10 104 résultats
176155301BBFrankfurt am Mayn, bey Johann Gottlieb Garbe, 1761. 8°. Gestochenes Frontispiz, 15 n.n. Bl., 493 S. Mit gestochener Titelvignette. Pappband der Zeit mit späteren Kleisterpapierbezügen und handschriftlichem Rückenschild.
173223422London: C. Davis and A. Lyon 1732. 8vo pp. 12 371 1; engraved frontis portrait and a folding map; contemporary paneled calf gilt-decorated spine red morocco label; some rubbing but generally good and sound or better. <br/><br/> C. Davis and A. Lyon unknown books
173223422London: C. Davis and A. Lyon 1732. 8vo pp. 12 371 1; engraved frontis portrait and a folding map; contemporary paneled calf gilt-decorated spine red morocco label; some rubbing but generally good and sound or better. C. Davis and A. Lyon unknown
1930567801930 Paris, René Kieffer, 1930, 19 x 24 cm, 124 pp, broché, couverture rempliée recouverte de papier cristal, en très bon état,non coupé
1985117656Monte Carlo (Monaco), Sefer, Arts et Couleurs, impr. Le Champ des Sphères 1985 3 volumes. In-4 26 x 21 cm. Reliures d'Art de Luxe Sefer pleine peau maroquinée aubergine, sous étuis bordés à l’identique, dos à nerfs encadrés de fers à froid et dorés, plats encadrés de filets dorés et de fers dorés, semés de fleurs de lys et de scènes frappées à froid d'après l'artiste, têtes dorées, gardes et contreplats de soie moirée grenat, 244-211-235 pp., texte enluminé d'un cadre à frise amarante, pages de titre, bandeaux, lettrines et culs-de-lampe historiés, 31 illustrations par Jean Gradassi, dont 1 double-planche, 18 hors texte, 12 in-texte, table des illustrations à la fin de chaque volume. édition tirée à 1700 exemplaires sur vélin d’Arches filigrané numérotés. Celui-ci, N 1208/1000 numérotés de 651 à 1650. Joint certificat d’autneticit. Dos très légèrement insolés, infimes frottis. Très bon ensemble.
17712502# AUTEUR: Voltaire # ÉDITEUR: Genève (Cramer) # COLLECTION: Collection complète des oeuvres tomes XVIII - XIX - XX # ANNÉE ÉDITION: 1771 - 1774 # COUVERTURE: Plein veau fauve - dos à nerfs très décoré doré - pièce de titre rouge et tomaison noire - liserés dorés sur les coupes - # DÉTAILS: 3 volumes in 4° reliés 524pp. 526pp. 571pp. tomés premier, second, troisième sur la 2ème page de titre. Parus à Genève sans nom d'éditeur à partir de 1768. # PHOTOS visibles sur www.latourinfernal.com
In 8° (cm 13,5 x 20), cartonatura muta coeva , pp XVI, 365, grandi bei capilettera silografici, finalini. Esemplare in discrete condizioni, in barbe, carta forte ma brunita e con ingialliture e tracce di umidità al margine esterno di alcune cc; mancano le ultime tre cc bb, secondo la collazione degli unici due esemplari trovati nelle biblioteche, censiti in SBN. Dall'"Avertissement" all'opera omnia nella prestigiosa edizione di Kehl, ecco citata la presente edizione, come tra le prime fedeli alle intenzioni dell'autore: "Ce fut en 1762 seulement que M. de Voltaire publia une édition de son ouvrage, très différente de toutes les autres. Ce poème fut réimprimé en 1774, dans lédition in-4°, avec quelques changements et des additions assez considérables. ... dernière édition, revue et corrigée encore sur danciens manuscrits...". Le traversie tipografiche della "Pucelle" sono innumerevoli. Fu iniziata verso il 1730, e subito iniziò a circolare manoscritta, con vasta fortuna, presso amici di V. e le "Sociétés littéraires" assai diffuse al tempo; verso la fine del 1755, ne apparve un'edizione a stampa, datta a Francoforte con falso luogo di stampa Louvain, che V. si affrettò a disconoscere, composta su un manoscritto rubato all'A. e largamente spuria. Tale edizione è opera del La Beaumelle e del "capucin défroqué" Maubert, redatta con l'intenzione di guadagnare denaro e compromettere V. Se ne parla, con indignazione, nella "Préface" alla presente edizione. Ricattato da librai, vittima di odi partigiani tra gli intellettuali esultanti del "divide et impera" che si stava producendo nella società grazie alle vicissitudini del poema, V. fu maltrattato dagli editori, che irritati dal disconoscimento pubblico della prima edizione ristamparono la "Pucelle" nel 1756, aggiungendovi per schernirlo, il disconoscimento stesso, e parecchie "pièces" satiriche contro l'A. Il che aumentò celebrità e vendite. Nel 1757 comparve a Londra un'altra edizione del poema, conforme alle prime e ornata di incisioni di dubbio gusto; le ristampe si succedettero rapidamente, la prima parigina è del 1759: ed eccoci giunti alla presente. Un esemplare censito in COPAC di edizione coeva, con luogo Londra, ma diversa paginazione, e uno in SBN.
1779113690Londres - Paris, chez M. Elmesly, chez les frères Debure 1779 In-8 20 x 12,5 cm. Reliure de l’époque demi-basane havane, dos lisse orné de fers dorés, 480 pp. Reliure en mauvais état, premier mors fendu, intérieur assez frais avec rousseurs marginales, manque la carte. Ouvrage d’une relative rareté. En l’état.
177512441Berlin, Paris, Le Jay 1775 2 volumes in-8 plein veau, XVI- 364- 336 pp. Titre frontispice, bandeaux et culs-de-lampes. Savantes annotations manuscrites en pages de gardes du premier volume. Bon exemplaire.
85893Venedig Francesco Pitteri 1739. 8:o. Grav. porträtt iii-xxiv 199; 117 1 3-92 s. Lagerfläckig. Något nött samtida pergamentband ryggen med guldornerad beige titelfält. Rester av stämpel på porträttets baksida. Jmf Warmholtz 5946 noten som dock inte känner till någon italiensk översättning. Detta är den tredje upplagan av den italienska översättningen av Voltaires klassiska verk om Karl XII. Det franska originalet utkom 1731 och överättningar till engelska holländska och tyska utkom inom några få år liksom den första italienska som kom 1734. Den andra kom 1736. År 1744 utkom ytterligare en upplaga även den kallad för tredje. Porträttet i helfigur är graverat av Gioseffo Filosi verksam i Venedig mellan 1732 och 1744 och återfinns troligen endast i den italienska upplagan. unknown
179231870Paris: Chez Madame Vaux-Fleuri De l'Imprimerie de L. Potier de Lille 1792. First edition. 1-2 title verso blank leaf paged 63-64 with "Avis" and "Errata" 3-74 small woodcuts. 1 vols. 8vo. Later boards uncut. Spine and extremities rubbed with chipping a few leaves with spots else a very good copy. First edition. 1-2 title verso blank leaf paged 63-64 with "Avis" and "Errata" 3-74 small woodcuts. 1 vols. 8vo. According to the editor's "Avis" most of these fugitive pieces appear first here and some which have appeared elsewhere have been amended or corrected. Includes Mr. D. Rhullieres' "La Chanoinesse Conte" "Sur le Buste de Mirabeau" by M. Deseine"sourd et muet de naissance" and "La Mort de Patrocle Tragédie en Deux Actes¶ Commencing on page 25 is the "Epitre a Monsieur de Voltaire du 31 Decembre 1742" with the "Stances" pp. 28-30. On page 31 is the "Reponse de M. De Voltaire du Premier janvier 1743 Chez Madame Vaux-Fleuri [De l'Imprimerie de L. Potier de Lille] unknown
174277443London:: T. Sowle Raylton 1742. Second edition. later old half morocco and marbled sides. Neat marginal repairs to the fore-edge of the last four leaves; extremities of the binding rubbed with the start 2" of a split at the top of one joint. . 12mo. T. Sowle Raylton, unknown
179665253Catskill: Printed by T. and M. Croswell for selves and J. Fellows & E. Duyckinck New York 1796. First American edition. This edition was first published in 1764. Engraved title with vignette portrait by P. R. Maverick of New York. 1 vols. 12mo. Contemporary sheep morocco label; front joint cracked. Marginal browning of text browning or staining of endpapers else a very good copy with the contemporary signature of John Gebhard Jr on free endpaper. First American edition. This edition was first published in 1764. Engraved title with vignette portrait by P. R. Maverick of New York. 1 vols. 12mo. The editor notes on the advertisement leaf that he recognizes that there might be criticism for the translation and publication of this work "on account of the author's freedom in regard to matters of religion" but feels that the quality of the work exceeds its criticisms and the "True religion is not afraid of bearing the strictest examination." There was strong interest in the French writers of "free thought" and "intellectual liberalism" in America in the eighteenth-early 19th century especially Voltaire and Condillac. The Enlightenment in France greatly influenced the American enlightenment. Library Company of Philadelphia "First American Editions" p. 5; Shipton and Mooney 31518 Printed by T. and M. Croswell for selves and J. Fellows & E. Duyckinck, New York unknown
1784211667Leipzig 1784. First edition in German. 4 148 pp. 1 vols. Small 8vo. Contemporary marbled boards. Very good plus. First edition in German. 4 148 pp. 1 vols. Small 8vo. unknown books
1981149829N.p.: N.p. 1981. Vintage flyer for two screenings of the 1981 concert film at the Artculture Resource Center in Toronto on December 14 and 15 1981. The flyer which doubled as a ticket for the event is stamped on the verso with location the date of the December 15 screening and Record on Wheels the record store where the ticket was purchased. <br/><br/>The three hour film featuring a mix of live footage and promotional video was shown at concerts and galleries. The flyer notes that these are the only Canadian showings of the film making it a rare example of Factory Records' popularity and influence outside of the UK and US. <br/><br/>8.5. x 11 inches. Fine. N.p. unknown books
1867mon0003537430Paris: Aux Bureaux du Siecle 1867. Hardcover. Good. . 9-volumes-in-5. covers show minor wear tear rubbing. pages tanned and clean. Paris: Aux Bureaux du Siecle hardcover
173214647London:np 1732. hard cover. Very Good/No jacket. London:np. 1732. 187pp. 1st. English edition. Lacks miniature portrait between pp 180-181. Rebound in 1/4 maroon leather. Hardcover. Binding is clean with only mild wear to the binding. Interior is clean and free of stray markings though there is some toning and foxing to the page edges throughout. Overall this is a very good attractive copy. London:np hardcover
1920107249Munich: Kurt Wolff Verlag 1920. quarter cloth paper-covered boards triple gilt band stamped gilt title. Klee Paul. 4to. quarter cloth paper-covered boards triple gilt band stamped gilt title. 89 3 pages. Text in German. Translation of Voltaire's classic. With 26 pen and ink illustrations by Paul Klee. An important book in German expressionism Artist and the Book 143. Boards sunned at spine and scuffed at corners. Kurt Wolff Verlag unknown books
173481165London: Jacob Tonsen 1734. Finely bound example of Voltaire's epic poem La Henriade. Small octavo original leather gilt titles and tooling to the spine marbled endpapers. In good condition. Text in French. La Henriade is an epic poem written by the French Enlightenment writer and philosopher Voltaire. According to Voltaire himself the poem concerns and was written in honor of the life of Henry IV of France and is a celebration of his life. The ostensible subject is the siege of Paris in 1589 by Henry III in consort with Henry of Navarre soon to be Henry IV but its themes are the twin evils of religious fanaticism and civil discord. It also concerns the political state of France. Voltaire aimed to be the French Virgil outdoing the master by preserving Aristotelian unity of place—a property of classical tragedy rather than epic—by keeping the human action confined between Paris and Ivry. Jacob Tonsen hardcover
173481165London: Jacob Tonsen 1734. Finely bound example of Voltaire's epic poem La Henriade. Small octavo original leather gilt titles and tooling to the spine marbled endpapers. In good condition. Text in French. La Henriade is an epic poem written by the French Enlightenment writer and philosopher Voltaire. According to Voltaire himself the poem concerns and was written in honor of the life of Henry IV of France and is a celebration of his life. The ostensible subject is the siege of Paris in 1589 by Henry III in consort with Henry of Navarre soon to be Henry IV but its themes are the twin evils of religious fanaticism and civil discord. It also concerns the political state of France. Voltaire aimed to be the French Virgil outdoing the master by preserving Aristotelian unity of place--a property of classical tragedy rather than epic--by keeping the human action confined between Paris and Ivry. Jacob Tonsen hardcover books
17622384301762. hardcover. poor. 20 engraved plates by Gravelot. Full sheep; very worn front cover loose internally fine. Geneva 1762. First Authorized Edition. Good.<br/><br/> Voltaire disavowed the edition published at Louvain in 1755. This was "the first which appeared with the approbation of the author; it contains 5 entirely new songs notes preface and a great number of corrections and additions throughout." --Brunet V 1362.<br/><br/> unknown books
1763980110London: J. Nourse & P. Vallant. Very Good- with no dust jacket. 1763. Three-Quarter Leather. Nice clean tight volumes. Corners worn. Some wear on raised bands and hinges -- cosmetic only as bindings are strong. Attractively tooled spines. There are light water stains in the lower corners of most of the pages in Volume II. ; 8vo 8" - 9" tall . J. Nourse & P. Vallant hardcover
17627601Geneva: Cramer 1762. First Edition. Hard Cover. Very Good. Octavo. 358 pages. The first authorized edition with a number of piracies appearing before this epic based upon the life of Joan of Arc. Twenty plates by Gravelot. The ornament on the title page is the same as the one on the 1759 first edition of Candide. Contemporary 3/4 brown leather all edges stained red; a few letters lost on red label on spine; some scuffing and edge wear; light marginal stain not affecting text on about 50 leaves; overall a very good copy. <br/><br/> Cramer hardcover books
179665253Catskill: Printed by T. and M. Croswell for selves and J. Fellows & E. Duyckinck New York 1796. First American edition. This edition was first published in 1764. Engraved title with vignette portrait by P. R. Maverick of New York. 12mo. Contemporary sheep morocco label. Careful restoration of spine marginal browning of text browning or staining of endpapers else a very good copy with the contemporary signature of John Gebhard Jr on free endpaper. First American edition. This edition was first published in 1764. Engraved title with vignette portrait by P. R. Maverick of New York. 12mo. The editor notes on the advertisement leaf that he recognizes that there might be criticism for the translation and publication of this work "on account of the author's freedom in regard to matters of religion" but feels that the quality of the work exceeds its criticisms and the "True religion is not afraid of bearing the strictest examination" Library Company of Philadelphia "First American Editions" p. 5; Shipton and Mooney 31518 Printed by T. and M. Croswell for selves and J. Fellows & E. Duyckinck, New York unknown books
179231870Paris: Chez Madame Vaux-Fleuri De l'Imprimerie de L. Potier de Lille 1792. First edition. 1-2 title verso blank leaf paged 63-64 with "Avis" and "Errata" 3-74 small woodcuts. 1 vols. 8vo. Later boards uncut. Spine and extremities rubbed with chipping a few leaves with spots else a very good copy. First edition. 1-2 title verso blank leaf paged 63-64 with "Avis" and "Errata" 3-74 small woodcuts. 1 vols. 8vo. According to the editor's "Avis" most of these fugitive pieces appear first here and some which have appeared elsewhere have been amended or corrected. Includes Mr. D. Rhullieres' "La Chanoinesse Conte" "Sur le Buste de Mirabeau" by M. Deseine"sourd et muet de naissance" and "La Mort de Patrocle Tragédie en Deux Actes¶ Commencing on page 25 is the "Epitre a Monsieur de Voltaire du 31 Decembre 1742" with the "Stances" pp. 28-30. On page 31 is the "Reponse de M. De Voltaire du Premier janvier 1743 Chez Madame Vaux-Fleuri [De l'Imprimerie de L. Potier de Lille] unknown books