171 résultats
184849829Boston: Little and Brown 1848. First American edn. Small 8vo pp. 371; 450; 430; 399; 430. Bound in purple cloth stamped in blind spines uniformly faded stamped in gilt. A very nice clean set. Includes "An Essay on the Life and Writings of Edmund Spenser" by Philip Masterman. Little and Brown unknown books
18259006102London: William Pickering; Nattali and Combe; Talboys and Wheeler 1825. Hardcover. Fine Condition. Bound in half brown leather and light green marlbed boards with the covers and spines stamped in gilt. Beautiful floral leaf pattern on the spines. Four raised bands on the spines. Top edges gilt. Marbled endpapers. <br/><br/> William Pickering; Nattali and Combe; Talboys and Wheeler hardcover books
180931943AB1809. First Hibernia Press Edition in the year 1809 of the original 1633-Edition. Two Volumes complete set. Dublin Printed by the Society of Stationers / Reprinted at the Hibernia Press for the Proprietors by John Morrison 1809. Large Octavo. Pagination: Volume I: 2 22 4 pages including the rare engraved dedication-leaf with allegorical vignette for the "Dublin Society" showing the Irish Harp etc. 10 266 8 204 pages plus one errata-leaf / Volume II: 4 410 II 32 pages. Hardcover / Original 19th century publisher's binding. Now professionally restored by a professional bookbinder. Very good condition with only minor signs of wear. Binding with some staining. Deckled edges. Name of pre-owner H.L.Conner. to both title-pages. hardcover
1805SET25-F-4London : F. C. and J. Rivington 1805. Leather. Very Good. 8" by 5";. None. A set of the poetical works of Edmund Spenser widely regarded as one of the greatest English poets. Containing all his best-known poetry including The Faerie Queen April and Astrophel. Spenser's masterpiece is an extensive poem The Faerie Queene. The first three books of The Faerie Queene were published in 1590 and a second set of three books were published in 1596. This extended epic poem deals with the adventures of knights dragons ladies in distress etc. yet it is also an extended allegory about the moral life and what makes for a life of virtue. With engraved frontispiece of Spenser to Volume I. Spenser was called a Poet's Poet and was admired by William Wordsworth John Keats Lord Byron and Alfred Lord Tennyson among others. The language of his poetry is purposely archaic reminiscent of earlier works such as The Canterbury Tales of Geoffrey Chaucer and Il Canzoniere of Francesco Petrarca whom Spenser greatly admired. Spenser's Epithalamion is the most admired of its type in the English language. It was written for his wedding to his young bride Elizabeth Boyle. The poem consists of 365 long lines corresponding to the days of the year; 68 short lines representing the sum of the 52 weeks 12 months and 4 seasons of the annual cycle; and 24 stanzas corresponding to the diurnal and sidereal hours. Complete in eight volumes. Rebound in half-morocco bindings with marbled boards and original spine labels. Externally smart with some minor wear to the spines and some sunfading to the boards. Internally firmly bound. Institutional stamps to recto of front free-endpaper. Pages are spotted with some foxing throughout. Very Good F. C. and J. Rivington hardcover
1839159411London: William Pickering 1839. An attractively bound set published for the Aldine Edition of the British Poets renowned for its elegant typography and for the diligence of its editors. Spenser's poetry influenced "virtually all major poets writing in English before the twentieth century" and his The Faerie Queene is one that "any aspiring English poet has felt obliged to read carefully and imitate" ODNB. The publisher Pickering's "achievements are now well acknowledged: the introduction of cloth binding leading to the wider availability of books at lower prices; the publication of reputable editions of both standard and neglected works; and a close attention to book design which had a lasting influence" ODNB. 5 vols small octavo 158 x 199 mm. Engraved frontispiece to vol. 1 publisher's anchor device to title pages woodcut headpieces. Early 20th-century tan calf for Hatchards Piccadilly spines with gilt-dotted raised bands green morocco labels elaborate floral decoration in gilt to compartments covers bordered with a triple gilt fillet board edges and turn-ins tooled in gilt grey endpapers edges gilt green silk bookmarkers. Early 20th-century bookplate to front pastedowns of Margaret Elizabeth Holland Dewar 1873-1940 Lady Forteviot; a most attractive pseudo-Expressionist linocut design depicting Dupplin Castle - residence of the Barons Forteviot from 1911 - the fish-filled River Earn flowing beneath the banks decked with rose bushes the variety "Lady Forteviot" being named in her honour. A very good set bright and square some minor scuffs to covers light scratch to leather on front cover of vol. II book block of vol. I cracked before half-title remaining firm contents crisp and clean. hardcover
1839160090London: William Pickering 1839. An attractively bound set published for the Aldine Edition of the British Poets renowned for its elegant typography and for the diligence of its editors. Spenser's poetry influenced "virtually all major poets writing in English before the twentieth century" ODNB. The publisher Pickering's "achievements are now well acknowledged: the introduction of cloth binding leading to the wider availability of books at lower prices; the publication of reputable editions of both standard and neglected works; and a close attention to book design which had a lasting influence" ibid. 5 vols small octavo 158 x 199 mm. Engraved frontispiece to vol. 1 publisher's anchor device to title pages woodcut headpieces. Contemporary red morocco spine with raised bands lettering and intricate gilt decoration in compartments covers elaborately framed in gilt and in blind floral gilt decoration to board edges and turn-ins yellow coated endpapers edges gilt. Spines uniformly faintly toned trivial rubbing to extremities sides bright minor loss to a few endbands headband of vol. I missing short superficial split to rear inner hinge of vol. I but firm foxing to endpapers and a couple of initial and final leaves in each volume short closed tear to rear free endpaper in vol. IV sporadic marks to contents otherwise clean. A very good set presenting handsomely in the binding. hardcover
1891226115London George Bell and Sons 1891. 1891. Aldine edition. Small 8vo. Engraved frontispiece portrait engraved by Aug. Fox Vol. I. 3/4 contemporary gilt stamped tan calf spines with raised bands elaborate gilt stamped floral designs within gilt ruled compartments three gilt stamped tan leather labels marbled endpapers t.e.g. by Sotheran Very good-fine. 5 volumes. No signatures or bookplates. Hardcover. Fine. London, George Bell and Sons, 1891. hardcover books
189511858New York: Dodd Mead & Co. Good with no dust jacket. 1895. Limited Edition. Hardcover. This edition limited to 25 copies; this copy unnumbered with "Artist's copy" written in red above his signature on limitation page. Moderately soiled gilt dec faux vellum mild bumping and rubbing small split upper spine end small spatter of black paint lower rear corner. Front hinge cracked but holding o/w solid binding. Pages browned. Three illustrations each with a few small brown soil spots and abrasions as if from a past failed attempt at cleaning . No ex-lib marks stamps or stickers. ; 8vo 8" - 9" tall; Unpaginated pages; Signed by Illustrator . Dodd, Mead & Co. hardcover
180354894London: Printed by and for C. and R. Baldwin 1803. Very good. First edition of this collection celebrating the revival of the sonnet tracing its history from Spenser to Shakespeare and Milton through contemporaries Charlotte Smith Mary Robinson and a young Leigh Hunt. The English sonnet fell out of fashion in the early 18th century only to come roaring back to popularity with the publication of Charlotte Smith's ELEGIAC SONNETS in 1784. But this volume provides a much wider and more nuanced picture of the development of the English sonnet including Smith's predecessor Thomas Edwards and her contemporaries Anna Seward whom Henderson especially likes William Lisle Bowles Helen Maria Williams and Mary Robinson. Henderson's introduction contextualizes the wide range of sonnets included from the amatory Robinson to the elegiac Smith. This compendium established the state of playing field for the form in the Romantic era and it was a favorite form of Coleridge Keats Shelley and Wordsworth. Coleridge wrote a pamphlet celebrating the form in 1796 and the first poem Wordsworth published was "Sonnet on Seeing Miss Helen Maria Williams Weep" in 1787 an homage to Williams and Charlotte Smith both. A notable Romantic-era collection unusual in so widely acknowledging the debts of English poetry to women writers. Contemporary half roan marbled paper boards gilt-ruled and -lettered spine. Red speckled edges. Illustrated with engraved frontispiece and two further full-page engravings by T.W. Tomkins after P. Henderson. xl 192 pages. Some pencil notes to endpapers. Binding rubbed at extremities some foxing largely marginal to first few gatherings. Printed by and for C. and R. Baldwin unknown
1859320589Edinburgh: James Nichol 1859. hardcover. near fine. 5 volumes. slim 8vo 3/4 decorative green morocco evenly faded to brown top edges gilt light scattered foxing. Edinburgh: James Nichol 1859. A very handsome set.<br/> <br/> James Nichol unknown
189745367London: J. M. Dent. Very Good with no dust jacket. 1897. Hardcover. Oversized two volume set. Half vellum with marbled boards morocco/gilt spine labels marbled endpages TEG ribbon marker. Limited to 100 copies on handmade paper and 1250 copies on ordinary paper. Fairfax-Muckley edition. Pp. Lii 1156 continuous pagination Inner hinges have been reinforced. Minimal foxing/soil/rubbing. ; quarto . J. M. Dent hardcover
1882026962London: by the author Printed for Private Circulation Only. 1882. Book. Fine. Half Leather. Limited Edition. 8vo 14 x 22cm. 1882-4. A fine nine volume set of this edition limited to 100 copies - Printed for Private Circulation Only. The title pages state "in ten volumes" but in the event only 9 volumes were publised. Fine contemporary uniform bindings by Zaehnsdorf of restrained but elegant half brown morocco with marbled boards and 5 raised bands to the spines lettered in gilt; bindings very good with a little gentle wear only spines very slightly faded. All edges marbled to match boards and end-papers. Contents clean and tight; a little foxing more or less confined to the front and rear blanks otherwise unmarked. A superb set of this rare and desirable edition limited to just 100copies. Provenance: With the attractive bookplate of Claude Goldsmit-Montefiore to most front paste-downs. Claude Joseph Goldsmid Montefiore 1858 - 1938 was son of Nathaniel Montefiore and the great nephew of Sir Moses Montefiore. Some identify him as a significant figure in the contexts of modern Jewish religious thought Jewish-Christian relations and Anglo-Jewish socio-politics. Wikipedia. [by the author] Printed for Private Circulation Only. Hardcover
18954226New York: Dodd Mead and Company 1895. First editions thus. First editions thus. Both the trade edition and the scarce One of 25 Copies on full faux-vellum both in fine condition. 1 Limited Edition. One of Only 25 Copies Copy #3 Signed by George Wharton Edwards. Full stiff faux-vellum over boards with superb gold-blocked cover design by Edwards green lettering on both covers spine with perpendicular crosswise ruling. Green wavy silk endpapers. With exquisite Art Nouveau style full and half page illustrations throughout by George Wharton Edwards. The frontispiece and title page are printed in goldEach leaf of the book uniquely mounted onto the same material as endsheets printed on heavy paper. A wonderful production indeed. A fine copy. Exceedinly scarce and the few copies that have shown up have defects; 2 The trade edition same format without tipped-in pages Limited to 450 Copies. In original light green fine wove cloth with same cover illustration by Edwards stamped in gold. A fine copy. Both issues sold together here. Most scarce. <br/><br/> Dodd, Mead and Company hardcover books
18978274<p>Archibald Constable & Co. Westminster. London. 1897-1900. SIX VOLUMES. FIRST KATE WARREN EDITION. 8vo.6.8 x 4.4 inches. Illustrated frontis to each volume - 3 portraits and 3 sepia photographic views River Blackwater County Cork ; Ruins of Kilcolman Spenser's home in Ireland ; Glengarriff County Cork. each with a tissue guard. Each volume with an extra decorative title page. A fine and clean set with a few of the gatherings still unopened. Finely bound by Riviere in early twentieth century quarter vellum with single raised bands. Green title labels ruled and lettered in gilt. Arts and Crafts style tall flower design with stems leaves and flower in gilt to each spine. Blue cloth on boards. Top edges gilt others untrimmed. Some minor marks to the cloth on a few of the boards but the spines all clean and the gilt bright so the set looks great on the shelf. A very attractive set of vellum bindings.</p> Archibald Constable & Co. Westminster. London. 1897-1900 hardcover
1862012419London: Smith Elder & Co 1862. Complete in 2 volumes. Books measure 21.5x15.cm. Collation xix1400pp16 coloured or tined plates including frontis 2 folding maps LACKING MAP OF DISTRICTS KINA BALU . Bound in modern half leather leather corners cloth boards raised bands gilt lines lettering leather labels. Both bindings in very good clean firm condition. Internally occasional minor spotting/tanning short closed tear to margin of maps. Pages and plates in good clean condition. Generally a good clean solid set.F . First Edition. Half Leather. Very Good. 8vo. Smith Elder & Co Paperback
1825BOOKS071124ILondon: William Pickering. Nearly fine set in full leather. 1825. 1st. leather. 8vo 1975 pp. Bound by Zaehnsdorf with their stamp on the endpapers in full dark blue leather with gilt decorated spines with raised bands in five panels; contrasting titles volume numbers and date at the base on each volume; top edges gilt; marbled endpapers. Very minor rubbing to a bright handsome set. . William Pickering hardcover
180523995London: F.C. and J. Rivington et al. 1805. 8 volumes large 8vo ten inches tall - an old penciled note on the endpaper calls this a Large Paper copy engraved frontis portrait in vol. 1 contemporary full polished paneled tan calf neatly rebacked black morocco labels on spine a.e.g.; edges a little worn title-p. and frontis in vol. 1 browned else very good and sound. Lowndes p. 2477. <br/><br/> F.C. and J. Rivington [et al.] unknown books
180523995London: F.C. and J. Rivington et al. 1805. 8 volumes large 8vo ten inches tall - an old penciled note on the endpaper calls this a Large Paper copy engraved frontis portrait in vol. 1 contemporary full polished paneled tan calf neatly rebacked black morocco labels on spine a.e.g.; edges a little worn title-p. and frontis in vol. 1 browned a few minor spots and stains else very good and sound. Lowndes p. 2477. F.C. and J. Rivington [et al.] unknown
1862ST19567-034London: Bell and Daldy 1862. 229 x 152 mm. 9 x 6". Five volumes. Edited by John Payne Collier. <br/> VERY ATTRACTIVE DEEP BLUE PEBBLE-GRAIN MOROCCO HANDSOMELY GILT covers with frames of one dogtooth and three plain rules raised bands spines in antique-style compartments with delicate scrolling cornerpieces and intricate central fleuron surrounded by small tools densely gilt floral turn-ins marbled endpapers all edges gilt. With frontispiece portrait of Spenser in volume I. Front pastedown with armorial bookplate of Herbert Lionel Bashford M. A. Dibon Lodge Godalming. See: Day "History of English Literature to 1660" pp. 187-89. Spines just a shade darker than covers a couple covers with a slightly blotchy appearance due to leather preservative but quite an attractive set in generally fine condition the text fresh and bright and the leather lustrous.<br/> <br/> The first modern English poet to achieve major stature Spenser ca. 1552-99 in Day's words demonstrated "with his fluency in many meters and stanzaic forms . . . that English was at least the equal to any other language as a vehicle of great poetry." While his poems particularly "The Faerie Queene" look backward as the culmination of the allegorical verse tradition of the Pearl Poet Langland and Chaucer he has influenced with "his fertile imagination and especially his sensuous imagery and melodic language" nearly every important English poet who followed him. Day DNB praises Collier's "Spenser" first published in 1862 as "an excellent edition with the completest life of the poet that had as yet appeared." Despite his great knowledge and love of early English authors Collier 1789-1883 suffered a certain diminished respect because of his propensity for textual fabrication. This was true particularly in the case of the notorious "Perkins folio" supposedly containing an early copy of Shakespeare's works with superior variant readings which turned out to be forged. Britannica comments that these "fabrications . . . may charitably . . . be attributed to literary monomania but . . . it is difficult to speak with patience of them so completely did they for a long time bewilder the chronology of Shakespeare's writings." Apart from its important content this set is quite lovely on the shelf. The bindings are unsigned but they have the feel and appearance of work done by James Hayday 1796-1872 one of the most prominent and productive English binders of the 19th century. The present set is typical of Hayday's decorative work for a large market using high quality leather and being liberal with gilt embellishment. Bell and Daldy unknown
18054529London: printed for F.C. and J. Rivington T. Payne Cadell and Davies and R.H. Evans 1805. 8 vols. 8vo. pp. xiv cxcii 213; ii ccxx 216; ii 472; ii 542; ii 480; ii 486; ii 564; ii 581 engraved portrait frontispiece engraved by Joseph Collyer. Contemporary full diced russia gilt ruled with fully gilt spines lettered direct several joints skilfully renewed; booksellers ticket of Calignant Paris. A handsome example of the best and most beautiful - according to Brunet - edition of Spensers works. Todds Poetical Works of John Milton 1801 became the standard edition of Milton for some decades. Here Todd assembled critical material by John Hughes Joseph Spence Thomas Wharton and John Upton and contributed his own biography of Spenser as well as additional notes. Writing in the Edinburgh Review vol 13 1806 Sir Walter Scott was less than complimentary. He described Todds style as of a dry sober and sleepy cast and was critical of his decision to reprint the notes of earlier commentators in full at the foot of each page rather than extracting their spirit and essence himself especially where they contradict one another five to one would be odds even against Culley or the Game Chicken and Spenser stood in danger of being overwhelmed but Scott did allow that the text is correctly and judiciously edited. One can sympathise with Scotts rejection of variorum editions but in the present work Todd had compiled a comprehensive survey of Spenserian scholarship as it existed two hundred years after the poets death. Brunet V 487. OCLC: 2917268 Book printed for F.C. and J. Rivington, T. Payne, Cadell and Davies, and R.H. Evans unknown
1897186438London: J. M. Dent & Co. 1897. First Fairfax-Muckley edition one of 1250 copies printed on ordinary paper. This edition was intended as a stylistic companion to Dent's Le Morte d'Arthur 1894-95 illustrated by Aubrey Beardsley and as a competitor to the George Allen edition of The Faerie Queene illustrated by Walter Crane and published the same year. Fairfax-Muckley 1862-1926 was an influential leader of the arts and crafts Birmingham School having studied painting and drawing at the Birmingham School of Art in the early 1880s. A 1901 profile by the Society of Designers declares that he "has always had a strong bent towards the straightforward methods of the early painters. as witness the beautiful designs for his well-known edition of the 'Faerie Queene' which fully express his natural admiration of the early Italian work" p. 171. Dent commissioned Beardsley and Fairfax-Muckley to illustrate his deluxe arts and crafts publications in an effort to emulate the success of the Kelmscott Press. An additional limitation of 100 copies on handmade paper was also issued. 2 vols quarto. Woodcut frontispieces and title pages 25 woodcut illustrations 11 bifolia woodcut initials head-and tailpieces ornaments and borders throughout. Original cloth spine elaborately decorated in gilt sides decorated in gilt top edge gilt others untrimmed silk bookmarkers. Ownership stamp of one George Hallet on the half-titles and p. xi. Lightly rubbed foxing to cloth endpapers and edges bookmarkers detached: a very good copy. Society of Designers 'A Designer of the Birmingham School' The Artist: An Illustrated Monthly Record of Arts Crafts and Industries 1901. hardcover
186288581Bell & Daldy 1862. First Edition. Hardcover. Very Good. First Editions First Printings. Published by Bell & Daldy 1862. Octavos. Finely bound in red crushed morocco with gilt tooled spine and panel edges. Five raised spine bands and black spine labels stamped in gold. Gilt stained page ends. Binding signed Bound by New. on rear pastedown of each volume. Books are very good/near fine. Spine straight corners sharp. Bindings tight and pages crisp. Each volume has a bookplate on front pastedown from the Wadsworth Library in Geneseo New York. They do not have names filled in on the line. Some light pencil notations of old prices on first blank page. Each volume bears the contemporary ownership signature dated May 23 1864 on first blank page. Only other library markings is a small neat 5 digit catalog number on the obverse of the title page of each volume. Some light shelf wear/rubbing to the boards. A wonderful complete set of the works of Edmund Spenser. Printed by the Chiswick Press. Scarce complete in this condition. 2282 total pages. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton New York. Bell & Daldy hardcover
1882218315London : printed for private circulation 1882-1884 1882. Limited Edition. Hardback. Good to very good copies in the original gilt-blocked cloth. Gilt-tooled portrait and decorative border to front panels. Spines bands worn with some fraying evident in places. Spine covers faded and sun-toned. Some fading and toning also evident to the panels of vols. 1-3 and 7-9. Panel edges dulled and rubbed. Bumped corners. Small tear between the top of the spine cover and front panel of vol. 5. Vols. 6 7 8 and 9 are unread copies with unopened pages. Fore and bottom page edges rough-trimmed. Internally pages are clean and bright with just some scattered spots of marginal foxing evident in places. Remains quite well-preserved overall. Further scans images etc. and additional bibliographical material available on request. ; 8vo 8"" - 9"" tall; 0 pages; Physical description: 9 v. : facsim. ill. maps ; 20 cm. 100 copies only in this form --c.f. title page. Contents: v. 1. Life of Spenser / by the editor with appendix. Essays: Characteristics of Spenser's poetry / by Aubrey de Vere. Spenser the poet and teacher / by Prof. Edward Dowden. Certain aspects of the poetry of Spenser / by the Rev. W.B. Philpot. The introspection and outlook of Spenser / by the Rev. William Hubbard -- v. 2. The Shepheards calender and Glosse 1597: with various readings of the quartos 1579-91 -- v. 3. Complaints 1590-91. Essay on English pastoral poetry / by E.W. Gosse. Rider on the same ; Who were Rosalinde and Menalcas ; Notices of Edward Kirke / by the editor -- v. 4. Essays on the minor poems of Spenser / by F.T. Palgrave. Daphnaida: an elegie upon the death of . Douglas Howard etc. 1591. Colin Clouts come home again 1595. Amoretti and Epithalamion 1595. Fowre hymnes 1596. Prothalamion or A spousal verse etc. 1596. Astrophel etc. and Sonnets -- v. 5. The faerie queene. bk. i.-ii. -- v. 6. The faerie queene. bk. ii. continued-iii. -- v. 7. The faerie queene. bk. iii. continued-v. -- v. 8. The faerie queene. bk v. continued-vi. Two cantos of Mvtabilitie. Letter to Sir Walter Raleigh. Commendatory poems and sonnets -- v. 9. Prose: A veue of the present state of Ireland. Letters etc. Subjects: Spenser Edmund 1552-1599 -- Collected works -- Biography -- English literature -- Poetry -- Verse -- Prose -- Studies interpretation and criticism. [London] : printed for private circulation, 1882-1884 hardcover
1897102598George Allen 1897. Hardcover. Very good/No jacket. Walter Crane. The original 19 parts published between 1894 through 1896 with illustrations by Walter Crane bound into six volumes with the original wraps. Limited to 1000 copies. Bound in white cloth covers are darkened in places with a couple water stained on the spine though no damage seen on the text block. George Allen hardcover
187313535London: Bickers and Son 1873. Hardcover. Very good/No jacket issued. London: Bickers and Son 1873. Edited by J. Payne Collier. 5 vols. Hardcover. 8vo. Full vellum over boards. Gilt spines elaborately tooled in compartments with green and maroon morocco gilt lettering labels. Cover with gilt double rule borders. All edges stained red top edges faded. Marbled endpapers. A very handsome shelf presence. Very good/No jacket issued. Multiple volumes - extra shipping charges apply Insurance required to ship this item. Bickers and Son hardcover books