43 résultats
18115520Montpellier: Chez Jean Martel Ainé 1811. First edition. A scarce copy of St Laurens's thesis before the academic tribunal at the medical department of the University of Montpelier to obtain the title of doctor of medicine. No covers largely disbound with the gathers loosely sewn. complete. A clean and tidy copy despite the lack of covers! In ink "No 13" to the front cover. Presumably from an archive at some point. 20 pages. 28cm x 22.5cm. Conforms to WorldCat / OCLC: 758628900. Holdings in a few French libraries only. . Première édition. Exemplaire rare de la thèse présentée par St Laurens devant le jury académique de la faculté de médecine de l'université de Montpellier en vue d'obtenir le titre de docteur en médecine. Sans couverture largement déreliée avec les cahiers cousus de manière lâche. Complet. Un exemplaire propre et soigné malgré l'absence de couverture ! « N° 13 » écrit à l'encre sur la couverture avant. Probablement issu d'archives à un moment donné. 20 pages. 28 cm x 225 cm. Conforme à WorldCat / OCLC : 758628900. Disponible uniquement dans quelques bibliothèques françaises. Chez Jean Martel Ainé unknown
188529414Boston Massachusetts: D. Lothrop & Co 1885. Cloth. Near Fine. 4 5-423 1 pages. Small 8vo. Publisher's brown cloth with gilt titling and debossed wave pattern in black ink. Previous owner's name J. V. Hannrd and date Sept '92 on front flyleaf with initials at head of title pages. A bright clean copy with minor spotting to the page edges and a few pages with foxing internally. Corner tips worn scratch to rear panel spine still bright. A much nicer copy than usually found. Cloth. "Anna Laurens Dawes May 14 1851 – September 25 1938 was an American author and anti-suffragist.She was the daughter of Henry Laurens Dawes October 30 1816 – February 5 1903 a Republican United States Senator and Representative of Massachusetts.<br /> <br /> Dawes created the Wednesday Morning Club in 1879 and was its president for sixty years. She later became a trustee of Smith College 1889–1896. In 1883 she secured governmental aid for the Leif exposition to search for Major General A. W. Greely who had been missing in the Arctic for three years. Dawes served on the board of the Chicago Columbian Exposition of 1892–1894 as well as the St. Louis Exposition of 1902–1904.<br /> <br /> Notable works include How We are Governed 1885 The Modern Jew: His Present and his Future 1886 A United States Prison 1886 An Unknown Nation 1888 Charles Sumner 1892 and The Indian as Citizen 1917." Wikipedia. D. Lothrop & Co unknown
1854B39352Schenectady NY: G.Y. van Debogert 1854. First edition. Hardcover. Very Good. Presumed first edition 1854 hardcover with brown cloth boards octavo 400pp. not illustrated. Book VG with sun to spine gilt title on spine head legible spine ends and corners worn binding tight endpapers foxed and toned toning throughout text block with one page showing small tear that barely affects text. No DJ. RARE! G.Y. van Debogert hardcover
1858130726007New York: D. Appleton and Company 1858. Hardcover. Very Good. First edition in uncommonly nice shape. New York: D. Appleton 1858. 397 pp. with two pages of ads at rear. Brown cloth with gilt spine lettering. Good Clean text. Private owner's bookplate on paste down. Spine sunned and a bit rubbed. Endpapers and edges foxed front hinge weak. Nice condition overall. D. Appleton and Company hardcover
1870009958New York/ Chicago: Ivison Blakeman Taylor & Co./ S.C. Griggs 1870. 'New and revised edition' . Black Cloth. VG for age & Genre. 14.5 Cm x 22.5 Cm. xii543; ex-Andover-Harvard Theological Library with their platediscard and release stamps to front pastedown another owner's small gilt label top same front gutter expertly repaired with white tae but gutter to verso front endpaper remains partly opened though secure blue lib.number verso t.p. remainder of text-block & rear endpaper & pastedown clean tight and completely unmarked top edge reasonably dust-free; covers appear clean and unworn bar routine corner-rubbing but on examination it is clear that the spine has been expertly relaid on black cloth presumably by the library and there is a small white lib.label ghost to lower spine. Despite faults an excellent copy of this treatise by Hickock an atypical U.S. 'mental & moral philosopher' of the time whose complex position was a kind of ultimately religious neo-Kantianism as far as I can figure. He also authored a companion 'Empirical Psychology'. Apaprently extremely rare with no copies listed on major web-sites at time of listing. The copyright entry date verso t.p. is 1861 but other sources give 1st ed. as 1849 his first book. Note: quoted non-UK shipping rates are calculated for 500-700 gram net weight cost will be modified up or down as appropriate outside this range. <br/> <br/> Ivison, Blakeman, Taylor & Co./ S.C. Griggs hardcover
185810780New York: Appleton 1858. First edition 8vo 397pp. plus ads; top of spine cracked binding soiled else a good sound copy or better in orig. terracotta cloth; ex-MHS. Appleton unknown
1838910092CGBerlin:, L.W. Wittich, 1838. Aquatinta, Bildgröße 12,5 x 17 cm, Blattgröße 16,5 x 18,5 cm.
189765680Paris: Pierre Duffau 1897. Fine. Pierre Duffau Paris 1897 23 x 32 cm en feuilles First edition one of 40 copies on China ours one of the 10 copies out of business literati with remark and signature of Paul Albert Laurens . Nice copy despite tiny marginal freckles not serious at the head of some leaflets. Pierre Duffau unknown
185939202Paris: MM. Paulin & Le Chevallier 1859. Very Good. A wonderful suite of 30 LITHOGRAPHS BY LAURENS ON CHINE APPLIQUÉ complete depicting scenery monuments and traditional costumes encountered during a train journey from Lyon to Sète or "Cette" as it is spelled here. Oblong folio 28 x 36 cm. Loose as issued in the original printed wrapper. A bit of marginal foxing on most of the lithographs else FINE AND BRIGHT. Housed in a board portfolio with ties back with cloth. A pristine set and extremely rare. <br/><br/> MM. Paulin & Le Chevallier hardcover
189874285Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Janvier 1898 32 x 22 cm une feuille et une serpente Rare original lithograph executed by Paul Albert Laurens for L'Estampe Moderne series number 9 published in January 1898. One of 50 deluxe proofs printed on Japan paper with wide margins wove paper mounted on Japan paper artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered stamp of the deluxe printing on verso; engraving preceded by a tissue guard inscribed with the artist's name title and a poem; blank tissue guard. Lithograph inspired by the poem Les trophées by José-Maria de Heredia reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on the most prestigious of papers: Japan. Thick silky satiny and pearlescent it contributes to making each page a work of art in its own right. Its ink absorption quality and affinity with colors also make it the ideal support for these very beautiful lithographs. French collectors' interest in artistic posters intensified in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a work of art in its own right on par with the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the Art Nouveau style. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189874287Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Janvier 1898 27 x 35 cm une feuille Rare original lithograph executed by Paul Albert Laurens for L'Estampe Moderne series number 9 published in January 1898. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's embossed stamp showing a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe edition on verso pale marginal foxing. Lithograph inspired by the poem Les trophées by José-Maria de Heredia. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe edition: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China. ""Despite all its qualities China paper too insubstantial owes its reputation not to its own beauty but to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful impression. This property makes China paper sought after for printing engravings."" Anatole France. French collectors' interest in artistic posters increased at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""poster mania"". The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the Art Nouveau style. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1854P2946Paris: Pierre-Bertrand c.1854. Very Good. Notes: In 1846 the French government decided to send a mission to Persia an expedition led by the geographer Xavier Hommaire de Hell to carry out further investigations. Laurens a young artist who had studied in the studio of the painter Paul Delaroche was employed to record the course of their journey in a series of images that after his return in 1849 were used to illustrate Hommaire de Hell's Voyage en Turquie et en Perse 4 vols and atlas 1854-60. Despite the rigours of the journey and an attack of fever Laurens filled several sketch-books with his drawings of the people and landscapes they encountered. Image Size : 308x435 mm 12.13x17.13 Inches Platemark Size : Paper Size : 400x555 mm 15.75x21.85 Inches Coloring: Original Hand Coloring Medium: Lithograph Categories: Views Asia Middle East Iran; Pierre-Bertrand unknown
1848250501848. Fine. 1848 43.50 x 29.50 cm Dessin et lavis titre et date manuscrits au crayon noir en haut à droite par l'artiste. Original drawing and wash by Jules Laurens. Date and place inscribed in black pencil by the artist at the top right of the work November 1848. Presented in an antique varnished and gilt wooden frame under glass. Minor black mark at the upper left corner and a very small imperfection at the lower right corner; overall a well-preserved piece. Jules Joseph Auguste Laurens was a painter and lithographer born in Carpentras on 27 July 1825 died in Saint-Didier on 5 May 1901. From a family of five children Jules joined at the age of twelve his elder brother Jean-Joseph Bonaventure Laurens who had settled in Montpellier. He enrolled at the École des Beaux-Arts in Montpellier alongside Alexandre Cabanel and mingled with the artistic circles of his brother. From 1842 to 1846 he stayed in Paris to complete his training admitted fifth out of 600 at the École des Beaux-Arts and worked in the studio of the painter Paul Delaroche. From 1846 to 1849 he traveled as a draftsman through Turkey and Persia as part of a scientific mission led by the geographer Hommaire de Hell. Despite the missions failure Hommaire de Hells death unpaid work Jules returned with several hundred sketches drawings and watercolors that nourished his artistic activity. These portfolios are now preserved at the École des Beaux-Arts in Paris in Avignon and in Carpentras Bibliothèque Inguimbertine and museums. From this journey he also brought back works of Qajar art later donated to the Musée Calvet in Avignon and the museum in Carpentras. Upon his return to the Comtat he contributed to the development of the Carpentras library-museum. A collector he donated numerous notable works by recognized contemporary artists Victor Hugo Ingres Auguste Bonheur Eugène Cicéri Gustave Doré etc. Known for his Orientalist paintings and portraits of peasants from Auvergne and Comtat it is in landscape art that he distinguished himself a follower of Corot and the Barbizon school. unknown
1854P2903Paris: Pierre-Bertrand c.1854. Very Good. Notes: In 1846 the French government decided to send a mission to Persia an expedition led by the geographer Xavier Hommaire de Hell to carry out further investigations. Laurens a young artist who had studied in the studio of the painter Paul Delaroche was employed to record the course of their journey in a series of images that after his return in 1849 were used to illustrate Hommaire de Hell's Voyage en Turquie et en Perse 4 vols and atlas 1854-60. Despite the rigours of the journey and an attack of fever Laurens filled several sketch-books with his drawings of the people and landscapes they encountered. Image Size : 310x440 mm 12.20x17.32 Inches Platemark Size : Paper Size : 400x570 mm 15.75x22.44 Inches Coloring: Original Hand Coloring Medium: Lithograph Categories: Views Asia Middle East Iran; Pierre-Bertrand unknown
1854P2901Paris: Pierre-Bertrand c.1854. Very Good. Notes: In 1846 the French government decided to send a mission to Persia an expedition led by the geographer Xavier Hommaire de Hell to carry out further investigations. Laurens a young artist who had studied in the studio of the painter Paul Delaroche was employed to record the course of their journey in a series of images that after his return in 1849 were used to illustrate Hommaire de Hell's Voyage en Turquie et en Perse 4 vols and atlas 1854-60. Despite the rigours of the journey and an attack of fever Laurens filled several sketch-books with his drawings of the people and landscapes they encountered. Image Size : 312x440 mm 12.28x17.32 Inches Platemark Size : Paper Size : 395x570 mm 15.55x22.44 Inches Coloring: Original Hand Coloring Medium: Lithograph Categories: Views Asia Middle East Iran; Pierre-Bertrand unknown
1854P2902Paris: Pierre-Bertrand c.1854. Very Good. Notes: In 1846 the French government decided to send a mission to Persia an expedition led by the geographer Xavier Hommaire de Hell to carry out further investigations. Laurens a young artist who had studied in the studio of the painter Paul Delaroche was employed to record the course of their journey in a series of images that after his return in 1849 were used to illustrate Hommaire de Hell's Voyage en Turquie et en Perse 4 vols and atlas 1854-60. Despite the rigours of the journey and an attack of fever Laurens filled several sketch-books with his drawings of the people and landscapes they encountered. Image Size : 304x437 mm 11.97x17.20 Inches Platemark Size : Paper Size : 400x570 mm 15.75x22.44 Inches Coloring: Original Hand Coloring Medium: Lithograph Categories: Views Asia Middle East Iran; Pierre-Bertrand unknown