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Very Good Very Good English Original cloth bdg. Dusst wrapper. Folio. (32 x 24 cm). Edition in English. 251 p., b/w and color ills. An eyewitness of the Tulip Era: Jean-Baptiste Vanmour. Edited by Melis H. Seyhun, Arzu Karamani Pekin. An eyewitness of one the most interesting periods in Ottoman history is a Western artist: Jean-Baptiste Vanmour. Today, as part of the collection of Rijksmuseum Amsterdam, nearly sixty paintings of the artist depict the Ottoman world in a realistic style: Sultans, grand viziers, prominent imperial officials, daily life scenes from Istanbul, an ambassador´s audience with the Sultan and other significant events such as the Patrona Halil Rebellion. An eyewitness of Tulip Era: Jean Baptiste Vanmour, sheds light to the works of this unique painter and documents one of the most significant periods in Ottoman civilization and culture through the perspectives of four renowned art histroians.
New New English Original cloth bdg. Dust wrapper. Folio. (32 x 24 cm). Edition in English. 251 p., b/w and color ills. An eyewitness of the Tulip Era: Jean-Baptiste Vanmour. Edited by Melis H. Seyhun, Arzu Karamani Pekin. An eyewitness of one the most interesting periods in Ottoman history is a Western artist: Jean-Baptiste Vanmour. Today, as part of the collection of Rijksmuseum Amsterdam, nearly sixty paintings of the artist depict the Ottoman world in a realistic style: Sultans, grand viziers, prominent imperial officials, daily life scenes from Istanbul, an ambassador´s audience with the Sultan and other significant events such as the Patrona Halil Rebellion. An eyewitness of Tulip Era: Jean Baptiste Vanmour, sheds light to the works of this unique painter and documents one of the most significant periods in Ottoman civilization and culture through the perspectives of four renowned art histroians.
In 8°, brossura editoriale illustrata, pp.XXIII, (3), 318, illustrazioni n.t. b/n; ottimo esemplare, edizione riveduta e corretta. (ZC05)
New English Paperback. Pbo. 4to. (27 x 23 cm). In English and Turkish. 160 p. Color and b/w ills. "Works by the Dutch painter Marius Bauer from the collections of important museums in America and Europe, especially of the Rijkmuseum in Amsterdam, are being presented to art lovers during the four-month exhibition. Bauer made several journeys through Turkey and was a great admirer of Turkish culture. With drawings, etchings, water colors, oil paintings and letters, the exhibition takes the visitor on Bauer's travels through Turkey. Bauer arrived for the first time in Istanbul by boat in 1888. He disembarked and was immediately captivated by the life, the culture and the industriousness that he encountered there. Narrow streets, markets, bazaars and intimate sightlines, full of people engaged in everyday activities: playing music, trading wares, or on their way to or from the mosque. Occasionally he would catch a glimpse of the Sultan and his retinue. It can be concluded, from the letters that Bauer wrote in Turkey to family and friends, that he undertook long walks every day with his sketchbook under his arm. This resulted in a large number of sketches and drawings that formed the starting point of a great quantity of work when he returned to the Netherlands. Speaking at the opening of the exhibition on May 15, Sabanci University Head of the Board of Trustees, Güler Sabanci said, 'Like all artists enchanted by the east, Bauer was a traveler. He undertook his first voyage, during which he would fall under the spell of the east, in 1888 when he was 21. He sailed to Ottoman Turkey, stopped at Izmir and then made his way to Istanbul. We are overjoyed to have opportunity to bring Bauer's works back to the country he could never forget.".
New English Original bdg. HC. Roy. 8vo. (24 x17 cm). In English. [xLiv], 223 p., ills., in English; [+] 144 p. facsimile of the BEO 350 Protocol Register in Ottoman script. The BEO 350 protocol register edited here is part of the Sublime Porte Archives series of the Prime Ministry Ottoman State Archives in Istanbul. The register covers a number of ceremonies held on various occasions from 1736 to 1808 and primarily concerned with accession ceremonies, funerals and, most of all, the reception of envoys. This edition of the BEO 350 is accompanied by an introduction, a synoptic list of ceremonies, appendices, and indexes. The introduction examines various aspects of Ottoman ceremonies, particularly those of a diplomatic nature, and includes a section on the gifts and offerings exchanged by the Ottoman administration and foreign envoys. As briefly discussed in the introduction, ceremonies contribute, albeit modestly, to the validation of a regime's political legitimacy and to its smooth functioning. When trying to determine the relationship between ceremonial rites and political power, the lofty symbolism of ceremonies needs to be interpreted with great care. Thus, detailed descriptions such as those found in protocol registers are extremely valuable, indeed indispensable, for a solid interpretation.
New English Paperback. Demy 8vo. (22 x 15 cm). In English. 509 p. An Ottoman Saga is a passionate love story set against the background of the great Ottoman Empire in its years of decline and of Europe in turmoil - war, revolution, the birth pangs of nationalism and democracy, marked by the leaders and personalities who transformed the face of the nineteenth century and paved the way to the world wars of the twentieth century: Sultan Abdülmecid I, Emperor Napoléon III and Empress Eugénie, Cavour, Garibaldi, Emperor Franz-Joseph, Disraeli, the Rothschilds, Florence Nightingale, Kaiser Wilhelm II, Otto von Bismarck, Sultan Abdülhamid II, among others. Anchoring the multicultural city of Istanbul at the heart of her narrative, Lâtife Mardin transports the reader from the Crimean War to the magnificient capitals of Europe and intertwines East and West in a historical tale of romance and intrigue as Cynthia and Jonathan strive to be united against all odds.
138273aafLondon, Fisher Unwin Ltd., 1920, in-8vo, XXI + 408 p., illustrated orig. publisher’s illustrated red cloth. Spines sunned, else a fine set.
2006kk2697Les Editions de l'Amateur Cartonné avec jaquette 2006 In-4 (24,8 x 29,8 cm), cartonné avec jaquette, 263 pages, photos en couleur ; quelques petites marques d'usage sur les plats et dos de la jaquette, par ailleurs bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
138111aafFribourg, Academic Press / Göttingen, Vandenhoeck & Ruprecht, 2014, gr. in-8vo, XVII + 257 S. mit Abb. + 6 Bl., orig. publisher’s illustrated red cloth. Spines sunned, else a fine set.
1972GAnn72Metz Le Lorrain 1972 In8 152 pages - broché - bon état - photographies illustrations planche depliante - Au sommaire : Les découvertes archéologiques de Forbach Kasinostein par M Lutz / Les acces sud de Metz Gallo Romain (recherches dirigees par Billoret) par MP Marque / Les lieux dits sur la vegetation secondaire dans le bailliage d'Allemagne par H Hiegel / Les Carmes à Metz par Tribout de Morembert / Le transfert des archives des Ducs de Lorraines à Metz en 1670 par C Hiegel / L'influence française en rhénanie de la fin du XVII siecle au debut du XIX siecle par MF Reitel / Les forets du comte de Bitche au XVIIIe siècle par A Metzinger / Orientaliste contemporain de reputation universelle Jean Vincent Scheil (1858.01940) des freres precheurs par MN Dicop / Quelques jalons de la nouvelle histoire de la Lorraine par F Yves Le Moigne
1972GAnn72Metz Le Lorrain 1972 In8 152 pages - broché - bon état - photographies illustrations planche depliante - Au sommaire : Les découvertes archéologiques de Forbach Kasinostein par M Lutz / Les acces sud de Metz Gallo Romain (recherches dirigees par Billoret) par MP Marque / Les lieux dits sur la vegetation secondaire dans le bailliage d'Allemagne par H Hiegel / Les Carmes à Metz par Tribout de Morembert / Le transfert des archives des Ducs de Lorraines à Metz en 1670 par C Hiegel / L'influence française en rhénanie de la fin du XVII siecle au debut du XIX siecle par MF Reitel / Les forets du comte de Bitche au XVIIIe siècle par A Metzinger / Orientaliste contemporain de reputation universelle Jean Vincent Scheil (1858.01940) des freres precheurs par MN Dicop / Quelques jalons de la nouvelle histoire de la Lorraine par F Yves Le Moigne
200525187Presses de la Renaissance, 2005, in-8°, 270 pp, préface de Jean Leclant, annexes, biblio, broché, couv. illustrée, bon état
195062631950 Paris Payot 1950 In8 broché 399 pages
86855aafWiesbaden, Fourier, 1988, in-8vo, 571 S., ill. mit 370 Abb., Original Kunstlederband, farbig ill..
185983491859 plaquette in-octavo, couverture muette bleue - avec un ex-dono manuscrit, long papier, cicatrices de mouillures en lisière de tête, 20 pages, 1859 à Paris Imprimerie Impériale,
388922 volumes: un volume de texte in-12 (180 x 110 mm), broché, couverture imprimée, (4), xiii, 256 p. et un volume d'atlas in-folio oblong (265 x 347 mm), 6 cartes et plans dépliants et 11 planches. Paris, Charles Picquet géographe du roi (), 1830.
New English Paperback. Demy 8vo. (21 x 14 cm). In English. 156 p. Apologies for the past: Two cases from Turkey. This book explores the issue of collective apology, and its potential to function as a symbolic form of restitution that publicly addresses and acknowledges the grievances faced by victimized groups. It explores two cases of collective apology in Turkey, "I Apologize" online signature campaign in 2008, and an apology speech carried out by a state official on the Dersim massacre in 2011. Both events raised significant public debate in Turkish society. Taking these two recent cases of collective apology and looking at them through the lens of existing scholarship on collective apology, this thesis explores the answers to a set of questions; on the format, wording and enactment of the apologies and their dealing with the issues of responsibility, and reconciliation.
17840051721784 Paris, Debure fils aîné, 1784. In-8 (135 X 202 mm) veau fauve raciné, dos lisse cloisonné de filets dorés, compartiments ornés de fers et fleurons dorés, palettes dorées en queue et tête, pièce de titre maroquin grenat, tranches rouges (reliure de l'époque) ; (2) ff. de faux-titre et titre, portrait-frontispice, LVI-285 pages, (1) f. d'approbation. Infime tache en marge latérale des pages 193 à 242 et dans l'angle supérieur des pages 281 à la fin de l'ouvrage. Trois coins émoussés.
178416651784 Couverture rigide Paris, Debure, fils aîné, 1784. Un volume in-8 (20 x 13 cm), reliure plein veau raciné, dos à 5 nerfs orné, pièce de titre en maroquin bordeaux, filet à froid d'encadrement sur les plats, filet doré sur les coupes, coins légèrement émoussés, quelques épidermures. Portrait de l'abbé Blanchet en frontispice gravé par Saint-Aubin, faux-titre, titre, lvj, 285 (2) pages. Ex-libris manuscrit sur la page de titre de la Marquise de Flamarens. Biographie de l'Abbé Blanchet établie par Jean Dusaulx en tête d'ouvrage. L'ouvrage puise son charme dans sa capacité à transporter le lecteur dans un Orient imaginaire, exotique et idéalisé, mais il reflète également une vision européocentrée de l'Orient. Les récits sont parfois des adaptations de contes persans, arabes ou indiens, revisités pour convenir à une audience française. L'ouvrage contient également un recueil de maximes et proverbes ; "les chiens aboient à la lune, mais la lune n'en brille pas moins", "la plus mauvaise roue d'un chariot est celle qui fait le plus de bruit". Bon exemplaire de cette édition originale posthume.
16139Grande et belle aquarelle orientaliste, 49 x 32 cm. Restauration à prévoir (déchirures et défauts divers).
91392aafLondon, Gelbert Verevengtan, 1872, in-8vo, 426 p., with stains in the beginning, leather binding, borders and corners used, plates with blind print pattern.
19964894Paris ACR Edition 1996 In-4 (h. 28 cm.) 480 pp. reliure cartonnée et toilée, jaquette illustrée. Très nombreuses illustrations en couleurs.
138243aafFribourg : Acad. Press / Göttingen : Vandenhoeck & Ruprecht, 1989, gr. in-8vo, 498 S., Original-Leinen + OU / orig. clothbound, jackett (hardcover). Neuwertig.
91384aafHamburg, Marion von Schröder Verlag, 1937, in-8vo, 308 S., Original-Leinenband.
Novara, De Agostini, 1965, 4to (cm. 29 x 23) tutta tela editoriale con sovraccoperta illustrata a colori (un piccolo strappo) pp. 106 riccamente illustrate da tavole fotografiche a colori. Prima edizione.
