Wilde, OscarBiblio.com
303 résultats
189486169hNew York: Dodd Mead 1894. Book. Good. Hardcover. 8vo - over 7¾ - 9¾" tall. Tan cloth hard covers with brown titles. Toning and soiling to covers edges and endpapers. Otherwise clean tight and unmarked. Very neat -- a sound copy. vi258pp. Dodd, Mead Hardcover
189140615New York: Dodd Mead and Company 1891. First American Edition. Octavo pink cloth stamped in yellow. Of a total of 1500 copies printed 900 were for sale in the UK and 600 were bound with the Dodd Mead and Company title page. Very Good condition spine darkened time toned paper. No dust jacket. Dodd, Mead and Company hardcover
1891503897New York: Dodd Mead and Company 1891. Hardcover. Fine. First American edition using the English sheets see Mason 343: "Of the English edition. . 600 copies were printed for America. Octavo. 258pp. Pinkish-red cloth stamped in yellow. Spine is slightly faded else a nice very near fine copy. Scarce. Dodd, Mead and Company hardcover
1891BB17290London: James R. Osgood McIlvaine & Co. 1891. First Edition. Hardcover. Fair. 8vo. Rebound in plain olive cloth leather spine label lettered in gilt. 258 pp. Title page and premilinary blanks detached. Sold as is. <br/><br/> James R. Osgood McIlvaine & Co. hardcover
1891zj73McIlvaine 1891. 1st Edition. Hardcover. Very Good. brown binding with gold gilt on spine. 2 signatures from previous owners. the boards are shelf rubbed and knocked and there is fraying at the top of the spine. the book is internally clean and the binding is excellent. Our orders are shipped using tracked courier delivery services. McIlvaine hardcover
1891WRCLIT61926New York: Dodd Mead 1891. Rose cloth over boards lettered in yellow top edge stained brown. Spine a trifle darkened with some hand-smudging to cloth small nick at crown of spine but a very good copy. An American issue of the British sheets. Mason/Millard was unable to examine a copy of the American issue of the first edition sheets but describes a literal date in the title-imprint in a binding of the same color of cloth as this copy with the same overall dimensions. However the American issue of the second London edition does bear a literal date 1894 in the title imprint and is bound in tan cloth. Hence the copy in hand is most likely not a variant of the American issue of the second edition and may very well be the American issue of the first edition sheets 600 copies at variance from Mason/Millard's speculative description. With the pencil ownership inscription of American publisher Ingalls Kimball dated Chicago August 1894. MASON/MILLARD 343. Dodd, Mead hardcover books
1891BB17290London: James R. Osgood McIlvaine & Co. 1891. First Edition. Hardcover. Fair. 8vo. Rebound in plain olive cloth leather spine label lettered in gilt. 258 pp. Title page and premilinary blanks detached. Sold as is. <br/><br/> James R. Osgood McIlvaine & Co. hardcover books
1891145251891. London: James R. Osgood McIlvaine & Co. 1891. Original yellow-green cloth decorated in gilt.<br/><br/> First Edition of this group of four essays on literature art society and criticism -- which consisted of 900 copies plus 600 printed for America with the Dodd Mead imprint. Published just a week after Wilde's only novel THE PICTURE OF DORIAN GRAY INTENTIONS precedes all of his famous plays which came out during the span 1893-1899. In the opening essay Wilde laments the "decay of Lying as an art a science and a social pleasure." He takes to task modern literary realists like Henry James and Émile Zola for their "monstrous worship of facts" and stifling of the imagination. What makes art wonderful he says is that it is "absolutely indifferent to fact." The next essay "Pen Pencil and Poison" is a fascinating literary appreciation of the life of Thomas Griffiths Wainewright a talented painter art critic antiquarian friend of Charles Lamb and — murderer. The heart of the collection is the long two-part essay titled "The Critic as Artist." In one memorable passage after another Wilde goes to great lengths to show that the critic is every bit as much an artist as the artist himself in some cases more so. A good critic is like a virtuoso interpreter. Finally in "The Truth of Masks" Wilde returns to the theme of art as artifice and creative deception. This essay focuses on the use of masks disguises and costume in Shakespeare Goodreads. Charles Ricketts created the Fin-de-Siècle binding design and lettering -- in the same year that he also designed for the same publisher the binding of TESS OF THE D'URBERVILLES. This is a near-fine copy -- there is faint mottled fading that always seems to afflict this book's cloth but there is little wear other than minor rubbing at the extremities small partly-erased signature on the endpaper. INTENTIONS has become a difficult title to acquire in better condition. Mason 341. unknown books
1894WRCLIT57389New York: Dodd Mead 1894. Tan cloth lettered in dark brown. Cloth a bit soiled front inner hinge cracking light pencil notes on rear endsheets but a good copy. American issue of the second edition one of five hundred copies bound up from British sheets. This copy bears an 1897 gift inscription to bookman and future publisher Mitchell Kennerley on the first blank from an unidentified Mr. MacArthur. MASON/MILLARD 344. Dodd, Mead hardcover books
1852190906Dublin: J. McGlashan 1852. First edition of this collection of essays on Irish folklore by Oscar Wilde's father William Wilde 1815-76. This book contains chapters on "The May-Day Festival in Ireland" and "Fairy Archaeology and Medico-Religious Ceremonies". Some chapters appeared in the Dublin University Magazine ahead of this collection. The elder Wilde was a respected surgeon who was appointed to treat Queen Victoria. He ran the St Mark's Ophthalmic Hospital for Diseases of the Eye and Ear and published works on medicine archaeology and folklore. Small octavo. Frontispiece. With 2 pp. of publisher's ads. Original yellow wrappers spine and covers lettered in black covers bordered in brown decorations. Housed in custom green cloth slipcase. Bookplate of Jeremy J. Mason; bookseller's address embossed on rear wrapper. Spine ends repaired with paper spine and front wrapper fore edge reinforced with tape wrappers a little chipped and soiled front pages up to p. 21 starting p. 23 loose. A good copy. hardcover
187757710THREE RARE EARLY WILDE POEMS <br />8vo. 4 collective volume title page & half-title 2 corrigenda ii 344 plus bound in at the beginning of each of the 12 issues 2 leaves with the original issue title page and its list of contributors contemporary half brown morocco brown cloth on sides very neatly rebacked with the original spine relaid very good. <br />Signed on front free end paper "T. W. Rolleston" and with quite a number of manuscript corrections throughout. <br />This magazine was first issued three issues per year as wrappered magazines. At the completion of the volume 12 issues the remaining stock was issued as a bound volumes in cloth with a general title page. However in the publisher's cloth issue the title pages and contributors lists for the individual issues were discarded as the pagination is continuous without them. Here these have most unusually been retained.<br />This volume contains in the Trinity and Michaelmas 1876 and Hilary 1877 some of the very earliest of Oscar Wilde's published work. These are Mason <i>Wilde Bibliography</i> 72 73 and 74. These all predate Wilde's first separately published book <i>Ravenna</i> of 1878 and all three were later included in Wilde's <i>Poems</i> of 1881 or 1908. <br />W. H. Rolleston was among the other contributors as was Oscar's brother William. It appears that Rolleston had these issues bound himself and so the preliminary title and list of contributor leaves for the individual issues were retained. William McGee hardcover
1893002401London: Elkin Mathews and John Lane at the Sign of the Bodley Head. Printed by T. and A. Constable Edinburgh 1893. First Edition. Cloth. Very Good Minus. 8vo. 21.5 by 16 cm. 8.5 by 6.25 inches. 18 132 14 2 pp. With publisher's list of books in the back. In this first edition apparently only 500 copies were printed! The pages are heavily toned per the norm for the paper stock but clean otherwise. The binding is tight. A few uncut leaves in the advertisement section. FEP with small ornamental bookplate pastedown of "Carroll Atwood Wilson" who was a well-known book collector of his day as well as a lawyer and chief legal counsel to the Guggenheims. The publisher's peach-colored cloth has some blistering on the boards. Along the edges there are long narrow spots in which the color is washed out. The spine has been rebacked with most of the original spine mounted thereon with a small loss of the gilt lettering transpiring. The resulting spine also has small dark spots and one is likely not to find it prepossessing. Elkin Mathews and John Lane at the Sign of the Bodley Head. Printed by T. and A. Constable, Edinburgh unknown
18936451London: Elkin Mathews and John Lane 1893. First edition. One of 50 large-paper copies on hand-made paper. A Fine copy. Quarto 8 5/8 x 6 5/8 inches; 220 x 169 mm. i blank i limitation iii-xvi 132 pp. Handsomely bound by Zaehnsdorf ca. 1897 stamp-signed in gilt on front turn-in and with their exhibition stamp in black on rear paste-down. Full dark green crushed levant morocco covers bordered in gilt enclosing a six-line gilt border. Spine with five raised bands decoratively framed and lettered in gilt in compartments gilt-ruled board edges multi gilt-lined turn-ins top edge gilt others uncut. With the bookplates of the renowned collector C. S. Ascherson dated 1897 and Paul Louis Weiller also a famous book collector and a great friend of J. Paul Getty on front paste-down. Housed in a felt-lined dark green cloth clamshell case spine with leather label lettered in gilt. A couple of tiny and unobtrusive minor stains on blank borders otherwise a clean copy in a wonderful and early if somewhat austere binding by the great firm of Zaehnsdorf.<br /> <br /> Oscar Wilde's Lady Windermere's Fan A Play About a Good Woman was his "first successful dramatic production" and one of his many masterpieces Mendelssohn. His talent for astute adaptations of traditional comedic tropes like the long-lost child or mistaken motivations are utilized to full effect in this narrative. The four-act comedy was infamously first performed on 20 February 1892. In addition to pulling on popular stars to perform Wilde had the young men of his entourage arrive at the premier wearing green carnations in their buttonholes-something that scandalized attendees when in a metatheatrical moment one of the characters onstage appeared with one as well referencing its cost and symbolism for decadent immorality. Prim attendees were in fact surrounded by a generation of young men devoted to such aesthetic ideals and wearing the same flower.<br /> <br /> Mason 358. Elkin Mathews and John Lane unknown
1893wld23aLondon: Elkin Mathews and John Lane. G : in good condition without dust jacket. Cover rubbed and faded. Some foxing. Previous owner inscription to fep. 1893. First Edition. Brown hardback cloth cover. 220mm x 160mm 9" x 6". xii 132pp 14pp. Heavy item - shipping supplement may apply for overseas. . Elkin Mathews and John Lane hardcover
1893186770London: Elkin Mathews and John Lane 1893. Life is far too important a thing ever to talk seriously about it First edition one of 500 trade copies of Wilde's first comedy play produced at the St James's Theatre on 20 February 1892. An instant success it is considered "revolutionary in its mingling of the vocabulary of comedy the potential of tragedy and the insistence on realism" ODNB. Cigarette in hand Wilde made his legendary curtain call on the opening night: "Your appreciation has been most intelligent. I congratulate you on the great success of your performance which persuades me that you think almost as highly of the play as I do myself." An additional 50 large-paper copies were also issued. Small quarto. With 16 pp. publisher's catalogue dated September 1893 at end. Original pink cloth spine lettered in gilt stylized flower and leaf motifs by Charles Shannon in gilt to spine and covers edges untrimmed. Partially removed catalogue note and previous ownership inscription to front endpapers. Extremities bumped faint marks to front cover a few neat pencil marks to contents. A very good copy. Mason 357. hardcover
1893140949205London: Elkin Mathews and John Lane 1893. First Edition. Very Good. First edition first printing. xiv 132 14 2 pp. with 14 advertising pages at rear. Bound in publisher's mauve cloth stamped in gilt. Very Good with soiling and darkening to cloth and bumping to corners and spine ends. Contents lightly toned and thumbed with foxing to endpapers and first and last few pages. One of the Irish playwright Oscar Wilde's best-known plays a comedy in four acts. Elkin Mathews and John Lane unknown
1893193515London: Elkin Mathews and John Lane 1893. Life is far too important a thing ever to talk seriously about it First edition one of 500 trade copies of Wilde's first comedy play produced at the St James's Theatre on 20 February 1892. An instant success it is considered "revolutionary in its mingling of the vocabulary of comedy the potential of tragedy and the insistence on realism" ODNB. Cigarette in hand Wilde made his legendary curtain call on the opening night: "Your appreciation has been most intelligent. I congratulate you on the great success of your performance which persuades me that you think almost as highly of the play as I do myself." An additional 50 large-paper copies were also issued. Small quarto. With 16 pp. publisher's catalogue dated September 1893 at end. Original pink cloth spine lettered in gilt stylized flower and leaf motifs by Charles Shannon in gilt to spine and covers edges untrimmed. Contemporary black ink ownership inscription of Amy Scorer to front free endpaper a couple of marginal annotations in pencil. Spine toned extremities a little worn scattered marks to covers ring mark to rear: a very good copy. Mason 357. hardcover
18932958London: Elkin Mathews & John Lane 1893. First edition. Near Fine. Original publisher's clothing binding with gilt to spine and boards. A Near Fine copy with the spine slightly toned. Bookplate of Governour Morris Esquire to front pastedown. Light scattered foxing throughout. Collates: 12 132 14 2: complete including the publisher's catalogue with pages uncut. Inscribed by Wilde on the first blank to the business manager of the St. James's Theater: "R. V. Shone with the author's compliments and sincere thanks. Nov. 93." Under the management of George Alexander and R. V. Shone The St. James's Theater staged Lady Windermere's Fan Wilde's first produced play in 1892 the year before the book was released.<br/><br/>First editions signed by Wilde are scarce on the market with Lady Windermere being particularly rare as only 500 copies of the first edition were printed Mason. Auction records show that the six known association copies of this play were all signed trade editions as the run of 50 large paper copies came out after. The most recent presentation copy of Lady Windermere also presented to someone involved in the production sold in 2018 at Leslie Hindman for $40000. An exceptional example of Oscar Wilde presenting a first edition of his first produced play with "sincere thanks" to the theatre manager who throughout his career would assist Wilde in dodging scandal and bad publicity.<br/><br/>Critics and scholars consider Lady Windermere's Fan to be Wilde's "first successful dramatic production" as well as an enduring masterpiece Mendelssohn. Its success not only relied on his update to French comic models and tropes including blackmail revenge attempts and the discovery of a lost child; success also came as a result of Wilde's own management of the premier. "What we want to do is to have all the real conditions of a success on our hands.Success is a science; if you have the right conditions you get the result" he informed one of the actors Mendelssohn. In addition to pulling on popular stars to perform Wilde had the young men of his entourage arrive at the premier wearing green carnations in their buttonholes -- something that scandalized attendees when in a metatheatrical moment one of the characters onstage appeared with one as well referencing its cost and symbolism for decadent immorality. Prim attendees were in fact surrounded by a generation of young men devoted to such aesthetic ideals and wearing the same flower. This very symbol born out of Lady Windermere would lead to a strong and important professional relationship between Wilde and this book's recipient R.V. Shone the business manager at the St. James. <br/><br/>In 1894 an anonymously published novel The Green Carnation exposed the sexual relationship between Wilde and Bosie son to the Marquess of Queensbury -- a man who would become Wilde's nemesis to the end of his life. Though Wilde sought to dodge Queensbury socially the marquess was roiling for public confrontation. "There was one place and time where he could be sure of seeing Wilde -- the St. James' Theatre on the opening night of The Importance of Being Earnest when as was his custom he would take the stage after the performance to enjoy the acclaim of the audience. It was too good a chance to miss. Queensbury bought a ticket 'by fraud' Wilde suggested --as orders had been given not to sell him one -- and some vegetables.His intention was to greet Oscar's appearance with a shower of vegetation and then stand up and make a public announcement" Stratmann. Fortunately for Wilde supporters including Shone prevented this from happening. Rumor about Queensbury's plan spread notes were sent to Wilde and Wilde appealed to Shone for assistance. Reaching out to Queensbury with apologies Shone returned the marquess's money and explained that his seat had mistakenly been double-booked. Yet Shone and Wilde suspected this would not be the end and so Shone arranged not only to refuse the marquess admission at the door but to have police waiting at the entrance. It was this decision that prevented a disguised Queensbury and a paid prizefighter from sneaking in to pummel Wilde. Thwarted by Shone "he contented himself with having a bouquet of vegetables addressed to Wilde delivered to the stage door" Mikhail. Throughout his career staging work at St. James's Wilde would rely on Shone's business sense to make performances a success regardless what scandals they faced. An exceptional and rare association. Near Fine. Elkin Mathews & John Lane unknown books
1893002401London: Elkin Mathews and John Lane at the Sign of the Bodley Head. Printed by T. and A. Constable Edinburgh 1893. First Edition. Cloth. Very Good Minus. 8vo. 21.5 by 16 cm. 8.5 by 6.25 inches. 18 132 14 2 pp. With publisher's list of books in the back. In this first edition apparently only 500 copies were printed! The pages are heavily toned per the norm for the paper stock but clean otherwise. The binding is tight. A few uncut leaves in the advertisement section. FEP with small ornamental bookplate pastedown of "Carroll Atwood Wilson" who was a well-known book collector of his day as well as a lawyer and chief legal counsel to the Guggenheims. The publisher's peach-colored cloth has some blistering on the boards. Along the edges there are long narrow spots in which the color is washed out. The spine has been rebacked with most of the original spine mounted thereon with a small loss of the gilt lettering transpiring. The resulting spine also has small dark spots and one is likely not to find it prepossessing. <br/><br/> Elkin Mathews and John Lane at the Sign of the Bodley Head. Printed by T. and A. Constable, Edinburgh hardcover books
1893140940629London: Elkin Mathews and John Lane 1893. First Edition. Very Good. First edition first printing. Bound in publisher's mauve cloth stamped in gilt. Very Good with soiling and darkening to cloth and corners and spine ends bumped. Previous owner bookplate and gift inscription to front endpaper. Pages toned. One of Irish playwright Oscar Wilde's best-known plays a comedy in four acts. Elkin Mathews and John Lane unknown books
189350532London: Elkin Mathews and John Lane at the Sign of the Bodley Head 1893. First Edition. Small quarto 21.75cm.; original reddish-brown gilt-embossed cloth; 1413214adspp. Straight and tight with the boards slightly faded at margins as is typical and a few spots where cloth has begun to lift. The text is slightly tanned but foxing is contained to endpapers. In all a pleasing and well-preserved copy of a fragile book. 500 copies issued MASON 357. Elkin Mathews and John Lane at the Sign of the Bodley Head unknown books
189322477London: Elkin Mathews and John Lane at the Sign of the Bodley Head 1893. First Edition. Small quarto 21.75cm.; original reddish-brown gilt-embossed cloth; 1413214adspp. Extremities a bit rubbed narrow strip of discoloration to fore-edge of upper cover minor foxing to textblock upper hinge cracked but still quite strong; About Very Good. Contemporary bookplate of Oscar Wilde collector Jon Weekly. 500 copies issued MASON 357. Elkin Mathews and John Lane at the Sign of the Bodley Head unknown books
18932221667<p>First edition. Octavo. Full modern navy blue morocco a.e.g.; marbled endpapers. Fine fresh copy. 132 pages publisher's 16 page catalog at end dated September 1893. No foxing. No signatures or bookplates. Enclosed in a blue cloth slipcase.</p><p>Printed by T. and A. Constable.</p><p>Mason 357.</p> Elkin Mathews hardcover books
1895ABE-1804904583420 PAGES-32 CM X 24 CM-UN INCIDENT DE LA VIE ANGLAISE, 1P PAR FRANCISQUE SARCEY, OSCAR WILDE-"JERUSALEM", PAR PIERRE LOTI-"LA PASSION", MUSIQUE DE M. FRANCIS THOME "JESUS DEVANT PILATE", 1 PAGE DE PORTEES-DECHIRURE SANS MANQUE 2CM RECURRENTE MARGE DROITE
1882314013Philadelphia: Russell & Creamer 1882. First edition. With fine partly colored caricature folding map of Chesapeake and Delaware Bays and environs; numerous illustrations in text. 96 pp. 1 vols. 8vo. Publisher's blue cloth gilt with publisher's printed paper wrappers bound in. Rubbed minor staining to boards upper wrapper chipped at upper corner with small loss possibly to presentation "Mrs Jas. H. Allen. Book label offsetting to front free end paper. Very good. First edition. With fine partly colored caricature folding map of Chesapeake and Delaware Bays and environs; numerous illustrations in text. 96 pp. 1 vols. 8vo. "The 'Wilde' Æsthetes of 1882". One of the rarest of this series of privately printed volumes produced by this Philadelphia sporting club and an unusual demonstration of the popularity of Oscar Wilde during his American tour of 1882. The verso of the title page includes a list of the 22 members of the cruise "The 'Wilde' Æsthetes of 1882" with the title in a floral heading giving them all first names of flowers and Wildean associations including: <br/>Sunflower SMITH Oscar's first love too poetical .<br/>Mignonette MOUSLEY Oscar's twin brother too fat for a Porpoise.<br/>Rhododendron RAUCH Oscar's great-aunt too much 'poke.'<br/>Woodbine WEHN Oscar's little sister too awfully nice.<br/>Petunia PACKARD Oscar's maid too much of a masher.<br/><br/>With the ticket of J.L. Smith 27 S. Sixth St. Philadelphia Please Acknowledge Receipt on front wrapper. "Sunflower" Smith who heads the crew list was a Philadelphia map publisher<br/><br/>Clifford P. "Arbutus" Allen is described as the loggist; and Herbert S. "Petunia" Packard as the artist. Allen b. 1841 was the regular scribe for the club's annual fishing cruises.<br/><br/>RARE. Wetzel p. 199; Bruns W83; Library of John M. Schiff Sotheby's 11 Dec. 1990 lot 132 this copy; not in Heller. Provenance: Mortimer L. Schiff with his bookplate Russell & Creamer unknown books
