1 482 résultats
1971164821971 1 volume, dos et couverture blancs imprimés en rouge et noir (white spine and cover printed in red and black ), tête de bouddha sur la première de couverture,quatrième de couverture imprimée (back cover printed), 263 pages, 1971, petite bibliothèque payot.
1963105051963 broché (paperback) in-octavo, dos avec une illustration se prolongeant sur la première de couverture (spine with a illustration goes on the front cover) et quatrième de couverture imprimée (and back cover printed), sans illustration (no illustration), 192 pages, 1963 à Paris NRF Editions Gallimard,
New New Turkish Original bdg. Dust wrapper. Roy. 8vo. (24 x 17 cm). In Turkish. 350 p., color and b/w ills., and 1 CD. History of the English Schools in Istanbul.
In 8°, brossura editoriale illustrata, pp. 231, (1); copia molto buona. (ZB8/A) (ZB8/A)
Fine Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 15 p., 2 unnumbered b/w plates. Hollandali gezgin Cornelis de Bruyn'un gravür sergisi. 7-21 Kasim 1974.
In-8, broché, couverture imprimée (lég. défr.), 21 p. Edition originale. L'auteur fait le point sur le projet de transformer le Sahara oriental en mer intérieure, par le creusement d'un canal avec la Méditerranée. E. Cosson était membre de l'Académie des sciences.
45797P., La Famille Théosophique, Adyar, 1924, in 12 broché, 203 pages ; couvetruer très légèrement fanée.
1955795231955 Paris, Payot, 1955, in 8° broché, 281 pages ; non coupé ; couverture illustrée.
New English Paperback. Pbo. 4to. (27 x 24 cm). In English. 311 p., color ills. Museum, and showed how the Ottoman-European relationships and political events has reflected in Arts, a theme common with the previously held exhibition entitled From the Medicis to the Savoias, Ottoman Splendour in Florentine Collections. Along with being a rich art collection for the museums, the large number of portraits where the foreigners pose in Turkish costumes in their homeland after fighting with the Turks, showing how "Fear from the Turks" converted into a fascination, and the goods from the Ottomans that are either gained from wars, received as presents or bought, and the important role that they played in the European social life have always been interesting subjects for historians and other social researchers. In the exhibition, 92 oil paintings, landscapes and engravings, coming from different Museums in Central Europe (especially Slovenia) and private collections from England and Turkey, were displayed. The exhibition was made possible with the contributions of Credit Suisse. Contents: Vasko Simoniti, On the 'Turqueries'; Ales Arih, Foreword; Nazan Ölçer, Foreword; Hans-Ulrich Doering, Foreword; Christoph K. Neumann - Petr Stepanek, Ottoman-Habsburg relations in the 17th century; Stefan Yerasimos, Styrian dragomans in Istanbul; Gunsel Renda, The Ottoman Empire and Europe in the 17th century: Changing images; EdvilijoGardina, Alla Turca': The Tarsia Family of Koper in service for la Serenissima; Maximilian Grothaus "At the crossing of Orient and Occident: The Turquerie of Ptuj"; Polana Vidmar, Courage, power, beauty and luxury: The Vurberk gallery of 17th century paintings; Catalogue; Bibliography.
Text in French. This is a very good copy of this portfolio in green paper-covered boards, containing 16 pages of text and notes and 30 photographic plates and 6 hand-colored watercolor plates. The text and plates generally very good, 2 plates with some foxing. The portfolio has some damp marks to the top corners, otherwise very good. This work appears to be a record of the author's collection of architectural elements and decorative art from his many excursions to the Orient. The photos appear to be of the author's own quarters at 30 Rue des Mathurins. A late work of undoubted "Orientalism", it sets out to create an atmosphere of The Thousand and One Nights. The 6 watercolor plates depict a man and a woman in Persian costume, inside the sumptuous dwelling, in romantic, but very chaste encounters. Absolutely charming work. Folio, 13" high X 10" wide. Quite rare among d'Allemagne's works. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
199397010Hazan 1993 In-4 reliure éd. sous jaquette 30 cm sur 25. Jaquette en bon état. Très bon état d’occasion.
QWA-18072Toulouse, Musée des Augustin, 1997, in-4 br. (22,5 x 28), 103 p., avant-propos de Dominique Baudis, nombreuses reproductions en n. et en coul., couverture à rabats, très bon état.
ESEMPLARE PERFETTO, LIEVISSIMI SEGNI DEL TEMPO. Catalogo della Mostra tenuta a Roma nel 1961. Informazioni bibliografiche Titolo: Mostra di Gibon Sengai: (Maestro Zen, sec. XVIII-XIX, monaco buddhista giapponese) Autori: Daisetz Teitaro Suzuki, Sengai Collaboratore: Istituto italiano per il Medio ed Estremo Oriente Editore: Roma: Lorenzo del Turco, 1961 Lunghezza: 45 pagine, [12] c. di tav. : ill. ; 21 cm Note: In testa al front.: Istituto italiano per il Medio ed Estremo Oriente, Roma Presentazione di: A. Giuganino Allestimento della mostra dell'architetto Manabu Tajima Soggetti: Arte contemporanea giapponese, Sengai, Gibon, Esposizioni, Roma, 1961, PITTURA, ASIA, Buddismo, setta Rinzai, Zen, Giappone, L'Universo, praina, Illuminazione, Luce, Satori, Karuna, Rivelazione, Monaci, Monte Fuji, Maestri zen, Amida, Libri rari, Collezione, Cataloghi, Vintage, Collezionismo, Orientalismo, Monaci, Dipinti, Buddhismo, Ottocento, Contemporary Japanese Art, Exhibitions, Rome, The Universe, Praise, Lighting, Light, Revelation, Monks, Mount Fuji, Rare Books, Collection, Catalogs, Vintage, Collectibles, Orientalism, Paintings, Buddhism, Spiritualità, Meditazione, Purezza, Spirituality, Meditation, Purity
196374501963 broché in-octavo, dos blanc et orange, couverture rempliée recto ornée d'une illustration photographique (portrait du Dalaï-Lama), illustrations photographiques et cartes sur papier glacé, 299 pages, 1963 à Paris Editions John Didier,
197362821973 broché (paperback) in-octavo, dos rouge insolé (red spine - fading ), première de couverture illustrée en couleurs (front cover illustrated in colours), illustrations hors-texte sur papier glacé (illustrations full page engraving on glazed paper), 159 pages, 1973 à Paris Editions Seghers,
Paris, Buchet/Chastel, 1975, 8vo brossura editoriale con copertina illustrata, pp. 184. Molto buono / Ottimo.
8898P., Lévy, 1883, un volume in 8, broché, couverture imprimée (rousseurs en bordure des pages de couverture), (2), (2), 279pp.
1960ZendAvesta-JamesDar-1Avant-propos de E. BENVENISTE. Professeur au collège de France. Annales du Musée Guimet Tomes XXI, XXII et XXIV 3 volumes. Volume. I :500 pages, 6 planches hors texte. Volume. II : XXXVI-747 pages. Volume. III : CVIII-262 pages. ÉPUISÉ. Année de parution : 1960 Reliure : in-8° relié Pages : 1773. Table des matières 1. La liturgie (Yasna et Vispe red) 2. La loi (Vendidad) L'e pope e (Yashts) Le livre de prière (Khorda Avesta) 3. Origines de la littérature et de la religion Zoroastriennes. Appendice à la traduction de l'Avesta (Fragments des nasks perdus et index).
194728777d'AnellaMarcel 1947 approx.
(Tibet - Lamaismo - Orientalismo- Louise Eugène Alexandrine Marie David) In 8° (cm 20x13,5), legatura in mezza pergamena chiara con al dorso filetti in oro e tassello in pelle marrone con titolo dorato, carta marmorizzata ai piatti, pp. 244,(4), con 36 illustrazioni fotografiche in b/n su tavole fuori testo. Volume solido e ben conservato.
(Buddismo - Tibet - Orientalismo - Louise Eugène Alexandrine Marie David) In 16° grande (cm 18,5x12,5), legatura in mezza pergamena chiara con al dorso filetti in oro e tassello in pelle marrone con titolo dorato, carta marmorizzata ai piatti, pp. III,(1),257,(3). Volume solido e ben conservato.
1953432181953 Paris, Plon, 1953, in 8° broché, 245 pages ; couverture illustrée (légèrement fanée).
Paris, Plon, 1962, 16mo brossura editoriale, pp. 246. Lievi tracce d’uso e segni del tempo. Molto buono.
In 16°, brossura editoriale, pp. VI, 171, (5); esemplare molto buono. (XB4/B) (XB4/B)
(Viaggi - Ottocento - Turchia - Istanbul ottocentesca - Illustratori orientalisti italiani) In 8° grande, legatura coeva in mezza pelle nera, al dorso titoli e fregi ornati impressi in oro, piatti in pecallina ocra scuro, pp. (6),612, ritratto di Edmondo De Amicis in antiporta, frontespizio figurato in cui una galleria di personaggi fa da contorno al Ponte di Galata affollato di gente, numerose illustrazioni a piena pagina e vignette xilografiche di Cesare Biseo nel testo. Seconda edizione illustrata. Nota di possesso al recto dell'occhiello. Volume solido e ben conservato.
