15 208 résultats
1873R320109942CALMANN LEVY FRERES. VERS 1873. In-16. Broché. Etat d'usage, Plats abîmés, Dos abîmé, Rousseurs. 283 PAGES - Des petits manques en contours des plats - Renfort papier au dos / VENDU EN L'ETAT -. . . . Classification Dewey : 840.08-XIX ème siècle
1833R320007796GIBERT JOSEPH. 1833. In-12. Broché. Etat d'usage, Couv. convenable, Coiffe en tête abîmée, Non coupé. 179 pages.. . . . Classification Dewey : 840.08-XIX ème siècle
R320090595LIBRAIRIE GRUND. NON DATE. In-12. Broché. Etat d'usage, Tâchée, Dos satisfaisant, Intérieur frais. 220 pages - Taches sur le 1er plat - Renfort adhesifs aux coiffes.. . . . Classification Dewey : 840.08-XIX ème siècle
1887R320008554CALMANN-LEVY. 1887. In-12. Broché. Etat passable, Plats abîmés, Dos abîmé, Mouillures. 283 pages - Nombreuses pages tâchées - Plats d'origine conservés - Recouverts d'une couverture muette.. . . . Classification Dewey : 840.08-XIX ème siècle
RO40051035La Renaissance du Livre. Non daté. In-12. Broché. Etat d'usage, Coins frottés, Dos frotté, Rousseurs. 183 pages. Coiffes renforcée avec de l'adhésif transparent. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
RO80254826Librairie Gründ. Non daté. In-12. Relié cuir dos-coins. Etat d'usage, Coins frottés, Dos à nerfs, Papier jauni. 252 pages. Quelques illustrations en couleurs hors texte. Signet conservé. Tranches brillantes. Titre doré au dos.. . . . Classification Dewey : 840.08-XIX ème siècle
1951RO20221209Hachette. 1951. In-12. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 252 pages. Jaquette en bon état.. Avec Jaquette. . . Classification Dewey : 843.0692-Livres d'enfants
1957RO20225793La Tour du Guet. 1957. In-12. Relié toilé. Bon état, Couv. convenable, Dos fané, Intérieur frais. 250 pages. Signet conservé.. . . . Classification Dewey : 840.08-XIX ème siècle
RO40051039La Renaissance du Livre. Non daté. In-12. Broché. Etat d'usage, Couv. convenable, Coiffe en pied abîmée, Rousseurs. 183 pages. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
1941R300273092Hatier. 1941. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 95 pages. . . . Classification Dewey : 372.6-Livre scolaire : français
1979RO20225528Gallimard. 1979. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 433 pages augmentées de quelques illustrations en noir et blanc hors texte.. . . . Classification Dewey : 840.08-XIX ème siècle
1957RO80235580Panthéon. 1957. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 250 pages. Illustrations en couleurs hors texte.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
RO40023746Grande Librairie Universelle. Non daté. In-12. Broché. Bon état, Couv. convenable, Dos abîmé, Intérieur frais. 238 pages.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
1997R300285601Slatkine. 1997. In-12. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 298 pages. Signet conservé. Légère griffure sur le 1er plat.. . . . Classification Dewey : 840.08-XIX ème siècle
1984R300305879Flammarion. 1984. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Papier jauni. 284 pages. 1er plat très légèrement déchiré.. . . . Classification Dewey : 840.08-XIX ème siècle
1947R200080227ARRAULT ET CIE. 1947. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 226 pages. Tampons et/ou annotations de bibliothèque, en page de titre et/ou contreplats + 1 étiquette de bibliothèque sur le dos et/ou 1 pochette de prêt en 2ème contreplat. Quelques illustrations en noir et blanc,dans et hors texte.. . . . Classification Dewey : 840.091-XX ème siècle
1856R320047466LIBRAIRIE NOUVELLE. 1856. In-12. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 319 pages - Couvetture conservée - Auteur, titre, année, fleuron et filets dorés au dos - Signet conservé - EX LIBRIS manuscrit sur la page de garde.. . . . Classification Dewey : 840.08-XIX ème siècle
97375Paris, Editions Albert Guillot, 1947. 15 x 20, 367 pp., broché, couverture rempliée, très bon état.
79362Paris, Jules Tallandier/Le Trésor des Lettres Françaises, 1969. 14 x 21, 2 volumes, 386 + 388 pages, reliure d'édition simili-cuir rouge, tête dorée, très bon état.
1945R300284901Du Cheval Ailé. 1945. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 207 + 224 à 622 + 640 à 885 pages - une illustration en frontispice et quelques illustrations sous forme de bandeaux. Plats contrepliés en trois rabats. Mors très légèrement fendus en coiffe de pied du tome 1. Ex libris à l'encre en page de faux titre de chaque volume. Tranches de tête des volumes 2 et 3, et bas de pages du volume 3 légèrement tachés. Avec une coeur roi de coeur Honoré de Balzac en supplément.. . . . Classification Dewey : 94.4-Editions numérotées
1974R300286930Larousse. 1974. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 143 pages - quelques illustrations en noir et blanc hors texte - une photo en couleurs en frontispice.. . . . Classification Dewey : 840.08-XIX ème siècle
1950R320030734IMPRIMERIE NATIONALE. 1950. In-8. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 165 + 361 + VI + 220 pages - Quelques illustrations en noir et blanc in et hors texte - dos légèrement frotté.. . . . Classification Dewey : 840.08-XIX ème siècle
1839803451839. Fine. s. d. ca 1839 13 x 8 cm une feuille Signed handwritten letter to Louis Desnoyers ca 1839 13 x 8 cm one leaf Handwritten letter signed by Honoré de Balzac addressed to Louis Desnoyers written on a white piece of paper in black ink. My dear Mr Desnoyers extraordinarily today I attend a diplomatic dinner of good-natured folk who want to laugh and drink and as I am in a stupor at work I have not had the courage to refuse this debauchery; I will therefore not be at home. Come early Sunday morning. / Yours / de Balzac. Louis Desnoyers plays an important role in the foundation of the Société des gens de lettres which aims to protect literary and artistic property and to create a solidarity fund. Balzac supported the creation of this Society of which Desnoyers was vice-president. Amusing letter testimony of Balzac's love of good food. unknown
184286807Paris 1842. Fine. Balzac's Soon to be Lost Illusion Paris 12 mars 1842 13.50 x 26 cm 4 pages sur un feuillet Autograph letter signed by Honoré de Balzac to Sophie Koslowska. 4 pages in black ink on a bifolium. Usual folds. Very small lacks of paper along the horizontal fold of the first leaf. Published in his Correspondance 1819-1850 II. Paris Calmann-Lévy 1875 pp. 31-33. A long feverish letter by Balzac a few days before the premiere of Les Ressources de Quinola at the Odéon theater. The writer writes to his close friend Sophie Kozlowska daughter of Prince Kozlowski about the chaotic final preparations and urges her to fill the theater with all of Paris's Russian high society. Balzac wrote this important letter just as he was about to take one of the biggest gambles of his career. The writer wanted to convene a real audience for the premiere of Les Ressources de Quinola and have the play performed in front of a full house of paying spectators instead of using the famous claqueurs clappers traditionally seated in the parterre to encourage audience reactions which is described at length in Lost Illusions. His failed attempt was so publicized by all the newspapers that this performance proved the very necessity of claqueurs: The author preferred peril. Such is the reason for this first performance in which so many people were displeased to have been elevated to the dignity of independent judges Editor's notes in Balzac's OEuvres complètes A. Houssiaux 1855. La Mina wrote me that you were ill and it struck me as a blow as if someone had told Napoleon that his aide-de-camp had died: disregarding Kozlowska's fragile health Balzac set about filling the twelve hundred seats of the Théâtre-Français with all the high-ranking and wealthy spectators Paris had to offer. He relied on the relations of his carissima Sofia to pay for the priciest seats an inclination that earned him accusations of speculation. He indeed takes particular care going over prices in the letter: We'll play next Wednesday barring any misfortune. The first seatings with four places are one hundred francs a box and everyone wants to be there. But the fashionable place where the Aguados the Rothschilds the Doudeauvilles the Castries etc. are is the loge des premières fermées because one feels at home. . Lamartine has asked me for a box: I'll put him between the Russians. Princess Troubetskoï is not the same one whose husband I know. See to it that you write to the prince And don't forget your Makanof . So: balconies twenty-five francs; stalls twenty francs; premières découvertes twenty-five francs a seat; secondes découvertes twenty francs; secondes fermées twenty-five francs; baignoires twenty francs a seat. . Ah! if you only knew what wealth of beautiful women! There will be no clappers in the parterre which is priced at five francs . Write a note to Princess Constantine Razumovska. I don't dare do it myself. For you and for your mother you will go to the premières découvertes; I will place you well. These hurried lines reveal Balzac's great expectations. He deeply believed in the merits of his comedy play about a man of industrial genius in 16th century Spain although the play's reception certainly suffered from Balzac's poor choices during its premiere. The writer expected to solve his financial difficulties and travel with his beloved Madame Hanska following the play's success. Having finished writing the final acts in a hurry he describes the terrible days leading up to the premiere: I'm overwhelmed on edge! I have the actors rehearse in the morning the entire cast during the day and the actresses in the evening. There are twenty thousand francs worth of costumes in the play. The sets are brand new. I'm told that the work is a masterpiece and that makes me shudder! It will always be frighteningly solemn. Some lines even border on the paranoid abundantly underlined with unknown
