381 résultats
1848180042Aldine House 1848. Hardcover. Used - Good. Blue covers with gilt stamping and deckled edged pages. Light edgewear/scuffing to covers yellowing to book block tissue pages between illustrations present binding loosening in places but intact. Aldine House hardcover
1898923Q20London: Aldine house 1898 . Cloth. Very Good Indeed. 8.5" by 6". Laurence Housman. The first thus of Percy Bysshe Shelley's romantic dreamlike poem containing the striking Art Nouveau illustrations by Laurence Housman. The first Housman edition being the first thus to contain illustrations by Laurence Housman.Bound in the publisher's original decorative cloth. Wonderfully illustrated throughout by Laurence Housman a leading book illustrator in the 1890s who was known for his marvellous Art Nouveau wood engravings such as these. Housman studied art in London and was a prolific and popular illustrator during the first few years of his career before focusing more on writing. Illustrated with eleven plates and a frontispiece. Collated complete.First published in 1820 'The Sensitive Plant' explores nature art and the human psyche. Written by Percy Bysshe Shelley this romantic poem comments on society's' view of perfection and humankind's place in the universe. Bound in the publisher's cloth. Externally excellent with light rubbing to the extremities and minor bumping to the spine. Light spots to endpapers and fore edge. Internally frontispiece and plate to page 20 are working loose and may detach. Otherwise firmly bound. Pages are bright with very light spotting to the first and last few pages. Glue residue adhered to the margin of plates to page 40 46 and 48. Very Good Indeed Aldine house hardcover
18981779453449DPBAldine House 1898. Hardcover. Acceptable. 1898. First Edition Thus. 60 pages. No dust jacket. Blue cloth with gilt lettering and ornate design to front board. Bevelled edges. The 1st edition to contain superb B&W Art Nouveau plates by Laurence Housman: all of these are present. Top edge gilt. Other edges deckled. Edited by Ernest Rhys. Pages and plates have slight foxing tanning thumbing. Gutters cracked: exposed netting in several places. Recent pen inscription to 2nd blank leaf. Frontis is missing its tissue guard. One plate and several tissue guards loose. Varying tanning and creasing to plates and tissue guards. Some slightly creased corners. Boards have some edge wear with mild bumping and fraying to corners while spine ends are moderately crushed and rubbed. Small split to head of spine. Slightly scratched rubbed and marked overall. Minor droplet marks and uneven sunning more so to spine which is also a tad bubbled. Book has a moderate forward lean. Gilt is fairly bright on the front but dulled on the spine. Aldine House hardcover
1899058627New York/London: E.P. Dutton/J.M. Dent 1899. Hardcover. Very Good/No Jacket. 8vo - over 7¾" - 9¾" tall. Housman Laurence. 60pp.; HB gray w/gilt-beveled edges; rubbed&soiled w/wear on edges&corners; sml.stainbk.cover; hinge cracked; cleantight pgs. Part of 'The Illustrated English Poems' edited by Ernest Rhys. illus. <br/> <br/> E.P. Dutton/J.M. Dent hardcover
189838501-A-67676London: Aldine House 1898. Cloth. 60 pp. plus plates. -Cover scratched along edges endpaper foxed name written on inside cover. Aldine House hardcover
1830314911London: Saunders and Otley 1830. Second edition. 3 vols. 8vo. Near contemporary half-calf and marbled boards. Covers detached spines perished. Second edition. 3 vols. 8vo. From the library of Sir Percy Florence Shelley 1819-1889 the only surviving child of Percy and Mary Shelley. Sir Percy who inherited the family baronetcy in 1844 on the death of his grandfather also inherited his father's papers on the death of Mary Shelley; he and his wife Jane Lady Shelley created at Boscombe Manor something of a shrine to the poet's memory and had much to do with shaping the Victorian cult and myth of Shelley. Margaret Shelley 1801-1887 who owned this copy prior to her nephew was one of the poet's four younger sisters. The book combines two novels by Griffin issued together for this second edition the year after their first appearance. Provenance: Margaret Shelley ownership signature to titles dated 1839; Percy Florence Shelley bookplate in each volume Saunders and Otley unknown
1829ST17129-039London: Printed for John Brooks 1829. 229 x 152 mm. 9 x 6". xxxii 1 leaf section title 270 2 pp. without the initial blank. <br/> LUXURIOUS OLIVE GREEN MOROCCO VIGOROUSLY AND SPLENDIDLY GILT BY ZAEHNSDORF stamp-signed on front doublure and with the firm's oval exhibition stamp on rear endleaf covers framed by multiple plain and decorative rules and garlands of palm and olive branches large central panel densely tooled with 13 horizontal rows of either four or five elegant floral sprigs of various shapes some within flower-framed ovals others on a stippled background; flat spine gilt in similar fashion gilt titling TAN MOROCCO DOUBLURES with intricate central gilt arabesque on a field semé with gilt dots and daggers tan morocco endleaves with gilt border top edge gilt and beautifully gauffered to match the floral design on the covers. From the collection of Cornelius J. Hauck though apparently with his bookplate removed. Granniss 45. Spine sunned toward brown a ubiquitous problem with green morocco very slight rubbing to joints top inch of rear joint a little more significantly so front flyleaf with small closed tear at fore edge title page with small mended half-inch tear in the same place but a very desirable copy nonetheless the text clean and pleasing and the riotously embellished binding almost flaming with gold.<br/> <br/> With distinguished provenance this is a glittering exhibition binding that makes a memorable display with its fine and dense pointillé ground its exquisitely gauffered top edge and its especially refined floral and leafy ornamentation being particularly notable. A spiritual odyssey of lovers divided and seeking reunion "The Revolt of Islam" is Shelley's longest work despite its title the poem has little if anything to do with Islam though religion is generally addressed. The work was issued late in 1817 as "Laon and Cythna" but certain passages of that piece disturbed the publisher who demanded that they be changed or removed. Shelley reluctantly agreed and his alterations included the substitution of the present title. We have the Brooks edition with a new title page using the text of the first edition second issue with the fly title correctly bound as d1 and the preface ending on p. xxi. As Granniss indicates "the original quires and cancel leaves of the work fell into the hands of John Brooks who issued them in 1829 with a new title." Our volume comes from the illustrious collection of Cincinnati businessman arborist and philanthropist Cornelius J. Hauck 1893-1967 whose fortune was made in the family brewery; the auction of his library at Christie's in 2006 totaled more than $12.4 million this item was lot #593 selling for $3360. Printed for John Brooks unknown
1818372516London: Printed for C. and J. Ollier 1818. First edition first issue with title page dated 1817 of the revised text of "Laon and Cythna" with the cancels and new title leaf d1 bearing the Pindar quote and "Revolt of Islam" title. Pp. ii v-xxxii 2 270 1 errata. Without blank b2 as usual. 1 vols. 8vo. Original boards printed paper spine label. Bookplate of Frederick Locker. Recased. Full morocco slipcase cloth chemise. First edition first issue with title page dated 1817 of the revised text of "Laon and Cythna" with the cancels and new title leaf d1 bearing the Pindar quote and "Revolt of Islam" title. Pp. ii v-xxxii 2 270 1 errata. Without blank b2 as usual. 1 vols. 8vo. "Submitting to the pressure brought to bear upon him by his publisher Charles Ollier Shelley made serious alterations in his text and by doing so severed the relationship of brother and sister which in the original version had existed between the hero and heroine" - Wise<br /> <br /> Locker had a copy of the unrevised Laon and Cythna as well as this volume. Granniss 43-44; Ashley 5:68; Wise A Shelley Library p. 49; Rowfant Library Printed for C. and J. Ollier unknown
1818163729London: for C. and J. Ollier 1818. Fear not the future weep not for the past First edition revised issue with new title and cancels and the 1818 date as usual. This is a very nice copy of Shelley's poem dedicated to Mary Shelley with the errata leaf at the rear. In 1817 the publishers C. and J. Ollier agreed to publish Shelley's long poem Laon and Cythna. Shelley's new father-in-law William Godwin recommended a master printer for the job Buchanan Millan who made minor alterations to the text without consulting the poet. Shelley wrote to the Olliers complaining about these liberties whereupon the Olliers read the work for the first time and realised what they had agreed to publish. In the original version the titular lovers were brother and sister. London was alive with gossip about Shelley living with both Mary Godwin and her half-sister Claire Clairmont and in contemporary usage such a ménage was termed incest St Clair p. 432. Shelley therefore made alterations removing any hint of incest and gave the book a new title The Revolt of Islam by which it is still known. The book is made up from original sheets of Laon and Cythna with 26 cancelled leaves and a new title leaf. A few copies were issued with the title misdated 1817; this is the second issue as usual with the correct date. Octavo 223 x 144 mm. Early 20th-century red crushed morocco spine with five raised bands lettered and decorated in gilt turn-ins richly gilt blue endpapers top edge gilt others trimmed. Binding a little rubbed a couple of corners lightly worn short closed tear to title page skilfully repaired a few small marginal stains to contents otherwise clean internally. A very good copy. Ashley V pp. 67-8; Forman Shelley 50; Granniss 44; Tinker 1895. William St Clair The Godwins and the Shelleys: A Biography of a Family 1991. hardcover
181834239London: Printed for C. and J. Ollier 1818. First edition revised issue of "Laon and Cythna" with the cancels and new title this copy with the 1818 date. With leaf d1 bearing the Pindar quote and "Revolt of Islam" title lacking blank b2 as usual and the errata leaf at end. Pp. ii v-xxxii 2 270 errata. 1 vols. 8vo. Contemporary half black morocco marbled boards. Some rubbing upper joint starting some offsetting and spotting else very good from the library of James Lorimer Graham with his bookplate. First edition revised issue of "Laon and Cythna" with the cancels and new title this copy with the 1818 date. With leaf d1 bearing the Pindar quote and "Revolt of Islam" title lacking blank b2 as usual and the errata leaf at end. Pp. ii v-xxxii 2 270 errata. 1 vols. 8vo. James Lorimer Graham was the fourth Duke and seventh Marquis of Montrose. At this time he was the Marquis of Graham. He was a statesman serving as privy councillor a commissioner of the India board lord steward of the queen's household chancellor of the duchy of Lancaster postmaster-general where he was involved in several important changes including the Electric Telegraphs Bill which put the telegraphic communication system in the hands of the post office and also Chancellor of the University of Glasgow. Granniss 43-44; Ashley 5:68 Printed for C. and J. Ollier unknown
18187950<p>This is a volume of the publication "The Quarterly Review" that contains a rare early possibly the first book review of the classic horror tale "FRANKENSTEIN or The Modern Prometheus" by Mary Shelley. 1818; John Murray; London. Volume XVIII comprised of the October 1817 and January 1818 issues. This review was published in January 1818 - the same month as the January 1818 first publication of Frankenstein. The book title is also listed within the table of contents at the front of the January issue and in the Index at the back of the volume. The rather scathing review spans seven pages and was written by John Wilson Croker - he writes "Our readers will guess from this summary what a tissue of horrible and disgusting absurdity this work presents" and ponders "whether the head or the heart of the author be the most diseased." The "New Publications" section within the October issue contains a notice for new JANE AUSTEN works: "Northanger Abbey a Romance; and Persuasion a Novel. By the Author of Pride and Prejudice Mansfield Park &c. with a Biographical Notice of the Author." Note: This volume contains two separate issues - October 1817 No. XXXV and January 1818 No. XXXVI.however the title page at the beginning of the volume curiously states "May" 1818 and not "January" 1818.<br /><br />Condition:<br />There are splits at the corners of the spine though both covers are firmly attached. The corners of the back cover are worn. Tight binding with no loose pages. Nice interior - the pages are mostly clean with only some mild foxing to the first 10 or so and the last 10 or so pages; pages 65-71 have a small light stain at the top edge. Old bookplate affixed to the front pastedown. Overall the book is in Good condition.</p> John Murray hardcover
18186965This is a volume of the publication "The Quarterly Review" that contains a rare early possibly the first book review of the classic horror tale "FRANKENSTEIN or The Modern Prometheus" by Mary Shelley. 1818; John Murray; London. Volume XVIII comprised of the October 1817 and January 1818 issues. This review was published in January 1818 - the same month as the January 1818 first publication of Frankenstein. The book title is also listed within the table of contents at the front of the January issue and in the Index at the back of the volume. The rather scathing review spans seven pages and was written by John Wilson Croker - he writes "Our readers will guess from this summary what a tissue of horrible and disgusting absurdity this work presents" and ponders "whether the head or the heart of the author be the most diseased." Note: This volume contains two separate issues - October 1817 No. XXXV and January 1818 No. XXXVI.however the title page at the beginning of the volume states "May" 1818 and not "January" 1818.Condition:Some fading to the marbled paper over the boards; worn/rounded corners. The gilt on the spine has partially faded. There are splits along the left and right edges of the spine where it meets the covers resulting in the front cover being shaky though the back cover is firmly in place. Nice interior - the pages are mostly clean with occasional light foxing though heavier on the first few and last few pages. Light musty odor. Some shelf wear along the edges of the boards. Page 1 has a name written in old handwriting in the outer margin. Overall the book is in Good- condition. John Murray hardcover
1880tr005.069GB: Reeves & Turner 1880. AN EX LIBRARY SET WITH TYPICAL LIBRARY MARKINGS. Recently badly stored with minor binding faults and smelling a little musty. In the scarce original cloth and probably worth restoring. SOLD AS IS as a reading set. Inspection invited. SPECIAL POSTAGE RATES APPLY GB £8. Packed weight 3900g. . 1st Edition. Hardback. Good/No Dw. Reeves & Turner Hardcover
1880310723London: Reeves and Turner 1880. hardcover. near fine. Edited by Buxton Forman. 4 volumes tall thick 8vo gilt doublures full red French levant red silk end papers top edges gilt bound by Zaehnsdorf One hinge slightly dry. Portrait and facsimilies. London: Reeves and Turner 1880. Near Fine.<br/> <br/> Previous owner's name on fly-leaf.<br/> <br/> Reeves and Turner unknown
1880016062London: Reeves and Turner. Volumes 2 3 and 4 only. Original blue decorated cloth. Attractive gilt designs on covers. Spines sunned to brown wear at head of spines previous owner's names in ink and interesting bookplates in all three volumes internals very nice Volumes 2 and 3 still unopened Good Plus. . Good. Hardcover. 1880. Reeves and Turner hardcover
188813507London Piccadilly: Chatto and Windus. Very Good. 1888. Limited edition of 100 numbered copies. Hardcover. Volume 1: Large Paper Edition limited to 100 Copies of which this is No. 82. Original maroon cloth hardback with shelf wear in accordance with age some scuffing and minor soiling blotches to back board but overall reasonably clean. Front endpaper missing browning to preliminary title page limited edition printed opposite the title page 428 pages. The book begins with Zastrozzi A Romance by P. B. S. Orginally published in 1810. ; Vol. 1; Large 8vo 9" - 10" tall; 428 pages . Chatto and Windus hardcover
19006430New York and London: Chiswick Press and Charles Whittingham and Co 1900. Later edition. Near Fine. A nearly Fine copy. Five small octavo volumes 6 1/2 x 4 inches; 165 x 102 mm. iii-lxvi 1-203 1 blank; vi 1-294 1 printers device 1 blank; iii-xii 1-380; iii-x; 1-345 1 printers device; iii-xiv 1-366 1 printers device 1 blank pp. Title-pages printed in black and red. With a memoir at the beginning of volume one. The last volume contains an index of first lines and a general index. Extra-illustrated by the insertion of twenty-six engraved plates including eight hand-colored. Handsomely bound almost certainly by The Harcourt Bindery ca. 1900 in full red morocco covers with double gilt border with fancy corner-pieces enclosing a spray of flowers elaborately stamped in gilt and with green morocco leaf inlays and buff morocco inlaid flowers. Spines with four raised bands decoratively tooled and lettered in gilt in compartments and with three olive green morocco flower inlays. Highly decorative gilt turn-ins surrounding an oval panel of green morocco decorated in gilt with a large central gilt flower with inlaid red morocco flower head green moire silk end-leaves all edges gilt. Minimal rubbing and repairs to the outer joints otherwise fine. Although unsigned the binding is almost certainly by The Harcourt Bindery.<br /> <br /> An exquisitely bound collection that celebrates the talents of Percy Bysshe Shelley 1792-1822 one of the most significant Romantic poets in the English language. Husband to Mary Shelley the author of Frankenstein and friend of Lord Byron Shelley moved in a radical literary circle and died a tragic early death. From sonnet to epics he is celebrated for his moving philosophical verse such as famous poems Queen Maub Ozymandias Mont Blanc Ode to the West Wind or Prometheus Unbound. Since 1900 The Harcourt Bindery of Boston has made fine cloth and leather art bindings by hand and it remains the largest for-profit hand bookbindery in the U.S. When it was founded in 1900 Boston was home to over 47 book binderies and 1452 craftsmen Harcourt Bindery. Since its founding the binder has weathered the Depression WWII and changing hands three times between 1927 and 1931. Not only does the Harcourt Bindery offer professional services but it also offers educational courses to keep the arts of hand binding and book making alive. Near Fine. Chiswick Press and Charles Whittingham and Co unknown