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WILDE, HENRYBiblio.com

On Some Improvements in Electromagnetic Induction Machines. - PRESENTATION COPY

[Literary Ephemera – Aesthetic Movement – Illustrated Sheet Music – Oscar Wilde] Snow, [arr]Biblio.com

Oscar Wilde Galop

1882List3658Boston Massachusetts: W. A. Evans & Bro 1882. Folio illustrated wraps. Pages detached from each other small chip to corner images and music fine remains good to very good and quite attractive. Good to very good. A visually striking example of Oscar Wildeâ€“related ephemera issued during the height of the writerâ€™s American lecture tour of 1882. Though lacking a printed date the title strongly suggests publication in connection with Wildeâ€™s appearance at the Boston Music Hall on January 31 1882 where he delivered his lecture â€œThe English Renaissanceâ€ as part of his widely publicized tour across the United States. Contemporary accounts describe the event as a notable cultural moment including the presence of Harvard students dressed in exaggerated aesthetic costume who occupied the front rows of the hall reflecting both the fascination with and satirical reception of Wildeâ€™s aesthetic persona.1 The lithographic cover prominently depicts a figure carrying an oversized sunflower an image closely associated with Wilde and the broader Aesthetic Movement. Such illustrated sheet music functioned not only as musical publications but also as collectible artifacts capitalizing on the figure of Wilde. Over the course of several months he traveled widely across the United States and Canada delivering lectures on art decoration and cultural taste and quickly became a subject of both admiration and parody in the American press. Although he never returned for a comparable national tour Wilde maintained a lasting connection to American audiences. We know of a variant edition of the Evans imprint with a different illustration as well as a different version published in Boston by Ditson the same year. OCLC 500491189 specifying this edition with the large sunflower illustration locating five copies. 1 â€œFreshmen at Oscar Wildeâ€™s Lectureâ€ The Harvard Crimson February 1 1882. W. A. Evans & Bro unknown

Auger Down Books · États-Unis450,00 $US≈ 380,75 €

(BINDINGS - ZAEHNSDORF). WILDE, OSCARBiblio.com

POEMS

1881ST20886London: David Bogue 1881. FIRST EDITION First Issue. 192 x 126 mm. 7 1/2 x 5". ix 1 236 1 pp. EXTREMELY ATTRACTIVE CRIMSON MOROCCO INTRICATELY GILT BY ZAEHNSDORF stamp-signed and dated 1909 on front turn-in covers framed in gilt with delicate pointillé cornerpieces surrounding inlaid green morocco drawer handles and oblique floral tools raised bands spine panels densely gilt in the pointillé style of Bozerian with stems of flowers radiating from pairs of inlaid green drawer handles turn-ins gilt-ruled red silk endleaves top edge gilt other edges untrimmed. Original slightly soiled gilt limp vellum binding bound in at rear. Mason 304. A few trivial spots internally but A VERY FINE COPY--the leaves fresh clean and wide-margined and the binding lustrous and virtually unworn. This is a finely bound copy of the first edition of Wilde's first book of poetry and his first substantial work of any kind. The collection is made up of 61 poems 31 of which appear here for the first time. Many reflect Wilde's delight in his visit to the art towns of Italy; other poems such as the tender "Resquiescat" written in memory of Wilde's sister Isola who had died at the age of eight show a more personal emotional sentiment. According to Mason "the first printing June 1881 consisted of 750 copies of which only 250 copies were used for the first edition the remaining 500 being equally divided between the second and third editions." Wilde himself oversaw the layout and design of the book choosing the handmade Dutch paper on which it is printed and the design of prunus blossoms on the vellum binding here bound in at the rear. The only published books by Wilde to appear before the present work were his student poem "Ravenna" which was named the "Newdigate Prize Poem" at Oxford for 1878 issued in wrappers and his drama "Vera; or the Nihilists" printed in 1880 of which Mason had knowledge of only two copies. Our attractive binding is a fine example of the work of the Zaehnsdorf firm long a top-ranked English bindery. Born in Pest Hungary Joseph Zaehnsdorf 1816-86 served his apprenticeship in Stuttgart worked at a number of European locations as a journeyman and then settled in London where he was hired first by Westley and then by Mackenzie before opening his own workshop in 1842. His son and namesake took over the business at age 33 when the senior Joseph died and the firm flourished under the son's leadership becoming a leading West End bindery. Over the years Zaehnsdorf employed a considerable number of distinguished binders including the Frenchman Louis Genth who was chief finisher from 1859-84 and trained a number of others including Roger de Coverly and Sarah Prideaux. A family-run business until 1947 the Zaehnsdorf bindery continued to produce consistently attractive and innovative designs executed with unfailing skill. David Bogue unknown

Phillip J. Pirages Fine Books and Medieval Manuscripts · États-Unis6 760,00 $US≈ 5 719,64 €

Wilde OscarBiblio.com

Poems

1882#8Oscar Wilde Poems. Fourth Edition. London David Bogue 1882. Octavo. ix pp. 1 blank leaf 234 pp. 2 pp. publisher's catalogue and 1 blank leaf. Publisher's binding. Full white vellum Bradel binding both covers decorated with a symmetrical gilt and blind-stamped floral panel spine likewise adorned with a large gilt floral panel title in gilt lettering top edge gilt untrimmed. Fourth edition. Copy enriched with an autograph inscription signed on the verso of the half-title: "To Alphonse Daudet the greatest novelist of our time homage from the author. Oscar Wilde May 3 83." An exceptional inscription to "the greatest novelist of our time." Having only just returned from New York Oscar Wilde spent the period from February to mid-May in Paris. It was there that he made the acquaintance of Alphonse Daudet whom he met both at his home his wife hosted a celebrated salon and at the residence of the painter Giuseppe de Nittis. Robert Harborough Sherard who was a friend of both Daudet and Wilde testified to the genuine esteem the English writer held for the French novelist. Although their aesthetics may at first appear far apart certain parallels can nevertheless be drawn between their works. Thus it has been written of L'Homme au cerveau d'or one of the tales from Lettres de mon moulin that "one might readily believe it to be the work of an Edgar Allan Poe or an Oscar Wilde." Yet Alphonse Daudet like the vast majority of French writers did not distinguish himself by his courage and even went further: in 1895 after Wilde's sentence to two years' hard labour he refused to sign a petition by Hugues Rebell calling for a reduction of his sentence accompanying his refusal with the remark: "As a father I can only express my horror and indignation." Let us recall that this exemplary family man confided to Gustave Flaubert during a dinner: "To experience pleasure against my own flesh I require the flesh of two women one whom I handle and the other who attends to the backside of the one I am fondling" Journal of Edmond de Goncourt 5 May 1876. This inscription by Oscar Wilde certainly dates from a period when he was seeking to ingratiate himself with the French intellectual milieu yet he was nonetheless fully aware of Alphonse Daudet's great talent and sincere in this fine dedication. David Bogue

Librairie Jean-Claude Vrain · France40 000,00 $US≈ 33 844,00 €

Wilde OscarBiblio.com

Poems

1882#9Oscar Wilde Poems. Fourth Edition. London David Bogue 1882. Octavo. ix pp. 1 blank leaf 234 pp. 2 pp. publisher's catalogue and 1 blank leaf. Publisher's binding. Full white vellum Bradel binding both covers decorated with a symmetrical gilt and blind-stamped floral panel spine likewise adorned with a large gilt floral panel title in gilt lettering top edge gilt untrimmed. Fourth edition. Copy enriched with an autograph inscription signed on the verso of the half-title: "To Alphonse Daudet the greatest novelist of our time homage from the author. Oscar Wilde May 3 83." An exceptional inscription to "the greatest novelist of our time." Having only just returned from New York Oscar Wilde spent the period from February to mid-May in Paris. It was there that he made the acquaintance of Alphonse Daudet whom he met both at his home his wife hosted a celebrated salon and at the residence of the painter Giuseppe de Nittis. Robert Harborough Sherard who was a friend of both Daudet and Wilde testified to the genuine esteem the English writer held for the French novelist. Although their aesthetics may at first appear far apart certain parallels can nevertheless be drawn between their works. Thus it has been written of L'Homme au cerveau d'or one of the tales from Lettres de mon moulin that "one might readily believe it to be the work of an Edgar Allan Poe or an Oscar Wilde." Yet Alphonse Daudet like the vast majority of French writers did not distinguish himself by his courage and even went further: in 1895 after Wilde's sentence to two years' hard labour he refused to sign a petition by Hugues Rebell calling for a reduction of his sentence accompanying his refusal with the remark: "As a father I can only express my horror and indignation." Let us recall that this exemplary family man confided to Gustave Flaubert during a dinner: "To experience pleasure against my own flesh I require the flesh of two women one whom I handle and the other who attends to the backside of the one I am fondling" Journal of Edmond de Goncourt 5 May 1876. This inscription by Oscar Wilde certainly dates from a period when he was seeking to ingratiate himself with the French intellectual milieu yet he was nonetheless fully aware of Alphonse Daudet's great talent and sincere in this fine dedication. David Bogue

Librairie Jean-Claude Vrain · France40 000,00 $US≈ 33 844,00 €

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