DE MALPIERE, D BAZINBiblio.com
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1825173588Paris.: Imp. Litho. de Mlle. Formentin. 1825 -1827. Some age toning to the margins and scattered foxing but a good copy. 34.8 x 25.5cm. D'apres les dessins du Pere Castiglione. Pu-Qua W. Alexandre Chambers Dadley etc. Par MM. Deveria Regnier . . . et autres artistes. <br> <br>Josephine Clemence Formentin was the most important female printer and lithographer of the period: Dictionnaire des imprimeurs-lithographes du XIXe siècle. . Imp. Litho. de Mlle. Formentin unknown
1825173583Paris.: Imp. Litho. de Mlle. Formentin. 1825 -1827. Some foxing with staining to the lower margin. 34.8 x 25.5cm. D'apres les dessins du Pere Castiglione. Pu-Qua W. Alexandre Chambers Dadley etc. Par MM. Deveria Regnier . . . et autres artistes. <br> <br>Josephine Clemence Formentin was the most important female printer and lithographer of the period: Dictionnaire des imprimeurs-lithographes du XIXe siècle. . Imp. Litho. de Mlle. Formentin unknown
1825173604Paris.: Imp. Litho. de Mlle. Formentin. 1825 -1827. Age toning and a stain to the right margin not affecting the plate. 34.8 x 25.5cm. D'apres les dessins du Pere Castiglione. Pu-Qua W. Alexandre Chambers Dadley etc. Par MM. Deveria Regnier . . . et autres artistes. <br> <br>Josephine Clemence Formentin was the most important female printer and lithographer of the period: Dictionnaire des imprimeurs-lithographes du XIXe siècle. . Imp. Litho. de Mlle. Formentin unknown
1825173578Paris.: Imp. Litho. de Mlle. Formentin. 1825 -1827. Some text offsetting and age toning from the previous plate top edge has been trimmed with a loss of 16 x o.5cm still a good copy. 34.8 x 25.5cm. D'apres les dessins du Pere Castiglione. Pu-Qua W. Alexandre Chambers Dadley etc. Par MM. Deveria Regnier . . . et autres artistes. <br> <br>Josephine Clemence Formentin was the most important female printer and lithographer of the period. Dictionnaire des imprimeurs-lithographes du XIXe siècle. . Imp. Litho. de Mlle. Formentin unknown
2329047959.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2329047940.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1930ZZ5866Burns Oates & Washbourne 1930. Original blue cloth spine slightly faded. Robust packaging. Tracking is always added to USA orders. It can be added to other overseas orders on request. Used books are exempt from USA tariffs. 1st edition. No ownership marks. No ownership marks. Binding sound text unmarked. Good/No dustwrapper. xx 204pp. Burns Oates & Washbourne Hardcover
1167722191.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1144794595.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1144103738.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1160107513.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
A9781138513440Paperback / softback. New. paperback
A9780765803252Hardback. New. Economics is often accused of being "a-ethical" - lacking a moral perspective - if not altogether immoral. Part of the "Praxiology" series this volume examines the concept of positive ethics in economics. It reflects on ethical practices within economics and introduces a model of reasoning that takes individual ethical behaviour into account. hardcover
51670Paris In-4 31 cm 61pp. illustr. et autochromies Sougez couverture muette Nb-0156 Permanence de la tapisserie francaise - Les manufactures - Evolution de la technique - Le métier de haute lisse - Le métier de basse lisse - Renaissance de la tapisserie francaise au XXe siècle etc. unknown
2026100064570Club du livre français 2026. Très Bon Etat de conservation sans jaquette itnérieurs frais bonne tenue. in8. 2026. Cartonné. 4 volumes. 4 livres autour de la peinture - club du livre français: trésors de la peinture au Prado Peinture au Louvre: L'impressionnisme trésors de la peinture au Louvre dictionnaire de la peinture moderne --- abondante iconographie couleurs Club du livre français unknown
100120461L'illustration. couverture défraîce bords frottés accrocs coins émoussés intérieur propre le livre comporte la partie "Romans" de la revue "L'illustration" entre le 13 Décembre 1890 n°2494 et le 25 février 1893 n°2603. in folio. Sans date. Relié. contient notamment: Charme dangereux par Theuriet; Aux petites soeurs par René Ba0zin; Anie par Hector Malot; Charge d'âme par Jeanne Mairet; Faut-il aimer par Léon de Tinseau; Réparation par Jean Carol; Passion Slave par Lesueur; Inséparables par Jeanne Mairet; Nemrod et Cie par Georges Ohnet; Maitre Gratien par Léon de Tinseau; Rivales par François Coppée; Justice de Femme par Daniel Lesueur L'illustration unknown
3540611908.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
197432851Bordeaux France: Musees Des Beaux Arts / Ville De Bordeaux. As New. 1974. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 133 works catalogued with many black and white and some color illustrations. Among the artists represented: Ravier C. F. Daubigny J. M. Turner A. Guillaumin Boudin and many others. -- with a bonus offer-- . Musees Des Beaux Arts / Ville De Bordeaux paperback
1968100153373SERVICE GEOLOGIQUE DU MAROC 1968. Bon état intérieur propre document dépliant in-fine. in8. 1968. Broché. SERVICE GEOLOGIQUE DU MAROC unknown
EEzz2865Tours Mame 1900. 224 S. 1 kol. Frontisp. 24 Taf. in Aquatinta mit Seidenpapierhemdchen u. 40 Abb. im Text. Folio. Grüne Hln-Mappe mit floralem Seidenbezug. Verschlußbänder fehlen. Mappe min. läd. u. abgegriffen. Innengelenk gebrochen. Bindung tlw. gelockert. Kartonumschlag lose. Buchblock in gutem Zustand. In französ. Sprache. Talvart I 312. 1. Illustr. Ausg. Tours, Mame 1900. unknown
1992B14NS1003Musee de Dieppe Dieppe 1992. 1st Edition. SOFTCOVER. Large Quarto size 4to. in colour printed stiff glossy card covers unpaginated approx. 50pp colour plates illustrations in text etc. Text in French throughout __CONDITION : An extremely well preserved AS NEW unread copy. . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Musee de Dieppe, Dieppe paperback
17859Bordeaux 20 July 1690. In French. 1 page 9 x 6 inches some damage at upper and lower edges affecting a few letters of the signature. With a transcript of the original French. Uncommon. Jacques Bazin de Bezons Marquis of Bezons 1646-1733 Marshal of France saw much active service in the War of the Spanish Succession. unknown
21691Paris 30 August 1719. In French. 2 pp. 8 x 7 inches in good condition with an integral blank leaf. Jacques Bazin de Besons 1646-1733 Marshal of France. In his youth he participated in the Siege of Candia and the Franco-Dutch War where he was severely injured in the Battle of Seneffe. Promoted to brigadier in 1688 he commanded the reserve corps during the Battle of Steinkerque and the Battle of Neerwinden 1693. In the War of the Spanish Succession he fought in 1701 in Germany and then as Lieutenant-General in Italy where he participated in the Battle of Chiari Battle of Luzzara and the sieges of Governolo Vercelli and Ivrea. In 1708 he moved to Spain and fought in the successful Siege of Tortosa 1708. Named Marshal in 1709 he was unable to prevent Guido Starhemberg from taking Balaguer. In 1711 together with Henry d'Harcourt he was made commander of the French Army in Germany. In the Rhine campaign 1713 his troops besieged and took Landau. After the death of Louis XIV he became a member of the Council of State. unknown
LV85285Paulinas . Bueno. 1954rústicaalgo rozadoforrado en plástico y nombre anterior propietario.SINOPSIS:Angers 1853 - París 1932 Novelista francés. Profesor de derecho en la Universidad católica de su ciudad natal abandonó pronto la enseñanza para dedicarse a la literatura. Colaboró al principio en Journal des Débats y en 1891 gracias a Brunetière pasó a la Revue des Deux Mondes en la que empezando por su primera narración La sarcelle bleue publicó todas sus obras hasta la última de ellas Magnificat.Hijo de una vieja familia de la burguesía provinciana heredó su religiosidad su patriotismo y su amor a la tierra sentimientos que aparecen en todas sus novelas llenas de ideas y aspiraciones humanitarias más bien demasiado fuertes para la época. Su interés hacia los problemas sociales se manifiesta de una manera completamente distinta a la propia de sus contemporáneos: preocupado por la vida moral del individuo y las exigencias de la colectividad se convierte en los mismos años de la escuela naturalista aun cuando en contraste con ella en pintor y cantor del campo del mundo rural y de la poesía del hogar de un modo con frecuencia arcádico pero sincero y ajeno a toda retórica. Paulinas paperback
9788582178546AUTENTICA EDITORA. new. Andr� Bazin nos mostra como ver ouvir sentir compreender filmes e escrever sobre eles. Li��es de coisas e de estilo. Ensina que filmes n�o ""falam"" disto ou daquilo nem ""abordam"" este ou aquele tema. Filmes se ""fazem com"": sobreimpress�es panor�micas reflexos em vitrinas o barulho de uma descarga sanit�ria posi��es de corpos no espa�o m�sicas profundidades de campo as peculiaridades dos sotaques das pessoas reenquadramentos para a esquerda e para a direita luzes e sombras. Os recursos da cozinha e do gosto cinematogr�ficos.No cinema a realidade � aquilo em que acreditamos e n�o o que ""de fato � ou foi"" cren�a criada por regras do jogo do discurso articuladas como sistema internamente referido e supostamente coerente propostas implicitamente pelo filme e inferidas pelo espectador. Devemos sempre falar de efeitos de realidade em vez de reprodu��o do real.Para Bazin Jean Renoir descobriu reinventou estendeu e exemplificou as muitas possibilidades do realismo no cinema para que este fosse fiel �� sua voca��o. O filho de Auguste Renoir se afirmou como homem do futuro que nenhum progresso t�cnico incomodou e foi um dos mestres do realismo cinematogr�fico.Ronaldo Noronha AUTENTICA EDITORA unknown
