . 1923" title page verso; originally published in Great Britain in a limited edition in 1922 but it is indeed the first U.S. edition. Scarce in the dustwrapper and in this protected condition. 58 pp. First American Edition. Hard Cover. Very Good /Very Good . Putnam Hardcover
1891503897New York: Dodd Mead and Company 1891. Hardcover. Fine. First American edition using the English sheets see Mason 343: "Of the English edition. . 600 copies were printed for America. Octavo. 258pp. Pinkish-red cloth stamped in yellow. Spine is slightly faded else a nice very near fine copy. Scarce. Dodd, Mead and Company hardcover
1977116845Secaucus : Chartwell Books 1977. First Edition. Hardback. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. ; 160 pages; Description: 160 p. : ill. chiefly col. ports. 1 col. ; 35 cm. Subjects: Hell's Angels. Motorcyclists. Gangs. Secaucus : Chartwell Books hardcover
20636Paris, Aux éditions de la Belle étoile, s.d. [1935]. Petit et fort in-4 (21 cm x 27) ; 367 pp. Plein maroquin havane, dos à 5 nerfs, contre plats à encadrement, tête dorée, couvertures illustrées en couleurs et dos conservés. (reliure signée U.C.A.D)