RABELAIS (François); GRADASSI (Jean)Livre Rare Book
17 088 résultats
16539Paris, Eryx, 1957. In-12 carré, 149 pp. en feuilles, couverture originale rempliée, chemise et étui de demi-similicuir rouge (frottements, petites rousseurs).
1929030265Paris 1929 Aux Editions d' Art de L'intermédiaire du Bibliophile 1st Edition
1934102271BBParis, Librairie des Arts Decoratifs A. Calavas, 1934. 4°. [2] Bl. (Titel) u. 100 Heliogravüren in Sepia. OHln.-Mappe mit Deckeltitel u. Schließband.
AN EXCEPTIONAL COPY, WITH TWO UNIQUE AND IMPORTANT LETTERS CITED IN THE STANDARD OLYMPIA PRESS BIBLIOGRAPHY. One of 2,000 copies of the first British edition. (Actually this "British edition" was created by taking 2,000 copies of the first American (Grove Press) edition to England, putting a sticker over the imprint, and issuing a new dustjacket.) LAID IN ARE TWO EXTREMELY IMPORTANT TYPED LETTERS SIGNED--ABOUT 1,000 WORDS--FROM THE EDITOR, SINGLETON-GATES, on his letterhead, to a correspondent in Nothern Rhodesia (later Zambia) (!). In these unpublished letters, written during the 1960s, Singleton-Gates describes his feelings towards Casement. He also describes, in passionate terms, the fascinating circumstances surrounding the publication of these scandalous diaries, and the numerous obstacles he faced, including copyright and censorship issues. He furthermore explains his various other projects relating to Casement, none of which came to fruition. It is fair to say that these letters shed considerable light on the limits of press freedoms in Britain during the late 50s and 60s, as well as on the way Casement's heirs felt about his legacy. THESE LETTERS ARE CITED--and briefly excerpted--on pp. 60-61 of Patrick Kearney's bibliography, The Paris Olympia Press (Liverpool, Liverpool University Press, 2007). Also laid in are numerous newspaper clippings from 1959 and 1960, all relating to the publication. 4to. Publisher's cloth. Fine and bright, in a very good price-clipped dj.
58951BBo.J. [2 Warenabbildungen] Richard Kern, geboren 1954. US-amerikanischer Underground-Filmemacher und Fotograf. Er wurde in den 1980er Jahren mit er
20083220FBMünchen, Prestel Verlag, 2008. Quer-2°. 35 x 47 cm (Buch). Quer-2°. 36,5 x 49 cm (Kassette).. [5] Blatt, [4] Seiten. 30 Tafeln. Original-Leinenband mit goldgeprägtem Rücken- und Deckeltitel in Original-Kassette mit blindgeprägtem Titel. [4 Warenabbildungen]
17859431Imprimé à La Haie, sans nom, 1784 /1785. 4 volumes in-12 de [2] pour l'Avis des libraires, 344; 320; 320; 344 - [72] pages chiffrées de clxix à ccxliv pour la revue des ouvrages de l'auteur- [12] pour le catalogue des ouvrages du même auteur, plein veau marbré, dos à nerfs ornés de filets et fleurons dorés, pièces de titre et tomaison beiges, tranches rouges, coins et mors frottés, deux feuillets légèrement déboîtés. Reliure de l'époque.
193137799Wien Vienna: Verlag für Kulturforschung 1931. First edition. Illustrated with reproductions of erotic drawings engravings photographs in half-tone and gravure after works by Perckhammer von Bayros Willinger-Lechner Manasse Schein and others. With eight color plates. 192 pp. With 6 mounted photographic prints. 1 vols. 4to. Original gilt-decorated green cloth slightly shaken with faint wear at foot of spine. First edition. Illustrated with reproductions of erotic drawings engravings photographs in half-tone and gravure after works by Perckhammer von Bayros Willinger-Lechner Manasse Schein and others. With eight color plates. 192 pp. With 6 mounted photographic prints. 1 vols. 4to. Compendium of historical cultural social and medical commentary on virginity and defloration with chapters on anatomy demi-vierges infibulation defloration technqiues. This volume in the "Legitimate Erotica" series includes a Facsimile Photo Album "from the Estate of a Defloration Fetishist Who Committed Suicide" with six mounted plates of suggestively posed nudes. Verlag für Kulturforschung unknown
TK0041unknown: no date. . Please view added illustrations online under this description. [no date]. unknown
17165634London: R. Burleigh false imprint for E. Curll 1716. First edition. Bound to style in quarter calf over marbled boards with gilt to spine. All edges marbled. Measuring 185 x 112mm and collating complete including half title: 4 iii 1 blank 39 1 blank. With catchword 'behold' on page 27 and floral ornament above 'Finis' on page 39 as called for. A Fine example unmarked and fresh. A scarce piece of erotic satire ESTC records copies at 11 U.S. institutions. It last sold at auction in 1929 and the present is the only first edition on the market.<br /> <br /> "Begin my Muse and sing in Epick train The Petticoat; Nor shall thou sing in vain The Petticoat will sure reward thy pain!" So opens a satire composed under the pseudonym Mr. Gay used by several of those hacks in Edmund Curll's employ which traces how the amorous adventures of Thyrsis and Chloe were made possible by the latter's fashionable hooped skirt. Finding both humor and seriousness in women's fashion The Petticoat points out how some of the clothing designed to hinder women's movement could actually be adapted to their advantage -- in this case the pursuit and fulfillment of illicit sexual affairs. For just as Thyrsis is able to hide beneath his lover's skirt to conceal himself while pleasing her Chloe is able to share this information with her female coterie including the work's readers. Thus women desirous of hiding lovers of any gender might deploy this ingenious method allowing them to engage in affairs without traveling far from home. An acknowledgement of women's own sexual desire and agency.<br /> <br /> ESTC T43929. Unspeakable Curll 241-242. Not in the Register of Erotic Books. R. Burleigh [false imprint for E. Curll] unknown
193137799Wien Vienna: Verlag für Kulturforschung 1931. First edition. Illustrated with reproductions of erotic drawings engravings photographs in half-tone and gravure after works by Perckhammer von Bayros Willinger-Lechner Manasse Schein and others. With eight color plates. 192 pp. With 6 mounted photographic prints. 1 vols. 4to. Original gilt-decorated green cloth slightly shaken with faint wear at foot of spine. First edition. Illustrated with reproductions of erotic drawings engravings photographs in half-tone and gravure after works by Perckhammer von Bayros Willinger-Lechner Manasse Schein and others. With eight color plates. 192 pp. With 6 mounted photographic prints. 1 vols. 4to. Social and Cultural History of the 'Wedding Night'. Compendium of historical cultural social and medical commentary on virginity and defloration with chapters on anatomy demi-vierges infibulation defloration technqiues. This volume in the "Legitimate Erotica" series includes a Facsimile Photo Album "from the Estate of a Defloration Fetishist Who Committed Suicide" with six mounted plates of suggestively posed nudes. Verlag für Kulturforschung unknown books
3 voll. in 1 tomo in-8, 1) pp. 56, frontespizio figurato, 1 tavola, 1 testatina e 1 finalino; 2) pp. 36, 1 tavola in antiporta, 1 testatina e 1 finalino; 3) pp. 71, frontespizio figurato, 1 testatina e 1 finalino. Bella legatura coeva in p. pelle, triplice filetto in oro ai piatti, titolo in oro su tassello e piccoli fregi floreali al dorso, dentelles dorate, tagli dorati. Straordinaria raccolta di 3 opere di poesia erotica di Dorat in edizione originale e in prima tiratura. Ottimo esemplare, fresco e a pieni margini. . Cohen-Ricci, p. 308..
19803943BKöln, Edition Kölnischer Kunstverein, 1980. Folio (45 x 32,5 cm). 6 Tafeln mit Linolschnitten auf handgeschöpften Amberger Bütten (Wasserzeichen). Im originalen Schutzumschlag, dieser mit Titel und Impressum, in blauer Orig.-Leinenkassette.
19922502090109xbvkKyoto, Gakken, 1991/1992. 2 japanese- and english-titled matted cardboard-boxes, each containing a heavy gently illustrated colour-cloth box, which again contain 4 cardboard folders with a total of 99 tipped-in colour-plates and an illustrated clothbound textbook of 70 unnumbered pages each; large-Folio (ca. 48 x 36 x 14 cm; ca. 12,7 kg.).
90077901Japan ca. 1870. Small calico cloth covered accordion album 10 x 13 cm. very good 12 color erotic woodblock prints with 1 b.w. photo layed down on the verso of an old erotic woodcut printa bit of the old silver gilt edges left. RARE! The title slip on the cover is somewhat illegible but possibly can be read: UME TO TORA: PLUM & TIGER. . . WOODBLOCK-COLOR ILLUSTRATED EROTICA . The contents are nicely done showing twelve different scenes of love-making prints of a man and a woman. . 1. & 2. Man on top missionary position shows genital parts. . 3. Man licking her vulva while she holds it open and she licks his penis. . 4. & 5. Man on top making love they exchange tongue kiss. . 6. A Bonze Buddhist priest inserts his fingers into her vulva while he sucks on her nipple . 7. 8. & 9. Woman is on top making love genitals exposed. . 10. 11 & 12. Man is on top love making genitals exposed. CONDITION: The calico covers are a bit dusty the accordion folds are solid not weak or torn. Title slip is rubbed. . Each print is nicely woodblock printed. There is a tiny bit of purple transfer from the end paper on the first & last print. Others clean A nice example of Meiji 1867-1912 period printing by a skilled painter & artist. As usual this work is not signed this kind of erotically illustrated work was banned by the Shogun. Nevertheless this kind of Shunpon erotic book was still widely produced and distributed covertly. . REFERENCE: NOT LISTED IN: SHIBUI Kiyoshi.: ESTAMPS EROTIQUES PRIMITIVES DU JAPON:GENROKU KOHANAGA SHU-E . It is not surprising this and a plethora of other Japanese Shunga Shunpon Erotic prints & books are not listed in Shibui. While he lists many there are even more not listed in his book or any other reference book on the subject. . Erotic books were "suppressed" by the Tokugawa Shogunate therefore the majority of these kinds of books & prints were published on the 'black market' and not distributed openly. They remain on the 'fringe' of publication. There were stiff penalties for artists block cutters and publishers of this category of woodblock printed work. . . unknown
191918802Bruxelles, 1919. In-4 de 127-[9] pages, plein maroquin caramel, dos lisse orné du titre en vertical, double filets dorés sur les coupes, tête dorée, gardes de moire, couvertures et dos conservés. Etui.
In-16 gr. (mm. 183x125), 30 tomi rilegati in 10 volumi, mz. pelle coeva, dorso a cordoni con filetti e tit. oro. Di questa pregevole e ricercata Collana offriamo la "raccolta completa di tutto il pubblicato" in 39 numeri, con le brossure edit. La maggior parte delle opere sono in prima edizione, altre sono per la prima volta edite integralmente o comunque senza correzione del testo originale. Il nostro esemplare è così composto: Vol. 1°: “Vita di Ferdinando II, Quinto Granduca di Toscana” + “Lo Sconcio Sposalizio”, ottave di Francesco Furino + “Novella” di P. Fortini (tomo n. 1) - “Vita di Gio. Gastone I, Settimo ed ultimo Granduca della R. Casa de' Medici”, con la Lista dei Provvisionati di Camera, dal volgo detti i Ruspanti” (n. 2) - “Vita di Cosimo III, Sesto Granduca di Toscana” + “Vita del Principe Francesco Maria” già Cardinale di Santa Chiesa + “Vita del gran Principe Ferdinando di Toscana” (n. 3) - “Vita di tre Principesse di Casa Medici” + “Tre Facezie” del Piovano Arlotto + “Il vecchio preferito”, scherzo comico di Agostino Coltellini (n. 4). Vol. 2°: “Il Parentado fra la Principessa Eleonora de' Medici e il Principe Don Vincenzo Gonzaga” e i cimenti a cui fu costretto il detto Principe per attestare come egli fosse abile alla generazione. Documenti inediti tratti dal R. Archivio di Stato di Firenze (nn. 5, 6 e 7) - “Altri documenti inediti sul parentado fra la Principessa Eleonora de' Medici e il Principe Don Vincenzo Gonzaga” e i cimenti a cui fu costretto il detto Principe per attestare la sua potenza virile. Tratti dal R. Archivio di Mantova e pubblicati con una nota storica da Giuseppe Conti (n. 26/27, un tomo). Vol. 3°: “Il libro di Canto e Liuto” di Cosimo Bottegari (1554-1620). Riproduz. del testo integrale di questo celebre liutista e cantore fiorentino (n. 22/23, un tomo) - “Cortigiane del secolo XVI”. Lettere - Curiosità - Notizie - Aneddoti (n. 24/25, un tomo). Vol. 4°: “Margherita Luisa d'Orleans”, Granduchessa di Toscana. Documenti inediti tratti dall'Archivio di Stato di Firenze (n. 34/35, un tomo) - “Della Vita e Costumi de' Fiorentini” di Francesco Moneti + “Trionfo della Lussuria” di Maestro Pasquino + “I Germini”. Sopra quaranta meritrice (sic) della città di Fiorenza + “Pronostico alla Villotta” in lingua Pavana (n. 8). Voll. 5°-6°-7°-8°: “Le Giornate delle Novelle de’ Novizi” di Pietro Fortini (1500-62), il più discusso e il più rappresentativo degli scrittori senesi del secolo (nn. 9, 10 e 11 - 12, 13 e 14 - 15, 16 e 17 - 18, 19, 20 e 21). Voll. 9°-10°: “Le piacevoli et amorose Notti dei Novizi” di Pietro Fortini (nn. 28/29, 30/31 e 32/33 - 36/37 e 38/39). Edizione di soli 250 esempl., numerati al piatto anter. della bross., su carta forte. Esemplare con barbe, molto ben conservato.
19043779BParis, [Ch. Hirsch], 1904. 4°-quer. XII, 148 S., 2 Bll., 17 Tafeln mit farbigen Gravüren und 17 Tafeln mit den Gravüren in S/W sowie 16 Tafeln mit Zeichnungen in Rötel. Rotes HMaroquin mit goldgepr. RTitel auf 5 Bünden. Kopfgoldschnitt.
18809844AParis, Delarue, o. J. [um 1880]. 2 Bände / 2 vol. [Tome premier / Tome troisème]. 8°. XVII, 174 S., VII, 166 S. mit erotischen Orig.-Zeichnungen. Halbmaroquin auf 5 Bünden, goldgepr. RSchmuck und Titel, Goldfileten, Kopfgoldschnitt. Breitrandig unbeschnitten. Orig.-Broschur mit eingebunden.
22682Paris, Veuve Romagnol, 1923. 3 vol. in-8 et 2 vol. in-folio, couvertures originales illustrées.
58792BBo.J. [2 Warenabbildungen] Michel Comte, geboren am 19. November 1954 in Zürich. Schweizer Mode-, Porträt-, Reportagen- und Societyfotograf.
100sans nom d'éditeur, Paris, 1932, (15,5 x 20,5 cm), 136 pages, reliure demi-chagrin à coins, plats de papier à la cuve, dos à 5 nerfs, titre doré, fers et filets dorés. Ornée de de 20 illustrations libres en couleurs, dont 4 hors texte et un frontispice, de Feodor Stepanovich Rojankovsky, dit Rojan. Édition tirée à 270 exemplaires, ici 1/250 ex. numérotés sur vélin. Rare édition publiée clandestinement, dans une excellente condition de fraîcheur, un bel exemplaire fort bien et agréablement relié, enrichi de l'ex-libris de son ancien propriétaire, gravure à l'eau-forte d'André Leprince signée au crayon par ce dernier.
19260041751926 Düsseldorf, Librairie Leocadia, sans date [1926]. In-quarto (199 X 258) broché, couverture rempliée; (33) ff..
1948460Illustré de 8 pointes-sèches gravées et tirées par Valentine Hugo.Tirage limitée à 50 exemplaires sur vélin d'Arches. Très rare. Plein veau noir, dos long titré en rouge, beau décor peint sur papier ancien sur le plat supérieur dans un encadrement de filets rouges et des armes de Sade aux angles, tête dorée, couv. et dos cons. Très bon Paris Artigues 1948 1 volume in-4°.
17564477Paris: s.n. 1756. 12mo 169 x 96 mm. 10 2 blank pages. Woodcut ornament on title. Title soiled. Extra-illustrated with three states of an engraved bust portrait of Mme. Pompadour in two states of which two avant la lettre one in black and one in sepia the latter on very thick paper and one with lettering Mme. de Pompadour. Jansenist blue-green morocco turn-ins gilt gilt edges silk ribbon marker 5 blank leaves at front and 6 at back spine slightly sunned. Provenance: Jules Noilly his gilt monogrammed booklabel sale Paris 15-20 March 1886 lot 432 lot ticket preserved.<br /> <br /> First and apparently only edition of a loosely constructed mildly satirical erotic poem almost a prose poem that pretends to be a self-celebration by Louis XV’s mistress friend and influential advisor Madame de Pompadour. <br /> <br /> Praising her own looks — her skin face eyes mouth and hair even her “two-storey chin†standards of beauty change she moves on to her intelligence wit lack of pretense carefully constructed and other attractions finally circling back to the most enticing part of all for the lascivious male. The culmination of the poem is a rather trite metaphorical description of her “private parts†as a welcoming grotto and the mounting excitement of the daydreaming poetess. In the last lines she shakes herself: “what am I saying where is the rhyme taking me†and she summons a cold shower in the form of “the sad reminder of a husband a mother a hunchbacked prelate and a battleaxe of an Abbess.†The first two references may be to Mme de Pompadour’s husband Charles-Guillaume Le Normant d'Étiolles and to her by then deceased mother Madeleine de La Motte; I have not identified the other two. <br /> <br /> An enlightened patron of literature and the arts Mme de Pompadour would have scoffed at this silly concoction but the generally complimentary if disrespectful tone of the piece implies that it may have been produced by someone in her circle. It is not a Poissonade in the classic sense. The pamphlet was sometimes bound with various editions of Mme de Pompadour’s equally apocryphal letters. <br /> <br /> The Parisian bibliophile Jules Noilly had this fine copy bound by Marius-Michel with three states of a small oval stipple-engraved portrait of Mme de Pompadour which he or the cataloguer of his collection described as “after Céroniâ€; cf. Catalogue de livres rares et curieux anciens et modernes et d'une précieuse collection de livres de l'École Romantique composant la bibliothèque de M. J. Noilly Paris: veuve Labitte 1886 lot 432. s.n. unknown
