403 résultats
19116030London: Heinemann & Lippincott nd 1911. First Edition Thus. Hardcover. Very Good Textblock Fine. No DJ. Minor shelf/edge wear small closed splits at hinge else tight bright and unmarred. Green cloth boards gilt lettering and pictorial elements pictorial endpages frontispiece teg. 8vo. 128pp. Illus. color plates. <br/><br/> Heinemann & Lippincott hardcover books
191117110604Philadelphia: J. B. Lippincott Co 1911. First Trade Edition. Hardcover. Near fine/very good. Robinson Charles. First U.S. trade edition as illustrated by Robinson quarto size 128 pp. in original dust jacket. Percy Bysshe Shelley's 1792-1822 "The Sensitive Plant" is a delicate fairy fable about ephemeral beauty and the aspiration to follow dreams when the reality of the senses fails. It was first published in 1820 in "Prometheus Unbound" along with some of Shelley's best known work; here it is re-imagined with the hazy watercolour illustrations of prolific children's book illustrator Charles Robinson 1870-1937. Though paired with Shelley long after his death they are well matched "his black and white illustration reflects the influence of Beardsley and Walter Crane and his watercolour illustrations have delicacy and sensitivity greatly helped by the four colour process early in the century as the alternative to lithography. By incorporating lettering into the page design and in his planning of the book as a whole he developed the Arts and Crafts tradition of the book as a work of art" Peppin Brigid & Micklethwait Lucy "Book Illustrators of the Twentieth Century" p. 265. <br/><br/>This edition of "The Sensitive Plant" certainly exemplifies that ideal of the artist's hand in all aspects of a book's design with a beautifully composed typeface decorative borders pale pink page numbers and stunning full-color mounted plates. With an introduction by Edmund William Gosse 1849-1928 a poet and author who was influential in the literary world of his day encouraging the careers of Yeats and James Joyce he served as the librarian of the House of Lords and a lecturer at Trinity College eventually serving as the literary editor for the 1911 edition of the "Encyclopaedia Britannica".<br/><br/>___DESCRIPTION: Original full green cloth with gilt pictorial upper board and backstrip top edge gilt illustrated endpapers illustrated half-title pictorial title-page first page of the introduction framed in a pictorial border with a large decorative initial eighteen mounted color plates with tissue guards including frontis numerous color and black and white vignettes in text headpieces tailpieces and initials; quarto size 10.5" by 8" pagination: i-vi vii-xii xiii-xvi 17-127 128 the first trade edition as illustrated by Robinson vintage bookseller's ticket on rear paste-down endpaper Brentano's New York. With the scarce original pictorial dust jacket which matches the illustration on the endpapers which is unclipped although as was the general practice of the day with no printed price.<br/><br/>___CONDITION: A near fine copy internally bright and complete with only a few light stray marks no prior owner markings other than the bookseller's ticket referred to above the text block is slightly cocked yet remains strong with solid hinges and the gilt covers are marvelously bright and clean; note that the register was slightly off on the decorative title page the illustrations are perfect; just a hint of rubbing to the head and tail of the backstrip and to one corner this copy is near fine; the dust jacket is very good plus clean with only a few small chips at the edges and a small tear along one joint none of which obscures the text or illustrations; overall very good and scarce as such. A stunning production of a lovely children's tale.<br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. J. B. Lippincott Co hardcover books
1911177414St. Louis Mo: Priv. print. for W. K. Bixby 1911. Hardcover. Good soiling and foxing to covers and beginning and end pages bumping to corners text pages have age toning as expected with age throughout but are otherwise clean. Three volume set of plain tan boards white vellum spines with gilt lettering. Volume I has bw frontispiece XIV 209 pp with bw illustrations. Volume II is VII 187 pp. with bw illustrations. Volume III is VI 179 pp bw illustration. All three volumes have untrimmed pages. "Four hundred sixty-five copies of this work have been printed for members of the Bibliophile Society."- ffep Deciphered transcribed and edited with a full commentary by H. Buxton Forman C.B. Priv. print. for W. K. Bixby hardcover books
18801329929London: C. Kegan Paul 1880. Large Paper Edition #41/50. Hardcover. Octavo 393 pages; VG; bound by Maltby Oxford in full dark blue calf gilt titling and rules to spine light gilt to boards; gilt turn-ins; mild sun-fading and wear to spine; marbled endpapers; top edge gilt;<br /> <br><br /> <br><br /> "This Large-Paper Edition consisting of Fifty Copies all of which are numbered was printed in the month of November 1880. This Copy is No. 41" / Signed by the printer Charles Whittingham Co.; Printed at the Chiswick Press: C. Whittingham and Co.;<br /> <br><br /> <br><br /> shelved case 0. 1329929. Shelved Dupont Bookstore. C. Kegan Paul hardcover books
18761287891London: Reeves and Turner 1876/1877. Hardcover. Octavos. 4 volumes; VG; 3/4 bound in dark green leather marbled boards; paneled spines with gilt lettering tooling; marbled endpapers; top edges of text blocks gilt; very mild wear to boards spines; frontispieces with tissue guards; shelved above Holocaust studies. 1287891. Shelved Dupont Bookstore. Reeves and Turner hardcover books
04935London: Essex House Press Edward Arnold 1904. Essex House Press Prometheus Unbound<br/>In a Fine Designer Binding by Marie-Louise Farge<br/><br/>SHELLEY Percy Bysshe. ESSEX HOUSE PRESS. ASHBEE C.R. artist. FARGE Marie-Louise binder. Prometheus Unbound. A Lyrical Drama. Printed at Essex House Campden Gloucestershire under the care of C.R. Ashbee. London: Edward Arnold 1904. <br/><br/>Limited to 200 copies on paper of which this is no. 96.<br/><br/>Folio 11 1/2 x 8 3/8 inches; 293 x 213 mm. iv 96 pp. Printed in 'Prayer Book' type in black and red. Woodcut frontispiece by C.R. Ashbee lettered in red.<br/><br/>Specially bound ca. 1925 by Marie-Louise H. Farge stamp-signed in gilt on front turn-in. Full maroon crushed levant morocco covers multi-bordered in blind and richly decorated in a fine gilt design front cover lettered in gilt. Smooth spine decorated and lettered in gilt wide decorative gilt turn-ins hand-made marbled endpapers top edge gilt others uncut. Housed in the original fleece-lined beveled-edge brown cloth slipcase. A very fine copy.<br/><br/>Prometheus Unbound is a four-act lyrical drama by Percy Bysshe Shelley first published in 1820. It is concerned with the torments of the Greek mythological figure Prometheus who defies the gods and gives fire to humanity for which he is subjected to eternal punishment and suffering at the hands of Zeus. It is inspired by the classical Prometheia a trilogy of plays attributed to Aeschylus. Shelley's play concerns Prometheus' release from captivity but unlike Aeschylus' version there is no reconciliation between Prometheus and Jupiter Zeus. Instead Jupiter is abandoned by his supportive elements and falls from power which allows Prometheus to be released. Shelley's play is a closet drama meaning it was not intended to be produced on the stage. In the tradition of Romantic poetry Shelley wrote for the imagination intending his play's stage to reside in the imaginations of his readers. However the play is filled with suspense mystery and other dramatic effects that make it in theory performable.<br/><br/>"On 11 March 1818 the Shelleys and Claire left England to take Claire's daughter Allegra to her father Byron who had taken up residence in Venice.He then began the long verse drama Prometheus Unbound a re-writing of the lost play by the ancient Greek poet Aeschylus which features talking mountains and a petulant spirit who overthrows Jupiter. The Shelleys moved between various Italian cities during these years; in later 1818 they were living in Florence in a pensione on the Via Valfonda. Shelley completed Prometheus Unbound in Rome and he spent mid-1819 writing a tragedy The Cenci in Leghorn Livorno." Wikipedia.<br/><br/>Charles Robert Ashbee 1863-1942 was a British architect and designer who was a prime mover of the Arts and Crafts movement that took its craft ethic from the works of John Ruskin and its co-operative structure from the socialism of William Morris. Ashbee set up his Guild and School of Handicraft in 1888 in London while a resident at Toynbee Hall one of the original settlements set up to alleviate inner city poverty in this case in the slums of Whitechapel. The fledgling venture was first housed in temporary space but by 1890 had workshops at Essex House Mile End Road in the East End with a retail outlet in the heart of the West End in fashionable Brook Street Mayfair more accessible to the Guild's patrons. The School closed in 1895 which Ashbee blamed on "the failure of the Technical Education Board of the L.C.C. to keep its word with the School Committee and the impossibility of carrying on costly educational work in the teeth of state aided competition." The following year the L.C.C. opened the Central School of Arts and Crafts. In 1902 the Guild moved to Chipping Campden in the picturesque Cotswolds of Gloucestershire where a sympathetic community provided local patrons but where the market for craftsman-designed furniture and metalwork was saturated by 1905. He was a member of the Order of Chaeronea a secret society founded by penal reformer and poet George Cecil Ives in 1897 for the cultivation of a homosexual ethos. To conceal his sexuality at a time when homosexuality was illegal Ashbee married the accomplished musician Janet Forbes in 1898 and had a rather progressive atypical marriage resulting in four daughters. The pair wrote a collaborative journal and Janet became a valued member of the Arts and Crafts community embracing the wider socialist concepts of the movement by setting up a craft cooperative with her husband. Ashbee also espoused the work of Edward Carpenter philosopher of the simple life and early gay rights campaigner who he considered his mentor. V & A. <br/><br/>Marie-Louise Farge fl. 1890-1939 was quoted first by Crauzat as a young woman bookbinder and then by Fléty in the Decorators and Bookbinders section as an amateur who participated in exhibitions between 1890 and 1939 so we can conclude that Marie-Louise Farge was already active from 1925. In a 1937 issue of the journal Arts et Métiers Graphique Alphonse-Jules Gonon former publisher and having become a bookbinder himself we learn that Madame Farge does everything in her studio from papers to gilding. Her style elegantly combines a certain fin-de-siècle archaism with a very modern sensibility that perfectly suits this "lyrical drama".<br/> <br/>Tomkinson. A Select Bibliography of the Principal Modern Presses. p. 75 Essex House Press # 43; Ransom Essex House Press #43; Franklin. The Private Presses p. 200. London: [Essex House Press] Edward Arnold , 1904 unknown books
1339456Boston MA: Thomas Y. Crowell & Company No Date. No Edition Given. Hardcover. Octavo 705 pages; VG; contemporary three-quarter binding of calf boards in marbled paper; spine paneled with gilt lettering and design; mild shelf wear and scuffing; chip missing from crown of spine; upper edge gilt; previous owner's bookplate at front paste down; marbled end papers; pages clean; shelved Front Case. Date presumed ca. 1839 from preface to second edition within. 1339456. Shelved Dupont Bookstore. Thomas Y. Crowell & Company hardcover books
18962263721Thomas Y. Crowell & Company 1896. Hard Cover. Very Good/No Jacket. Spine faded hinge beginning to weaken ink name and date on front flyleaf 'K.C. Bryant Malden Nov. 1896'. viii 705 3 pp. 8vo. No copyright date late 19th century circa 1896. A collection of poetry by the major figure in the English Romantic period close friend of fellow poet Lord Byron and husband to Mary Shelley the author of Frankenstein. Edited with an introduction by Edward Dowden and including the preface by Mary Shelley from the 1830 first collected edition the postscript from the 1839 second edition and the preface by Mary Shelley to the volume of posthumous poems published in 1824. Notes a list of Shelley's principal writings the order of poems and indices to the poems and their first lines follow text. Thomas Y. Crowell & Company hardcover books
1968WRCLIT47519Np: Reprinted from ELH A JOURNAL OF ENGLISH LITERARY HISTORY 35:4 1968. 566-590pp. Printed stapled self-wrappers. An author's separate retaining original pagination. With Chernaik's signed first name only presentation inscription to Frederick Pottle on the front wrapper. Very good. Reprinted from ELH, A JOURNAL OF ENGLISH LITERARY HISTORY, 35:4 unknown books
19096295<p>First edition. Thin octavo. Introduction by George Wyndham. Notes by Wilfred Meynell. Title page printed in red and black 1 facsimile. Index. 91 pages. Full gilt stamped Japan vellum t.e.g. uncut. Very good. Enclosed in a tan cloth chemise within a gilt stamped tan morocco over matching cloth slipcase. Printed at the Arden Press.</p> Burns & Oates hardcover books
19183758London: MacMillan and Co. 1918. Hardcover. Very Good. Half-leather and cloth binding. Rubbed along spine but internally fresh. An attractive edition of Shelley's poems. <br/><br/> MacMillan and Co. hardcover books
1937304901London Arthur H. Stockwell Limited ca. 1937. 1937. First edition. 8vo. Foreword by Shelley and a second foreword by William Ewart Gladstone. Dust jacket unclipped. Very good. 98 pages. Printed by Bishop & Sons Edinburgh. 1st Edition. Hardcover. Very Good/Very Good. London, Arthur H. Stockwell, Limited [ca. 1937]. hardcover books
191113147St. Louis: Privately Printed for William K. Bixby 1911. Limited edition of 250 copies. Quarter vellum over gray boards. Gilt titles. Tan slipcases. Edges and boards soiled more so on Volume I which is without a slipcase. Foxing to endpapers. All volumes tight especially volumes II & III which have never been opened. Overall a very good or better set of the less common edition. Slipcases are rubbed and a bit soiled. All volumes are now protected by clear archival jackets. Frontis xvi 209 pp.; vii 187 pp.; vii 179 pp. Illus. with b/w plates. 8vo. Bixby permitted the Bibliophile Society to publish a limited edition of 465 copies of the manuscript he had purchased from Richard Garnett of the British Museum. He reserved the right to print privately 250 copies for presentation purposes of which this is number 104 presented to the author Isaac H. Lionberger and inscribed and numbered by Bixby in the year of publication. Privately Printed for William K. Bixby hardcover books
192792262NY:: Columbia University Press Facsimile Text Society. Very Good. 1927. Hardcover. First printing of this facsimile reprint of the 1821 Pisa edition. Age toning and fading to cloth and paper covered boards else very good. Unopened pages. No dust jacket. . Columbia University Press (Facsimile Text Society), hardcover books
19487469London: Bodley Head. Very Good in Very Good dust jacket. 1948. Hardcover. Edited by W. S. Scott. First edition thus. Previous owner's name on front free endpaper else very good in a very good minor edge wear short closed tear at the top of the front panel snag on rear panel dust jacket. . Bodley Head hardcover books
14653182qslBoston: Printed for Members of The Bibliophile Society 1911. One of a Limited Edition of 465 printed at the De Vinne Press. Three volumes. Octavo 3/4 brown morocco & tan linen hardcover leather gilt-paneled spines top edges gilt uncut ribbon-markers xiv 209 pp vii 187 pp. vi 179 pp. Frontis. portrait facsimiles. Fine with the slightest wear. Printed for Members of The Bibliophile Society, 1911. One of a Limited Edition of 465 printed at the De Vinne Press. hardcover books
14653217bdBoston: The Bibliophile Society 1911. One of 465 printed at The DeVinne Press on Van Gelder paper. Set of three volumes. Octavo vellum-backed boards uncut xiv 209 pp vii 187 pp vi 179 pp. Near-Fine unopened; some light foxing here and there particularly to Volume I slip case of Volume I broken. The Bibliophile Society, 1911. One of 465 printed at The DeVinne Press on Van Gelder paper. hardcover books
1911Embry 140013The Bibliophile Society 1911. One of 565 copies. Some natural color variation to vellum spine else fine in custom mylar covers. Vellum backed gray boards. The Bibliophile Society, 1911. One of 565 copies. hardcover books
1951123070Small 4to. Florence Italy: The L-D Allen Press 1951. Small 4to 16 pp. printed in brown with floral decorations to every page. Original pink wrappers front cover titled in black. Edges slightly faded otherwise as new. § From the introduction: “This ode described as the most perfect of English lyrics illustrates Shelley’s superior gift of expression. In 1819 he also composed Prometheus Unbound cited as the most radiant of all Utopian visions and The Cenci greatest of the tragedies since Shakespeare. That these three poems each taking a supreme place among its own kind should have been produced by one man and in a single year of his life is one of the astonishing accomplishments of literary biography.†The L-D Allen Press unknown books
1927Embry 189969Oxford 1927. Spine sunned to green near fine to fine. Full blue crushed blue morocco spine elaborately gilt. Oxford, 1927. unknown books
19243216bdNew York: Brentano’s 1924. Two volumes printed at The Florence Press. 2 volumes. Octavo bound at Brentano’s in 3/4 red crushed levant & pink linen gilt-decorated spines with floral devices top edges gilt uncut marbled endpapers xi 412 pp xxvi 480 pp. Near-Fine a bit rubbing along joints and corners head of spine of Dramatic Poems shows some wear. Brentano’s, (1924). Two volumes, printed at The Florence Press. unknown books
197130712Cambridge: The Limited Editions Club 1971. 8vo 28 cm 11". xxvii 1 312 4 pp.; illus. <br><br>Handsome Limited Editions Club collection of Shelley's verse. Selected edited and introduced by => Stephen Spender for the British poets series the poems are here illustrated with wood engravings by Richard Shirley Smith in a volume designed by John Dreyfus and printed at the University Printing House in Cambridge using monotype Bembo on English wove paper. The binding is quarter maroon goatskin with terra-cotta linen sides the front cover bearing => a black oval medallion embossed with a portrait of the author matching the LEC's other British poets offerings and the spine a gilt-stamped title.<br>Â Â Â Â Numbered copy 1082 of 1500 printed this is => signed at the colophon by the illustrator. The appropriate LEC newsletter and prospectus are laid in. <br>Â Â Â Â <br>Â Â Â Â Bibliography of the Fine Books Published by the Limited Editions Club 443. Binding as above in original glassine wrapper and slipcase; wrapper with spine sunned and a few small edge chips slipcase with one small nick at upper edge and label lightly rubbed volume clean and fresh. A very nice copy. The Limited Editions Club unknown books
1847Embry 167867Edward Moxon 1847. Small green stain to lower leading edge of first few page in volume one minor cosmetic touch-up overall a fine and handsome set. One half green calf by Bayntun spine compartments with decorative rectangular surrounds and red title and volume labels. Edward Moxon, 1847. unknown books
18291092978vo. London: Printed for John Brooks 1829. 8vo xxxii 270 pp. and errata leaf at end. Full brown morocco covers ruled in blind and with gilt corner stamps backstrip with gilt titles and floral stamps in compartments gilt turn-ins marbled endpapers. Backstrip and corners lightly worn scattered foxing. Shelley bookplate of Buxton Forman. § Brooks edition with a new title page using the text of the first edition second issue with the fly-title correctly bound as d1 and the preface ending on p. xxi "The original quires and cancel leaves of the work fell into the hands of John Brooks who issued them in 1829 with a new title." Granniss/Grolier Shelley 46. This copy has the distinction of being from the collection of Buxton Forman the famous editor of Shelley and Keats and the infamous creator of literary forgeries in partnership with Thomas Wise. The poem was first published with the title "Laon and Cythna; or The Revolution of the Golden City: A Vision of the Nineteenth Century" in 1817. Mary Shelley wrote of it: “He chose for his hero a youth nourished in dreams of liberty some of whose actions are in direct opposition to the opinions of the world but who is animated throughout by an ardent love of virtue and a resolution to confer the boons of political and intellectual freedom on his fellow-creatures. He created for this youth a woman such as he delighted to imagine—full of enthusiasm for the same objects; and they both with will unvanquished and the deepest sense of the justice of their cause met adversity and death.†Printed for John Brooks unknown books
1951Embry 186142Modern Library 1951. Fine in near fine dust jacket in mylar cover. Modern Library, 1951. unknown books