Nodier, Charles [Author]; Steinlen, Theophile [Illustrator]; France, Anatole [Introduction]Biblio.com
525 résultats
19001381584Paris: Édouard Pelletan 1900. Limited Edition #79/127. Softcover. Quarto xv 28 pages. In Good minus condition. Bound in publisher's tan illustrated covers. Heavy tearing and chipping to spine. Rubbing to edges and corners of covers. Heavy age toning and moderate staining to covers. Textblock completely detached from covers. Rear two gatherings detached from textblock. Previous owner's signature and penciling to front free endpaper. Light penciling to rear free endpaper. Mild age toning with scattered foxing and staining throughout textblock. DH Consignment. Shelved Case 11. 1381584. Shelved Dupont Bookstore. Édouard Pelletan unknown
249340Stockholm P. A. Norstedt & Söners Förlag 1947. Stor 8vo. 98 2 s. Orig. rødt helskinnbind. rygg og permdekor i gull indre denteller helt gullsnitt. Orig. omslag og ryggstripe medbundet. Bundet av AB. Nordiska Bokhandelns Bokbinderi. I kassett.Nr. 91 av 200 eksemplarer med en signert originalradering av Ebbe Sadolin i farger. . unknown
40448Paris: J. Techener 1844. 8vo 210 x 130 mm iv 36 492pp. nineteenth-century calf calf marbled boards spine compartments richly tooled in gilt a nice copy. This is the last work of Charles Nodier who died in January 1844. It is his description of his own highly important library in its final state before it was sent to auction in 1844. Nodier had previously consigned books to auction from his library in 1827 and 1830. The present work contains the 36 page life of Nodier by Francis Wey but as often it is without the 7 page introduction and 2 or 3 short additions which were only added to a few copies. 1254 books are described often with detailed notes. Vicaire VI 143. Paris: J. Techener, 1844 hardcover
182073561Paris: Gide fils 1820. Fine. Gide fils Paris 1820 10 x 16.50 cm relié First edition. Contemporary half tawny sheep binding with small corners smooth spine decorated with triple gilt fillets navy blue morocco title label pebbled paper boards yellow edges speckled with red. Some minor foxing bibliophile's printed stamps at head of half-title page and page 99 engraved bookplate pasted to verso of front board with library classification note in black ink that has spread onto facing page. Gide fils hardcover
184427067Paris: Boizard & Kugelmann 1844. Fine. Boizard & Kugelmann Paris S.d. 1844 17.50 x 27 cm un Vol. relié First edition illustrated with a frontispiece by Nanteuil and 27 hors-texte wood-engraved plates and numerous in-text vignettes after de Beaumont Brugnon Baron de Moraine Jules David Nanteuil etc. The texts are by Nodier Lurine Etienne Arago Touchard-Lafosse E. Marco de Saint-Hilaire Jules Janin Jules Sandeau etc. Half glazed blue calf. Smooth spine with multiple roulette tools. Some rubbing to spine and 2 corners slightly bumped. Some occasional very pale foxing. Rather good copy. Montmartre Saint-Denis Versailles Senlis Melun Compiègne Mantes Anet. Typical Romantic illustrated work with its wood engravings and picturesque whimsical illustration. Boizard & Kugelmann unknown
184437043Paris: Hetzel 1844. Fine. Hetzel Paris 1844 13 x 19.50 cm relié First separate edition. Half lemon yellow shagreen binding smooth spine decorated with arabesques and gilt floral tooling marbled paper pastedowns and endpapers contemporary binding. Numerous engraved illustrations in the text by Tony Johannot preface by P.-J. Stahl. From the collection of the Nouveau Magazine des Enfants. A handsome copy in a charming Romantic binding. Hetzel unknown
183851340Paris: Bourgueleret 1838. Fine. Bourgueleret Paris 1838 14 x 22.50 cm relié Bilingual edition translated by Charles Nodier and first printing of the frontispiece printed on China paper as well as the 10 steel-engraved out-of-text plates by Finden after drawings by Tony Johannot. Half brown shagreen binding with corners spine slightly faded with four raised bands decorated with gilt fillets and compartments embellished with gilt arabesques gilt fillet frame on brown cardboard boards marbled endpapers and pastedowns marbled edges contemporary Romantic binding. Work also illustrated with more than 100 wood-engraved in-text vignettes. Some minor foxing of no consequence. Bourgueleret hardcover
1808196871808. Paris Demonville 1808. Un vol. au format in-8 208 x 128 mm de xlii pp. 1 f. n.fol. et 220 pp. Reliure de l'ÂŽpoque de pleine basane racinÂŽe blonde plats jansÂŽnistes dos lisse ornÂŽ d'un double filet d'encadrement dorÂŽ doubles filets dorÂŽs larges fleurons dorÂŽs roulettes dorÂŽs entrelacs de filets sinuso•daux gras et maigres dorÂŽs semis de pointillÂŽs dorÂŽs piÂce de titre de maroquin vieux-rouge titre dorÂŽ palette dorÂŽe en tÂte et queue filet dorÂŽ sur les coupes toutes tranches marbrÂŽes. Edition originale de ''cet ouvrage curieux et rempli d'ÂŽrudition''. in QuÂŽrard. ''On peut regarder ce livre comme un petit chef-dÕoeuvre de la linguistique moderne. La prÂŽface qui le prÂŽcÂde a ÂŽtÂŽ ÂŽcrite avec ce gožt dÂŽlicat et ce style charmant qui caractÂŽrisent le talent de Charles Nodier. LÕonomatopÂŽe dit-il est le type des langues prononcÂŽes comme lÕhiÂŽroglyphe est le type des langues ÂŽcrites. Ainsi soit par des signes figurÂŽs soit par des sons lÕhomme en crÂŽant le langage a cherchÂŽ ˆ donner une idÂŽe de lÕobjet quÕil avait en vue. LÕouvrage de Nodier est plein de recherches et dÕobservations fines. Non seulement on y trouve toutes les onomatopÂŽes franÂaises celles qui en ont le caractÂre indubitable mais Nodier restitue ce caractÂre ˆ une foule de mots qui lÕavaient perdu par suite dÕun long usage et il le fait apercevoir dans une foule dÕautres o il est moins marquÂŽ. Ainsi il fait observer que les noms des principaux organes de la parole commencent en franÂais par une articulation qui met en jeu lÕorgane mÂme dÂŽsignÂŽ : gosier commence par une gutturale langue par une linguale dent par une dentale nez par une nasale etc. ; il y a lˆ en effet une tendance imitative qui tient de lÕonomatopÂŽe''. Pierre Larousse in Grand Dictionnaire universel du XIXe siÂcle t. XI 1874. Vicaire VI Manuel de l'amateur de livres du XIXÂme 90 - Brunet IV Manuel du libraire et de l'amateur de livres 11028 - QuÂŽrard VI La France liittÂŽraire p. 422. Desquamation affectant chacun des plats. Le premier prÂŽsente en outre deux petits manques superficiels. Petites altÂŽrations en queue du dos. Quelques rousseurs ou petites t‰ches dans le texte. Papier lÂŽgÂrement oxydÂŽ. Nonobstant bonne condition. b42961 unknown
1815ZB1325143London: Longman Hurst Rees Orme & Brown 1815. Price HAS BEEN REDUCED by 10% until Monday June 29 SALE item first British edition; xvi 236 pp. original paper covered boards now lacking the rear cover remaining cover very worn with about a third of the paper covering lost spine chipped and lacking upper third of the paper covering a few instances of foxing old light moisture line to the top margin text untouched albeit good only. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. London: Longman, Hurst, Rees, Orme, & Brown hardcover
50238chez Barba In-12 334pp. illustr. 3 vignettes par Eugène Isabey frontispice et 2 planches aquarellées de Jean-Baptiste Bory de Saint-Vincent une carte dépliante in-fine par Alphonse de Cailleux reliure demi-basane de l'époque dos orné et décors a froid filet doré sur les plats tranches marbrées petites rousseurs éparses un cachet ex-libris sur le faux-titre unknown
1820561Paris: Librairie De Gide Fils. 1820. second edition enlarged. G with light rubbing to binding mostly at extremties scattered foxing binding very solid and tight. ; 12mo half burgundy leather over marbled boards black and gilt rules to spine decorative endpapers 206p. uncut 2 VOLS. IN 1 SECONDE EDITION CORRIGEE ET AUGMENTEE. . Librairie De Gide Fils hardcover
23306Blanchard Paris 1854. First separate edition of this tale by Nodier decorated with 23 vignettes in the text plus 1 full-page incorporating text by Tony Johannot printed in colour using the process developed by Strasbourg printer Gustave Silbermann.Small 8vo 7 1/4 x 5 inches 17-pages. Original pictorial by Johannot white boards printed in colours with coloured vignette of the dog to the rear board. Some soiling to boards some foxing/browning within stitching slighly slack but overall good. Very rare. Carteret III 437. Blanchard, Paris, 1854. hardcover
183720760Paris: Lib. de Dumont 1837. Fine. Lib. de Dumont Paris 1837 14 x 22 cm relié First edition. Bradel binding in full Dauphin blue boards smooth spine prune sheep title-label covers with small marginal restorations preserved. Some rare light foxing complete with publisher's catalogue at rear. Rare. Lib. de Dumont hardcover
182452885Paris: N. Delangle 1824. Fine. N. Delangle Paris 1824 15 x 24 cm 2 volumes reliés First edition of Charles Nodier's commentary and first printing of the frontispiece and 8 illustrations hors-texte by Eugène Devéria one of the rare copies printed on vellum. Half brown morocco bindings with corners spines slightly lightened with four fine raised bands set with gilt dots decorated with double gilt compartments richly decorated gilt friezes at head and foot traces of rubbing on joints marbled paper boards marbled endpapers and pastedowns corners slightly bumped contemporary bindings signed by Bibolet. Some light foxing library classification labels pasted opposite half-title pages. Provenance: from the library of Paul Lacombe with his bookplates pasted on pastedowns. N. Delangle hardcover
183839099Paris: Bourgueleret 1838. Fine. Bourgueleret Paris 1838 14 x 22.50 cm relié Bilingual edition translated by Charles Nodier and first printing of the frontispiece printed on China paper as well as the 10 hors-texte plates engraved on steel by Finden after drawings by Tony Johannot. Half glazed navy calf binding smooth spine decorated with a gilt cartouche adorned with gilt arabesques light rubbing traces on the joints marbled paper boards marbled endpapers and pastedowns contemporary Romantic binding. Work also illustrated with more than 100 in-text wood-engraved vignettes. Some minor foxing handsome copy in contemporary Romantic binding complete with its tissue guards protecting the 10 hors-texte plates which is rare. Bourgueleret hardcover
1844009718Paris: J. Techener 1844 8vo 21.5 cm 4 492 3 pp. Contemporary black leather-backed blue marbled boards spine gilt with title marbled endpapers silk bookmark original wrappers bound in binding somewhat rubbed at spine and corners; leaves facing wrappers and wrappers browned; occasional staining of the text; marked copy in a contemporary hand. From the library of G. Martenet bookplate on the front pastedown. A good copy of this posthumous bibliophilic miscellany by Charles Nodier 1780-1844 member of the Académie française and librarian of the Arsenal published in the year of his death. One of the central figures of early French Romanticism Nodier was renowned for his erudition his influential literary salon at the Bibliothèque de l'Arsenal his role as founder of the Bulletin du bibliophile and his pioneering contribution to the development of modern bibliophily. Preceded by an introduction by G. Duplessis a biographical notice by Francis Wey dated February 1844 and a bibliographical notice of Nodier's works. The catalogue comprises descriptions of 1254 works some accompanied by Nodier's notes and includes an alphabetical index of authors and anonymous works; it also contains his review of Duverger's Histoire de l'invention de l'imprimerie par les monuments 1840. A charming work by one of the fathers of French Romanticism and modern bibliophily. Blogie II col. 55. J. Techener hardcover
184448412Paris J. Techner 1844. 8vo. Bound uncut in contemp. hcalf spine richly gilt and titlelabel with gilt lettering. Small tear at upper hinge. 4IIIVIII5649232428 pp. Clean and fine printed on good paper. <br/><br/><em>First edition of the famous French bookcollector's description and catalogue of his own collection. Each entry 1254 items has bibliographical notes. </em> unknown
182660403Paris:: A. Thoisnier-Desplaces 1826. old full sheep. 1828 ownership annotations in each volume; some scattered inoffensive foxing; bindings scuffed and worn at extremities but tight and sound. 8vo. A. Thoisnier-Desplaces, unknown
181226428Paris: Barba Libraire 1812 1812. First edition. Freeman Bibliotheca Fictivia 1639. Boards darkened; some light foxing; very good copy. 8vo later tan boards red leather label gilt rules and lettering. Half-title present. A scarce study of literary forgery by French author antiquary and bibliophile Charles Nodier 1780-1844 who was also apparently well versed in the subject: "The French C19 saw Charles Nodier whose Questions de Littérature Légale . . . is a minor classic of forgery criticism repeatedly poise on the borderlines of fiction and fraud - another gamekeeper turned poacher." - Freeman page 62. ¶ Contemporary signature on the title-page of Greek scholar and publisher Jean-François Boissonade 1774-1857. Paris: Barba, Libraire, 1812 unknown
184151249Paris: J. Techener 1841. Fine. J. Techener Paris 1841 - relié Revised and expanded edition by Paul-Louis Jacob and enhanced with an original literary notice by Charles Nodier one of the rare copies printed on Dutch laid paper. Half red morocco binding with corners spine with four fine raised bands set with gilt garlands decorated with gilt compartments adorned in the grotesque style triple black fillets on marbled paper boards marbled endpapers and pastedowns top edge gilt elegant contemporary binding signed by Lebrun. A trace of a bookplate cleanly removed from one pastedown. Rare and handsome copy beautifully bound. J. Techener hardcover
1836biblio261<p><em>Two volumes. Quarto. Chez Amable Costes. Paris. 1836/1837. </em><em>Complete set with 135 copper engraved plates and two folding engraved maps. </em><em>Premier Partie: viij 56 16 48 28 48 24pp. Engraved half title title section titles folding map slightly darkened to edge 51 copper engraved plates as listed in tables des matières et indication des figures; </em><em>Deuxieme Partie: 136 80 64 64pp. Title section titles 84 copper engraved plates as listed in tables des matieres et indication des figures plus one extra folding map. </em><em>Contemporary quarter morocco faux shagreen vellum corner tips. Spines in six compartments gilt lettering and decoration gilt faded to base of spine Vol. I. Marbled endpapers. All edges blue. Crisp and bright occasional light toning to text. Light shelf wear. A desirable set.</em></p><p><em>Carte Routiere de l'Italie dressee par Th. Duvotenay eleve de M.P.Lapie publiee par Amable Costes 1836.</em></p><p><em>Second map grave Flahaut; ecrit par Arnoul.</em></p> Chez Amable Costes hardcover
189874615Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Décembre 1898 23 x 35 cm une feuille Rare original lithograph executed by Paul-César Helleu for L'Estampe Moderne series number 20 published in December 1898. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe printing on the reverse some foxing. Lithograph inspired by an extract from Polichinelle by Charles Nodier. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential printing of very grand luxury: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of beautiful format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful printing. This property makes China paper sought after for printing engravings."" Anatole France. French collectors' interest in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and devoted to preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art in the same way as the illustrated luxury book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
61546Paris Imprimerie Royale 1844. Leks 8vo. 4 XVI 329 s. Rikt illustrert med vignetter i teksten. 40 helsides illustrasjoner. Foldet kart. Orig. kartonert innbd. med skinn tittelfelt. Litt brunplettet. . <br/><br/><em>Publiser`s boards with leather label. Large 8vo. 40 full-page illustrations. Richly illustrated with vignettes. 1 folding map. Some browning along edges. </em> hardcover
1830272681830. Paris Delangle FrÂres 1830. Un vol. au format in-8 222 x 142 mm de 1 f. bl. 2 ff. n.fol. 598 pp. et 1 f. bl. Reliure postÂŽrieure de pleine toile azur dos lisse ornÂŽ de filets dorÂŽs piÂce de titre de maroquin ÂŽbÂne titre dorÂŽ. Edition originale rare. Elle s'agrÂŽmente de 50 vignettes sur bois dans le texte par Tony Johannot et a ici conservÂŽ de larges tÂŽmoins. Exemplaire sur papier cavalier vÂŽlin d'Annonay. ''De ce livre date la rÂŽnovation de l'illustration ˆ l'aide de gravures sur bois''. in Rahir. ''Ce volume l'un des mieux gravÂŽs sur bois de la pÂŽriode romantique est malheureusement presque toujours assez fortement roussi. Certains exemplaires fortement et uniformÂŽment roussis ont pu Âtre vendus comme exemplaires sur papier chamois''. in Clouzot. Pourtant. : ''L'Histoire du roi de BohÂme et de ses sept ch‰teaux se vendit si peu que Delangle dut liquider sa maison d'ÂŽdition''. in AdhÂŽmar. ''La gravure exÂŽcutÂŽe avec une grande finesse fait pressentir la largeur d'exÂŽcution que nous trouverons pour la premiÂre fois dans le Gil Blas illustrÂŽ par Jean Gigoux quelques annÂŽes aprÂs''. in Brivois. ''Porret a finement gravÂŽ les compositions de Tony Johannot. Cette merveilleuse exÂŽcution marque en 1830 la date de la rÂŽnovation de la gravure sur bois qui va se poursuivre en 1835 avec le Gil Blas de Gigoux''. in Carteret. ''Le gožt pour l'image dans le public est tel que les ÂŽditeurs avisÂŽs tels que Delangle ou Hetzel demandent d'abord des illustrations ˆ un artiste et font ensuite seulement imaginer par une histoire ˆ un homme de lettres qui s'inspire des illustrations pour la raconter. C'est le cas du Roi de BohÂme et surtout de celui du Voyage o il vous plaira''. in AdhÂŽmar. ''Ë partir des annÂŽes 1830 gr‰ce ˆ la mise au point du procÂŽdÂŽ de la lithographie et de la gravure sur bois de bout permettant d'obtenir une finesse comparable ˆ celle de la gravure sur cuivre sans nÂŽcessiter un deuxiÂme passage en machine l'ÂŽdition conna”t une prolifÂŽration d'images de plus en plus ÂŽtroitement associÂŽes au texte. Un livre illustrÂŽ peut dÂŽsormais compter une centaine de planches. C'est dans ce contexte que para”t l'Histoire du roi de BohÂme et de ses sept ch‰teaux de Charles Nodier. Cette Ãuvre originale est le fruit de la collaboration de l'auteur avec l'artiste Tony Johannot qui exploite les possibilitÂŽs qu'offrent les nouvelles techniques. Si le livre ne suscite guÂre d'enthousiasme au moment de sa publication il marque le point de dÂŽpart d'une nouvelle relation entre le texte et l'image comme de celle de l'ÂŽcrivain avec l'artiste. En effet la nature mÂme de l'ouvrage tÂŽmoigne d'une communautÂŽ de vues et d'une ÂŽtroite collaboration entre les deux hommes.Ê Dans l'Histoire du roi de BohÂme et de ses sept ch‰teaux on trouve en effet une vÂŽritable interpÂŽnÂŽtration du texte et de l'image qui se mÂlent au point de devenir mutuellement paraphrastiques. Les vignettes sont librement insÂŽrÂŽes entre les lignes selon la fantaisie de l'ÂŽcrivain ou de l'illustrateur. L'image et le texte deviennent complices au service d'une imagination doublÂŽe d'un humour proche de la dÂŽrision. L'histoire sans queue ni tÂte se soumet aux ressources fantaisistes d'un langage dÂŽbridÂŽ quitte ˆ plonger dans l'incohÂŽrence et l'invraisemblance romanesque. Image et texte jouent ensemble unis par une malicieuse complicitÂŽ dans laquelle ils semblent constamment se relayer avec espiÂglerie souffler sans cesse sur les braises d'un imaginaire au galop. Ainsi de cette chevauchÂŽe fantastique o l'intensitÂŽ qui soulÂve au-dessus du sol les deux montures enfiÂŽvrÂŽes para”t rivaliser avec la fougue d'un texte emportÂŽ par une fuite irrÂŽpressible au bord du vide.'' Bruno Blasselle et CÂŽcile Cayol in L'Image en libertÂŽ une expÂŽrience originale. Barbier IV Dictionnaire des ouvrages anonymes 790-f - Clouzot Guide du bibliophile franÂais p. 130 - Escoffier Le Mouvement romantique 839 - Brivois Bibliographie des ouvrages illustrÂŽs du XIXÂme p. 306 - Vicaire VI Manuel de l'amateur de livres du XIXÂme 106 - Carteret III Le TrÂŽsor du bibliophile romantique et moderne p. 430 - QuÂŽrard VI La France littÂŽraire p. 423 - Rahir La BibliothÂque de l'amateur p. 562 - AdhÂŽmar Le Livre romantique p. 41. Quelques piqžres ÂŽparses. Du reste belle condition. b42961 unknown
185977743Paris: Magnin Blanchard & Compagnie 1859. Fine. Magnin Blanchard & Compagnie Paris 1859 19 x 28.30 cm relié New illustrated edition with 8 etchings by Tony Johannot bearing the artist's name engraved with the point on China paper mounted. These illustrations belong to the first illustrated edition of 1845 2 are artist's proofs without Johannot's name added by him. Printed on laid paper. Half old red shagreen binding with corners signed Petit at the top of the first endpaper. Spine with raised bands richly decorated with elaborately gilt compartments. Red shagreen title label. Top edge gilt. Uncut copy full-margined perfectly fresh. Spine slightly faded. Handsome copy from the sale of Jacques Crépineau's library without his bookplate but with a bookmark from L'Etude Ader reproducing the bookplate 11/10/2021. Director of the Michodière theater and theater historian he held a famous collection of Romantic books. List of tales: Trilby - Le songe d'or - Baptiste Montauban - La fée aux miettes - La combe de l'homme mort - Inès de las sierras - Smara - La neuvaine de la chandeleur - La légende de la soeur Béatrix. Magnin, Blanchard & Compagnie hardcover
