882 résultats
1761D1402n.p.: n.p. 1761. Hardcover. Very Good. Full calf gilt-stamped lettering in black spine label. Additional shipping charges may apply. <br/><br/> n.p. hardcover books
176226380<p><strong>1762 VOLTAIRE Joan of Arc BANNED French Erotic Pucelle D'Orleans Maid of Orleans</strong></p><p><em>"Let us read and let us dance; these two amusements will never do any harm to the world." </em></p><p>― Voltaire</p><p>Until the end of the 18th-century the story of Joan of Arc was merely a legend and little was written in histories about her life. Voltaire wrote a poem that satirized the life of Joan of Arc – a decision that became wildly controversial. In fact the sexist content and perverse eroticism found in "<em>La Pucelle d'OrleÌans</em>" or '<em>Maid of Orleans'</em> caused it to be outlawed banned and burned throughout Europe for more than 100 years! This suppression made it one of the most restricted books of the 18th and 19th-century.</p><p>This 1762 Geneva edition of '<em>La Pucelle d'Orleans'</em> features 20 impressive engravings.</p><p>Item number: #26380</p><p>Price: $750</p><p>VOLTAIRE</p><p><strong><em>La Pucelle d'OrleÌans poëme diviseÌ en vingt chants avec des notes nouvelle eÌdition.</em></strong></p><p>AÌ€ GeneÌve Cramer : 1762.</p><p><u>Details</u>: </p><p><!-- if !supportLists-->· <!--endif-->Collation: Complete with all pages</p><p><!-- if !supportLists-->o <!--endif-->2 VIII 358 i.e. 354</p><p><!-- if !supportLists-->o <!--endif--><strong>20 engraved plates</strong></p><p><!-- if !supportLists-->· <!--endif-->Language: French </p><p><!-- if !supportLists-->· <!--endif-->Binding: Leather; tight and secure</p><p><!-- if !supportLists-->· <!--endif-->Size: ~8in X 5in 20cm x 12.5cm</p><p>Our Guarantee:</p><p>Very Fast. Very Safe. Free Shipping Worldwide.</p><p>Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation!</p><p>26380</p><p>Photos available upon request. </p> Cramer hardcover
1760140101London: Printed for G. Kearsly 1760. Small quarto pp. 1-4 1 2-76 drab boards. First edition in English. Semiramis ninth-century queen of Assyria present-day Iraq was until the early twentieth century a figure of legend that had been well-established as of the classical period: begotten of the fish-goddess Atargatis and fed by doves until her rescue by a royal shepherd; bride of general Onnes and successor to his power and eventually to the throne of Assyria; founder of Babylon and every other monument in the region; long-lived brave wise and sexually potent she was turned into a dove at her death and worshipped subsequently as a surrogate of the Assyrian fertility goddess Astarte. Modern archaeological research by Lehman-Haupt and others has largely replaced legend with history but the legend was still alive and well in Voltaire's time. She was a female personification of all that was gaudy and glorious in pre-Christian antiquity and she furnished good material for this tragedy Voltaire's preference in drama composed in 1748 a year after his conte philosophique ZADIG. Voltaire's play has probably had more continuing vitality as the foundation of the libretto of the Rossini opera "Semiramide" 1823 widely considered as one of the best and last operas in the Baroque style. ESTC T62226. The front paste-down bears the bookplate of Alaskan bibliographer James Wickersham who attached to the rear paste-down the mailing label with canceled stamp of the British bookseller McLeish & Sons from whom presumably he obtained this book. Lacks the advertising leaf at rear a very good copy. #140101 Printed for G. Kearsly unknown books
1750391081750 - 1751. Charles Eisen Aliamet Le Mire. A COMPLETE SET OF PROOFS AFTER CHARLES EISEN etched by Tardieu Alamet and Le Mire ON CHINE APPLIQUÉ. Eleven sheets frontispiece plus ten plates each with an etching on fine Chinese paper mounted on fine wove paper. This set is not to be confused with vastly inferior etchings made decades later after the same drawings. 8vo. OUTSTANDING IMPRESSIONS IN PERFECT CONDITION with no defects. Of the greatest rarity: only a handful of such sets were printed and I have been unable to locate another one that has survived complete. <br/><br/> unknown
179088112Lisboa: Na Officina de Simao Thaddeo Ferreira 1790. First Portuguese edition of Voltaire's three tragedies translated into Portuguese. Octavo bound in full period calf gilt titles and tooling to the spine red spine label marbled endpapers. In near fine condition. A nice example. One of the most influential thinkers of the French Enlightenment François-Marie Arouet know by the nom de plum Voltaire was a resourceful and prolific writer. His works touched nearly every literary form including plays poems novels theoretical essays and scientific treatises. A forthright and candid advocate of civil liberties he frequently criticized the institutions of religious dogma and classism prevalent in 18th century France often doing so through satire to avoid censorship and imprisonment. Na Officina de Simao Thaddeo Ferreira unknown
17500074571750. First Edition of most if not all the copper engravings presumed. Full Morocco. Near Fine. Hubert Gravelot Hyacinthe Rigaud Robert Gardelle Charles-Andre Van Loo Jannet La Tour. Also various engravers. An interesting collection of copper engraved plates relating to Voltaire and these mostly illustrations from his dramatic works including "Henriade" the most represented of the works and as so happens one of the very few that occasionally still known by non-Voltaire scholars and that might enjoy a production in the modern era "Tancrede" "La Princesse de Navarre" "L'Enfant Prodigue" "Socrate" "L'Orpheline de Chine" "Horace" "Nanine" "La Prude" "Semiramis" "Le Duc de Foix" etc. We believe these are without exception also copper engravings issued during Voltaire's lifetime and all of them date to the 18th Century. The plates we stress were not issued as the suite here; this suite was created later probably by or on behalf of the bibliophile whose decorative bookplate is mounted in the front -- Charles MacAllister Wilcox 1870 - 1932 who was a successful Denver business executive. all done during Voltaire's lifetime. The dramatic works include Bound by Riviere & Son in full red morocco gilt ruling and decoration raised bands turn-ins. 8vo. 25 by 19.5 cm. 50 plates including frontis the plates done by various artists and engravers but Hubert Gravelot is by far the most represented of the artists with 43 of the engravings based on his artwork. Six of the plates are portrait plates one of Voltaire as to be expected the others of Louis XIV and XV monarchs during Voltaire's lifetime Charles XII and Peter the Great monarchs Voltaire wrote biographies of and of Gravelot. This makes the point to us that the Suite of Plates is as much a tribute to Gravelot's artistry as to Voltaire his inspiration. And his artwork is vivid often seething with activity and movement. Not only is he without peer among Baroque illustrators but also the perfect choice to capture the spirit of a dramatic work. The raised bands and edges of the binding have some rubbing. Offsetting of the turn-ins onto the FEPs which we and most will find rather attractive. A few of the plates have an obvious jagged crease mark in their lower portion. Some light scattered soiling including a fox mark here and there. unknown
179088112Lisboa: Na Officina de Simao Thaddeo Ferreira 1790. First Portuguese edition of Voltaire's three tragedies translated into Portuguese. Octavo bound in full period calf gilt titles and tooling to the spine red spine label marbled endpapers. In near fine condition. A nice example. One of the most influential thinkers of the French Enlightenment Francois-Marie Arouet know by the nom de plum Voltaire was a resourceful and prolific writer. His works touched nearly every literary form including plays poems novels theoretical essays and scientific treatises. A forthright and candid advocate of civil liberties he frequently criticized the institutions of religious dogma and classism prevalent in 18th century France often doing so through satire to avoid censorship and imprisonment. Na Officina de Simao Thaddeo Ferreira unknown books
175544453Amsterdam (Paris), , 1755. 2 vol. in-12 de (4)-278 pp. et (4)-208 pp., demi-basane fauve à petits coins, dos à nerfs, pièces de titre et de tomaison en maroquin blond et olive, tranches rouges (reliure de l'époque).
17336451A l'enseigne de la Vérité, Chez Hierosme Print-All, 1733. In-8 de (2)-63 pp.VOLTAIRE. Hérode et Mariamne, tragédie de M. de Voltaire. A Paris, Chez Noel Pissot et chez François Flahault, 1725. In-8 de (20)-95-(5) pp.VOLTAIRE. L'Indiscret, comédie de M. de Voltaire. A Paris, Chez Noel Pissot et chez François Flahault, 1725. In-8 de (2)-59-(1) pp.FAGAN (Barthélemy-Christophe). La Pupille. Représentée pour la première fois le 5 du mois de juillet 1734. A Paris, Chez Chaubert, 1734. In-8 de 62-(2) pp.Ensemble 1 vol. in-8, veau marbré havane, dos orné à nerfs, pièce de titre en maroquin rouge, tranches rouges (reliure de l'époque).
1768PLTInVOL99Dublin: Printed for J.Milliken 1768. 1768. 12mo. pp. contemporary sprinkled calf gilt back numbered Vol. XXVI on spine. First Dublin Edition. Voltaire's classic philosophical tale of the noble savage of the New World - a Canadian Huron and his encounters with and impressions of the hypocrisy and corruptness of civilized European society. The work enjoyed immense popularity being widely translated and frequently reprinted and adapted to the stage. cfNCBEL II 101. cfLande S2289. cfSabin 100747. Hardcover. Dublin: Printed for J.Milliken, 1768. Hardcover
177771993Geneve; 1777 1777. Nouvelle edition. Hardback. Full contemporary tree calf very good. Spine elaborately gilt tooled with a red gilt-blocked Morocco label. Minor rubbing to the spine bands and panel extremities as with age. An uncommonly well-preserved example; scans etc. On request. ; 210 pages; Copper-engraved pictorial head & tailpieces; publisher's device to the title. Language: French. Physical desc. : cm.13. Table contents to the rear. Geneve; 1777 hardcover
17761316353Londres 1776. Hardcover. Octavo 280 pages; VG; bound in quarter red calf gilt lettering and tooling to paneled spine marbled boards marbled endpapers; half-title present verso of sfep has two early math equations; wide margins; scarce; shelved case 10. The imprint is false; probably printed in the Netherlands. Contrary to the title this edition does not contain "L'evangile de la raison" but does include "Dialogue du douteur & de l'adorateur". Signature marks include "Tome I" but no Vol. 2 is recorded; <br /> <br><br /> <br><br /> Preceeded by a second false imprint printed in Amsterdam by M. M. Rey in 1768;<br /> <br><br /> <br><br /> ESTC Citation No. N12875. 1316353. Shelved Dupont Bookstore. hardcover books
17761316353Londres 1776. Hardcover. Octavo 280 pages; VG; bound in quarter red calf gilt lettering and tooling to paneled spine marbled boards marbled endpapers; half-title present verso of sfep has two early math equations; wide margins; scarce; shelved case 10. The imprint is false; probably printed in the Netherlands. Contrary to the title this edition does not contain "L'evangile de la raison" but does include "Dialogue du douteur & de l'adorateur". Signature marks include "Tome I" but no Vol. 2 is recorded; <br /> <br> <br /> <br> <br /> Preceeded by a second false imprint printed in Amsterdam by M. M. Rey in 1768;<br /> <br> <br /> <br> <br /> ESTC Citation No. N12875. 1316353. Shelved Dupont Bookstore. hardcover
1733694L47Amsterdam: Jaques Desbordes 1733. Paperback. Very Good Indeed. 7.5" by 5". None. A very scarce early edition of this important attack by Voltaire on contemporary taste in art and literature. Published the same year as the first which was issued in Rouen by Jore in 1733. Voltaire's bibliographer Bengesco refers to the further 1733 printings as 'premieres editions'. This edition is noted as a later in 1733 due to the title page bearing Voltaire's name with Crebillon's approbation dated 1733 to the final leaf. Bengesco n.602 p.162. In the original French. With a bright red and black title page featuring a detailed engraving. This edition was published by Jaques Desbordes of Amsterdam. 'Le Temple du Gout' was published without official permission from the censors and is a scathing satirical attack on contemporary taste in art and literature. Voltaire was the nom de plume of Francois-Marie Arouet. He was a French Enlightenment writer historian and philosopher. He was famous for his wit and staunch criticism of Christianity. Disbound. Externally very bright with just a small chip to the fore edge. Small mark to the head of title page. Internally firmly bound. Pages are bright with just the odd spots to pages. Very Good Indeed Jaques Desbordes paperback
1777291158La Haye but Geneve.: Aux Depens des Libraires. 1777. 1st Edition. Publisher’s plain marbled wraps. . Very good untrimmed in the original wraps old ink name to title page. 8vo. 21.5x14 cm. . French text. weight: 0.6 lb. Aux Depens des Libraires. paperback books
178334287De l'imprimerie de la Sorbonne | à Paris 1783 | 13 x 21 cm | relié
1758029445Lieges Paris Lausanne Londres 1758-67. Cinque opere di cui quattro di Voltaire riunite in un volume in 12mo 105x18 cm in piena pelle del tempo dorso liscio ornato e dorato difetti: mancanza di pelle agli angoli anteriori; 3 cm di frattura alla cerniera anteriore. 1 - Précis de lEcclesiaste et du Cantique des Cantiques. Lieges Bassompierre 1759. 40pp titolo e testo inquadrato con cornice tipografica ritratto di Voltaire al titolo margine minimo in alto. Adresse factice precisa Bengesco che la indica come una edizione stampata probabilmente a Rouen. Segue: 2 - Le Pauvre Diable. Paris se 1758. 30 pp numerata per errore 32; margine minimo in alto che tocca i numeri di paginazione. Con titoli a parte per La Vanité e per Requète de Jerome Carrè. Stampato in realtà nel 60 anno della e.o. di cui questa è una ristampa. Segue: 3 - LIngenu. Con i titoli delle due parti riportanti Le Huron ou lIngénu. Seconde edition. Lausanne se 1767. Due parti di 4-118pp; 4-120pp. In realtà stampata a Parigi da Lacombe. B.2824. Segue: 4 - Le Docteur Pansophe ou Letres de monsieur de Voltaire. Londres se 1766. 44 pp. prima edizione. Segue: 5 - Justification de J.J. Rousseau dans la contestation qui lui est survenue avec M. Hume. Londres se 1766. 2-28 pp. prima edizione. Probabilmente opera del Du Peyrou. Notevole raccolta di pamphlet volterriani riunita all'epoca probabilmente da un M. Duffour che ha incollato un piccolo ex libris alla risguardia del volume. unknown
176912484Paris, Chez la veuve Duchesne, Saillant, Desaint, Panckouke et Nyon, [1769]-1770. 2 vol. in-8. XLpp, [1]f, 272pp ; 316pp, [2]ff. Plein veau d'époque, dos lisse à faux nerfs, ornés, titre et tomaison dorés, triple filet doré sur les plats.
173810961738 Amsterdam, Etienne Ledet & Compagnie, 1738. In-8, frontispice, titre, (1)., avertissement, xii pp. (éclaircissements), 410 pp., veau brun marbré, dos orné à nerfs, pièce de titre rouge, tranches rouges (Rel. de l'époque).Édition originale, illustrée d'un frontispice allégorique gravé par Folkema d'après Dubourg, un portrait de Voltaire par Folkema, de nombreuses vignettes d'en-tête et culs-de-lampe gravés en taille-douce ; l'illustration scientifique comprend de nombreuses vignettes in-texte, 6 figures et un tableau dépliant des couleurs & des tons de la Musique, hors-texte."L'édition de 1738 fut imprimée par Ledet, à qui Voltaire avait confié le manuscrit incomplet des Élémens. Ledet fit achever l'ouvrage par un mathématicien hollandais et le mit en vente vers la fin de mars ou le commencement d'avril 1738. " (Bengesco, 1570). L'éditeur hollandais ayant donc fait paraître cette édition avant de recevoir les 2 derniers chapitres, Voltaire fit imprimer quelques cartons pour l'édition parisienne chez Prault.Un des rares exemplaires auxquels ont été ajoutées les additions faites par Voltaire à Paris ; un papillon imprimé collé sur le titre annonce ces ajouts : - un feuillet d'avertissement des libraires de Londres (Paris) et la réponse de ceux d'Amsterdam, imprimé sur deux colonnes- les éclaircissements donnés par Voltaire sur cette édition (xii pp.)- un feuillet de table- le chapitre XXVI, Du Flux et du reflux.Sans le portrait de Newton annoncé sur le papillon. Reliure usagée, titre empoussiéré.
1764121984Londres [Amsterdam] aux dépens de la Compagnie de Jésus [Marc-Michel Rey] 1764 1 vol. broché in-12, broché, couverture muette de papier marbré, sous étui moderne de basane noire, (2) + 135 + (5) pp. Rare recueil contenant "Testament de Jean Meslier, nouvelle édition", avec simple titre de départ, paginé 1-80 ; "Catéchisme de l'honnête homme, ou Dialogue entre un caloyer & un homme de bien, traduit du grec vulgaire, par D. J. J. R. C. D. C. D. G." [Jean-Jacques Rousseau ci-devant citoyen de Genève], avec un simple titre de départ, paginé 81-105 ; "Sermon des cinquante, 1749 : on l'attribue à M. Du Martaine ou Du Marsay, d'autres à La Métrie, mais il est d'un grand prince très instruit". La table annonce "Examen de la religion", en deux parties, qui seront publiées indépendamment, avec une pagination séparée. Exemplaire très frais, à grandes marges, imprimé sur beau vergé.
1764121984Londres [Amsterdam] aux dépens de la Compagnie de Jésus [Marc-Michel Rey] 1764 1 vol. broché in-12, broché, couverture muette de papier marbré, sous étui moderne de basane noire, (2) + 135 + (5) pp. Rare recueil contenant "Testament de Jean Meslier, nouvelle édition", avec simple titre de départ, paginé 1-80 ; "Catéchisme de l'honnête homme, ou Dialogue entre un caloyer & un homme de bien, traduit du grec vulgaire, par D. J. J. R. C. D. C. D. G." [Jean-Jacques Rousseau ci-devant citoyen de Genève], avec un simple titre de départ, paginé 81-105 ; "Sermon des cinquante, 1749 : on l'attribue à M. Du Martaine ou Du Marsay, d'autres à La Métrie, mais il est d'un grand prince très instruit". La table annonce "Examen de la religion", en deux parties, qui seront publiées indépendamment, avec une pagination séparée. Exemplaire très frais, à grandes marges, imprimé sur beau vergé.
1770AQ28672Amsterdam: Chez Jean Robert 1770. viii 174pp. Terminal leaf a cancel. Interleaves between p.48-49. Handsomely bound in nineteenth-century gilt-tooled green half- morocco gilt armorial device of Richard Seymour-Conway fourth Marquess Hertford 1800-1870 to spine marbled paper boards marbled edges marbled endpapers. A trifle dulled. Early French language notes in two distinct hands to initial and terminal fly-leaves and interleaved blank. 'Tout ce que raconte Madame la Marquise de Caylus est vrai; on voit une femme qui parle avec candeur. Ses Souvenirs serviront surtout à faire oublier cette foule de misérables écrits sur la cour de Louis XIV dont l'Europe a été inondée par des auteurs faméliques qui n'avaient jamais connu ni cette cour ni Paris'. The second state issued the same year as the first of the lively memoirs of Marthe-Marguerite de Caylus 1673-1729 that provide a piquant account of the intrigues of the inner court of Louis XIV. The work was edited for publication by Voltaire who supplied the preface and contextual notes. The manuscript additions in this work are concerned with Voltaire's editorship of the text. . First edition second state. 8vo. Chez Jean Robert hardcover
175734527BB20 volumes. (Paris, Lambert) 1757. 12°. Avec un portrait dans le premier volume et 10 gravures pour l'Henriade, 18 pour les pièces de théatre d'après Eisen + 5 pour Newton. Reliure pleine basane mouchetée, pièce de titre rouge, décor.
1770264621Paris: Chez la Veuve Duchesne Saillant Desaint Panckoucke et Nyon de l'imprimerie de Barbou 1770. Nouvelle édition" first edition with Eisen's illustrations. Engraved frontispiece and title with medallion portrait of Voltaire 10 plates and 10 head-pieces engraved by Longueil after Charles Eisen all bound in vol. I. xl 272; 316 4 pp. 2 vols. 8vo. Contemporary full red morocco covers tooled in gilt with triple fillet border and floral tool stamped in corners flat spine divided into 6 compartments 2 with black morocco lettering-pieces the rest with gilt with floral and small tools star-patterned Dutch gilt endpapers a.e.g. Covers slightly rubbed contents fine. Eisen Charles. "Nouvelle édition" first edition with Eisen's illustrations. Engraved frontispiece and title with medallion portrait of Voltaire 10 plates and 10 head-pieces engraved by Longueil after Charles Eisen all bound in vol. I. xl 272; 316 4 pp. 2 vols. 8vo. The first edition illustrated by Charles Eisen of Voltaire's epic poem on the life of Henry IV. Voltaire was so pleased with the illustrations that he wrote a complimentary letter to the artist printed here in volume I. Cohen-De Ricci 1026; Bengesco 384; Ray French 30 Chez la Veuve Duchesne, Saillant, Desaint, Panckoucke et Nyon [de l'imprimerie de Barbou] unknown
1770264621Paris: Chez la Veuve Duchesne Saillant Desaint Panckoucke et Nyon de l'imprimerie de Barbou 1770. Nouvelle édition" first edition with Eisen's illustrations. Engraved frontispiece and title with medallion portrait of Voltaire 10 plates and 10 head-pieces engraved by Longueil after Charles Eisen all bound in vol. I. xl 272; 316 4 pp. 2 vols. 8vo. Contemporary full red morocco covers tooled in gilt with triple fillet border and floral tool stamped in corners flat spine divided into 6 compartments 2 with black morocco lettering-pieces the rest with gilt with floral and small tools star-patterned Dutch gilt endpapers a.e.g. Covers slightly rubbed contents fine. Eisen Charles. "Nouvelle édition" first edition with Eisen's illustrations. Engraved frontispiece and title with medallion portrait of Voltaire 10 plates and 10 head-pieces engraved by Longueil after Charles Eisen all bound in vol. I. xl 272; 316 4 pp. 2 vols. 8vo. First Eisen Edition. The first edition illustrated by Charles Eisen of Voltaire's epic poem on the life of Henry IV. Voltaire was so pleased with the illustrations that he wrote a complimentary letter to the artist printed here in volume I. Cohen-De Ricci 1026; Bengesco 384; Ray French 30 Chez la Veuve Duchesne, Saillant, Desaint, Panckoucke et Nyon [de l'imprimerie de Barbou] unknown books