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This is a very good hardcover copy with just light wear. Completely clean inside and out. Text in French. Illustrated throughout in color with many color plates and a few black & white. Biographical sketches of each painter. White silk page-mark present. 11" high X 10" wide, 264 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
ART4840MACR, 1983, In-4, 272 pages largement illustrées avec des reproductions en couleur, relié entoilé avec jaquette.
1983126639ACR Edition Internationale, Paris, 1983. 272 S. ; 28,5 x 25,5 cm ; Leinen.
1993148046ACR Editions, 1993. In ACR Editions, 1993. In-12 broché de 192 pages. Très bon état
ACR Editions, 1993. In-12 broché de 192 pages. Très bon état
198385933ACR éditions 1983 In-4. Reliure éditeur pleine toile rouge, 272 pp., entièrement illustré de reproductions en couleurs. Bon exemplaire sans jaquette.
1983025098Courbevoie ACRE Edition - Les éditions de l' amateur 1983 un volume in-4°, 271 pp. Reliure toilée de l'éditeur, jaquette illustrée. (frottements, fentes et marques en pourtour de jaquette, coutures des cahiers un peu détendues). Riche iconographie en couleurs. In fine monographie non illustrée.
1987127057ACR Édition Internationale - Les Éditions de l'Amateur, Courbevoie (Paris), 1987. 336 S. ; 28,5 x 26 cm , Leinen.
28734Paris, ACR, 2008 Relie, toile bleue sous jaquette illustree en couleurs, cassette en carton, 28,5 X 25,5 CM, 608 pages, illustration abondante en couleurs et n/b. NEUF !!!!! ISBN 2867700213.
198727813Paris ACR Edition 1987 in-4° les orientalistes volume 6, 336 pp,
198725038Paris ACR Edition / Les Éditions De L'amateur 1987 In4° 336 pp, texte en français très nombreuses reproductions en noir et en couleurs
18253535FBBerlin, Dümmler Verlag, 1825. 8°. 19,5 x 12,5 cm. IV, 327 Seiten. Halblederband der Zeit mit marmoriertem Deckelbezug. [5 Warenabbildungen]
18469458BBLeipzig, Klinkhardt, 1846. 48 Seiten. Halblederband der Zeit. Lederbezug mit Fehlstelle, Buchblock im Gelenk gebrochen.
1370262Paris: Albert Méricant, 1922 in-12, 276 pages. Demi reliure toile moderne, dos muet. Roman colonial situé en Tunisie.
1880100146194T. O. Weigel 1880 in8. 1880. Cartonné. Grammaire concise de la langue syriaque écrite en allemand par l'orientaliste Theodor Nöldeke et publiée initialement en 1880 par l'éditeur Weigel à Leipzig. L'ouvrage est un manuel de référence pour l'étude de la grammaire syriaque
ROU-1218Paris, Plon, 1923 ; petit in-8° broché , couverture jaune imprimée en noir; 4ff., 289pp., 2ff.
ROU-1213Paris, Plon, 1945 ; grand in-8° broché, couverture crème illustrée en bistre, titre en noir et bistre aux dos et 1er plat ; VIIpp., 215pp., 1p.nch., 1f. Titre courant et pagination imprimés en bistre. Illustré de 4 bois gravés à pleine page par Pierre Falké, tirés en bistre.
Fine English Paperback. Pbo. 4to. (30 x 24 cm). In English and Turkish. 67, [2] p., color and b/w ills. The Artist, The Sultan and his portrait: Mehmed the Conqueror according to Gentile Bellini.= Ressam, Sultan ve portresi: Gentile Bellini'ye göre Fatih Sultan Mehmet. [Exhition catalogue]. Edited by Münevver Eminoglu. Consultant: Günsel Renda. This exhibition consists of a single painting: the famous portrait that the Ottoman Sultan Mehmed the Conqueror had painted by the Italian artist Gentile Bellini about five hundred years ago and is now in the collection of the National Gallery of London. The painting is a magnificent souvenir of a brief 'golden age' in a reminder that, as early as the Renaissance and under the leadership of a strong and foresighted ruler, Ottoman society, which always looked wetward, hd the chance to grasp universal civilization.
New English Paperback. Pbo. 4to. (30 x 24 cm). In English and Turkish. 67, [2] p., color and b/w ills. The Artist, The Sultan and his portrait: Mehmed the Conqueror according to Gentile Bellini.= Ressam, Sultan ve portresi: Gentile Bellini'ye göre Fatih Sultan Mehmet. [Exhition catalogue]. Edited by Münevver Eminoglu. Consultant: Günsel Renda. This exhibition consists of a single painting: the famous portrait that the Ottoman Sultan Mehmed the Conqueror had painted by the Italian artist Gentile Bellini about five hundred years ago and is now in the collection of the National Gallery of London. The painting is a magnificent souvenir of a brief 'golden age' in a reminder that, as early as the Renaissance and under the leadership of a strong and foresighted ruler, Ottoman society, which always looked wetward, hd the chance to grasp universal civilization.
New English Paperback. Pbo. Oblong large 8vo. 131 p. In French and Turkish. B/w and color ills. L'exposition qui s'oeuvre a la du lycee Notre Dame de Sion a partir du 8 mars est une selection de cartes postales dont la collection s'etend de 1885 a 1930. elle regroupe le travail de divers photographes qui ont parcouru l'Afrique du Nord colonisee. Principalement axee sur des portraits de femmes et sur des scenes de genre les mettant en scene dans un univers domestique, cette exposition ne pretend pas dispenser un savoir anthropologique ou social sur les femmes des colonies de la Fin-De-siecle. Ces cliches nous offrent neanmoins la possibilite de reflechir sur les representations coloniales du siecle dernier, representations qui perdurent encore dans les stereotypes publicitaires ou sont la source de certains prejuges toujours actuels.
New English Paperback. Pbo. 4to. (27 x 23 cm). In English and Turkish. 160 p. Color and b/w ills. "Works by the Dutch painter Marius Bauer from the collections of important museums in America and Europe, especially of the Rijkmuseum in Amsterdam, are being presented to art lovers during the four-month exhibition. Bauer made several journeys through Turkey and was a great admirer of Turkish culture. With drawings, etchings, water colors, oil paintings and letters, the exhibition takes the visitor on Bauer's travels through Turkey. Bauer arrived for the first time in Istanbul by boat in 1888. He disembarked and was immediately captivated by the life, the culture and the industriousness that he encountered there. Narrow streets, markets, bazaars and intimate sightlines, full of people engaged in everyday activities: playing music, trading wares, or on their way to or from the mosque. Occasionally he would catch a glimpse of the Sultan and his retinue. It can be concluded, from the letters that Bauer wrote in Turkey to family and friends, that he undertook long walks every day with his sketchbook under his arm. This resulted in a large number of sketches and drawings that formed the starting point of a great quantity of work when he returned to the Netherlands. Speaking at the opening of the exhibition on May 15, Sabanci University Head of the Board of Trustees, Güler Sabanci said, 'Like all artists enchanted by the east, Bauer was a traveler. He undertook his first voyage, during which he would fall under the spell of the east, in 1888 when he was 21. He sailed to Ottoman Turkey, stopped at Izmir and then made his way to Istanbul. We are overjoyed to have opportunity to bring Bauer's works back to the country he could never forget.".
Fine English Paperback. Small 4to. (28 x 15 cm). In Turkish. 26 p., b/w and color ills. 1873-1908 Pera ressamlari.
192115296Paris, Emile-Paul Frères, 1921 ; in-12, broché ; 49, (1) pp., couverture bleu-pétrole rempliée, étiquette de titre ornée sur le plat.
137988aafFribourg , University Press / Göttingen, Vandenhoeck & Ruprecht, 1996, in-4to, 6 ff. + 224 p. + 6 photogr. plates + 1 leaf, gebunden, Orig. Verlagsband / Hardcover copy as new.
29073Sainte-Ruffine, Maisonneuve, 1979, in 8° broché, 146 pages ; illustrations dans le texte ; couverture illustrée ; des passages soulignés aux crayons rouge et vert ; cachets-ex-libris.
