1 478 résultats
138099aafFribourg, Academic Press / Göttingen, Vandenhoeck & Ruprecht, 2004, in-8vo, XV + 185 S. + 7 Bl., orig. publisher’s illustrated red cloth. Spines sunned, else a fine set.
138139aafFreiburg Schweiz, Universitätsverlag / Göttingen, Vandenhoeck & Ruprecht, 2000, gr. in-8vo, X + 208 S., hellblauer Original-Pappband, / orig. hardcover
138179aafFribourg : Acad. Press / Göttingen : Vandenhoeck & Ruprecht, 2006, gr. in-8vo, 383 p. + ill. tafeln, hellblauer Original-Pappband, / orig. hardcover.
138234aafFribourg : Acad. Press / Göttingen : Vandenhoeck & Ruprecht, 1988, gr. in-8vo, 223 p. + 35 figures on plates + 6 plates + 3 ll., Original-Leinen + OU / orig. clothbound, jackett (hardcover).
138235aafFribourg : Acad. Press / Göttingen : Vandenhoeck & Ruprecht, 1988, gr. in-8vo, XIV + 352 S. + 5 Tafeln, Original-Leinen + OU / orig. clothbound, jacket (hardcover). Neuwertig.
89909aafChampollion, Editions du Rocher / Jean-Paul Bertrand, 1998, gr. in-8vo, 361 p., richement illustré, cachet de l’ancien propriétaire sur p. de garde, brochure originale ill. en couleurs. / Softcover.
138148aafFribourg Academic Press / Göttingen, Vandenhoeck & Ruprecht., 2006, gr. in-8vo, XIV + 306 S., hellblauer Original-Pappband, / orig. hardcover.
138129aafFribourg, University Press /Göttingen, Vandenhoeck & Ruprecht, 1996, in-4to, XII + 230 S. + 3 Bl., orig. publisher’s illustrated red cloth. Spines sunned, else a fine set.
91162aafLeiden / Köln, E. J. Brill, 1971, gr. in-8vo, VII (+1) + 74 S., unaufgeschnitten, Original-Pappband.
138213aafFribourg : Acad. Press / Göttingen : Vandenhoeck & Ruprecht, 1993, gr. in-8vo, 112 S., illustriert, rosa Original-Pappband, / orig. hardcover. Neuwertig.
88695aafParis, Payot, 1931, gr. in-8°, 347 p., avec 8 illustations, cachet ‘Nico Blanc’ sur garde, reliure en plein-cuir bordeaux, dos et plats avec filets et encadrements en or, couverture originale conservée. Bel exemplaire
138109aafFribourg, Academic Press / Göttingen, Vandenhoeck & Ruprecht, 2008, gr. in-8vo, VIII + 292 S. mit Abb. + 6 Bl., orig. publisher’s illustrated red cloth. Spines sunned, else a fine set.
Paris, Gallimard, 1963, 8vo brossura editoriale con copertina illustrata a colori, pergamino protettivo, pp. 232 (Connaissance de l'Orient, 17). Molto buono / Ottimo.
548724 pp, 1996, Superbe catalogue très illustré.
1906ORIE0025Bln., Peiser 1906. XII, 159 S., HLn. d. Zt., Kanten geringf. abgewetzt, Name u. Buchhändlerstemp. auf Innentit., vereinzelt einige stenograph. Verm.
2289Paris, Garnier, (1909), in 12 broché, XI-460 pages.
In 8°, brossura con sovraccoperta editoriale, pp. X, 324, (2), con tavole illustrate n.t. b/n; lieve difetto alla testa del dorso per il resto buon esemplare. (ZD5/A) (ZD5/A)
New English Paperback. Large 8vo. (23 x 23 cm). In English and Turkish. 113 p., color and b/w ills., 2 folding plates, (400 x 20 cm. and 174 x 20 cm.). Long stories: Istanbul in the panoramas of Melling and Dunn.= Uzun öyküler: Melling ve Dunn'in panoramalarinda Istanbul. [In special case]. Long stories opened a visual window to the city of emperors and sultans, a micro-level study of history that focused on the historical topography of the city. The exhibition was curated by Ekrem Isin with M. Baha Tanman acting as project consultant. ??Panoramas constitute the visual narratives of a city. Emperors and sultans cast their shadows in the images stretching before our eyes; the symbols of power piercing the sky are surrounded by the cultural texture of daily life, as well as the city's architectural composition and nature. The raison d'être of a panorama is to bear witness to the urban image that appears as a protagonist on the stage of history, set against the civilizational décor that the eye perceives at first sight. Long Stories: Istanbul in the Panoramas of Melling and Dunn was not only a visual feast, but also a historical survey, which compelled viewers to reconsider the identity of a city that left its mark on the art of panoramic engraving.
New Turkish Original bdg. HC. Large 8vo. (23 x 23 cm). Edition in Turkish. 156 p., color and b/w ills. Ayvazovski'nin Istanbul'u. Texts by Sinan Genim, Sergei Levandowskii, Gül Irepoglu, Tatyana Gayduk.
New Turkish Paperback. 4to. (29 x 24 cm). Turkish Edition. 311 p., color and b/w ills. 17. yüzyil Avrupasinda Türk imaji. [Exhibition catalogue]. 12 Temmuz - 9 Ekim 2005, Sakip Sabanci Müzesi. 17. Yüzyil Avrupa'sinda Türk Imaji baslikli sergide, Sabanci Üniversitesi Sakip Sabanci Müzesi'nin daha önce gerçeklestirdigi Mediciler'den Savoylar'a Floransa Saraylarinda Osmanli Görkemi sergisinde oldugu gibi, Osmanli-Avrupa iliskileri, siyasi olaylarin sanata yansiyan izdüsümü irdelendi. Türk korkusunun büyük bir meraka dönüstügü, Türklere karsi savasan kesimlerin savas ertesi kendi yurtlarinda düsmanlarinin kiyafetine bürünerek yaptirdiklari portrelerin yayginligi, Osmanli topraklarina ait savas ganimeti, hediye veya ticaret yolu ile edinilmis malzemenin Avrupa sosyal yasaminda oynadigi önemli rol, tarihçi ve sosyal alandaki arastirmacilara öteden beri genis bir çalisma alani sunarken, müzecilere de belge degeri tasiyan büyük bir sanat eseri zenginligi getirmekteydi. Slovenya basta olmak üzere Orta Avrupa'daki çesitli Müze koleksiyonlari ile Ingiltere ve Türkiye'deki özel koleksiyonlardan derlenen 92 yagliboya portre, panorama ve gravürün yer aldigi sergi Credit Suisse'in katkilariyla düzenlendi.
Very Good French In modern cloth bdg. Large roy. 8vo. (24 x 19 cm). In French. [vii], 244, [2] p. Les castes dans l'Inde. Les faits et le system. First Edition.
Very Good German Paperback. Roy. 8vo. (24 x 17 cm). In German. 20 p., iv numerous b/w plates (Tafeln). Ein Weiteres Sultansbild von Gentile Bellini aus russischem Besitz. A study on Gentile Bellini, (1430-1507), was an Italian painter of the school of Venice. He came from Venice's leading family of painters, and at least in the early part of his career was more highly regarded than his younger brother Giovanni Bellini, the reverse of the case today. From 1474 he was the official portrait artist for the Doges of Venice, and as well as his portraits he painted a number of very large subjects with multitudes of figures, especially for the Scuole Grandi of Venice, wealthy confraternities that were very important in Venetian patrician social life. In 1479 he was sent to Constantinople by the Venetian government when the Ottoman Sultan Mehmed II requested an artist; he returned the next year. Thereafter a number of his subjects were set in the East, and he is one of the founders of the Orientalist tradition in Western painting. His portrait of the Sultan was also copied in paintings and prints and became known all over Europe.
This is a fine softcover copy with no wear at all. Completely clean inside and out. This is a sale catalog for an auction held in Paris on October 21, 2013. Text in French. The sale consisted of mostly 19th century orientalist photographs. 98 lots in the sale. All lots illustrated in color. Prices realized sheets included. 11" high X 8" wide, 95 pages. This book will be securely packed and shipped with tracking.
Fine Turkish Paperback. Small 4to. (26 x 20 cm). In Turkish. 47, [1] p., color ills. Vanmour ve Levnî: Lale Devri Istanbuluna iki özgün bakis. Rijksmuseum ve Topkapi Sarayi Müzesi'ndeki yapitlariyla. [Exhibition catalogue]. Topkapi Sarayi Müzesi, 19 Aralik 2003 - 15 Nisan 2004. Prep. by Melis H. Seyhun, Arzu Karamani Pekin.
New English Paperback. Demy 8vo. (22 x 14 cm). In English. [vii], [1], 107 p., b/w ills. According to the "Great Man Theory", leaders are born with a set of specific skills and traits that makes an individual destined for a leadership position. Also known as a trait perspective to leadership, it suggests that certain individuals have special innate or inborn characteristics or qualities that differentiates them from non-leaders. Specifically, these characteristics were believed to include height, weight, appearance, intelligence, disposition and others. Furthermore, charismatic and inspirational leaders instil faith in a better future for the followers in terms of their self-expression, self-evaluation, and self-consistency. The history of Ottomans is complicated and complex in terms of its emperors from the beginning to the end, in addition to severe relations with Europe and Asia. In this sense, especially the ascension period constitutes great importance; because of the fact that the six emperors of the period turned the Ottoman State into an "Empire" with their individual traits and acts. Therefore, it is worth to consider them as "great men" and evaluate them in this frame in order to construe the claim. It is expected that this book sheds light to the future researches in terms of evaluating both the emperors of Ottoman Empire and the other World emperors in terms of great man theory.
