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192937370Scholartis Press 1929. 8vo. First Edition thus on hand-made laid paper; tan full crushed morocco boards framed in blind gilt back gilt top marbled endpapers brown silk marker a near fine copy. EDITION LIMITED TO 95 NUMBERED COPIES THIS COPY NO. 12 SIGNED BY THE EDITOR. Scholartis Press, hardcover
8vo., First Edition thus, on hand-made laid paper; tan full crushed morocco, boards framed in blind, gilt back, gilt top, marbled endpapers, brown silk marker, a near fine copy. EDITION LIMITED TO 95 NUMBERED COPIES (THIS COPY NO. 12) SIGNED BY THE EDITOR.
1860023316Boston: Little Brown and Co 1860. 12mo. In five volumes. Portrait frontispiece in volume 1. These volumes were at first intended to be a little more than a reprint of the edition published in 1839. But the necessity of reducing the annotations to a more compact form and the hope of making some improvements led to alterations becoming more extensive as it progressed. The glossary had been entirely reconstructed. The life of the Poet is believed to be more complete and more correct than any former biography. A very good set bound in full contemporary calf boards triple ruled in blind slightly raised bands gilt with compartments fully gilt decorated red morocco spine labels gilt all edges marbled with matching endpapers Bookplate belonging to Minot Volume 4 with chip to head some light chipping to foot of volume 3 and wear through to corners a few spots of rubbing internally clean and bright without foxing. Little, Brown and Co unknown
DADAX0198118244OXFORD UNIVERSITY PRESS 1922-02-22. hardcover. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. OXFORD UNIVERSITY PRESS hardcover
1884WytST. J71London: Smith Elder & Co. 1884. 1884. 8vo. pp. xiv 1 leaf 343. folding partially hand-coloured engraved map. original black & gilt-stamped cloth recased covers rubbed spine ends repaired with darker coloured cloth. First Edition. St. John wrote this account of Haiti after spending several years there as a chargé d'affaires and later resident minister. Included are chapters on population voodoo worship and cannibalism and a general description of the country and its history. Cundall 507. F. Hardcover. London: Smith, Elder & Co., 1884. Hardcover
193075969London: The Cresset Press 1930. Hardcover. Fair Condition. John Nash. A lovely production with coloured illustrations by John Nash and printed on hand made paper. The outside of this copy has suffered somewhat with the vellum darkened and the cloth boards heavily marked and bumped at the corners. Also on the rear board the cloth has peeled back a little from the opening edge exposing the board. The interior is bright and clean. Size: Folio. Illustrator: John Nash. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Inventory No: 75969. . The Cresset Press hardcover
190951143Cambridge: At the University Press 1909. Limited edition no. 97 of 350 copies two volumes 4to. Upper hinge in volume I slightly cracked but sound. Original quarter buckram paper spine labels some mild browning and creasing very good. The text is taken from the 1596 edition. Cambridge: At the University Press unknown
1798142573London: Printed and Published for the Author by George Cawthorn British Library No. 132 Strand 1798. 40pp. Narrow octavo 140 mm x 230 mm. Paper wrappers with black text and a small engraving to the front. String-tied. Some soiling along the edges of the wrappers as well as edgewear and a few closed tears that have been professionally repaired. A very good copy of an incredibly scarce item. Written by Edmund Spenser "the Younger"--not the Spenser who wrote the great allegorical epic poem "The Faerie Queen" in 1590. This play is based off of the seventeenth issue of the serial The Spectator; this serial devoted numerous issues to the topic of so-called "Ugly Clubs" a social club who would apparently only admit members with unappealing facial features. This play is very scarce with no other copies listed for sale at the time this one was catalogued nor any relevant auction records. Printed and Published for the Author by George Cawthorn, British Library, No. 132, Strand unknown
1953003850ACUniversity Press - Oxford: The Limited Edition's Club 1953. Limited Edition. Fine. Agnes Miller Parker. A very nice two volume boxed set. The Limited Editions Club number 1371/1500 copies. No bumped corners to books. No bumped corners to slipcase. No splits to slipcase. No bookplates or ownership marks. A very nice set. The Limited Edition's Club unknown
2085London: Caxton Publishing Company 1907. A 12mo. 290 pages including an index of first lines. With an introduction by William Butler Yeats. Portrait frontispiece and pictorial title page by A. S. Hatrick. Eight full page plates by Jessie M. King printed on heavy stock and embellished with gilt details. A bit of wear at the head of the spine and corner tips endleaves browned else a fine copy. White 74. books
195329261New York: Limited Editions Club 1953. Limited edition. Hardcover. Very good. Parker Agnes Miller. #464 of 1500 copies signed by Agnes Miller Parker on the colophon. Printed at University of Oxford Press two 4to volumes full green buckram gold-stamped. Illustrated with wood engravings by Agnes Miller Parker and pen decorations by John Austen introduced by John Hayward. Bookplate to front pastedown fo each volume else fine in near fine slipcase covered in pictorial paper with printed spine label. Signed by the artist. Limited Editions Club hardcover
1953280896Oxford: Limited Editions Club 1953. Limited. hardcover. near fine/very good-. Agnes Miller Parker. Illustrations engraved on wood by Agnes Miller Parker. 2 volumes 29 plates and many other illustrations in the text. Thick 4to. gilt stamped green cloth gilt spine dust wrappers wrapper spines very toned and one tearing away from front panel. Oxford: Limited Editions Club 1953. Near Fine in very good - dust wrappers.<br/><br/> One of 1500 numbered copies signed by the illustrator.<br/><br/> Limited Editions Club unknown books
1839023860London: William Pickering 1839. Book. Full Leather. The Aldine Edition of the British Poets. 5 VOLUMES COMPLETE. A very good set bound in full gilt green leather with some light rubbing and scuffing to the spines mainly vol. 1 and some foxing to the preliminary pages in all volumes. Portrait in vol. 1. A.e.g. Part of Pickering's renowned Aldine Edition of the British Poets. Images available upon request. 12mo - over 6 3/4" - 7 3/4" Tall Size: 12mo - over 6 3/4" - 7 3/4" Tall. William Pickering Hardcover
049763London: Spenser Society. Edited with a new life based on original researches and a glossary embracing notes and illustrations by.Alexander R. Gorsart. Printed for private circulation only 1882-4 in 150 sets. 9 volumes original green cloth b/w illus. deckle edges scattered ink/pencil annotations of two former private owners. A tenth volume Glossary with notes and illustrations was never published. The front hinge of the fourth volume is totally broken. Contents: v. 1 A life of Spenser by the editor with appendix etc. v. 2 The Shepheards calender and Glosse 1597: with various readings of the quartos 1579-91. v. 3 Complaints 1590-91 etc. v. 4 Essays on the minor poems by F. T. Palgrave etc. v. 5-8 The Faerie Queene. v. 9 Prose: a veue of the present state of Ireland etc. Spenser Society unknown
1953215665The Limited Editions Club 1953. Hardcover. Fine condition covers bright text clean and binding tight without dust jackets but in a good sturdy lightly worn and soiled slipcase. Size: 8.11.5 inches 992pp. illus #1465 of 1500 copies signed by A. Miller Parker. The Limited Editions Club hardcover
189556144NY: Dodd Mead & Co. Very Good. 1895. Hardcover. Original green cloth decorated in gilt. . Ex-University library with ink stamps and removed bookplates. Limited to 450 copies. Slight rubbing/soil to cloth. Title page in red and black. B/w illustrations throughout. ; 8vo 8" - 9" tall . Dodd, Mead & Co hardcover
1905047238London and New York: J. M. Dent and E. P. Dutton & Co. 1905. First American edition 1905. Pictorial hardcover top edge gilt other edges untrimmed color frontis and title page 23 black and white plates plus smaller black and white illustrations throughout the text. Covers quite rubbed not uncommon for this title especially at the extremities internally very good with good hinges sound text block clean pages no names or other markings. . First US Edition. Hard Cover. Good. 8vo - over 7¾" - 9¾" tall. J. M. Dent and E. P. Dutton & Co. Hardcover
2023BIBSD0094316622023. Full Leather Bound. NEW. Size: 19.68 x 24.13 cms A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED GREEN BLUE MAGENTA TAN PURPLE DEEP BROWN BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in 1859 and this unique edition is Reprinted in 2023 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life professionally processed without changing its contents. As these are old books we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. If it is multi volume set then it is only single volume. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - english Pages 852. Product Disclaimer: Please be aware that because leather is a natural material slight discoloration or change in texture may be visible. FOLIO EDITION Size 12x19 Inches IS ALSO AVAILABLE ON REQUEST. hardcover
1859FB197 /Str shlf<p>Red leather binding with gilt lettering and raised banding on the spine. All edges gilt.</p><p>This book also has "Epithalamion" added. <strong><em>The Faery Queene</em></strong> is an English epic poem by Edmund Spenser. Books I–III were first published in 1590 then republished in 1596 together with books IV–VI. <em>The Faerie Queene</em> is notable for its form: at over 36000 lines and over 4000 stanzas it is one of the longest poems in the English language; it is also the work in which Spenser invented the verse form known as the Spenserian stanza. On a literal level the poem follows several knights as a means to examine different virtues and though the text is primarily an allegorical work it can be read on several levels of allegory including as praise or later criticism of Queen Elizabeth I. In Spenser's "Letter of the Authors" he states that the entire epic poem is "cloudily enwrapped in Allegorical devices" and that the aim of publishing <em>The Faerie Queene</em> was to "fashion a gentleman or noble person in virtuous and gentle discipline". Spenser presented the first three books of <em>The Faerie Queene</em> to Elizabeth I in 1589 probably sponsored by Sir Walter Raleigh. The poem was a clear effort to gain court favour and as a reward Elizabeth granted Spenser a pension for life amounting to £50 a year though there is no further evidence that Elizabeth I ever read any of the poem. This royal patronage elevated the poem to a level of success that made it Spenser's defining work. <strong>Edmund Spenser</strong> 1552/1553 – 13 January 1599 was an English poet best known for <em>The Faerie Queene</em> an epic poem and fantastical allegory celebrating the Tudor dynasty and Elizabeth I. He is recognized as one of the premier craftsmen of nascent Modern English verse and is often considered one of the greatest poets in the English language. Though Spenser was well-read in classical literature scholars have noted that his poetry does not rehash tradition but rather is distinctly his. This individuality may have resulted to some extent from a lack of comprehension of the classics. Spenser strove to emulate such ancient Roman poets as Virgil and Ovid whom he studied during his schooling but many of his best-known works are notably divergent from those of his predecessors. The language of his poetry is purposely archaic reminiscent of earlier works such as <em>The Canterbury Tales</em> of Geoffrey Chaucer and <em>Il Canzoniere</em> of Francesco Petrarca whom Spenser greatly admired. An Anglican and a devotee of the Protestant Queen Elizabeth Spenser was particularly offended by the anti-Elizabethan propaganda that some Catholics circulated. Like most Protestants near the time of the Reformation Spenser saw a Catholic church full of corruption and he determined that it was not only the wrong religion but the anti-religion. This sentiment is an important backdrop for the battles of <em>The Faerie Queene</em>. Spenser was called "the Poet's Poet" by Charles Lamb and was admired by John Milton William Blake William Wordsworth John Keats Lord Byron Alfred Tennyson and others. Among his contemporaries Walter Raleigh wrote a commendatory poem to <em>The Faerie Queene</em> in 1590 in which he claims to admire and value Spenser's work more so than any other in the English language. John Milton in his <em>Areopagitica</em> mentions "our sage and serious poet Spenser whom I dare be known to think a better teacher than Scotus or Aquinas". In the eighteenth century Alexander Pope compared Spenser to "a mistress whose faults we see but love her with them all."</p> Routedge Warnes. hardcover
1997DADAX1576571025Brand: Paradise Press Inc 1997-03-05. paperback. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Paradise Press, Inc paperback
19301400260London: The Cresset Press 1930. Book. Illus. by John Nash. Good/Very Good. Cloth with vellum spine. Limited/Numbered. Folio - over 12" - 15" tall. Number 236 of 350 copies Internally very good binding firm cover somewhat marked with wear to corners/ edges. Pics available. The Cresset Press hardcover
1953065714London: The Limited Editions Club Printed by Oxford University Press 1953. Book. Illus. by John Austen decorations; Agnes Miller Parker wood engravings. Fine. Hardcover. Signed by Illustrators. Limited Edition. 4to - over 9¾" - 12" tall. SIGNED LIMITED. Complete in two 2 volumes uniformly bound in light green cloth lettered in gold foil deckled text block edges slipcased lacking dust jackets. No. 718 of an edition limited to 1500 copies hand-numbered and signed by illustrator Agnes Miller Parker on rear limitation page. xviii512 viii513-9921 pp. illus. Both volumes show modest tanning to spine cloth otherwise as issued. Slipcase show tanning with bottom panel showing evidence of having been mended. The Limited Editions Club [Printed by Oxford University Press] Hardcover
1805blb05593<p>London: F. C. and J. Rivington T. Payne Cadell and Davies & R. H. Evans 1805. Hardcover. Good. Four of the 8 Volumes - beautifully produced books but with some wear. Conditions the same except as noted below: Full fine leather with double gilt ruling around front and back. All edges of text block marbled and match endpapers. Attractive ex-libris plates from the original owner - The Right Honourable Sir Richard Peel Drayton Manor. Could be the former Prime Minister or his son also Sir Richard Peel. Given the date of the book most likley the former Prime Minister. ""With the Principal Illustrations of Various Commentators."" Generally books are tight and square with sharp edges and corners. Specifically Volume I: Front cover detached but otherwise Very Good. Spine covering all present and Good with bright gilt decorations. Volume II: Front cover detached but otherwise Very Good. Spine covering all present and Good with bright gilt decorations. Volume IV: Both covers loose but present and otherwise Very Good condition. Top 3rd of spine covering missing. Volume VI: Front board detached and spine covering mostly missing but otherwise very good condition.</p> F. C. and J. Rivington, T. Payne, Cadell and Davies, & R. H. Evans hardcover
190051836London: Illustrated London News 1900. 1st edition. Near Fine. folio. 3/4 leather 84 ivpp. b/w pls. text ills. photogravures8 Folio-size. Contains many nice full-page ills. & Plates of Commanders. Minor wear to edges o/w nice copy & internally excellent Illustrated London News hardcover
2304SB060<p>With Memoir and Critical Dissertations. The text edited by Charles Cowden Clarke. In five volumes. Vol. I to Vol. V. Cassell Petter & Galpin. London Paris & New York. S.d. </p>_x000d_<p>5 Volumes de 20x135 cm. Com xviii ii 304; xxii ii 359; xxii ii 355 i; vi 318; viii 330 págs. Encadernações com lombadas em pele com ferros a ouro. Cortes das folhas mosqueados. </p>_x000d_<p>Exemplar com etiquetas do encadernador nas pastas anteriores de todos volumes apresenta manchas de oxidação nas páginas de todos volumes e capas manuseadas.</p>_x000d_<p>Edmund Spenser 1552 Londres 13 de janeiro de 1599 foi um poeta inglês cujo longo poema alegórico The Faerie Queene é um dos maiores da língua inglesa foi escrito no que veio a ser chamado de estrofe spenseriana. Consagrou-se por suas poesias renascentistas que introduziram o bucólico às artes inglesas. Estudou na Universidade de Cambridge onde foi sem dúvida importante para a aquisição de seu amplo conhecimento não só do latim e um pouco do grego clássicos mas também da literatura italiana francesa e inglesa de sua época e de épocas anteriores.</p>_x000d_<p>Autor de vários obras entre elas: <em>The Shepheardes Calender; The Faerie Queene; Complaints; Epithalamion; Astrophel. </em></p> I-120-F-24 unknown