403 résultats
1966138768Hollywood: Paramount Pictures 1966. Vintage borderless photograph from the set of the 1966 UK film. Featuring a very relaxed Michael Caine laying across the laps of his four female costars Vivien Merchant Jane Asher Julia Foster and Shelly Winters between takes. Tipped-on snipe humorously describing Michael Caine's interest in the opposite sex on the verso. <br/><br/>Based on Naughton's 1966 play about a young man from the working classes of sexy swinging 1960s London Alfie Caine in his first starring role is a confident charming ladies' man whose appetites for sex are met in the fun-loving Ruby Winters. <br/><br/>Director Gilbert breaks the fourth wall in this film with Caine directly addressing the camera in attempt to gain sympathy from the audience a technique used again by Gilbert in "Shirley Valentine" 1989. Gilbert also addressed the then-taboo issues of pregnancy and abortion in an uncommonly candid style. <br/><br/>Set in London shot on location there and in Middlesex England. <br/><br/>7 x 9 inches. About Fine. Paramount Pictures unknown books
1966133573Hollywood: Paramount Pictures 1966. Two vintage black-and-white borderless still photographs from the 1966 UK film. Press photos with cropping annotations in the British style millimeters on the verso of one still and a stamp on the verso of the other still. <br/><br/>Based on Naughton's 1966 play about a young man from the working classes of sexy swinging 1960s London Alfie Caine in his first starring role who is a confident charming ladies' man whose appetites for sex are met in the fun-loving Ruby Winters. <br/><br/>Director Gilbert breaks the fourth wall in this film with Caine directly addressing the camera in attempt to gain sympathy from the audience a technique later used by Gilbert in "Shirley Valentine" 1989. Gilbert also addressed the then-taboo issues of pregnancy and abortion in candid style. <br/><br/>Set in London shot on location there and in Middlesex England. <br/><br/>8 x 10 inches borderless. About Near Fine. Paramount Pictures unknown books
197823158Farmingdale NY: Trans-High Corporation 1978. First Edition. Wraps. Very good -. 4to. Saddle-stapled photographic wraps. Covers edgeworn and scuffed; top staple of three insecurely attached. Pages toned. Very good minus. <br/><br/>Early issue of the magazine with an opinion piece by Andy Warhol "I don't know anyone who takes amphetamines anymore" a guide to punk London by Victor Bockris a feature on Willie Nelson a poem by Muhammad Ali Patti Smith on Pasolini and a selection of Lou Reed's poems from his then-unpublished collection ALL THE PRETTY PEOPLE. Note that while the cover and table of contents identify this as May '78 issue 33 the TOC verso small print reads "July 1978 No. 35. Trans-High Corporation paperback books
1993ULAZORI00AFCharles E. Tuttle 1993. Very Good. Lazar Shelley Faye. Oriental Collection. Boston: Charles E. Tuttle 1993. 96pp. Illustrated. 4to. Hardcover. Book condition: Very good. Dust Jacket Condition: Very good. Charles E. Tuttle hardcover books
2012168980Philadelphia: Philadelphia Museum of Art 2012. Paperback. New in shrinkwrap. Color-illustrated wraps with white and orange lettering. 82 pp. BW and color illustrations. Published on the occasion of the exhibition Full Spectrum: Prints from the Brandywine Workshop Philadelphia Museum of Art September 7-November 25 2012. Philadelphia Museum of Art paperback books
2002107519Cleveland Ohio: Cleveland Museum of Art 2002. Softcover. As new in shrinkwrap. Sepia illus. wraps; x 86 pp.; 22 bw and color plates; 43 bw figures. Text in English. From the exhibition of the same name held at the Cleveland Museum of Art from August 25 - October 27 2002. Includes bibliographical references. Cleveland Museum of Art paperback books
195721167London: Elek Books. Very Good in Very Good dj. 1957. 1st U.K. edition. Hardcover. price-clipped minor shelfwear spine a bit turned; jacket quite nice would rate Near Fine but for the somewhat clumsy price-clipping which removes just a tiny corner of the jacket flap text. Comic novel about "Fiérot Le Pou" get it a gangster who "had risen -- over forty years and via Sing Sing and Alcatraz -- to control PRA the largest criminal combine in France." Yep he's a big shot all right but he's also got a big problem: his only son Frankie despite being "born with a silver flick-knife in his fingers and with all the promise of a golden future as a killer" wants no part of the family business having designs on becoming a poet and a schoolmaster. His old man decides to break his spirit by sending him for "training" in Marseilles Palermo London and New York and Gallic hilarity ensues. Published in France in 1954 as "Le Gangster aux Etoiles." . Elek Books hardcover books
1960738851960. KEATS-SHELLEY MEMORIAL ASSOCIATION. KEATS-SHELLEY MEMORIAL ASSOCIATION BULLETIN later THE KEATS-SHELLEY REVIEW. Sheen Common Heslington York etc.: Keats-Shelley Memorial Association 1960-1995. A broken run of 33 issues as follows: No. XI 1960; No. XIV 1963 - No. XXXVI 1985; the name changes here as do the volume numbers and title: Keats-Shelley Review No. 1 Autumn 1986 - No. 9 Spring 1995. 8vo. wrappers illustrated. Some mild soiling to a few wraps but overall these set is fine internally and partially unopened in the earlier volumes. unknown books
1913305335London & New York: Macmillan & Co 1913. One of 50 copies on Fabriano hand-made paper. Illustrated. 2 vols. Folio. Publisher's printed wrappers. Covers stained and toned edges chipped. One of 50 copies on Fabriano hand-made paper. Illustrated. 2 vols. Folio. The only two issues published until the revival of the journal in the 1950s. Vol. I contains a catalogue of the library at the Keats-Shelley Memoiral. MacGillvray X5 Macmillan & Co unknown books
193747925Mount Vernon NY: Peter Pauper Press 1937. One of an edition limited to 50 copies this being #14. Hardcover. Very good/No jacket issued. Mount Vernon NY: Peter Pauper Press 1937. One of an edition limited to 50 copies this being #14. 52 pp. Hardcover. Small 8vo. Dark red Leather. Gilt title label to spine and gilt decorative device to front board. Very lightly bumped to head heel and corners; else no other noticeable damage or flaws; interior tight clean and bright; a very nice copy. Very good/No jacket issued. Peter Pauper Press hardcover books
19023497London: Hacon and Ricketts The Vale Press 1902. First editions thus. First editions thus. Tall 8vo. Two separate titles five total volumes two Keats three Shelley. A superb set of both Vale Press titles sold here together since bound similar and obviously stored safely together by the same owner as all five volumes in fine condition. Bound in publisher's original beige smooth buckram cloth. Borders initials and decorations including a full-page decorative title in each volume of the Shelley and double-page title spread in the Keats by Charles Ricketts. Spine as near to original hue as ever seen. Browning to prelims in the Keats but no browning in the three Shelley volumes amazingly. Shelley all three volumes unopened.The finest set of all five we have ever seen and thus selling as a unit. Hacon and Ricketts, The Vale Press unknown books
1904Embry 114140Virtue & Company London and Boston: 1904. One volume with minor insect damage to rear joint and panel volume two of the Keats set with inner hinges cracked labels lightly toned and occasionally rubbed overall very good to near fine. Gray/blue cloth with paper title labels. Virtue & Company, London and Boston: 1904. hardcover books
1992WRCLIT44231New Rochelle NY: James L. Weil 1992. Sewn printed wrappers. Fine. First edition. One of fifty copies for private distribution designed by Martino Mardersteig and printed on Magnani Rag paper at the Stamperia Valdonega. The results of a sonnet writing contest among Keats Leigh Hunt and Shelley with a prefatory note by Richard Woodhouse. James L. Weil unknown books
1996256456Berkeley: Walden Foundation 1996. Paperback. 88p. wraps 5.5x8.5 inches very good condition. Collection of writings on the alternative school and interviews with its founders. The school was founded in 1958 by a group of pacifists and draft resisters many of whom had been involved in groups such as the War Resisters League and the Fellowship of Reconciliation. Not found in OCLC as of 9/2020. Walden Foundation paperback books
1954130946Universal City CA: Universal Pictures 1954. Post-production Continuity and Dialogue script for the 1954 film noir. <br/><br/>White brad-bound titled wrappers dated March 16 1954. Mimeograph duplication. Near Fine top leaf Very Good plus. <br/><br/>Grant US. Selby US. Spicer US. Universal Pictures unknown books
199048515NY: Vantage Press 1990. Hardcover. Very good. 18pp. Very good hardback in a very good dustjacket. Inscribed and signed by Jones to author Terry Kay on the front free endpaper. <br/><br/> Vantage Press hardcover books
1963134888Hollywood: Paramount Pictures 1963. Revised Final White script for the 1963 film. Copy belonging to a crew member presumed with annotations in holograph ink and pencil on both sides of the first page. <br/><br/>Based on a screenplay by Jacqueline "Jay" Presson Allen a romantic comedy about unsuccessful writer Bill Austin Johnson who lives in New York with his wife Bertie Leigh. Their lives change dramatically when Bill's first novel becomes a bestseller and he persuades Bertie to quit her job and move to the suburbs. Bill begins working long hours on Broadway adapting his novel for the theater and he spends more and more time with his attractive agent Lucinda Ford Hyer. Bertie is suspicious and begins courting actor Gar Aldrich Jeremy Slate. <br/> <br/>Set in New York shot on location in California. Edith Head was nominated for an Oscar for her costume designs. <br/><br/>Playwright and screenwriter Jay Allen was living in New York when she wrote the screenplay performing on radio and in cabaret both of which she loathed so much that she tried to get fired from nearly every production. After a long period of writer's block she started writing again and sold some of her work to live television programs like "The Philco Television Playhouse." When she married Lewis M. Allen in 1955 they moved to the countryside where Allen had a baby and spent two and a half "absolutely wonderful years in the country."<br/><br/>Eventually the couple came back to the city to work. Allen drew on her married life and wrote "The First Wife" a witty script about a suburban working couple. When Allen read Muriel Spark's "The Prime of Miss Jean Brodie" she instantly saw the books potential for stage adaptation. After undergoing hypnotherapy to alleviate another bout of writer's block Allen produced a draft of the play in three days. <br/><br/>Allen's notable film credits as screenwriter include "Marnie" 1964 "The Prime of Miss Jean Brodie" 1969 "Cabaret" 1972 "A Star Is Born" 1976 "Deathtrap" and "The Verdict" both 1982 and "Lord of the Flies" 1990. <br/><br/>Self wrappers noted as REVISED FINAL WHITE SCRIPT on the front wrapper rubber-stamped copy No. 107 and production No. 10228 dated February 1 1963 with a credit for screenwriter Anhalt. Title page integral with front wrapper. 160 leaves with last page of text numbered 158. Mimeograph on eye-rest green stock dated 2/1/63 and 2/4/63. Pages Near Fine bound with two silver brads. Paramount Pictures unknown books
1960148524London: Hammer Film Productions 1960. Draft script for the 1961 Hammer film with name of editor John Pomeroy written in holograph ink and struck over with holograph pencil with copy No. 51 noted in holograph pencil all at the top margin of the front wrapper. Three pages of the script have annotations in holograph ink highlighting a section of dialogue and action.<br/><br/>House cat Tabitha witnesses the brutal murder of her mistress and becomes a ferocious killer seeking revenge.<br/><br/>Red untitled wrappers with die-cut title window in the British style. Title page present. 106 leaves with last page of text numbered 105. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three flat metal brads.<br/><br/>Johnson and Del Vecchio Hammer Films: An Exhaustive Filmography pp. 203-205. Hammer Film Productions unknown books
1979150583Los Angeles: Dick Clark Productions 1979. Final Shooting script for the 1978 television film which aired on ABC on February 11 1979. Annotation of copy number "147" in holograph marker on top right of title page.<br/><br/>One of three television films made by noted film director John Carpenter. Carpenter began working on "Elvis" after wrapping up his 1978 quintessential horror slasher "Halloween" offering him a chance to try his hand at a dramatic biopic. It was the first time Carpenter had worked with Kurt Russell who would become a frequent collaborator starring in Carpenter's "Escape from New York" 1981 "The Thing" 1982 "Big Trouble in Little China" 1986 and "Escape from L.A." 1996.<br/><br/>The television biopic follows the trajectory of Elvis Presley's career from his impoverished childhood to his sudden and unprecedented rise as a Rock and Roll icon to his years as a Las Vegas sensation. Featuring an outstanding performance by Russell as The King.<br/><br/>Nominated for a Golden Globe for Best Television Motion Picture and nominated for three Emmy Awards including Best Actor in a Miniseries or Movie for Russell.<br/><br/>Dark blue titled wrappers. Title page present dated 10/16/78 noted as FINAL SHOOTING SCRIPT with credits for screenwriter Anthony Lawrence. 146 leaves with last page of text numbered 144. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads. Dick Clark Productions unknown books
1970152335N.p.: N.p. 1970. Vintage reference photograph from the 1970 film showing actor Marty Feldman as a satyr gleefully reading a salacious paperback novel. <br/><br/>An ad man is tasked with creating a new sexy image for a frozen porridge brand. A satirical farce directly ridiculing British conservative activist Mary Whitehouse who in 1970 was staging a war on gratuitous sex in advertising and many other fields of British life. <br/><br/>Shot on location in London and Surrey. <br/><br/>8 x 10 inches. Very Good lightly wavy and edgeworn with light soil to the bottom left corner. N.p. unknown books
1952151256Los Angeles: Twentieth Century-Fox 1952. Vintage studio still photograph from the 1952 film showing actress Shelly Winters. <br/><br/>From the archive of film historian and author Joel Finler.<br/><br/>While waiting for a delayed flight from Chicago to Los Angeles a lawyer meets three fellow travelers all of whom have painful conversations waiting for them in California. The plane crashes and the lawyer is one of the few survivors compelling him to contact the families of the three travelers he met before their untimely deaths. <br/><br/>Set in Chicago and Los Angeles. <br/><br/>8 x 10 inches. Very Good plus with a short closed tear at the bottom edge. Twentieth Century-Fox unknown books
1952149876Los Angeles: Twentieth Century-Fox 1952. Vintage reference photograph of director Jean Negulesco and actress Beatrice Straight on the set of the 1952 film. With a printed mimeo snipe affixed to the verso along with holograph annotations regarding layout.<br/><br/>While waiting for a delayed flight from Chicago to Los Angeles a lawyer meets three fellow travelers all of whom have painful conversations waiting for them in California. The plane crashes and the lawyer is one of the few survivors compelling him to contact the families of the three travelers he met before their untimely deaths. <br/><br/>Set in Chicago and Los Angeles. <br/><br/>8 x 10 inches with a wide top margin. Very Good plus with light edgewear. Twentieth Century-Fox unknown books
197320101ENew York: Avon 1973. First Edition. Paperback Original. Near fine with minor creases to the outer corners of the rear cover in printed wrappers. The complete teleplay of the television movie Frankenstein: The True Story starring James Mason Leonard Whiting as Dr. Frankenstein Michael Sarazin as the creature David McCallum Jane Seymour and Agnes Moorehead. Avon paperback books
1985KC15871San Francisco 1985. Hardcover. Near Fine. Signed dated and numbered limited edition of 90 copies by the artist 90/90 / Shelley Hoyt / 1985. A beautifully design and produced letterpress book with beige boards and folded accordion style. No text with typographic illustrations printed on one side and glued to the ends of two separate boards. Curiously this copy includes a Victorian postcard Bonne Annee inserted in the book with two clear self-adhesive photo corners. 10x5.5 A unique copy from book artist Shelley Hoyt who co-founded with Peter Koch the Black Stone Press in 1974. Fine. <br/><br/> hardcover books
1992127640Long Beach CA: FHP Hippodrome Gallery 1992. First edition. Leporello style book. Published in the occasion of an exhibition that ran December 10 1992 through January 30 1993. Beautifully printed at the Visual Studies Workship. A collaborative book with contributions by Hoyt King Lyons and Robinson. A fine copy in a near fine plastic bag as issued. A very attractive production. FHP Hippodrome Gallery unknown books
