Prep. by EROL MAKZUME.MareMagnum
340 résultats
New English Paperback. Pbo. 4to. (26 x 22 cm). In English and Turkish. 128 p., color ills. This side of The Aegean from a westerner's brush.= Batilinin firçasindan Ege'nin bu yakasi. [Exhibition catalogue].
727pp., text in latin, 23cm., orig.softcover, VG, X58592
As New English Paperback. Pbo. Mint. 4to. (29 x 22 cm). In English. 169, [13] p. Color and b/w ills. The Turkish sale including works of art, miniatures and calligraphy, textiles, European and Turkish paintings. Soyheby's London. Friday 11 October 1996. [Auction catalogue].
In 8°, tutta tela con brossura editoriale illustrata, pp. 349, (1); esemplare molto buono. (ZE3/A) (ZE3/A)
Very Good English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In English. 260, [2] p., 32 b/w plts. The sultans' harem. An account of the institution as it existed in the Palace of the Turkish Sultans with a history of the Grand Seraglio from its foundation to modern times.
New New English Original bdg. Dust wrapper. 4to. (30 x 24 cm). In English. 343 p., color and b/w ills. The Sultan's procession: The Swedish embassy to Sultan Mehmed IV in 1657-1658 and the Rålamb paintings. In 1657, King Charles X Gustaf of Sweden sent Claes Ralamb as an envoy to Sultan Mehmed IV's court. While he was there, Ralamb commissioned 20 large paintings in oil on canvas, depicting an imperial procession through Istanbul in September 1657, providing a revealing insight into the court of Sultan Mehmed IV in Ottoman Turkey. For the first time, Ralamb's paintings are published here in "The Sultan's Procession". This beautifully illustrated book - containing over 150 colour illustrations - comprehensively covers the full history of the paintings, including a technical analysis from the conservation of one of the paintings. The book also provides a full history of Claes Ralamb and his mission, including the political background of the Swedish embassy, Ralamb's biography and English translations of primary sources in Swedish and Turkish archives. Among the illustrations are over 100 watercolours of people in the Ottoman society from the costume album acquired by Ralamb in Istanbul. These unique Ralamb paintings provide a rare window into life at the Ottoman court in the 17th century.
In 8°, tutta tela editoriale (alcune piccole abrasioni), pp. XXXII, 618, più 32 di catalogo editoriale; buon esemplare,lievi fioriture. Z D 5/B
In 8°, tutta tela editoriale con sovraccoperta illustrata, pp. XVI, 149, (3), con tavole illustrate f.t b/n; buon esemplare, lievi fioriture alle tavole. (ZD4/B) 710020953 (ZD4/B)
In 8°, brossura editoriale illustrata, pp. 191, (1), con tavole illustrate n.t. b/n; esemplare molto buono. (ZB2/A) 0090588819 (ZB2/A)
New English Paperback. Roy. 8vo. (24 x 17 cm). In English. 401 p., b/w ills. The Port-city in the Ottoman Middle East at the age of Imperialism. Acknowledgments Abbreviations Introduction SECTION I Economy: Trends & Developments 1. "ReImagining the World Economy: Market Connectivity and the Ottoman City in the Early Modern and Modern Era". Initially published as "Congruence of Economic Trends and Practices in the Creation of Izmir's Social Space: the City, the Market and the Individual during Mercantile Capitalism", in Alp Yücel Kaya, Ayse Sabuktay & Dilek Akyalçin Kaya, eds., Culture and Politics in the Mediterranean (Izmir Mediterranean Academy: Izmir, 2016), pp. 53-73. 2. "Market Networks and Ottoman-European Commerce, c. 1700-1825", in Ebru Boyar & Kate Fleet, eds., The Ottomans and Trade, special issue of Oriente Moderno, Vol. LXXXVI/1 (Rome, 2006), pp. 109-128. 3. "Commerce in the eastern Mediterranean from the Eighteenth to the Early Twentieth Centuries: the City-Port of Izmir and its Hinterland", International Journal of Maritime History, Vol. X, No. 2 (December 1998), pp. 125-154. 4. "Le développement d'un port méditerranéen d'importance interna-tionale: Smyrne (1700-1914)" Marie-Carmen Smyrnelis, ed., Smyrne, la ville oubliée? Mémoires d'un grand port ottoman (Éditions Autre-ment: Paris, 2006), pp. 21-49. 5. "The Port of Smyrna in the Nine-teenth Century," in Apostolos Vakalopoulos, Constantine Svolopoulos & Bela Kiraly, eds., War and Society in East Central Europe, Vol. XXIII (Institute for Balkan Studies: Thessaloniki, 1988), pp. 261 272. 6. "The Making of a Nineteenth-Century Ottoman Port: the Quay of Izmir", The Journal of Transport History, 3rd Series, Vol. 22/1 (March 2001), pp. 23-46. SECTION II Western Anatolia & The Aegean Islands 7. "The Western Anatolian Coast and the Aegean Islands in the Late Nineteenth and Early Twentieth Centuries: An Economic Survey," Proceedings of the First International Con-gress on the Hellenic Diaspora from Antiquity to Modern Times (Amsterdam, 1991), Vol. II, pp. 251-266. 8. "L'économie de l'Anatolie occidentale, 1908-1914", in Marcel Bazin, Salgur Kan-çal, Roland Perez & Jacques Thobie, eds., La Turquie entre trois mondes (Institut Français d'Études Anatoliennes: Istanbul & Paris, 1998), pp. 239-248. 9. "The Dynamics of Economic Development: Izmir and Western Anatolia, Late 19th/Early 20th Centuries", Kolokyum 19. Yüzyilda Mersin ve Akdeniz Dünaysi (T.C. Mersin Universitesi Yayinlari: Mersin, Turkey, 2002), pp. 65-72. SECTION III The Wider Region 10. "The Mediterranean Commercial World of the Eighteenth Century: Ottoman and Italian Ports", in Michela D'Angelo, Gelina Harlaftis & Carmel Vassalo, eds., Making Waves in the Mediterranean, (Instituto di Studi Storici: Messina, 2010), pp. 467-482. 11. "Greek Commercial practices and long-distance trade: Russia and the Ottoman Mediterranean in the 18th and early 19th cen-turies", in Olga Katsiardi-Hering, Athina Kolia-Demirtzaki & Kater-ina Gardica, eds., Russia and the Mediterranean (Herodotos Press: Athens, 2011), Vol. I, pp. 439-456. 12. "Patras", Review, Vol. XVI (Fall 1993), pp. 387-410. 13. "Monoculture in Nineteenth-Century Greece and the Port-City of Patras", Journal of the Hellenic Diaspora, Vol. 20/2 (1994), pp. 9-34. SECTION IV The Economic Actors 14. "The Greek Mercantile Community of Izmir in the First Half of the Nineteenth Century" in Daniel Panzac, ed., Les Villes dans l' Empire ottoman: Activités et Sociétés, Vol. I (CNRS: Paris, 1991), pp. 391-416. 15. "Ottoman-European Trade, Tax-Farming and the Implemen-tation of the 1838 Anglo-Turkish Convention". Initially published as "The Implementation of the 1838 Anglo-Turkish Convention on Iz-mir's Trade: European and Minority Merchants", New Perspectives on Turkey, Vol. 7 (Spring, 1992), pp. 91-112. 16. "Concurrence commer-ciale et financière entre les pays occidentaux à Izmir pendant le XIXe et début XXe siècles," in Jacques Thobie, Roland Perez & Salgur Kan-çal, eds., Enjeux et Ra
Fine English Paperback. Small 4to. (27 x 20 cm). In English. 54, [2] p., 53 numerous b/w plts., 46 numerous color plates. The people & places of Constantinople. Watercolours by Amadeo Count Preziosi, (1816-1882). It's prepared for the first exhibition on Count Amadeo Preziosi, (1816-1882) in Great Britain. "This is the first exhibition of the work of Amadeo Preziosi to be held in this ccountry. It does not cclaim to be definitive, but it centered on the Museum's substantial holdings and augmented by loans from collections in Great Britain. Preziosi's name is now little known except to specialists, but in the period 1840-70 he was by far the most reknowned artist in Constantinople. He was only retrieved from the critical neglect into which he had fallen in the 20th century by Rodney Searight who began to appreciate his importance while building up his unsurpassed collection of views of the Near and Middle East. Indeed, it is fitting that the exhibition honours not only Preziosi himself but also Rodney Searight, pioneer of the study of this field, whose collection the Museum is raising funds to acquire. It is hoped that the enthusiasm Preziosi's contemporaries felt foe his lively and colourful studies of a now vanished way of life will be appreciated by visitors to the exhibition". (From the Kaufmann's preface).
Fine Fine English Original bdg. Dust wrapper 4to. (28 x 20 cm). In English and Turkish. [viii], 351, [9] p., b/w and color ills. The Ottoman palace women (Women in Turkey).= Osmanli saray kadinlari (Türkiye'de kadin). Ottoman palace women is the third volume of study entitled Women in Turkey, and is a detailed and documentational account of how women of many races, faiths and creeds entered palace service, and of their lifestyles from the humblest to those who attained the coveted position of favourite of wife to the sultan. It was impossible for anyone but the members of the sultan's own household to see and describe the harem of the Ottoman palace. That is why, with rare exceptions, the portrayals of palace officials, female slaves, odalisques, favourites, wives and sultan mothers by foreign artists who visited Istanbul at various times are mere figments of the imagination and as such are interesting testimony to the power of imagination and artistic ability of European painters...".
New English Paperback. 4to. (28 x 24 cm). In English and Turkish. 229 p., color and b/w ills. The logbook of the Ottoman navy: Ships, legends, sailors.= Osmanli donanmasinin seyir defteri: Gemiler, efsaneler, denizciler. Ottoman Principality was introduced to the dark sea of the Middle Ages early in the 14 th century. The battles with the Venetians and the Genoese, conquests in Rumelia, and the establishment of the first shipyards all occurred during this period. As the conquest of Istanbul marked the end of the period of transition from Principality to Empire, the foundations of a strong navy that would unite the Mediterranean and the Black Sea over a political geography were laid. The power of the corsairs diminished by the end of the Renaissance; Barbaros Hayreddîn Pasha personified the golden age of Ottoman sea power. The discovery of the New World had instigated a revolution in the maritime world. Traditional Venetian galleys gave way to Spanish galleons and manpower was replaced by wind power. The Ottoman navy assumed a pioneering role in the process of modernization that extended from the 18 th to the 20 th century. Naval education in the Western sense, the implementation of new technologies and the organization of a modern fleet were all consequences of this period. Advancing from the galley to the battlecruiser, Ottoman sea power had the final say in the affairs of the Empire. "The Logbook of the Ottoman Navy: Ships, Legends, Sailors" exhibition intertwines three distinct, yet integrated mythologies of the sea. The imprint of the ships in Ottoman seafaring history, the battles they were engaged in and the heroes who became legendary in these battles assume their places on the stage of civilization in all their historic magnitude. At the center of the construct lies the extraordinary adventure of the transition from traditional to modern seafaring methods. The quest for power, the demolished thrones and man's identification of his fate with the sea is perhaps the oldest story behind this adventure. The cornerstones of a long history that extends from the legacy of a 16 th century Ottoman galley to the battlecruiser, Yavuz, is brought to light through the memories of seamen.
In 8°, tutta tela con sovraccoperta editoriale, pp. L, 295, (5), con tavole più volte ripiegate ; esemplare molto buono, lievissime fioriture ai risguardi. (XB5/B)ISBN : 710021658 710021658 (XB5/B)
In 8°, tutta tela con sovraccoperta editoriale, pp. L, 295, (5), con tavole più volte ripiegate ; esemplare molto buono, lievissime fioriture ai risguardi. (XB5/B) 710021658 (XB5/B)
Very Good English Original bdg. with new spine. Roy. 8vo. (23 x 15 cm). In English. [xxviii], 507 p., 1 folded engraved color plate of Sebastopol from the sea, 12 numerous folded plans and maps. First Edition. Third volume. The invasion of the Crimea: Its origin, and an account of its progress down to the death of Lord Raglan. Vol. III. Kinglake was an English travel writer and historian. He was born near Taunton, Somerset, and educated at Eton College and Trinity College, Cambridge. He was called to the Bar in 1837, and built up a thriving legal practice, which, in 1856, he abandoned to devote himself to literature and public life. His first literary venture was Eothen; or Traces of travel brought home from the East (London: J. Ollivier, 1844), a very popular work of Eastern travel, apparently first published anonymously, in which he described a journey he made about ten years earlier in Syria, Palestine and Egypt, together with his Eton contemporary Lord Pollington. Elliot Warburton said it evoked "the East itself in vital actual reality" and it was instantly successful. However, his magnum opus was THE INVASION OF THE CRIMEA: Its Origin, and an Account of its Progress down to the Death of Lord Raglan, in 8 volumes, published from 1863 to 1887 by Blackwood, Edinburgh, one of the most effective works of its class. The History, which Geoff Bocca describes as a book "by which no intelligent man can fail immediately to be fascinated, no matter to what page he might open it" has been accused of being too favourable to Lord Raglan and unduly hostile to Napoleon III for whom the author had an extreme aversion. The town of Kinglake in Victoria, Australia, and the adjacent national park are named after him. A Whig, Kinglake was elected at the 1857 general election as one of the two Members of Parliament (MP) for Bridgwater, having unsuccessfully contested the seat in 1852. He was returned at next two general elections, but the result of the 1868 general election in Bridgwater was voided on petition on 26 February 1869. No by-election was held, and after a Royal Commission found that there had been extensive corruption, the town was disenfranchised in 1870.
Very Good English Original bdg. with new spine. Roy. 8vo. (23 x 15 cm). In English. [xviii], 482, [24] p., 1 folded sketch map frontispiece. First Edition. Sixth volume. The invasion of the Crimea: Its origin, and an account of its progress down to the death of Lord Raglan. Vol. VI. Kinglake was an English travel writer and historian. He was born near Taunton, Somerset, and educated at Eton College and Trinity College, Cambridge. He was called to the Bar in 1837, and built up a thriving legal practice, which, in 1856, he abandoned to devote himself to literature and public life. His first literary venture was Eothen; or Traces of travel brought home from the East (London: J. Ollivier, 1844), a very popular work of Eastern travel, apparently first published anonymously, in which he described a journey he made about ten years earlier in Syria, Palestine and Egypt, together with his Eton contemporary Lord Pollington. Elliot Warburton said it evoked "the East itself in vital actual reality" and it was instantly successful. However, his magnum opus was THE INVASION OF THE CRIMEA: Its Origin, and an Account of its Progress down to the Death of Lord Raglan, in 8 volumes, published from 1863 to 1887 by Blackwood, Edinburgh, one of the most effective works of its class. The History, which Geoff Bocca describes as a book "by which no intelligent man can fail immediately to be fascinated, no matter to what page he might open it" has been accused of being too favourable to Lord Raglan and unduly hostile to Napoleon III for whom the author had an extreme aversion. The town of Kinglake in Victoria, Australia, and the adjacent national park are named after him. A Whig, Kinglake was elected at the 1857 general election as one of the two Members of Parliament (MP) for Bridgwater, having unsuccessfully contested the seat in 1852. He was returned at next two general elections, but the result of the 1868 general election in Bridgwater was voided on petition on 26 February 1869. No by-election was held, and after a Royal Commission found that there had been extensive corruption, the town was disenfranchised in 1870.
In 8°, tutta tela con sovraccoperta editoriale, pp. LVI, 1220, lievissimo difetto al taglio per il resto buon esemplare. ZA10/A (spedizione standard SEMPRE tracciata con raccomandata-piego di libri, eventuale FATTURA da richiedere all'ordine) (ZA10/A)
New English Paperback. Roy. 8vo. (24 x 17 m). In English. [x], 221 p. The Great War and the tragedy of Anatolia: Turks and Armenians in the maelstrom of major powers.
In 8°, tutta tela con sovraccoperta editoriale illustrata, pp. 285, (3); esemplare molto buono, lievi bruniture ai soli risguardi. (ZB3/A) (La spedizione standard è SEMPRE tracciata con raccomandata - piego di libri, eventuale FATTURA da richiedere all'ordine) (ZB3/A)
In 8°, tutta tela con sovraccoperta editoriale, pp. (10), 82, con 18 tavole illustrate f.t. b/n; buon esemplare, lieve timbretto al foglio di guardia anteriore. (ZD4/A) (ZD4/A)
Fine English Paperback. Pbo. 4to. (30 x 24 cm). In English and Turkish. 67, [2] p., color and b/w ills. The Artist, The Sultan and his portrait: Mehmed the Conqueror according to Gentile Bellini.= Ressam, Sultan ve portresi: Gentile Bellini'ye göre Fatih Sultan Mehmet. [Exhition catalogue]. Edited by Münevver Eminoglu. Consultant: Günsel Renda. This exhibition consists of a single painting: the famous portrait that the Ottoman Sultan Mehmed the Conqueror had painted by the Italian artist Gentile Bellini about five hundred years ago and is now in the collection of the National Gallery of London. The painting is a magnificent souvenir of a brief 'golden age' in a reminder that, as early as the Renaissance and under the leadership of a strong and foresighted ruler, Ottoman society, which always looked wetward, hd the chance to grasp universal civilization.
New English Paperback. Pbo. 4to. (30 x 24 cm). In English and Turkish. 67, [2] p., color and b/w ills. The Artist, The Sultan and his portrait: Mehmed the Conqueror according to Gentile Bellini.= Ressam, Sultan ve portresi: Gentile Bellini'ye göre Fatih Sultan Mehmet. [Exhition catalogue]. Edited by Münevver Eminoglu. Consultant: Günsel Renda. This exhibition consists of a single painting: the famous portrait that the Ottoman Sultan Mehmed the Conqueror had painted by the Italian artist Gentile Bellini about five hundred years ago and is now in the collection of the National Gallery of London. The painting is a magnificent souvenir of a brief 'golden age' in a reminder that, as early as the Renaissance and under the leadership of a strong and foresighted ruler, Ottoman society, which always looked wetward, hd the chance to grasp universal civilization.
xxiv + 238pp.avec un frontispice en couleurs, dans la "Collection orientale tome XVI" 2e série tome II, 45cm., couv.cart. (dont le dos original manque - à restaurer, coins touchés), texte en français, intérieur en bel état, "imprimé pour l'exposition universelle de 1890", contient 2 ex-libris de Arthur Christian (Paris), [cet ouvrage est tome I contenant la traduction française, T.II.contenant le texte uigur en facsimile manque]
New English Paperback. Pbo. Demy 8vo. (22 x 15 cm). In Turkish. 112 p. Many color ills. Tezgahtan tuvale. Onyedinci Yüzyil Hollanda ve Flaman resminde Osmanli halilari. Ottoman rugs and carpets in the 17th century Dutch and Flemish painting. TURKISH AND ISLAMIC ARTS Turkisg carpet Ottoman culture Orientalism Rug European history of art Painting art Dutch painting.