Andersen hans christian

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"ANDERSEN, H.C.Livre Rare Book

Digte. - [FIRST PRINTING OF ANDERSEN'S FIRST FAIRY TALE]

DULAC Edmund illustrator; ANDERSEN Hans ChristianABAA

Stories from Hans Andersen

01776London: Hodder and Stoughton 1911. One of 100 Copies Printed on Japanese Vellum Signed by Edmund Dulac A Unique Copy In a Handsome Unrecorded Variant Binding DULAC Edmund illustrator. ANDERSEN Hans Christian. Stories from Hans Andersen. With Illustrations by Edmund Dulac. London: Hodder & Stoughton 1911. Edition de Luxe limited to 100 numbered copies printed on Japanese Vellum and signed by the artist this copy being no. 20. Large quarto 12 1/8 x 9 3/4 inches; 309 x 249 mm. viii 250 2 pp. Mounted color frontispiece with descriptive tissue guard printed in black and twenty-seven mounted color plates included in pagination. Plates framed with thick pale green line border and accompanied by guard leaves printed in pale green with stylized pineapples on the recto and border of snowflakes above descriptive caption on the verso. Text pages with pale green snowflake borders at top and bottom. All leaves framed with double pale green lines. Original dark chocolate brown pigskin pictorially stamped with three-peacock design and lettered in gilt on front cover and spine with Hodder & Stoughton gilt-stamped at spine foot. Top edge gilt others uncut. Endpapers printed in pale green with repeated design of stylized peacocks. A stunning copy unique and arguably the finest copy of the De Luxe Edition. The binding and endpapers do not conform to Hughey's description and appear to be unique to this handsome copy. As she notes the pigskin binding "brandy colour" not dark chocolate-brown as here should only have two thin gilt rules as frame gilt lettering date 1911 on spine and white endpapers not illustrated as here and in the trade edition. We contacted her for insight. Having seen only two copies of the Edition De Luxe William Randolph Hearst's and another viewed at a Washington book fair she reports: "So where does your copy fit in And when was it bound I tend to think it was done close to original printing time November 1911. There were a lot of oddball copies done then.The title was sold very quickly - all sold by December 1911. The fact that your endpapers are paper available at the time to the trade edition tends to date it.It is possible that someone or firm had this done for your copy #20. Your copy's binding design on front cover is clearly an adaptation of the endpapers but I do not think by Dulac as it does not appear in any of his other editions of Hans Andersen's work. Someone may not have liked the plain cover." If that's the case we'd like to thank them. This special copy is the better for it. Hughey 27. London: Hodder and Stoughton, 1911 unknown books

David Brass Rare Books, Inc. · États-Unis3 800,00 $US≈ 3 215,18 €

Dulac, Edmund (illustrator); Hans Christian AndersenBiblio.com

Stories from Hans Andersen Signed limited edition

19116271London: Hodder & Stoughton 1911. First thus. Fine. Edition Deluxe no. 20 of 100 numbered copies printed on Japanese Vellum and signed by the artist. A fine large quarto 12 1/8 x 9 3/4 inches; 309 x 249 mm. viii 250 2 pp. Mounted color frontispiece with descriptive tissue guard printed in black and twenty-seven mounted color plates included in pagination. Plates framed with thick pale green line border and accompanied by guard leaves printed in pale green with stylized pineapples on the recto and border of snowflakes above descriptive caption on the verso. Text pages with pale green snowflake borders at top and bottom. All leaves framed with double pale green lines. Original dark chocolate brown pigskin pictorially stamped with three-peacock design and lettered in gilt on front cover and spine with Hodder & Stoughton gilt-stamped at spine foot. Top edge gilt others uncut. Endpapers printed in pale green with repeated design of stylized peacocks. During his lifetime Hans Christian Andersen whose fairy tales have become a classic was second only to Charles Dickens as the most popular author in the Western world. Here his famed narratives get the artistic treatment of Dulac who brings characters to life for the reader. A stunning copy unique and arguably the finest copy of the Deluxe Edition. The binding and endpapers do not conform to Hughey's description and appear to be unique to this handsome copy. As she notes the pigskin binding "brandy colour" not dark chocolate-brown as here should only have two thin gilt rules as frame gilt lettering date 1911 on spine and white endpapers not illustrated as here and in the trade edition. Hughey who had only seen two copies of the Edition De Luxe William Randolph Hearst's and another viewed at a Washington book fair suggested that this copy was "done close to original printing time November 1911. There were a lot of oddball copies done then.The title was sold very quickly - all sold by December 1911." The endpapers here were available at the time of the trade edition and it is possible that someone or the firm did this for copy #20. Hughey also said that this "copy's binding design on front cover is clearly an adaptation of the endpapers but I do not think by Dulac as it does not appear in any of his other editions of Hans Andersen's work. Someone may not have liked the plain cover." This copy is better for the personalization. French-born anglophile Edmond Dulac 1882-1953 was one of the most prized artists of the "golden age" of book illustration. A gifted artist especially in the medium of watercolor Dulac's ability to render luxurious detail and subtle emotions is otherworldly. He is best known for his illustrations for books and magazines although he also designed for the stage and wrote music; in moments of financial insecurity he produced serialized cartoons and became an authority on postage stamp design White. Hughey 27. Fine. Hodder & Stoughton unknown

Whitmore Rare Books · États-Unis3 800,00 $US≈ 3 215,18 €

EXNER, JULIUS & CHRISTIAN WINTHER - HANS CHRISTIAN ANDERSENBiblio.com

Billeder og Vers. Billederne tegnede med Pen paa Steen af J. A. Kittendorff i Tegner & Kittendorffs lithographiske Institut. - INSCRIBED BY HANS CHRISTIAN ANDERSEN

186259791Kjøbenhavn P. G. Philipsens Forlag 1862. 8vo. Bound in the original cardboard binding. With minor wear to capitals otherwise almost completely fresh. Neatly restored tear to title page. Small ink stain to outer right margin of the last leaves. With a long gift inscription by H. C. Andersen to front free endpaper. Internally clean. A beautiful copy of Julius Exner's and Christian Winther's "Billeder og Vers" with a charming dated gift inscription from H. C. Andersen to a young boy Jørgen: "Til Tak for hvert Smiil jeg fik i det / gamle Aar af min lille Ven Jørgen / bringer jeg ham her en Billedbog og den / vil han engang læse i og tænke paa / sin gamle Ven / H. C. Andersen / Kjøbenhavn Nytaars Ugen 1862." Translation: As thank for every smile I recieved in the old year from my small friend Jørgen I bring him here a picture-book and in this he will in due time read and think of his old friend H. C. Andersen. Copenhagen new-year week 1862. Julius Exner 1825-1910 was a Danish painter known for his romantic paintings of the life of the peasants. Christian Winther 1796-1876 was one of the greatest Danish poets of the 19th century. Winther is best known for his poem "Hjortens Flugt" which is considered to be one of the classics of Danish literature. The inscription is written to Jørgen Hansen Koch 1861-1935. Jørgen who was only 1 year old at the time the inscription was written later became president of the Maritime and Commercial Court and Det Classenske Fideicommis. Jørgen and his family had a close relationship with H. C. Andersen and they are mentioned frequently in his diaries. H. C. Andersen wrote in his diary that he visited the Koch family January 2 1862. It was presumably during that visit that he gave Jørgen this copy. Works of other authors inscribed by H. C. Andersen are very rare. unknown

Herman H. J. Lynge & Søn A/S · Danemark22 500,00 DKK≈ 3 021,75 €

Andersen hans christian

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