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194215004Pittsburgh: Fantasy 1942. First edition. Paperback. Good . 8vo. 130 pp. Literary magazine with a primary focus on poetry edited by Stanley Dehler Mayer. This issue with special Latin America focus including a story by Eduardo Mallea and poems by Borges Neruda Nicolas Guillen Salvador Novo and others. Plus William carlos Williams Kenneth Rexroth Richard Eberhart and more. Covers worn. A good to very good copy in bound printed wrappers. <br/><br/> Fantasy paperback books
201219254Stanford CA: Stanford University Libraries 2012. First Edition. Hardcover. Near fine/near fine. 4to. Blue cloth in graphic dust jacket. Near fine or better in like DJ. Trace edgewear to jacket. Several pages perhaps a trifle warped. Interior otherwise fine: bright clean and crisp throughout. Appears almost unread. 529pp. <br/><br/>Published on the occasion of the exhibition of the same name. An elegantly designed catalogue featuring reproductions from books based on poems by Neruda and Lorca produced by Mary Julia Kilmenko Manuel Neri Thomas Ingmire and Daniel E. Kelm. Introductory essays in parallel English and Spanish. An impressive production. (Stanford University Libraries) hardcover books
197001212Washington DC: Audiovisual International Center for the Arts and Culture and Venezuela: Edicione Institucionales Publicadas c.1970. First edition limited to 1000 c. 10 Vinyl Records. Very Good Plus. SPANISH LITERATURE. Ed. Jose Guillermo Carrillo. Contributors: Pablo Neruda Carlos Fuentes Octavio Paz Rafael Alberti Miguel Angel Asturias et al. "Narradores y Poetas Hispanoamericanos del Siglo XX: Titulo Original de la Obra: The Voice of the Literature Box-Set of 10 Vinyl RecordsSpanish." Washington DC: Audiovisual International Center for the Arts and Culture and Venezuela: Edicione Institucionales Publicadas c.1970. First edition limited to 1000 copies this example numbered 0210. A box-set of 10 vinyl records of Spanish spoken word all in sleeves with slip-case. 12 1/2 x 12 1/2 inches. 84 oz. 10 vinyl records. Shelf-wear. Light marking on bottom of box. Minor wear to record sleeves. Records themselves play well and in very good condition. Very Good Plus to Near Fine. No ISBN. No ASIN. Washington DC: Audiovisual International Center for the Arts and Culture and Venezuela: Edicione Institucionales Publicadas unknown
19829718Buenos Aires Argentina: Ediciones Dos Amigos 1982. One of 30 copies all on buff Okawara hand-made paper printed in purple ink. Bound: loose in original buff wrappers housed in blue and black paper over boards clamshell box fine. Page size: 24 leaves; 10-1/2 inches x 8-5/8 inches. Handset in Garamond 20pt. by Claudio R. Lopolla and printed letterpress under the supervision of Cesar Palui. An elegant edition of this poem of love and sadness from TWENTY POEMS OF LOVE AND A DESPERATE SONG originally published in 1924. Ediciones Dos Amigos unknown books
198910693Buenos Aires: Ediciones Dos Amigos 1989. Artist's book one of 50 copiesall on Canson paper in several colors blue cream beige grey lavender signed by the artist on each of the two etchings in pencil and dated "88". Page size: 9-13/16 x 6-1/2 inches; 32pp. Bound: loose as issued in red wrappers printed in black with author and title; housed in custom-made orange cloth over boards clamshel box with "a sus amigo" printeded in dark orange and the name of the press and paraphe box a bit rubbed but book is fine. These two poems by Pablo Neruda printed by Ruben Paul LaPolla in black red green blue and brown ink often two colors per page were set by hand by Samuel Cesar Palui in 12pt Garamond. Ernesto Lowenstein oversaw the printing of this lovely New Year's greeting for friends of the press. This is a lovely book of verse complemented with two stunning etchings by Alicia Scavino - mystical magical and a loving homage to the poet. Ediciones Dos Amigos unknown books
1992Bio0466Hamburg/Zürich, Luchterhand Literaturverlag, 1992. Aus dem Spanischen von Thomas Brons. - Pappband mit Schutzumschlag. - SU minimal berieben, Schnitt mit leichten Lagerungsspuren, sonst tadellos. 8° Buch Hardcover
19430086609Mexico City: Ediciones La Lucha de la Juventud 1943. First edition. Paperback. Fair. 1943 First Edition Spanish text. Softcover. 509 pp. Two page prologue by Pablo Neruda. Inscribed on the half-title by Jose Renau the 'Caratula exterior' of La Lucha de la Juventud. Illustrated throughout with reproductions of images of Russia WW II politicians battle scenes and a striking woodcut portrait of Ehrenburg by L. Mendez. A Fair copy. LACKS front wrap; chipping to top edge of spine; paper age-toned but not brittle. Clean interior. A rare book -- OCLC locates only 5 copies -- and it doesn't seem to have a corresponding edition in either English or Russian. Neruda was a diplomat in Mexico up to 1943 which helps explain his inclusion in this project. Ediciones La Lucha de la Juventud paperback
In-16 (cm 19,3x11,9), pp. 271, brossura edit. illustrara a c. A cura di Giuseppe Bellini. I edizione "paperbacks poeti/28". Macchiolina al taglio inferiore e ordinari segni del tempo in brossura. MOLTO BUONO (FINE). WORLDWIDE DELIVERY
19391013<p>First edition. With a dedication from Neruda paperback 58 pages Agrupacion de Intelectuales Artistas Periodistas y Escritores A.I.A.P.E Montevideo 1939. 17.0 x 12.5 cm. Copy with a damaged spine a few pages underlined. Pages yellowed with age. Binding firm. Rare edition</p> Ediciones AIAPE paperback
CHILI 7/9Gallimard, "nrf essais", 1973, 404 p. Couverture imprimée. Traduit de l'espagnol par Bernard Lelong.
36162Paris : Editions Seghers / Laffont, 1974 - in-8 broché de 215 pages - bon état -
213805np: np nd. Presumed first ediiton. Softcover. 24 pages. Text in English and Italian. Features a contribution by Pablo Neruda. Includes numerous color illustrations. A near fine copy in stapled wrappers. A scarce catalog on this Italian artist. np unknown
194200352ANTHOLOGY OF CONTEMPORARY LATIN-AMERICAN POETRY New Directions 1942 first edition near fine in like dust-wrapper with 2 closed tears. Poetry printed in both English and Spanish. Contributions by: Borjes Neruda et.al. If not the first certainly among the earliest appearances in print in this country of these 2 major Latin American writers. New Directions unknown
1961225025Hollywood: California Quarterly 1961. Pamphlet. 48p. 6x9 inches very good poetry journal booklet in stapled pictorial wraps. Coastlines was a left-leaning publication that lasted between 1955 and 1964 replacing The California Quarterly when it folded in the mid-1950s. It published many radical poets including John Beecher and Thomas McGrath both of whom lost their teaching positions during HUAC hearings. It was the epicenter of the Los Angeles poetry movement which has long been overlooked due to the prominence of the Beats in NYC and San Francisco. California Quarterly unknown books
1988Khe05418Zürich ( Manesse ) 1988 (= Erste Auflage). kl-8°, blind- und goldgeprägtes Orignaleinen (Hardcover), 433 S., Dünndruck, ISBN 3717517627 1
«Nessun poeta dell'emisfero occidentale del nostro secolo - ha scritto Harold Bloom - regge un confronto aperto con lui». Il libro ricostruisce le tappe esistenziali e le opere di Neruda, a partire dalle raccolte giovanili "Crepusculario" e "Veinte poemas de amor..." e racconta gli incontri con Borges, lo scrittore Guillermo de Torre e il poeta César Vallejo nel viaggio verso Oriente, dove Pablo soggiorna come console, mentre nascono le prime liriche di "Residencia en la tierra" che inaugurano una nuova scrittura. Quindi descrive la stagione di Neruda a Madrid, accolto con successo da García Lorca e i rappresentanti della Generazione del '27 e la maturazione politica del poeta a favore dell'impegno sociale e della Repubblica durante della guerra civile spagnola, che ispira il libro "España en el corazón". Negli anni Cinquanta, inseguito da un ordine di cattura del Presidente González Videla, Neruda raggiunge Parigi, quindi l'Italia e l'isola di Capri, dove vive il romanzo d'amore con Matilde Urrutia, reso noto dal film Il postino. Il capitolo finale, dopo la scoperta dei crimini di Stalin e l'adesione all'utopia socialista di Salvador Allende, racconta l'ultimo amore segreto del poeta, descrive il libro inedito "Álbum de Isla Negra", ricostruisce i giorni della morte e la leggenda del suo possibile avvelenamento... Autori: Gabriele Morelli.
10053Paris GLM mars 1948. 1 vol. 200 x 290 mm de 70 p. 2 et 1 f. Broché. . Édition originale de la traduction française. Un des 25 exemplaires sur Alfama justifiés et signés par l'éditeur réservés aux Amis de GLM. . « Tous comprennent la douleur qui tient à la mort écrit-il / mais la vraie douleur n'est pas présente à l'esprit . / La vraie douleur qui maintient éveillées les choses / est une petite brûlure excessive dans les yeux innocents des autres systèmes. » Composés à New York où Federico Garcia Lorca passa l'année 1924 comme étudiant à Columbia les textes de ce recueil chantent la ville et ses paysages : « L'aurore de New-York a / quatre colonnes de boue / et un ouragan de colonnes noires / qui barbotent dans les eaux croupies ». Toutefois le « Poème double du lac Edem » tient ici une place à part : « me voici buvant mon sang buvant mon horreur d'enfant mûr ». Prière d'insérer conservé. Couverture en partie insolée. Paris, GLM, (mars) 1948. 1 vol. (200 x 290 mm) de 70 p., [2] et 1 f. Broché. unknown
194391577Mexico: Ediciones Darro 1943. Softcover. Very Good. First edition. Printed wrappers. 12mo. Age-toning and a little spotting and staining to the wrappers a sound and handsome near very good copy. Ediciones Darro unknown
L14260Madrid. Ediciones Ulises, 1937. In-8 reliure pleine percaline, pièce de titre dorée, couvertures et dos conservés. Graphisme du premier plat par Mauricio Amster. Préface-hommage de Pablo Neruda. Cette deuxième édition (après celle de 1931) devint nécessaire après l'assassinat de Garcia Lorca le 19 août 1936. Hommages de A. Machado, Carlos L Sàenz, P. Neruda, A. M. Ferreiro en fin de volume. Édition en partie originale.
1977582842Portland Oregon: Comite para la Liberacion de Africa del Sur 1977. Softcover. Fine. First American edition Spanish-language issue; a variant issue in dark blue wrappers Klein calls for blue-gray. Slim octavo. Illustrated. Fine in stapled pictorial wrappers with a tiny cover stain almost not worth mentioning. A variant on Klein A.14.c.; also published in English with somewhat different text format and illustrations. This edition for example prints Neruda's poem "Martí" inside the wrappers where the English edition prints information and other titles by the organization that published it. The article is taken from Madrid's revista Triunfo from January 1977. Very uncommon. Comite para la Liberacion de Africa del Sur unknown
194810053Un des 25 exemplaires signés par GLM Paris, GLM, (mars) 1948. 1 vol. (200 x 290 mm) de 70 p., [2] et 1 f. Broché. Édition originale de la traduction française. Un des 25 exemplaires sur Alfama justifiés et signés par l'éditeur, réservés aux Amis de GLM.
198190925Darmstadt ; Neuwied : Luchterhand, 1981. 256 S., Ill. OPp., gebundene Ausgabe, SU.
Mm 145x215 Volume cartonato, sovraccoperta editoriale, custodia e cartone protettivi originali, 928 con XLVIII tavole a colori. Condizione del libro: nuovo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
194922.1439Santander: Taller de Artes Gráficas de los Hermanos Bedia 1949 - 1952. 1ª ed. Once volúmenes encuadernados en plena piel verde. 17.5x25. Taller de Artes Gráficas de los Hermanos Bedia unknown
br. Nel 1949 Pablo Neruda, deputato comunista, è costretto a fuggire dal Cile. Inizia per lui un periodo di esilio che lo porterà infine a Capri, al fianco della cantante Matilde Urrutia. Il poeta dedicò liriche appassionate alla donna amata e all'isola che li accolse, riunendole in due splendide raccolte: "Las uvas y el viento" e la mitica "Los versos del capitán", uscita in forma anonima a Napoli nel 1952 grazie alla sottoscrizione degli esponenti più in vista dell'intellighenzia italiana. Da Renato Guttuso a Luchino Visconti, da Carlo Levi a Giulio Einaudi, senza dimenticare Elsa Morante, Palmiro Togliatti, Giorgio Napolitano, Antonello Trombadori. Quarantaquattro sottoscrittori per quarantaquattro copie numerate di un libro che Neruda riconobbe come proprio solo dieci anni più tardi. Dopo lunghe ricerche José Goñi ripercorre con dovizia le tappe della permanenza dell'artista cileno in Italia, delineando il contesto politico e culturale irripetibile che lo vide protagonista e restituendoci la figura di un poeta civile completamente immerso nel proprio tempo.
