302 résultats
1899291407London: Smithers 1899. First. hardcover. very good. 151 pages. 8vo original lavender cloth; spine faded; cloth lightly bubbled. London: Leonard Smithers 1899. First Edition.<br/><br/> A very good copy of Wilde's "last and greatest play". One of 1000 copies unnumbered as is often the case. Preliminary pages lightly foxed.<br/><br/> Smithers unknown books
1899268506London: Smithers 1899. First. hardcover. very good-. 151 pages. 8vo original lavender cloth; slight lean spine faded. London: Leonard Smithers 1899. First Edition.<br/><br/> A very good copy of Wilde's "last and greatest play". Number 117 of 1000 copies. Early faint ownership signature on flyleaf. End-leaves are browned but he interior is clean & fine.<br/><br/> Smithers unknown books
18952221665<p>First edition. 8 1/2" x 6 1/2". Original brown wrappers stamped in red lower right corner of upper cover replaced uncut and mostly unopened. Very good. 98 pages. No signatures or bookplates. Enclosed in a plum half morocco slipcase.</p><p>Printed by The Chiswick Press.</p><p>Mason 367 - only 50 copies were printed.</p> Privately Printed paperback books
1894319476London: Elkin Mathews and John Lane. At the Sign of the Bodley Head. Boston Copeland and Day LXIX Cornhill 1894. LARGE PAPER one of 25 copies. Printed by the Ballantyne Press. Illustrated by Charles Ricketts with wood-engraved title page half and full-page designs ornamental initials. Printed in red black and green. Unpaginated. 1 vols. Slender 8vo 10 x 7-3/8 inches. Original full vellum gilt with fantastic designs including 2 weird female sphinx on both sides by Charles Ricketts uncut The deluxe binding has "extra ornaments to the sides and inner marges of the binding and with ribbons". The binding is signed by Ricketts with monogram CR on the upper cover; the monogram of the binder Leighton Son and Hodge appears on the lower cover. The deluxe issue has an added lower border on the binding and ties. Fine copy custom half morocco clamshell box. Ricketts Charles. LARGE PAPER one of 25 copies. Printed by the Ballantyne Press. Illustrated by Charles Ricketts with wood-engraved title page half and full-page designs ornamental initials. Printed in red black and green. Unpaginated. 1 vols. Slender 8vo 10 x 7-3/8 inches. One of 25 Anthony Powell's Copy. "The monsters of the Egyptian room at the British Museum live again in his weird sometimes repulsive but all the same stately and impressive lines. The vellum binding the various symbolic designs the quaint rubricated initials and the general arrangement of the text all by Mr. Ricketts' sympathetic art are most subtly infused by the spirit of the poem." Pall Mall Budget June 21 1894. This was the last book Wilde published before his imprisonment.<br/>"the most beautiful and consummately designed trade book of the 1890s" - Nelson<br/>With the bookplate of novelist Anthony Powell 1905-2000 about whose suite of novels A Dance to the Music of Time Guy Davenport observed "The only book I know that takes Proust's habitual narrative gestures Anglicizes them and succeeds in the effort. In fact Powell is the best critical study of Proust."<br/>A CHOICE COPY OF ONE OF THE MOST BEAUTIFUL BOOKS OF THE 1890s. Mason 362; Nelson A View from the Bodley Head pp.45- 46 passim; Wick THE TURN OF A CENTURY 1885-1910 Number 10; Ray Illustrator and the Book 262. Provenance: Anthony Powell his bookplate Elkin Mathews and John Lane. At the Sign of the Bodley Head. Boston Copeland and Day LXIX Cornhill unknown books
18946710New York: R. F. Fenno & Company 1894. First American Edition. Hard Cover with Dust Jacket. Very Good/Very Good. 12mo 4 1/2" x 7 3/8" stiff pictorial wraps 22 pages; half title with date of 1894; original glassine dust jacket and original box with printed label: "The Sphinx. Wilde Nippon Booklets." First edition printed in America. Pictorial front wrapper with color rural scene with Mt. Fiji in the background. Book and dust jacket are very good; box has a few light stains but is intact. <br/><br/> R. F. Fenno & Company hardcover books
18782178Oxford: Thos. Shrimpton and Son 1878. First edition. First edition. 12mo. 16pp. Original grey-green printed wrappers. Exceedingly scarce first edition with the publisher's printed crest appearing on the cover of the wrappers as well as on the title page. and a vignette woodcut appears on the last page. The prestigious Newdigate Prize Oxford's top award for poetry dates to early 1800's and the winner for 1878 was the young Oscar Wilde. The pamphlet was issued in the same year as was common with many of the early prize winners and is considered Wilde's first publication in book form. He worked on the poem a few years earlier while touring Greece as a student at Oxford. An exemplary the finest we have seen with no wrinkling or central creases as was commonly seen from folding to place in a pocket. Very small nick out of two corners very slight barely detectable browning to covers else extremely clean and bright. Extremely scarce in this condition. 16pp. <br/><br/> Thos. Shrimpton and Son unknown books
1891WRCLIT75377New York: The Humboldt Publishing Company 1891. 48pp. plus 4ff of adverts. Large octavo. Printed self-wrappers. Uniform tanning diagonal crease across lower forecorner of rear wrapper and adverts minute loss at toe of spine neat repair at crown; a very good copy of this characteristically fragile pamphlet. First US printing in this format published as HUMBOLDT LIBRARY OF SCIENCE No. 147 in company with Morris's "The Socialist Ideal - Art" and Owen's "The Coming Solidarity." Wilde's essay is featured as the wrapper- title. The essay first appeared in British and US editions of THE FORTNIGHTLY REVIEW in February 1891. The first UK edition in book form appeared 'privately' in an edition of fifty copies in 1895. Not in Mason/Millard. Uncommon in wrappers. The Humboldt Publishing Company unknown books
189923048ELondon: Leonard Smithers & Co 1899. First Edition. Number 298 of an edition limited to 1000 copies. Square quarto. Bound in original lavender cloth with gilt lettering at the spine and gilt decorative designs by Charles Shannon at the outer edges of the boards and the spine. A lovely copy with a trace of foxing a minor bump to the top corner of the front board some slight browning to the endpapers and very minor edgewear. From the library of Harpo Marx the great clown of the Marx Brothers comedy team and his wife actress Susan Fleming Marx former member of the Ziegfeld Follies and star of early talking films like Million Dollar Legs with W.C. Fields. With a charming bookplate illustrated by Susan Marx with a drawing of Harpo in his comic character which reads: “FROM THE LIBRARY OF HARPO & SUSAN MARX.†Leonard Smithers & Co hardcover books
1882314013Philadelphia: Russell & Creamer 1882. First edition. With fine partly colored caricature folding map of Chesapeake and Delaware Bays and environs; numerous illustrations in text. 96 pp. 1 vols. 8vo. Publisher's blue cloth gilt with publisher's printed paper wrappers bound in. Rubbed minor staining to boards upper wrapper chipped at upper corner with small loss possibly to presentation "Mrs Jas. H. Allen. Book label offsetting to front free end paper. Very good. First edition. With fine partly colored caricature folding map of Chesapeake and Delaware Bays and environs; numerous illustrations in text. 96 pp. 1 vols. 8vo. "The 'Wilde' Æsthetes of 1882". One of the rarest of this series of privately printed volumes produced by this Philadelphia sporting club and an unusual demonstration of the popularity of Oscar Wilde during his American tour of 1882. The verso of the title page includes a list of the 22 members of the cruise "The 'Wilde' Æsthetes of 1882" with the title in a floral heading giving them all first names of flowers and Wildean associations including: <br/>Sunflower SMITH Oscar's first love too poetical .<br/>Mignonette MOUSLEY Oscar's twin brother too fat for a Porpoise.<br/>Rhododendron RAUCH Oscar's great-aunt too much 'poke.'<br/>Woodbine WEHN Oscar's little sister too awfully nice.<br/>Petunia PACKARD Oscar's maid too much of a masher.<br/><br/>With the ticket of J.L. Smith 27 S. Sixth St. Philadelphia Please Acknowledge Receipt on front wrapper. "Sunflower" Smith who heads the crew list was a Philadelphia map publisher<br/><br/>Clifford P. "Arbutus" Allen is described as the loggist; and Herbert S. "Petunia" Packard as the artist. Allen b. 1841 was the regular scribe for the club's annual fishing cruises.<br/><br/>RARE. Wetzel p. 199; Bruns W83; Library of John M. Schiff Sotheby's 11 Dec. 1990 lot 132 this copy; not in Heller. Provenance: Mortimer L. Schiff with his bookplate Russell & Creamer unknown books
18982708London: Leonard Smithers 1898. First edition. Fine. One of 800 copies on handmade Van Gelder paper. A Fine copy without the fading or soiling typical of this book. Pages unopened. Housed in a custom case and chemise. Wilde's later work based on his two years hard labor at Reading Gaol for "gross indecency." Published under the pseudonym "C. 3. 3." for his cell block because the publisher feared having his name on the work would adversely affect sales. <br/><br/>The poem is based on a fellow inmate convicted of murdering his wife and generated one of the great lines from Wilde "Yet each man kills the thing he loves." Wilde continued to revise his plays until his death in 1900 but said that he had lost the joy of writing and would write no other new works. An excellent copy housed in a handsome slipcase with chemise. Fine. Leonard Smithers unknown books
1895215072London: Elkin Mathews. Dublin: Hodges Figgis & Co. Limited 1895. First edition. xiii 1 140 4 20 ads pp. 1 vols. 8vo. Original green cloth. Fine. First edition. xiii 1 140 4 20 ads pp. 1 vols. 8vo. With 4 poems by Oscar Wilde and poems by Douglas Hyde Aubrey de Vere John Todhunter William Wilde. Elkin Mathews. Dublin: Hodges, Figgis & Co., Limited unknown books
18824554Philadelphia: J.M. Stoddart & Co 1882. First Edition. Edition de Luxe. Printed throughout in brown ink on rectos only on thin translucent deckled edged hand-made paper. 1 vols. Crown 8vo. Full vellum t.e.g. all others uncut; front free endpaper detached and chipped at edges some soiling to covers. The illustrations have all been removed either clipped from leaf or the pages removed entirely this without affecting the text which is complete A note on the front cover explains this desecration thusly - "The illustrations have been removed.illegible.for their inappropriateness". Interleaved throughout with a thin leaf of green tissue paper. First Edition. Edition de Luxe. Printed throughout in brown ink on rectos only on thin translucent deckled edged hand-made paper. 1 vols. Crown 8vo. Edition de Luxe. "A volume of short poems characterized by Oscar Wilde as 'verses full of sweet sadness and yet full of joy;' they were written by a young English friend of his of whom he speaks at length in his introduction" Publishers' Weekly October 7 1882. Rodd's dedication to Wilde reads: "To Oscar Wilde - 'Heart's Brother' - These Few Songs and Many Songs to Come." In addition to this effusive dedication "for which Wilde clearly was responsible the book was 'edited' by the omission of two poems Lucciole and Maidenhair.At the same time Wilde added nine of Rodd's poems which had not previously been collected" Mason p.185. In a letter to Thomas Mosher who reprinted this book Stoddart replies to Mosher's questions as to the number printed: "I think this deluxe issue was not over 250 copies." The edition de luxe is usually supposed to have been published earlier. Mason 242 J.M. Stoddart & Co unknown books
189954608NY: Benj. R. Tucker 1899. Early US edition. 44 pp. Small tear to the fore-edge of one leaf else very good plus in two part gilt-stamped cloth with darkened spine. NY: Benj. R. Tucker, hardcover books
1894123204Small 4to. London: John Lane at the Bodley Head 1894. Small 4to xiv 154 1 pp. Original salmon buckram covers with gilt-stamped decorations gilt top backstrip lettered and stamped in gilt some browning throughout as usual binding a bit soiled but good. § First edition though there were 15 copies printed for the production of the play in New York. This play contains some of Wilde’s best quips - with especially astute comments on the nature of society. A hard book to find in good condition. On the front pastedown are two bookplates: George Ravenscroft Dennis and Lucius Wilmderding. John Lane at the Bodley Head hardcover books
1894109920Small 4to. London: John Lane at the Bodley Head 1894. Small 4to xiv 154 1 pp. Original salmon buckram covers with gilt-stamped decorations gilt top backstrip lettered and stamped in gilt scattered foxing a lovely copy enclosed in a quarter blue morocco slipcase. § First edition though there were 15 copies printed for the production of the play in New York. This play contains some of Wilde’s best quips - with especially astute comments on the nature of society. A hard book to find in perfect condition -- this copy has been boxed for about 100 years and is almost flawless. On the front pastedown is a printed note: “This book is now published by John Lane at the Bodley Head in Vigo St London Wâ€. Millard 365. John Lane at the Bodley Head hardcover books
18991232028vo. London: Leonard Smithers 1899. 8vo 213 1 imprintpp. Original salmon cloth stamped in gold backstrip dull internally very good. Wilmerding bookpate upside down in back. § First edition one of 1000 copies. “Although Wilde's third play opened in 1895 it was not published until four years later and after Wilde had been released from prison. The success of The Ballad of Reading Gaol persuaded Wilde to publish his last two plays the other being The Importance of Being Ernest. All three were published by Leonard Smithers one of very few remaining publishers prepared to handle Wilde's work†Sotheby’s. Mason 385. "To love oneself is the beginning of a lifelong romance". Leonard Smithers hardcover books
18991099238vo. London: Leonard Smithers 1899. 8vo 213 1 imprintpp. Original salmon cloth stamped in gold one corner creased slightest of soiling to covers ink signature at front “Winifred M.F. Carritt Christmas 1900â€. Blue quarter morocco slipcase. § First edition one of 1000 copies. “Although Wilde's third play opened in 1895 it was not published until four years later and after Wilde had been released from prison. The success of The Ballad of Reading Gaol persuaded Wilde to publish his last two plays the other being The Importance of Being Ernest. All three were published by Leonard Smithers one of very few remaining publishers prepared to handle Wilde's work.†Sotheby’s. Mason 385. Leonard Smithers hardcover books
1898109921Slim 8vo. London: Leonard Smithers 1898. Slim 8vo 4. 31ff. Printed on hand-made paper on one side of the page only. Original quarter white buckram mustard boards backstrip lettered in gilt a good copy slightly soiled and backstrip browned. § First edition one of 800 copies on handmade paper. This controversial poem was written by Wilde under the pseudonym of the number he was given in prison. It includes some of Wilde’s most famous lines: “each man kills the thing he lovesâ€; “some love too little some too long some sell while others buyâ€; “every prison that men build is built with bricks of shameâ€. Leonard Smithers hardcover books
18997426New York: Benj. R. Tucker; Blumenberg Press 1899. Duodecimo 18.5 x 13.5 cm. 8 44 pages. Second American Edition. Preceded by the Brentano's edition circa 1898 though often considered the first American edition. This edition was published in two states the first in which the text appears on rectos only and some leaves are untrimmed; in the second the text is printed on rectos and versos: "Both editions that printed on one side and that printed on both sides are from the same type. It is therefore clear that they are not two independent editions but the one-side issue constitutes merely a kind of de-luxe variety while the two-sided is a cheaper popular version of the same edition" Horodisch pages 76-77. This copy comports with the first state with text printed one side only. A printer's binder's issue is extant as at least one leaf is hinged at the top edge. Is it possible that what Horodisch thought a deluxe issue is merely error some of which made it to the wild Issued by Benjamin R. Tucker the noted anarchist publisher and editor of the journal Liberty in which Tucker published the essay "The Criminal Jailers of Oscar Wilde" in 1895. Tucker and Emma Goldman were two of the few Americans to publicly defend Wilde during his trial George Haggerty Encyclopedia of Gay Histories and Cultures 2013 page 52. In publisher's two-toned cloth white over blue upper cover lettered and ruled in gilt unadorned spine. Some minor shelf wear white portion of cloth binding rather soiled and toned along spine short closed tear to title page fore-edge not approaching text old ink spot affecting first few leaves else interior fine. Very Good and sound overall. Benj. R. Tucker; Blumenberg Press hardcover books
1871WRCLIT23857Savannah: Georgia Historical Society 1871. 70pp. Gilt decorated cloth a.e.g. Light spotting to cloth else very good and bright. First edition in book form. A full examination of the question of whether Mr. Wilde's poetic products were original. Georgia Historical Society hardcover books
1849Embry 183467Hodges and Smith Dublin: 1849. First edition first printing. Foxing to first and last few pages short tears to spine tips spine and edges lightly sunned overall very good with hinges firm. B&W engravings. Brown cloth stamped in gilt and blind. Hodges and Smith, Dublin: 1849. First edition, first printing. hardcover books
18981262071898. First Edition. WILDE Oscar. The Ballad of Reading Gaol by C.3.3. London: Leonard Smithers 1898. Slim octavo original half cream cloth with cinnamon cloth boards uncut. $3600.First edition one of only 800 copies printed on handmade paper.Inspired by his prison experience and comprised in part by a plea for penal reform The Ballad of Reading Gaol was the last work Wilde completed before his death in 1900. ""In his comedies the miscreants were always pardoned but in the Ballad while ultimately forgiven they are treated vindictively by their fellows who are equally guilty There is no doubt that Wilde had once again touched a great subject and left his fingerprints on it once read it is never forgotten"" Ellmann 532-34. Mason 371. A few pinholes to two preliminary leaves interior otherwise fine. One tiny inkspot to front cover spine slightly toned. A handsome extremely good copy of this scarce first edition. hardcover
18991300991899. First Edition. WILDE Oscar. An Ideal Husband. London: Leonard Smithers and Co. 1899. Octavo original lavender cloth gilt uncut; housed in a custom chemise and slipcase. $4800.Limited first edition one of 1000 unnumbered copies a very nice copy in original decorative cloth designed by Charles Shannon.Wilde's play premiered in January 1895 to an audience that included the Prince of Wales and was an immediate success. Four months later Wilde was in disgrace following his arrest for soliciting homosexual acts and his name was removed from the play's marquee similarly it appears nowhere in this edition. The play closed shortly thereafter and did not appear in print until this first edition. Mason 385. Text about-fine cloth spine with slight fading small mark near base. An extremely good copy. hardcover
1882#8<p>Oscar Wilde<br />Poems. Fourth Edition.<br />London David Bogue 1882.<br /><br />Octavo. ix pp. 1 blank leaf 234 pp. 2 pp. publisher's catalogue and 1 blank leaf.<br /><br />Publisher's binding. Full white vellum Bradel binding both covers decorated with a symmetrical gilt and blind-stamped floral panel spine likewise adorned with a large gilt floral panel title in gilt lettering top edge gilt untrimmed.<br /><br />Fourth edition.<br /><br />Copy enriched with an autograph inscription signed on the verso of the half-title:<br />"To Alphonse Daudet the greatest novelist of our time homage from the author. Oscar Wilde May 3 83."<br /><br />An exceptional inscription to "the greatest novelist of our time."<br /><br />Having only just returned from New York Oscar Wilde spent the period from February to mid-May in Paris. It was there that he made the acquaintance of Alphonse Daudet whom he met both at his home his wife hosted a celebrated salon and at the residence of the painter Giuseppe de Nittis.<br /><br />Robert Harborough Sherard who was a friend of both Daudet and Wilde testified to the genuine esteem the English writer held for the French novelist.<br /><br />Although their aesthetics may at first appear far apart certain parallels can nevertheless be drawn between their works. Thus it has been written of L'Homme au cerveau d'or one of the tales from Lettres de mon moulin that "one might readily believe it to be the work of an Edgar Allan Poe or an Oscar Wilde."<br /><br />Yet Alphonse Daudet like the vast majority of French writers did not distinguish himself by his courage and even went further: in 1895 after Wilde's sentence to two years' hard labour he refused to sign a petition by Hugues Rebell calling for a reduction of his sentence accompanying his refusal with the remark: "As a father I can only express my horror and indignation."<br /><br />Let us recall that this exemplary family man confided to Gustave Flaubert during a dinner: "To experience pleasure against my own flesh I require the flesh of two women one whom I handle and the other who attends to the backside of the one I am fondling" Journal of Edmond de Goncourt 5 May 1876.<br /><br />This inscription by Oscar Wilde certainly dates from a period when he was seeking to ingratiate himself with the French intellectual milieu yet he was nonetheless fully aware of Alphonse Daudet's great talent and sincere in this fine dedication.</p> David Bogue
1882#9<p>Oscar Wilde<br />Poems. Fourth Edition.<br />London David Bogue 1882.<br /><br />Octavo. ix pp. 1 blank leaf 234 pp. 2 pp. publisher's catalogue and 1 blank leaf.<br /><br />Publisher's binding. Full white vellum Bradel binding both covers decorated with a symmetrical gilt and blind-stamped floral panel spine likewise adorned with a large gilt floral panel title in gilt lettering top edge gilt untrimmed.<br /><br />Fourth edition.<br /><br />Copy enriched with an autograph inscription signed on the verso of the half-title:<br />"To Alphonse Daudet the greatest novelist of our time homage from the author. Oscar Wilde May 3 83."<br /><br />An exceptional inscription to "the greatest novelist of our time."<br /><br />Having only just returned from New York Oscar Wilde spent the period from February to mid-May in Paris. It was there that he made the acquaintance of Alphonse Daudet whom he met both at his home his wife hosted a celebrated salon and at the residence of the painter Giuseppe de Nittis.<br /><br />Robert Harborough Sherard who was a friend of both Daudet and Wilde testified to the genuine esteem the English writer held for the French novelist.<br /><br />Although their aesthetics may at first appear far apart certain parallels can nevertheless be drawn between their works. Thus it has been written of L'Homme au cerveau d'or one of the tales from Lettres de mon moulin that "one might readily believe it to be the work of an Edgar Allan Poe or an Oscar Wilde."<br /><br />Yet Alphonse Daudet like the vast majority of French writers did not distinguish himself by his courage and even went further: in 1895 after Wilde's sentence to two years' hard labour he refused to sign a petition by Hugues Rebell calling for a reduction of his sentence accompanying his refusal with the remark: "As a father I can only express my horror and indignation."<br /><br />Let us recall that this exemplary family man confided to Gustave Flaubert during a dinner: "To experience pleasure against my own flesh I require the flesh of two women one whom I handle and the other who attends to the backside of the one I am fondling" Journal of Edmond de Goncourt 5 May 1876.<br /><br />This inscription by Oscar Wilde certainly dates from a period when he was seeking to ingratiate himself with the French intellectual milieu yet he was nonetheless fully aware of Alphonse Daudet's great talent and sincere in this fine dedication.</p> David Bogue