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69838Turnhout Brepols 1990 - 1994. 2 volumes in 4 parts: XIX1127;XXI1212 p. 25 cm CPPM new 752 EuroVol. 1 in paperback vol. 2 in cloth Heavy book may require extra shipping costs paperback
1903255626Philipp Reclam jun. Leipzig 1903. Hardcover Leinen 1903190419051906190919101912191319141915. Zustand: keine Beschädigungen ehem. Exemplare einer Klosterbibliothek mit Kennungen. Rücken Ecken Kanten gut. Der Rücken ist bei zwei Bänden lichtrandig. Philipp Reclam jun., Leipzig, hardcover
1928274834St. Josephs-Kongregation Ursberg 1928. Softcover 33 Bände Ursberger Kalender für das Jahr des Herrn 192819291935193619381947-195619581960-19751978. Zustand: Keine Beschädigungen keine Eintragungen. Rücken Ecken Kanten gut. Aus einer Klosterbibliothek mit Kennung Stempel. St. Josephs-Kongregation, Ursberg, paperback
1926279962St. Josephs-Kongregation Ursberg 1926. Softcover 1926-19291930-19341935-19391946-19491950-19551955-19601961-19671969-19731974-1977. Die Kalender sind in den angegebenen Jahresabschnitten zusammengebunden. Zusammen in 8 Büchern. Zustand: Keine Beschädigungen keine Eintragungen. Rücken Ecken Kanten gut. Aus einer Klosterbibliothek mit Kennung Stempel. St. Josephs-Kongregation, Ursberg, paperback
186014084Smith Elder & Co. 1860. 8vo. strongly bound in contemporary half calf pebble-grain dark green cloth boards back with four raised bands ruled in gilt second compartment with red leather label ruled and lettered in gilt all other compartments tooled with a lozenge in blind red sprinkled edges green endpapers corners and joints mildly worn and rubbed else a very good bright clean copy. Following the withdrawal of the two-volume second edition for fear of libel in 1857 the work was first issued as a single volume in Smith Elder's 'Cheap Edition' series later in the same year. Smith records that this 1860 impression was issued without advertisements. Bright copy of an early fifth/sixth edition. See Smith pp.143-146; Wise p.33. Smith Elder & Co., hardcover
1839013837London: A. H. Baily 1839. Book. Good Plus. Hardcover. First Edition. Folio. "Contributed by distinguished writers and edited by T. K. Hervey." A rare work with various poems prose and engraved plates. pp. xiv 2 96 half-title page' engraved vignette title page additional letterpress title page 11 engraved plates the frontispiece plate is missing The poems include "A Sabbath on the Sea" by Elizabeth Barrett Browning the first time it appeared in print. Bound in the original textured cloth with blind stamped decoration to the boards and gilt lettering to the spine gilt vignette to the title page binding good with some general wear and rubbing cloth somewhat marked and a little frayed at the head/tail of the spine. Contents clean and tight some light staining to the odd plate. A good to very good copy. Scarce. A. H. Baily Hardcover
177519679Printed for J. Dodsley in Pall Mall 1775. 3 vols. sm. 8vo. Third Edition on laid paper with an engraved frontispiece large engraved title-vignettes and large engraved armorials on dedications some light offsetting and age-staining tiny uniform signature on blank preliminary in each volume; handsomely bound in nineteenth century full oatmeal buckram backstrips with five flat bands second compartments with leather labels lettered numbered and ruled in gilt a most attractive set ideal as a gift of for presentation. THE SET WAS FORMERLY IN THE LIBRARY OF MICHAEL CHERNIAVSKY AND BEARS HIS SIGNATURE ON FRONT FREE ENDPAPER OF FIRST VOLUME. Dedicated to Elizabeth Countess of Northumberland Percy's 'Reliques' is one of the most important collections of poetry in English. First published in 1765 ii not only encouraged 'with lasting effect the revival of interest in our older poetry' DNB but became a fertile source of content and style for the burgeoning Romantic movement. Michael Theodore Cherniavsky 1920-1992 was a renowned and long-serving 1948-1966 master of history at Christ's Hospital School and subsequently Professor of History at the University of Waterloo Ontario from 1967 to 1983. A lovely copy and scarce in this condition. See NCBEL II 385 386. Printed for J. Dodsley in Pall Mall, hardcover
193027898London: Allied Newspapers Ltd. 1930. Book. Good. Leather. 64mo - up to 3" tall. The Works of William Shakespeare 40 vols front cover unstuck but attached Julius Caesar King Henry IV Part 1 King Henry IV Part 2 front cover unstuck but attached The Winter's Tale Much Ado About Nothing Titus Andronicus Comedy of Errors Bio and Glossary Missing All's Well That End Well King Henry V King Henry VIII Sonnets and Poems King Henry VI Part 1 King Henry VI Part 2 King Henry VI Part 3 Twelfth Night King Lear Timon of Athens Pericles Prince of Tyre Taming of the Shrew Midsummer Night's Dream Merchant of Venice Two Gentleman of Verona As You Like It Troilus & Cressida Othello The Moor of Venice Hamlet Prince of Denmark King John Merry Wives of Windsor Romeo & Juliet Antony & Cleopatra Macbeth Love's Labour's Lost TheTempest Cymbeline Measure For Measure King Richard II King Richard III Coriolanus Venus and Adronis & The Rape of Lucrece Each book measures just 5cm by 3.5cm . Allied Newspapers Ltd. Hardcover
1923050343Toronto ON Canada: Thomas Allen 1923. First Canadian Edition 1st Printing. Soft cover. Very Good /Very Good. 16mo - over 5¾ - 6¾" tall. 149pp. Stiff card wrapper. Binding sound but mildly cocked. Illustrated DJ pasted to wrapper as published showing shallow loss along top and bottom yapp edges. 2cm loss to tail. Designed and printed for Thomas Allen by Noble Scott Limited Toronto. Lacking the original illustrated card box. Peel 2858. <br/> <br/> Thomas Allen paperback
198316007<p>New York / Boston: New York Graphic Society / Little Brown 1983. <i><b>Signed by Paul Camponigro on the front-free end-paper placed and dated: Santa Fe 3/28/89. Also inscribed by the photographer: To Donald Fleming -- with all best wishes.</b></i> First edition / First printing. Brown cloth spine beige paper-covered boards. Near fine in near fine dust jacket. Non-laminated jacket is rubbed as usual but has no tears.</p> New York Graphic Society / Little Brown, hardcover
16-6380Paris: Bauger 1842. Lithograph sur blanc Handcolored and gommée. Second state of 3. Delteil III no. 989.32.6 x 24.9cm.'Carissimi signori ze vous remercie perché je vous promets zi zamais ze çante de ne çantare que sur la scène del Teatro-Italiano di Parizi'. 1842. Il signor Rubini redit aux échos de la Tamise les éternelles cavatines de la Somnambula des Puritains et de la Niobé. Italian singer in broken French: 1841. 'Dear sirs I thank you because I promise that if I ever sing again it will only be on the stage of the Teatro-Italiano of Paris'. 1842. Signor Rubini performs to the echoes of the Thames the eternal cavatinas of The Somnambula from the Puritans and from The Niobé. Rubini promises the Parisians not to sing anywhere else but the following year appears on the London stage.The Promises of a Tenor" a series of caricatures dating from1841-1842 mocks the often unfulfilled promises of Italian opera tenors particularly the famous Giovanni Battista Rubini by juxtaposing their Parisian vows at the Teatro Italiano with their incessant rehearsals of the same arias cavatines on the London stage illustrating the hypocrisy and boredom felt by the audience towards these vocal divas. Provenance: Jacques Cathy - Né en 1906 à Lezay Deux-Sèvres Jacques Cathy a exercé d’abord la profession de caricaturiste à l’hebdomadaire « Le Rire ». Il a rejoint vers 1927 l’équipe du Cabaret « La Vache Enragée » conduite par Roger Toziny. Jacques Cathy poursuit sa carrière de chansonnier après le décès de Toziny en 1939 et après la guerre il conduit parallèlement une carrière d’acteur dans le cinéma. Jacques Cathy était le 3ème Maire de La Commune Libre de Montmartre à partir de l’élection en 1949.Final provenance: Les Collections Aristophil - 164 bis avenue Charles-de-Gaulle 92200 Neuilly-sur-Seine. Paris: Bauger, 1842 unknown
1997M4575Albany NY: State University of New York Press SUNY Press 1997. 1st edition. Hardcover. Very Good/No Jacket as issued. VG. 8vo xxx610pp pictorial boards no jacket as issued. Massive and groundbreaking study of this important African-American spiritual practitioner. Includes index notes and bibliography. An unmarked copy of the legitimate original 1997 hardcover first printing not the later print-on-demand version from the collection of poet and esotericist David Meltzer. Minor outer wear and erased resale markings to front free endpaper. Albany, NY: State University of New York Press (SUNY Press) hardcover
2007110769Tampa: The Norman Mailer Society 2007. First edition. Limited issue of 56 bound copies in green full cloth-covered boards 40 of which were numbered and 16 were presentation copies all signed by Mailer and Sipiora on the limitation page. Copy #32. Issued without dustjacket. Contributors include Morris Dickstein Donald L.Kaufmann J. Michael Lennon Barbara Mailer Wasserman et al. Also two contributions by Mailer one of which is an excerpt from the previously unpublished 1942 play "The Naked and the Dead." Supplemental Bibliography. Color photographs. The Inaugural Issue. ISSN: 1936-4679. Unread copy in Fine condition. Signed by Author and Editor. First Edition. Hardcovers. Fine/Not Issued. 8vo - over 7¾" - 9¾" tall. Limited Edition. The Norman Mailer Society Hardcover
16-64531928. Lithograph . 28 x 22cm Signed dedicated a and annotated .31 x 39.5cm. .In 1927 a biplane disappeared while attempting to complete the first non-stop transatlantic flight between Paris and New York City. This memorial stands at the last place it was seen .On May 8 1927 Monument L'Oiseau Blanc a biplane disappeared during an attempt to make the first non-stop transatlantic flight between Paris and New York City. The aircraft was flown by two French pilots Charles Nungesser and François Coli. They departed Le Bourget Field at 05:17 local time. The aircraft heavy with fuel barely cleared the trees at the end of the runway. Four military aircraft accompanied the flight on the first leg. Annex Galleries: "Elie Georges Marie Villa was born in Montmédy the Meuse Lorraine France on January 24 1883. He studied at the Ecole des Beaux-Arts in Paris and exhibited at the Salon des Artistes Francais. Vila was a prolific painter engraver lithographer poster designer and illustrator of political and sports themes for some of the most prominent newspapers and magazines of his time: Artes et Sports l’ Assiette au Beurre Comedia Illustre etc. He was also a well-known portrait artist whose subjects included aviation fencing gastronomy and aristocratic ladies of the 18th century. Between 1944 and 1946 he did illustrations of Montmartre songs including “Avec les lorettes Mimi Pinson et Pierrot.†He gained fame as a portraitist and was invited to Russia by the uncle of Tzar Nicolas II to do portraits of Russian officers. It is probably here where he met General Dimitri d'Osnobichine who was also an artist and whose estate these works are from. In 1908 Villa accompanied a Russian archaeological expedition to Egypt.Back in France he began a new career as an illustrator doing mainly cartoons. He also illustrated books including works by Anatole France Theophile Gautier Edgar Allen Poe and Louys Pierre. In the 1920’s Villa was part of the Parisian Année Folles Crazy Years and became known for his caricatures and portraits as well as his erotic drawings using charcoal and pastel. Many of Villa’s outstanding illustrations can be found in limited edition collectors’ books including 12 erotic lithographs to accompany the poetry of Edmond Haraucourt Poemes hysteriques an eroticized parody of the poems of Victor Hugo. Georges Villa cut his own copper and stone plates for his engravings. Villa illustrated 26 menus between 1925 and 1964 and painted a “masterpiece†Pierrot postcard for Wague in 1930.He was a member of Les Humoristes as well as a Knight of the Legion of Honor. In 1929 Georges Villa and Roger Braun started the Bibliophiles of Cornet an appendage of the Cornet Society. Villa remained a Cornet Society member until his death. He authored his own novel Special Infirmiry published in 1953.Georges Villa died in Paris on November 19 1965. " Provenance: Jacques Cathy - Né en 1906 à Lezay Deux-Sèvres Jacques Cathy a exercé d’abord la profession de caricaturiste à l’hebdomadaire « Le Rire ». Il a rejoint vers 1927 l’équipe du Cabaret « La Vache Enragée » conduite par Roger Toziny. Jacques Cathy poursuit sa carrière de chansonnier après le décès de Toziny en 1939 et après la guerre il conduit parallèlement une carrière d’acteur dans le cinéma. Jacques Cathy était le 3ème Maire de La Commune Libre de Montmartre à partir de l’élection en 1949.Final provenance: Les Collections Aristophil - 164 bis avenue Charles-de-Gaulle 92200 Neuilly-sur-Seine. 1928 unknown
19542167<p>NY: Harper & Brothers 1954. First edition limited issue of 500 unnumbered copies <em>signed</em> by White as "EBW" on the tipped-in limitation page as issued. First issue dustjacket. Quarter-cloth with spine lettering and paper-covered boards. Minimal shelfwear and toning on cloth spine ends board corners lightly tapped; dustjacket with wear at corners large chip at spine topedge/rear panel topedge closed tear on front flap fold wear at folds and toning mostly on spine. Altogether a tight copy in Good condition in a Good intact dustjacket with an archival cover. Signed by Author. First Edition. Hardcovers. Good/Good. 8vo - over 7¾" - 9¾" tall. Limited Edition.</p> Harper & Brothers hardcover
1982304711<p>First edition thus. Small octavo. Frontispiece is an original watercolor by Frederic Prokosch. Original stiff brown wrappers hand printed orange paper label on upper wrapper yellow silk tie. Clear plastic dust jacket. Fine fresh. Copy "Beta" one of 5 handwritten copies in red and black inks on Arjomari paper printed illustrated and signed "F Prokosch" on limitation page in blue ink. Signed by Illustrators. Soft cover. Fine/Fine.</p> Prometheus Press paperback
191239043Shakespeare Head Press Stratford-upon-Avon 1912-13. 2 vols. 8vo. First Edition on laid paper with frontispieces and numerous plates free endpapers lightly browned; original boards green buckram backs lettered in black green silk markers uncut AND PARTIALLY UNOPENED covers very lightly age-marked else a near fine set. EDITION LIMITED TO 760 NUMBERED COPIES THESE COPIES Nos. 630 AND 506 RESPECTIVELY. Loosely inserted is an A.L.s from Edith Lister Secretary to the Press on SHP stationery to Frank Murrell Director of William Lewis printers of Cardiff. A NEAR FINE SET OF AN EDITION PRODUCED BY THE PRESS IN ITS HEYDAY. Shakespeare Head Press, Stratford-upon-Avon, hardcover
1984305584<p>First edition thus. Small folio 10 1/4" x 13". Illustrated with 14 linoleum prints by Clark Henley. Original dark red cloth printed paper spine label uncut. Fine and fresh. No other signatures or bookplates. One of 26 lettered copies printed for George Houle of a total edition of 150 signed by the illustrator Clark Henley on limitation page. The text is from the first published version which differs from later versions. According to the publisher this is apparently the first book edition of the text as it originally appeared in the Troy Sentinel with textual variation.</p> Arundel Press hardcover
192924255NY: Albert & Charles Boni 1929. Textblock very clean unmarked and tight; Signed by Thornton Wilder and Rockwell Kent on the full-color lithograph at the rear facing the limitation page; The boards are lightly edge-rubbed and minimally sunned; The spine is sunned to a light brown with the leather spine title complete and bright; This is copy 516 of 1100 and is protected by the original clear five-mil mylar jacket. Lacks the slipcase. 123p. Signed by Author and Illustrator. Limited Edition #516 of 1100. Cloth. Very Good. Illus. by Rockwell Kent. 4to - Over 9 ¾" -12" Tall. Hardcover. Albert & Charles Boni Hardcover
192315477Hodder & Stoughton 1923. 8vo. First Edition on laid paper free endpapers lightly spotted fore-edges lightly browned; original grey paper boards blue cloth back lettered in gilt uncut joints very lightly rubbed case very slightly shaken but binding entirely sound a fresh clean copy. THE FIRST COMPLETE COLLECTION AND THE FIRST SEPARATE COLLECTION PUBLISHED IN ENGLAND. It contains every published poem all the poems printed for private circulation only and a large number of poems previously unpublished. Hatfield's collection is based on texts edited by Shorter who retained copyright in all Bronte writings still protected by law and the Bonner Collection. With an index of first lines. The bibliography remains the most detailed to date though it includes several pamphlets 'printed for private circulation only' supplied by Wise. Due caution therefore. Extremely scarce. Hodder & Stoughton, hardcover
17677824Printed for T. Davies in Russel-Street Covent-Garden; R. Davis in Piccadilly; L. Davis and C. Reymers in Holborn; and J. Dodsley in Pall-mall 1767. 3 vols. sm. 8vo. Fifth Edition on laid paper with marbled endpapers half-titles in red and black some light and occasional spotting primarily in the first volume with rather heavier spotting on a few scattered leaves; attractively bound in contemporary full calf sides with gilt frame border backs with five raised bands second and third compartments with new leather labels gilt in red and black to style all other compartments elaborately tooled and ruled in gilt gilt doublures covers mildly scuffed and age-marked joints rubbed and cracked but bindings entirely sound else a crisp and elegant original set in largely unrestored period binding. This copy was formerly in the library of Lord John Townshend with his printed early nineteenth century book-label on front paste-down of all three volumes. His printed press-label in present on all three front paste-downs superseded by a MS press-mark on front free endpaper versos.Published as vols. 19-21 of Hawkesworth's edition of the 'Works' but the letters are complete in themselves. Whilst made-up sets are not uncommon it is pleasing to see an original set in this crisp state. The bibliography of the several Hawkesworth editions is complex. Teerink pp.80-83 distinguishes no fewer than seven separate stages of publication which he summarises in an invaluable table p.104.The 'fifth edition' present here is the Large Crown Paper issue of the Small Octavo edition.The original owner was probably the politician Lord John Townshend 1757-1833. He was the son of George 1st Marquess Townshend and Lady Charlotte Compton and father of Rear-Admiral Townshend who succeeded to the family title as 4th Marquess.CBEL II p.583; Jackson p.184; Teerink 90. Printed for T. Davies, in Russel-Street, Covent-Garden; R. Davis, in Piccadilly; L. Davis and C. Reymers, in Holborn; and J. Dod hardcover
171328277Printed for S. Buckley at the Dolphin in Little-Britain and another 1713. Sm. 8vo. Third Edition with engraved frontispiece title in red and black some light age-staining as usual; handomely bound in full blue crushed morocco sides with gilt frame border backstrip ruled and lettered in gilt gilt top hand-made endpapers ribbon marker a crisp copy of a scarce edition. SCARCE. Printed for S. Buckley at the Dolphin in Little-Britain [and another], unknown
1762000016Paris: J. Barbou 1762. Hardcover. See Description. 12mo. 3 vols. Vol. I. pp. 4 xii 328 Vol. II. pp. 4 376 8 Vol. III. pp. 396. Contemporary marbled calf with flat spines gilt in five compartments including morocco labels. All edges gilt. 3 engraved frontispieces and 3 vignettes by Eisen. Spines re-capped. Small amount of hinge and corner restoration. Printed on fine crisp Holland paper. Name in old hand written in upper corner of front blank. Bookplate on inside front cover. A good example of publisher Jean Joseph Barbou's series of classics. Barbou's classics were designed in both their correctness and in their beauty to supplant the 17th century Elzevir publications. Schweiger II p.632; Brunet IV 273; Graesse V p.71; Cohen-De Ricci 774; Lewine 397. <br/> <br/> J. Barbou hardcover
188917062Macmillan 1889. 8vo. with frontispiece original tissue guard present and numerous illustrations a number full-page in the text some mild foxing throughout neat contemporary signature at head of first chapter; handsomely bound in full red crushed morocco back gilt with five raised bands compartments lettered in gilt and tooled with a floral motif illustration in red green and black from original cloth cover mounted on blank preliminary an elegantly bound copy of a mature Victorian printing. With the poem 'Christmas Greetings' and 3pp publisher's catalogue bound in. Macmillan's 'People's Edition' was first published in 1887. The most popular mature Victorian edition with the numerous typographical and illustrative errors of the earlier editions corrected it reached its sixty-first thousand by 1897 see Williams & Madan p.61. A bright copy despite the virtually inevitable foxing. Macmillan, hardcover
188733749Longmans Green & Co. 1887. 8vo. First Edition First Issue with 2 chromolithographed plates; newly bound in navy cloth gilt back uncut gilt from original front board mounted on new leaf at front a very good bright clean copy. With all misprints confirming first issue: pp. 59 126 258 269. THIS COPY WAS FORMERLY IN THE LIBRARY OF THE MADRAS LITERARY SOCIETY AND BEARS ITS STAMP DATED 30 APRIL 1887 TOGETHER WITH A NEAT SIGNATURE ON TITLE. Bound without the half-title and publisher's advertisements. An interesting copy of Haggard's most famous work: the fact that it reached India within a few months of publication must reflect his popularity in an exclusively expatriate community. AN UNUSUAL OPPORTUNITY TO ACQUIRE A FIRST ISSUE COPY AT AN AFFORDABLE PRICE. Longmans Green & Co., hardcover