ZIMMER HEINRICH.MareMagnum
COLLECTIFMareMagnum
Maurice Bompard. Voyage en Orient
Au fil du temps éditions, 2013. In-4 carré broché, couverture à rabats de87 pages; Nombreuses reproducitons. Très bon état
340 résultats
In 8°, brossura editoriale illustrata con alette, pp. 33, (2); ottimo esemplare. (ZD5/A) 2213018952 (ZD5/A)
Au fil du temps éditions, 2013. In-4 carré broché, couverture à rabats de87 pages; Nombreuses reproducitons. Très bon état
Mm 120x200 Brossura editoriale di pp. 74, sovraccoperta figurata. Opera in buonissime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Paris, Plon, 1962, 16mo brossura editoriale, pp. 246. Lievi tracce d’uso e segni del tempo. Molto buono.
in-8°, 245 pages, broche, couverture illustree plastifiee. Bel exemplaire [CA32-4] Avec, in fine, des Extraits inédits du journal intime de Loti.
New Turkish Paperback. Large 8vo. (21 x 21 cm). In Turkish. 24 p., b/w and color ills. Macaristan'dan olgular Dogu kâsifi Macarlar.
Roma, Dante Alighieri, 1897. In 16°pp.32n.ritratti n.t. bross.rif.
New English Paperback. Large 8vo. (23 x 23 cm). In English and Turkish. 113 p., color and b/w ills., 2 folding plates, (400 x 20 cm. and 174 x 20 cm.). Long stories: Istanbul in the panoramas of Melling and Dunn.= Uzun öyküler: Melling ve Dunn'in panoramalarinda Istanbul. [In special case]. Long stories opened a visual window to the city of emperors and sultans, a micro-level study of history that focused on the historical topography of the city. The exhibition was curated by Ekrem Isin with M. Baha Tanman acting as project consultant. ??Panoramas constitute the visual narratives of a city. Emperors and sultans cast their shadows in the images stretching before our eyes; the symbols of power piercing the sky are surrounded by the cultural texture of daily life, as well as the city's architectural composition and nature. The raison d'être of a panorama is to bear witness to the urban image that appears as a protagonist on the stage of history, set against the civilizational décor that the eye perceives at first sight. Long Stories: Istanbul in the Panoramas of Melling and Dunn was not only a visual feast, but also a historical survey, which compelled viewers to reconsider the identity of a city that left its mark on the art of panoramic engraving.
Fine English Paperback. Pbo. Roy. 8vo. In Turkish. 139, [7] p. Color and b/w ills. Librairie de Pera. Paintings, drawings, ceramics and art prints from Turkish and Orientalist artists.= Türk ve Oryantalist sanatçilardan resimler, desenler, seramikler ve özgün baskilar. [Auction catalogue].
Fine English Paperback. Pbo. Roy. 8vo. (23 x 116 cm). In Turkish. 313, [7] p. Color and b/w ills. Librairie de Pera. Old people and places.= Eski yerler, eski insanlar. [Auction catalogue].
Editions du Seuil, 1959. In-8 carré broché de 331 pages non coupées. Exemplaire de S.P. Collection Sources Orientales. Très bon état
Paris, Payot, 1949; in-8, (139 x 219 mm), 826 + 6, broché. Traduction intégrale par Charles MAURON.
Editions du Seuil, 1960. In-8 carré broché de 372 pages non coupées. Exemplaire de S.P. Collection Sources Orientales. Très bon état
2 volumes in-12, brochés (petits accrocs à la couv.), XXXV, 361 p. et XLIV, 640 p. Bibliographie. Index. Bon exemplaire.
Paris, Geuthner, 1921-1926, cinque volumi in-8°, legature coeve in mezza pelle con titoli in oro al dorso, piatti marmorizzati, nastri segnalibro in seta azzurra, pp. VII-383 + 400 + 423 + 384 + 431 (così, opera completa). Si tratta del magnum opus, in edizione originale, dell’importante orientalista francese Bernard Carra de Vaux (1867-1952), noto anche per avere denunciato i Massacri Amidiani contro gli Armeni(1894-1897) e per essere stato fiero oppositore dell’antisemitismo negli anni in cui infuriava l’Affaire Dreyfus. Alcune fioriture dovute alla qualità della carta (soprattutto al primo volume), ma volumi ben conservati.
Fine English Paperback. Pbo. Large 8vo. (23 x 18 cm). In French and Turkish. 40 p., 10 numerous b/w plts. Les peintures 'turques' de Jean-Baptiste Vanmour, 1671-1737. Conservees au Rijkmuseum a Amsterdam.= Jean-Baptiste Vanmour'un tablolari, 1671-1737. Amsterdam'daki Devlet Müzesi Kolleksiyonlarindan. Exposition organisee dans le cadre de l'Accord Culturel turco-neerlandais. Ankara 15-29 Mai 1978; Istanbul 20 Juin - 15 Juillet 1978. [Exhibition catalogue]. Preface by S. H. Levie. Contents: Preface.; Introduction.; Jean-Baptiste Vanmour et son ecole., Relations entre l'Empire Ottoman et les Pays-Bas.; L'ambassade de Cornelis Calkoen, 1727-1744, et ses rapports avec le peintre Vanmour.; Histoire de la collection de peintures 'turgues'.; Quelques remarques sur les oeuvres choisies pour l'exposition.; Catalogue.
New English Paperback. Roy. 8vo. (24 x 17 cm). In French. [iv], 257, [3] p. Les origines intellectuelles de l'expedition d'Egypte: L'Orientalisme Islamisant en France, 1698-1798.
Paris, Buchet/Chastel, 1975, 8vo brossura editoriale con copertina illustrata, pp. 184. Molto buono / Ottimo.
xii + 655pp.avec 58 illustrations et 8 cartes, 20cm., brochure originale, 2e édition revue et corrigée, bon état, R60276
viii + 720pp.avec 58 illustrations et 9 cartes, 20cm., 1e édition, reliure cart., dos en toile avec titre doré, 2 cachets, bon état, R99784
in-8, 347 pages, broche, couverture illustree rempliée.— 1 des 1000 exemplaires s./vélin Allura. Très bel exemplaire, très frais (manque la page de titre). [TX-14] Tres belles illustrations pleine page en couleurs.
In 8°, brossura editoriale, pp. 287, (5); copia molto buona. (ZD5/A) (ZD5/A)
(Storia dell'India - Orientalismo - Libri illustrati dell'Ottocento sull'India) In 4°, bella legatura coeva in mezza pelle bordeaux con punte, dorso a 5 nervi con titoli e ricche impressioni in oro,, carta marmorizzata e filetti dorati ai piatti, guardie in carta marmorizzata, taglio di testa dorato, pp. (2),VII,743,(1), con 7 cromolitografie con veline fuori testo, 2 carte e 350 illustrazioni in b/n nel testo, anche a piena pagina. L'apparato iconografico è tratto da fotografie, acquerelli e documenti dell'Autore. Volume solido e ben conservato.
Very Good French In modern cloth bdg. Large roy. 8vo. (24 x 19 cm). In French. [vii], 244, [2] p. Les castes dans l'Inde. Les faits et le system. First Edition.
New English Paperback. Pbo. 4to. (29 x 21 cm). In English and Turkish. 208 p., color ills. "An Orientalist painter who lived almost half a century in Istanbul up to his death, Leonardo de Mango is described by the art commentator Thalasso as, a painter through whom the East spoke. De Mango was born on 19 February 1843, the eldest child of a large family in the town of Bisceglie near Bari in Italy, where he honed his native talent for drawing up to the age of nineteen. In 1862, under the patronage of an aristocratic family of Bari, he entered the Academy of Fine Arts of Naples and studied there for eight years under Filippo Palizzi and of Domenico Morelli. Morelli was also a painter who treated exotic orientalist themes. During this period de Mango also worked with Saverio Altamura, Bernardo Celentano, Raffaele d'Auria, Federico Maldarelli, Raffaele Postiglione and Giuseppe Mancinelli. In 1883 De Mango settled in Istanbul during the reign of Sultan Abdul Hamid II, where he is known to have set up, and taught for some time at, the oil painting department of the School of Fine Arts. Forced to leave Istanbul briefly in 1911 during the Tripolitanian War, the artist returned to the city following the Treaty of Ouchy on 15 October 1912. De Mango was among the artists who, at the initiative of Alexander Vallaury, a teacher in the architecture department of the School of Fine Arts, and Regis Delbeuf, manager of the Istanbul daily Le Stamboul, organized the first painting and sculpture exhibition at Beyoglu in 1901, dubbed the 'Pera Exhibitions in the Passage Oriental', an arcade owned by the French merchant Bourdon. With 27 works, De Mango was the most well represented artist in the exhibition, as he was again in the 1920 exhibition when he was one of 36 artists, participating with 33 of his own paintings. De Mango also had 16 paintings in the last of the Pera exhibitions, which was held in 1903. He painted in the open air and in his workshop at Beyoglu, reflecting the daily life of the different districts of Istanbul until his death in 1930.". Contents: Erol Makzume "The 75th anniversary of the death of an orientalist painter from Pera, Leonardo de Mango"; Roberta Ferrazza "Leonardo de Mango and the Italian community in Istanbul"; Bianca Consiglio "Portrait Painter Leonardo de Mango"; Piero Consiglio - Giacinto La Notte "Leonardo de Mango stages in a life divided between East and West"; Catalogue.
