1 481 résultats
Very Good English Original gold-tones albumen photograph from 'Holy Land pictures', London, 1870. Oblong folio. (30,5 x 38 cm); photographic image size: 15x20 cm. Descriptive text in English. (Nazareth, from the East, with the Well of the Virgin. In this neighborhood, our Lord and Savior Jesus Christ spent nearly thirty years of his life: And over these "Sacred Acres" often roamed "Those blessed feet that once were nailed, for our advantage to the bitter cross.".). Frank Mason Good, born 1839 in Deal, Kent, began his photographic career as an assistant to photographer Francis Frith. Good is known to have been active during the 1860s and 1870s. He lived most of his life at Phoenix Green, Hartley Wintney, (and died there on 28th June 1928) but had studios in London and Brighton. In 1870 he married Margaretta Teape at St Mark, Goodman's Fields. Following Margaretta's death (on 29th December 1904) he married his second wife, Jessie Emily Waghorn, in 1906, at Hartley Wintney. He is best known for his stereographic photographs of the Near East, and it was Frith who sponsored Good's first trip there. Other geographic locations captured by Good include Spain, Greece, and the Isle of Wight. Frank Mason Good is best known for his series of views of the Middle East taken on four separate tours of the area in the 1860s and 1870s. He first traveled to Egypt as an assistant to Francis Frith in late 1857. He joined the Photographic Society in 1864, and in 1880 served as a judge of its annual exhibition. He lived at Hartley Wintney, Winchfield, Hampshire.
Very Good English Original gold-tones albumen photograph from 'Holy Land pictures', London, 1870. Oblong folio. (30,5 x 38 cm); photographic image size: 15x20 cm. Descriptive text in English. (Shechem (Nablus), between Ebal and Gerizim Shechem (Nablus), between Ebal and Cerizim: This was Abraham's first halting-place, Gen. xii. 6; Here Jacob settled and bought a piece of land, Gen, xxxiii, 19; Here Joshua assembled the people just before his death, Josh, xxiv; And here the ten tribes rebelled against Rehoboam, 1 Kings xii.). Frank Mason Good, born 1839 in Deal, Kent, began his photographic career as an assistant to photographer Francis Frith. Good is known to have been active during the 1860s and 1870s. He lived most of his life at Phoenix Green, Hartley Wintney, (and died there on 28th June 1928) but had studios in London and Brighton. In 1870 he married Margaretta Teape at St Mark, Goodman's Fields. Following Margaretta's death (on 29th December 1904) he married his second wife, Jessie Emily Waghorn, in 1906, at Hartley Wintney. He is best known for his stereographic photographs of the Near East, and it was Frith who sponsored Good's first trip there. Other geographic locations captured by Good include Spain, Greece, and the Isle of Wight. Frank Mason Good is best known for his series of views of the Middle East taken on four separate tours of the area in the 1860s and 1870s. He first traveled to Egypt as an assistant to Francis Frith in late 1857. He joined the Photographic Society in 1864, and in 1880 served as a judge of its annual exhibition. He lived at Hartley Wintney, Winchfield, Hampshire.
Very Good German Paperback. Roy. 8vo. (24 x 17 cm). In German. 20 p., iv numerous b/w plates (Tafeln). Ein Weiteres Sultansbild von Gentile Bellini aus russischem Besitz. A study on Gentile Bellini, (1430-1507), was an Italian painter of the school of Venice. He came from Venice's leading family of painters, and at least in the early part of his career was more highly regarded than his younger brother Giovanni Bellini, the reverse of the case today. From 1474 he was the official portrait artist for the Doges of Venice, and as well as his portraits he painted a number of very large subjects with multitudes of figures, especially for the Scuole Grandi of Venice, wealthy confraternities that were very important in Venetian patrician social life. In 1479 he was sent to Constantinople by the Venetian government when the Ottoman Sultan Mehmed II requested an artist; he returned the next year. Thereafter a number of his subjects were set in the East, and he is one of the founders of the Orientalist tradition in Western painting. His portrait of the Sultan was also copied in paintings and prints and became known all over Europe.
138112aafFribourg, Academic Press / Göttingen, Vandenhoeck & Ruprecht, 2014, gr. in-8vo, X + 440 p. + 5 leaves, orig. publisher’s illustrated red cloth. Spines sunned, else a fine set.
138199aafFribourg : Acad. Press / Göttingen : Vandenhoeck & Ruprecht, 1996, gr. in-8vo, 337 S. + 6 Bl., ill., rosa Original-Pappband, / orig. hardcover. Neuwertig.
1936VOY465MFlammarion, Paris, 1936. 139 p. In-8. Broché. Illustré de quelques photos en noir et blanc hors texte. Sous jaquette.
972026Audin "Les Grands Maîtres" Paris 1948 In-8 ( 230 X 140 mm ) de VIII-382 pages, broché sous couverture rempliée imprimée du titre en rouge et noir. Illustrations hors-texte. ( Petit ex-libris en bleu sur la page de garde. Un des 300 exemplaires numérotés sur papier à la cuve B.F.K de Rives ( N°25 ). Parfait état.
ORD-4163Extrait de la Galerie Contemporaine. s.d. (vers 1880). In-f°(262 x 347mm) de 6ff. comprenant 1 première page de texte avec portrait photo collé (87 x 123mm) par MULNIER dans un cadre, 5 pages de texte de Edouard DRUMONT, 6 dessins dont 1 à pleine page et 2 grandes photoglypties (185 x 238mm) et (217 x 167mm) de GOUPIL collées sur carton des peintures de FROMENTIN Chasse au lion et Arabes en prière. On note aussi un texte de George SAND en fac-similé sur FROMENTIN. Bon exemplaire.
1887PHO-1277Paris, E. Plon et Cie, 1887. Grand in-8, demi chagrin à coins, tête dorée, dos à nerfs avec titre,couverture conservée , [3] ff., xiv-[1]-398 pp., [1] ff.. Illustré d'après les dessins et tableaux de l'auteur, de 12 eaux-fortes hors-texte gravées par Le Rat, Courtry et Rajon, d'une héliogravure procédé Goupil hors-texte et de 4 gravures en relief , ex-dono de Conrad Kilian , géologue et explorateur du Sahara à François Chasseloup-Laubat , peu de rousseurs , dos insolé ,taches et 3 feuillets gondolés dus à la colle de la dédicace .
18428Paris E. Plon et Cie, imprimeurs-éditeurs 1879 in 4 (29x21) 1 fort volume reliure demi chagrin rouge à coins de l'époque, dos à nerfs, tête dorée, frontispice, XIV [1], et 398 pages. Ouvrage illustré de 12 eaux-fortes par Lerat, Courtry et Rajon, une héliogravure (frontispice), et 45 gravures hors-texte d'aprés les dessins de Fromentin. Bel exemplaire, bien relié ( Photographies sur demande / We can send pictures of this book on simple request )
43861Paris E. Plon et Cie, imprimeurs-éditeurs 1879 in 4 (29x21) 1 fort volume reliure demi chagrin rouge à coins de l'époque, dos à nerfs, tête dorée, frontispice, XIV [1], et 398 pages. Ouvrage illustré de 12 eaux-fortes par Lerat, Courtry et Rajon, une héliogravure (frontispice), et 45 gravures hors-texte d'aprés les dessins de Fromentin, rousseurs éparses. Eugène Fromentin, 1820-1876. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1888156141888 Paris: Plon, 1888. In-4:,reliure demi chagrin a coins, dos a nerfs, caissons ornés, piecede titre maroquin vert, titre doré,tete marbrée, xiii-392 pp. Edition illustrée de 12 eaux- fortes par le Rat, Coutry et Rajou, d'une héliogravure par le procédé goupil et de 4 gravures en reliefs d'après les dessins de Fromentin.
20783Paris, E. Plon, 1879. Fort in-4, 398 pp. 25 pl., basane caramel, dos à nerfs, couverture conservée (épidermures, couverture défraîchie, petites rousseurs).
Fine English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Turkish. 151 p. Oryantalistik hadis arastirmalari. Makaleler. Translated by Mustafa Ertürk. Turkish Edition of Juynboll's 'Studies on the origins and uses of Islamic hadith'.
Original boards. 8vo, 240 pages, 19cm. SUBJECTS: Chronology. Egyptian language -- Writing, Hieroglyphic.. Some wear to outer boards, otherwise Good Condition. (AC-2-8)
16744L'Art les Artistes Paris, 1910, brochure in-4, pp.147-192. Nombreuses illustrations en noir. Comprend : Les annonciations par Gabriel Mourey / Etienne Dinet par Léonce Bénédite (avec une planche en couleurs). Petits accrocs aux dos. Intérieur en parfait état.
(Fiabe orientali - Medioevo islamico - Orientalismo) Due volumi in 8°, legature in piena tela editoriale con sovraccoperte e custodia rigida illustrate a colori, tagli di testa colorati, nastrini segnalibro, pp. XXXI,(1),1324 ; 1275, con complessive 16 tavole a colori fuori testo. Collana ''I Millenni''. Ottimo stato di conservazione.
98809aafGrenoble, B. Arthaud succ. des Editions J. Rey, 1932, gr. in-8vo, 190 p., orné de 181 héliogravures et d’aquarelles de Marius Hubert-Robert, reliure en demi-cuir à faux-nerfs, couverture originale illustrée conservée. Bel exemplaire.
101018ENS ENS Editions, Coll. Signes, 2008, 365 p., broché, coins des plats un peu cornés, des pliures légères sur les plats, intérieur propre.
46556aafParis, Maisonneuve frères, 1921, gr. in-8°, 220 p. + 21 planches ill. avec 24 photograv., cachet à la nouvelle adresse de l'éditeur sur couverture, brochure originale.
1358A Amsterdam et se vend à Paris, Chez Desaint & Saillant, 1754., (1bl), VIII, 215p, (1bl) - HRL - Bel exemplaire en veau marbré de l'époque, dos plat orné de fleurons à motif de tulipes, tranches rougies, traces d'usure sur la coiffe supérieure et inférieure. Agréable exemplaire. -
in-8, 331 pages, broché. Pli au 1er plat sinon bel exemplaire. [LAFF]
(Mille e una notte - Novelle orientali - Orientalismo - Oriente) Due volumi riuniti in unico tomo in 8°, legatura coeva in mezza pelle color testa di moro, dorso a 4 piccoli nervi con titolo e fregi ornati impressi in oro, carta decorata ai piatti, pp. 647,(1) ; 453,(1), con doppio frontespizio figurato ed a stampa in entrambi i volumi, numerose le illustrazioni nel testo. Esemplare solido e ben conservato.
1981SPIRIT321061945450525Paris, Desclée de Brouwer, 1981, 14 x 21,5, 392 pages cousues sous couverture souple illustrée.
187668891876 plaquette in-octavo, dos muet et couverture marron légèrement défraîchis, long papier, ex-libris sur la page de garde de la première de couverture, 127 pages, 1876 Paris Librairie Orientale De Maisonneuve et Compagnie,