403 résultats
196369120Hollywood: Emerson Review 1963. Winter. 68 pp. Toning along top edge and spine else near fine in stapled wrappers. Bukowski contributes three poems. Also work by Jack Gilbert Denise Levertov Gerard Malanga John Hawkes and many others. Hollywood: Emerson Review, unknown books
187095863London: E. Moxon Son & Co 1870. Finely bound example of the Poetical Works of Shelley. Octavo 2 volumes. Bound in full contemporary calf by Zaehnsdorf gilt titles and tooling to the spine morocco spine labels gilt ruled raised bands inner dentelles top edge gilt marbled endpapers. Frontispiece of Shelley to volume one. Folding facsimile manuscript of Shelley's writing to volume two. Carefully revised with notes and a memoir by William Michael Rossetti. In near fine condition. Percy Bysshe Shelley was one of the major English Romantic poets and is regarded as among the finest lyric poets in the English language and one of the most influential. A radical in his poetry as well as in his political and social views Shelley did not see fame during his lifetime but recognition for his poetry grew steadily following his death. Shelley was a key member of a close circle of visionary poets and writers that included Lord Byron Leigh Hunt Thomas Love Peacock and his own second wife Mary Shelley the author of Frankenstein. E. Moxon, Son, & Co hardcover books
1904122526Oxford: Clarendon Press 1904. Octavo bound in full crushed morocco Cosway-style binding by Bayntun-Riviere. Front and rear panels with single gilt filler border upper cover set with an oval miniature painting of Percy Bysshe Shelley spine in six compartments with five raised bands a decorative panel in the rest gilt tooling to the front and rear panels board edges gilt dotted turn-ins gilt doublures and free endpages of watered silk all edges gilt. Edited by Thomas Hutchinson. In fine condition. Percy Bysshe Shelley was one of the major English Romantic poets and is regarded as among the finest lyric poets in the English language and one of the most influential. A radical in his poetry as well as in his political and social views Shelley did not see fame during his lifetime but recognition for his poetry grew steadily following his death. Shelley was a key member of a close circle of visionary poets and writers that included Lord Byron Leigh Hunt Thomas Love Peacock and his own second wife Mary Shelley the author of Frankenstein. Cosway bindings named for renowned 19th-century English miniaturist Richard Cosway were popularized if not invented in the early 1900s by the renowned London bookselling firm of Henry Sotheran. The earliest Cosway bindings were created by Miss C.B. Currie who faithfully imitated Cosway's detailed watercolor style of portraiture from designs by J.H. Stonehouse Sotheran's manager. These delicate miniature paintings often on ivory were set into the covers or doublures of richly-tooled bindings and protected by a thin pane of glass. Clarendon Press hardcover books
1967149907N.p.: N.p. 1967. Vintage borderless reference photograph of director Carl Reiner and actors Jose Ferrer and Elaine May on the set of the 1967 film. Reiner's debut as a director and Elaine May's first feature film. <br/><br/>Based on the 1963 play which was in turn based on the semi-autobiographical novel by director Carl Reiner. Against the wishes of his parents a young working-class man dreams of becoming an actor but has little to offer the stage given his lack of experience and ability. <br/><br/>Set in New York. <br/><br/>10 x 8 inches. Near Fine. N.p. unknown books
1955150447Beverly Hills CA: United Artists 1955. Vintage reference studio still photograph of Charles Laughton being playful with child actor Cheryl Callaway on the set of the 1955 film. Cheryl Callaway played Mary one of the children living at the home of Rachel Cooper Lilian Gish.<br/><br/>Based on the 1953 novel by David Grubb. <br/><br/>Charles Laughton's only directorial credit with tremendous performances throughout led by a never-better Robert Mitchum and a resurgent Lillian Gish. Reviled upon its release but today considered one of the classic noir films of the 1950s. <br/><br/>8 x 10 inches. Very Good plus with light edgewear and faint creasing to margins bruise to lower right border just touching image.<br/><br/>National Film Registry. Criterion Collection 541. Ebert I. Godard Histoires du Cinema. Grant US. Penzler 101 Greatest Films of Mystery and Suspense. Rosenbaum 1000. Selby US Masterworks. Spicer US. Silver and Ward US. United Artists unknown books
1955137952Beverly Hills CA: United Artists 1955. Vintage candid photograph of Robert Mitchum sharing a moment with his wife Dorothy while on the set of "The Night of the Hunter." Dressed in costume as Harry Powell the image of a smiling relaxed Mitchum is incongruous with the severe terrifying nature of the character he played one of the most iconic villains in all film history. <br/><br/>8 x 10 inches. Very Good plus. Shallow vertical slice to the right side of the image. United Artists unknown books
1990197194New York: Visibilities. Susan T. Chasin 1990. Magazine. 26p. 8x11 inches illustrations and photos stapled pictorial wraps. magazine format. Dykes to Watch Out For cartoon on inner cover. Visibilities. Susan T. Chasin unknown books
1964149462London: Hammer Films 1964. Collection of four vintage borderless reference photographs taken on the set of the 1964 film. One with a printed mimeo snipe specific to the film's German release affixed to the verso noting the film's German title "Die brennenden Augen von Schloss Bartimore."<br/><br/>A small village in the early twentieth century is terrorized by Megaera the Gorgon a monster so hideous that even glancing at her face turns humans to stone.<br/><br/>Set in eastern Europe.<br/><br/>Two photographs 10 x 8 inches two photographs 9.25 x 7 inches. Very Good plus lightly faded in portions.<br/><br/>Complete collation details available on request.<br/><br/>Johnson and Del Vecchio Hammer Films: An Exhaustive Filmography pp. 241-242. Hammer Films unknown books
1994015562Tucson Arizona: Statistical Research Inc. Very Good. 1994. Softcover. Cream colored wraps with black lettering and color illustration on front. Two volume set including Volume 2 Part 1 and Part 2. Wraps have light soiling and wear to all edges; text block is clean. Numerous b&w illustrations throughout. ; Statistical Research Technical Series No. 28 ; 4to 11" - 13" tall . Statistical Research, Inc paperback books
W08I-01054Wildside Press. Used - Very Good. Very Good condition. Volume 3. A copy that may have a few cosmetic defects. May also contain a few markings such as an owner’s name short gifter’s inscription or light stamp. Wildside Press unknown books
19228006London: Richard Cobden-Sanderson 1922. First Edition. 1 vols. 8vo. Original blue cloth. Some rubbing. First Edition. 1 vols. 8vo. T.J. Cobden-Sanderson's Copy. Inscribed: "T.J. Cobden-Sanderson" and then in pencil "S. Fell from" Cobden's signature appears here. Richard Cobden-Sanderson unknown books
191224065Los Angeles: C.C. Parker 1912. First edition. Coburn Alvin Langdon. Quarto 9 1/2 x 13 inches. 31 p. on double leaves 6 leaves of plates. Number 21 of a planned but never completed edition of 60 copies signed by Coburn. The book contains six tipped-in original 7 x 5 inch platinum prints printed by Coburn. With the prospectus split on its fold laid in. Text printed in brown ink on french-folded sheets of Strathmore Japan paper. Original canvas backed boards paper label on front cover. Ends of spine worn boards scuffed and soiled the prints are in excellent condition. The only book of Coburn's illustrated with original prints. OCLC locates only five copies. Coburn arranged for publication of this book by the veteran Los Angeles bookseller at the time of his exhibition of 50 California photographs at the adjacent Blanchard Gallery. Coburn was an acknowledged master of the gum-platinum print technique of which he wrote "In the gum-platinum process the first step was to make a platinum print which could be either in the normal silver grey colour or toned to a rich brown by the addition of mercury to the developer. The finished print was then coated with a thin layer of gum-bichromate containing pigment of the desired colour. I found Vandyke brown especially suitable owing to its transparency and by having the underlying platinum print in the grey a very pleasant two-colour effect was produced. The bichromated print was replaced behind the original negative great care being taken to get it accurately in register. It was then re-exposed and developed in the usual way. It was in the nature of platinum prints that the shadows were somewhat weak; by superimposing a gum image they were intensified. The whole process added a lustre to the platinum base comparable to the application of varnish at the same time preserving the delicacy of the highlights in the platinum print." Coburn p. 18. Of this book Coburn wrote "The patterns of moving clouds and water are never the same from now to all eternity and these patterns are ever moving to our continual delight. I have made hundreds of photographs of clouds and never tire of them. Once I made a little book illustrating Shelley's Ode 'The Cloud' with six original platinum prints. Only sixty copies were to be printed and even all these were not made. I only know of one surviving copy in addition to my own so this is doubtless my rarest book!" Alvin Langdon Coburn Photographer. An Autobiography Dover 1978 p. 46. John Szarkowski wrote in "Looking at Photographs: 100 Pictures from the Collection of the Museum of Modern Art" New York: Museum of Modern Art 1973 "Clouds were a particularly good subject for an artist like Coburn who sought the broad poetic view of things. Granted that no two clouds are the same; nevertheless their meanings except to farmers and meteorologists were sufficiently imprecise and generalized to allow Coburn to use them as abstract visual elements. Coburn used the skies as children and poets use them and as Leonardo used stained old walls: as an analogue model of imaginary worlds" <br/><br/> C.C. Parker hardcover books
18291268602Paris: A. and W. Galignani 1829. First Edition. Hardcover. 8vo. 9.7 x 6 inches 225pp. 275pp. 75pp.; VG-; spine green faded to black with a printed paper tan label and black lettering publishers binding; sporadic foxing throughout; cracking on spine edges; engraved frontispiece with portraits of the three poets by J. T. Wedgewood printed on india paper and mounted onto a blank leaf.; 6 pp of publishers adverts half-title frontis title page publishers note leaf xi 1 225 1 xi 1 275 1 vii 1 75 pp.; text printed in double column; chipping and rubbing to the edges and spine head and tail of spine chipped corners peeling; shelved case 0. This volume constitutes the first collected edition of Keats and only the second collected works of Coleridge & Shelley although only volume 1 issued in 5 parts of the 1826 edition of Shelley's works was issued and the edition was not completed and contains works published here for the first time from all three poets. Each poets work is preceded by a short life of the author. The memoir of Keats is by Leigh Hunt. Although Keats' literary executor Charles Armitage Brown disliked Hunt's portrayal of his friend his own account of Keats life was not ready in time for this edition and would not see publication for another 108 years in 1937. He did however send some unpublished poems in his possession for inclusion in the volume. The memoir of Shelley was written by Mary Shelley who also helped the publication of this edition by allowing the publisher access to his papers. Although this volume was published by the Galignanis in Paris avoiding the British copyright and meaning no royalties would be due they did have the co-operation of family members and literary friends of all three poets when assembling this impressive volume.;. 1268602. Shelved Dupont Bookstore. A. and W. Galignani hardcover books
18803782London: Reeves and Turner 1880. First Thus. First edition edited by H. Buxton Forman. Together eight octavo volumes 214 x 136 mm. Uniformly bound by Bayntun Rivière of Bath stamp-signed in gilt on front turn-in in mid twentieth-century dark brown crushed levant morocco. Covers with gilt triple fillet border spines decoratively ruled and lettered in gilt in compartments with five raised bands board edges with gilt-dotted rule gilt inner dentelles marbled endpapers all edges gilt. Frontispieces and plates. A spectacular set. Volume I of The Poetical Works is set with a fine oval portrait miniature 81 x 62 mm of Shelley surrounded by an inner oval band of onlaid russet morocco within single gilt fillets and an outer decorative intertwining gilt border which is set with sixteen semi-precious stones. A superb example. From the library of William A. Foyle with his bookplate on front pastedown.<br/><br/>"It would be difficult indeed to over-estimate the gains which have accrued to the lovers of Shelley from the strenuous labours of Mr. Harry Buxton Forman C.B. He too has enlarged the body of Shelley's poetry Mr. Forman's most notable addition is the second part of The Daemon of the World which he printed privately in 1876 and included in his Library Edition of the Poetical Works published in the same year.but important as his editions undoubtedly are it may safely be affirmed that his services in this direction constitute the least part of what we owe him. He has vindicated the authenticity of the text in many places while in many others he has succeeded with the aid of manuscripts in restoring it. His untiring industry in research his wide bibliographical knowledge and experience above all his accuracy as invariable as it is minute have combined to make him in the words of Professor Dowden ‘our chief living authority on all that relates to Shelley's writings.' His name stands securely linked for all time to Shelley's by a long series of notable words including three successive editions 1876 1882 1892 of the Poems an edition of the Prose Remains as well as many minor publications—a Bibliography The Shelley Library 1886 and several Facsimile Reprints of the early issues edited for the Shelley Society" Oxford Edition of The Complete Poetical Works of Percy Bysshe Shelley.<br/><br/>Granniss 89. Reeves and Turner unknown books
2013UCULWHI00AFW.W. Norton 2013. Very Good. Cullen Kevin. Whitey Buldger. Murphy Shelley. NY: W.W. Norton 2013. 478pp. Indexed. Illustrated. 8vo. Hardcover. Book condition: Very good with lightly bumped extremities. Dust Jacket Condition: Very good with slightly bumped edges. W.W. Norton hardcover books
20061319212Dubuque: Kendall/Hunt Publishing Company 2006. Fourth edition. Softcover. Quarto; Fourth edition; G-; Paperback; Spine black with orange and yellow print; Cover has edgewear creasing at hinges light shelfwear small stain to front cover inside and outside; Text block has yellow highlighting throughout second half; x 294 pages illustrated b&w 1 CD. 1319212. FP New Rockville Stock. Kendall/Hunt Publishing Company unknown books
2004167156Santa Monica CA: Richard Heller Gallery 2004. First edition. Softcover. Exhibition catalog for a show that ran November 12 through December 18 2004. Includes numerous color illustrations. A near fine copy in wrappers with some very minor wear. Richard Heller Gallery unknown books
198310785Naples: Banco di Napoli. Fine in Fine dust jacket. 1983. Hardcover. Text is in English. Prefaced by Giancarlo Mazzacurati and Nicola Spinosa. Illustrated with 32 full-page plates many color - various artists. First edition thus. Tall folio 141 pages. Fine in a fine dust jacket housed in a fine slipcase. A handsomely produced volume. . Banco di Napoli hardcover books
201137322London: Michael O'Mara Books 2011. 1st edition thus. Hardback. A Nr Fine copy. 160 pp. 8vo. <br/><br/> Michael O'Mara Books hardcover books
199350673Firenze: Alinari 1993. First edition. Hardcover. Oblong 4to. 189 pp. fully illustrated with b&w and tinted photographs. Printed paper over boards with a photographically illustrated dust jacket. Fine. An exceptional catalogue of nineteenth century photographs of the American West; with chapters by William F. Stapp and George P. Horse Capture. <br/><br/> Alinari hardcover books
2017668432017. ISBN-13: 9781616193874. ISBN-10: 1616193875. Dowling Shelley L. Elbridge Thomas Gerry: An Exceptional Life in Gilded Gotham. xix 738 pp. 490 b&w illustrations. Clark NJ: Talbot Publishing an imprint of The Lawbook Exchange Ltd. 2017. ISBN-13: 978-1-61619-387-4. ISBN-10:1-61619-387-5. Hardcover. New. $95. Winner of the American Association of Law Libraries' 2017 Joseph L. Andrews Legal Literature Award. Elbridge T. Gerry 1837-1927 was a prominent and influential Gilded Age New York trial lawyer philanthropist and bibliophile whose 30000 volume library became the foundation of the United States Supreme Court Library. Grandson of Founding Father Elbridge Gerry who signed the Declaration of Independence Dowling's extensively illustrated biography of Gerry highlights the influence of his family and its links to other prominent New York families the Gallatins Goelets and Livingstons. This biography of Gerry is also the story of Gilded Age New York when the glamorous society balls that provided entertainment to wealthy New York families such as the Astors and Vanderbilts belied their philanthropic contributions in the Progressive era. Gerry built the first steam yacht the Electra which became the flagship of the New York Yacht Club while he also sat on hospital boards and founded the New York Society for the Prevention of Cruelty to Children which still operates today. As Dowling shows Gerry's brilliance and passion was at the heart of it all. With this book SHELLEY L. DOWLING has won the Joseph L. Andrews Legal Literature Award from the American Association of Law Libraries for the second time. In 2000 she won the award for Jurisprudence of United States Constitutional Interpretation 1999 revised 2010. Ms. Dowling received a Gilder Lehrman Fellowship 2012-2013 through the New York Historical Society to complete research for this book. She served as Director of the United States Supreme Court Library and was the Associate Librarian for Georgetown University and the University of Missouri-Kansas City. She retired to part-time work as the Senior Projects Librarian at the William and Mary School Law and has taught Legal Research and written book reviews throughout her career. She edits the annual compilation State of the Federal Judiciary: Annual Reports of the Chief Justice of the Supreme Court of the United States. unknown books
1999260281999. Dowling Shelley L. and Mary C. Custy. The Jurisprudence of United States Constitutional Intrepretation: An Annotated Bibliography. Buffalo NY: Fred B. Rothman Publications 1999. xvii 574pp. Cloth. New. $89.95. A comprehensive annotated bibliography identifies and describes more than 800 documentary collections treatises textbooks articles and electronic resources bearing on the U.S. Constitutional interpretation. Anyone studying Constitutional history will find this to be an invaluable work. unknown books
197643163Iowa City IA: University of Iowa 1976. First Edition. 8vo pp. xvi 107. Notes. Blue cloth stamped in gilt. A nice copy. Papers and records of a conference held by the National Historical Publications and Records Commission in April of 1975. University of Iowa unknown books
197632604Iowa City: Univ. of Iowa Libraries 1976. First edition. Cloth. A fine copy. No dust jacket. xvii 107 pp. 8vo. Gift card from Friends of the Libraries laid in loose. Univ. of Iowa Libraries hardcover books
194323092New York: Alfred A. Knopf. Very Good in Very Good dj. 1943. 3rd printing. Hardcover. a good sound copy a little shelfwear to bottom edge dust-darkening to top of text block; jacket shows a bit of wear at extremities tiny shallow chip at top of rear panel very slight paper loss at base of spine. Sprawling novel following "the varied fortunes of a gallery of men and women who form a cross-section of Parisian life" during the years from 1935 through the fall of Paris to the invading German army in May 1940. "The story ends with the debacle -- the collapse of the French army under the blows of the Wehrmacht the flight of the Government from Paris to Bordeaux and finally the formation of a new pro-fascist Government at Vichy." The Russian-born author a journalist since World War I had participated in the Bolshevik Revolution; he moved to France as a Soviet correspondence in 1921 and remained there until after it fell to the Germans. Originally published in Moscow in 1942 where it won the "Stalin Prize" for fiction; the American edition with a beautiful dust jacket designed by George Salter is surprisingly uncommon. . Alfred A. Knopf hardcover books