Alphonse ALLAISBiblio.com
919 résultats
1880756851880. Fine. s. d. circa 1880 11.60 x 14.20 cm un billet Autograph letter signed by Alphonse Allais mounted on fine cardboard. Traces of transverse folds small lacks and marginal tears. ""Espèce de sagouin. / Entendu pour samedi. / Prends moi au Gil Blas vers 6h / Mille cordiaux respects à ta dame. A.A."" ""You rascal. / Agreed for Saturday. / Pick me up at Gil Blas around 6pm / A thousand cordial respects to your lady. A.A."" unknown
188681937Paris: Au cabaret Le Chat noir 1886. Fine. Au cabaret Le Chat noir Paris 1886 31 x 45 cm en feuillets First edition one of the rare copies on laid paper. This issue includes an unpublished poem by Charles Baudelaire ""Chanson du scieur de long"" originally intended for ""L'ivrogne"". The issue is also illustrated with a drawing by Théophile Alexandre Steinlen ""Les deux cochers"". Other contributions include Charles Cros ""Conquérant"" Alphonse Allais ""Comices agricoles"" Rodolphe Salis. A handsome copy. Le Chat noir was a weekly review founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name of which it sought to be the living record. It published the texts declaimed during performances and stands as a major literary and artistic document of the late 19th century reflecting the Parisian bohemian spirit and effervescence that defined it. Au cabaret Le Chat noir unknown
19711412023New York: Albondocani Press 1971. Limited First Edition #143/326. Saddle-stitched. Small Oblong Octavo unpaginated. In Very Good condition. Bound in yellow printed wraps. Mild general shelf wear. Signed by Gorey on title page and again on limitation page in rear. Shelved case 3. Toledano A-41. 1412023. Shelved Dupont Bookstore. Albondocani Press unknown
1971100842New York: Albondocani Press 1971. Softcover. Fine. First edition. Stapled wrappers. A fine as new copy. Prospectus for the edition laid in. One of 300 numbered copies Signed by Gorey. Albondocani Press unknown
189588099s. n. | Honfleur s.d. (ca 1895) | 14 x 22 cm | une page recto verso
1971265157New York: Albondocani Press 1971. First edition copy 69 of 300 numbered and signed by the illustrator. 36 pp. illustrated by Edward Gorey. 1 vols. 5 x 6 inches. Yellow paper wrappers text printed on yellow paper. Faint rubbing to edges of the wrappers otherwise fine. First edition copy 69 of 300 numbered and signed by the illustrator. 36 pp. illustrated by Edward Gorey. 1 vols. 5 x 6 inches. Publisher's promotional postcard laid in. Albondocani Press unknown books
16847Paris, les éditions françaises, 1957. In-8, 227 pp., broché, couverture originale illustrée (petites traces de colle à la charnière).
188075685s. d. [circa 1880] | 11.60 x 14.20 cm | un billet
188681937Au cabaret Le Chat noir | Paris 1886 | 31 x 45 cm | en feuillets
1971523519New York: Albondocani Press 1971. Softcover. Fine. First edition. Oblong 16mo. 36pp. Illustrated. Sewn yellow pictorial wrappers. Publisher's printed prospectus laid in. Fine. Copy number 49 of 300 numbered copies Signed by Edward Gorey. Albondocani Press unknown
1866596571866. Fine. 1866 27.50 x 43.50 cm autre Charcoal black stone and white chalk drawing with wash highlights. Signed lower left in white chalk ""de St Allais 1866"". Thick rigid cardboard of 4 mm. Very fine condition despite a slight lack of 7mm at the upper left corner. Dry stamp lower right corner: Papier Pellée. Slight toning. Finely worked lake and grove landscape. NB: This work is available at the bookstore on request within 48 hours. unknown
193566287Paris, Les Pharmaciens bibliophiles, 1935. 4°. Mit 37 radierten Vignetten u. 18 radierten Tafeln von Raoul Serres nach Albert Guillaume. 302 S., 2 Bll., Roter HMaroquin-Bd. d. Zt. m. farb. intarsierter Rückenillustration, goldgepr. Rückentitel, Kopfgoldschnitt, marmor. Vorsätzen u. dem eingeb. OUmschlag (sign. ?Trinckvel?).
196834146Paris Les Impnitents 1968 In-4, en feuilles, couverture imprime (embotage de l'diteur).Un frontispice d'Henry Moore, et 10 eaux-fortes originales pleine page de Michel Potier. Tirage limit 165 exemplaires numrots sur vlin. Un des 25 exemplaires accompagns d'une estampe supplmentaire justifie et signe par Michel Potier.
1971100842New York: Albondocani Press 1971. First edition. Stapled wrappers. A fine as new copy. Prospectus for the edition laid in. One of 300 numbered copies Signed by Gorey. Albondocani Press unknown books
16826Paris, Les Maîtres de l'Humour, 1955. in-12, 271 pp., broché, couverture originale illustrée, non coupé.
19685824Paris, Les Impénitents, 1968. In-4, en feuilles, couverture imprimée, emboîtage de l'éditeur.
308Paris, Imp. de C.-F. Patris, S.d. - tomes 1 à 5 - in-8 - couv. papier, couv. et feuillets préliminaires (avant texte) t. 5 manquants - br. les 5 volumes : 10f, 518 p,10 f ; 10f,504p. ; 6f,592p,120p ; 10f,506p,198p(ordre de Malte) ; 576p
190730255Paris, Société d'Edition et de Publications, Librairie Félix Juven 1907. In-12 relié de 320 pages au format 19 x 12,5 cm. Sobre mais élégante reliure demi toile verte avec plats en papier marbré. Dos ronds avec titre doré et infime trace verticale. Coins avec infimes frottis. Superbe couverture illustrée par Auguste Roubille et 4ème plat conservés. Intérieur frais. Jehan Soudan de Pierrefitte, ami et collaborateur d'Alphonse Allais dont il créa la Société des Amis d'Alphonse Allais à écrit seul ce roman, prétendument posthume d'Allais, signé de leurs deux noms et précédé d'une lettre-préface de l'humoriste, mais datée du 23 décembre 1905, soit près de deux mois après le décès de Alphonse Allais. Il s'agit sans doute d'un projet que les 2 hommes avait en cours, basé sur " Dans la peau d'un autre ", titre d'un véritable conte parmi les plus drôles et les plus absurdes d'Alphonse Allais, publié dans son deuxième recueil " Vive la vie ! " en 1892. Rarissime édition originale en superbe état général.
awd-187Paris, Imprimerie technique Francis Laur. Affiche au format 100/65 cm. "En qualité d'écrivain grave, de publiciste érudit et de moraliste distingué, voici ce que je m'efforcerai de faire voter dès l'ouverture de la session : 1 L'apéritif gratuit dans tous les cafés du quartier, notamment dans celui du Croissant; 2 la suppression absolue des huissiers, recors et autres corbeaux de même acabit; 3 Je demanderai, pour tout académicien, l'obligation d'être âgé d'au moins quatre vingt quinze ans et de savoir au moins orthographier son nom. Subsidiairement, je me propose d'obtenir le percement de quarante fauteuils qui meublent l'Institut avant celui du tunnel du Métropolitain; 4 Que l'argot, le javanais, le larguoji des louchébems et le zolapuck soient substitués à la langue française pour la rédaction des procès verbaux de jugements et des actes notariés. (...) Enfin , comme couronnement à mon élection, je demanderai la nomination de M. Alphonse ALLAIS aux fonctions de Ministre de l'Instruction Publique et des Beaux-Arts." (...) Bon état, doublée en papier Japon.
1866596571866 | 27.50 x 43.50 cm | autre
180926525Paris: Imprimerie Impériale 1809. Fine. Imprimerie Impériale Paris 1809-1829 54 x 71 cm une feuille Original unshaved full-page etching from the Imperial edition of the Description de l'Égypte or Recueil des observations et recherches faites en Égypte pendant l'expédition française publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand A Collection of the observations and research carried out in Egypt during the French expedition published on the orders of his Majesty the Emperor Napoleon the Great'.Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828 1000 copies were printed and distributed to institutions on vergé paper with an 'Égypte ancienne et moderne' watermark visible when held up to the light. Light marginal spotting not touching image otherwise in very fresh fine condition. An engraving from the Description de l'Egypte one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799 the work is divided into 13 volumes of engravings making up 892 plates of which 72 colored as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The Egyptian campaign' militarily a disaster demonstrates through the engravings of the Description d'Egypte the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte Egyptian Institute who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge the chemist Berthollet the naturalist Geoffroy Saint-Hilaire as well as numerous artists engineers architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants.This edition the so-called Imperial edition of the plates for the Description de l'Egypte was printed in four large formats two of which were specially created for it and christened Moyen-Egypte and Grand-Egypte. A special press was built to print it the process extending over 20 years from 1809 to 1829. The Imperial edition proved so popular that a second edition this time in black and white and without the Egypte ancienne et moderne watermark known as the Royal Edition was published during the Restoration by the printing house of C.-L.-F. Panckoucke Paris.The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon illustrator diplomat collector and later Director of the Musée Napoléon the Louvre. His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte.Denon embarked on this story of archeological exploration at the age of 51 reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte the Natural History Museum's painter H.J. Redouté brother of Pierre-Joseph Redouté author of Roses the mineralogist Dolomiue and the draughtsman Joly Denon then explored the Nile Delta and Lower Egypt. When however he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798 he found himself the only civilian. In the very midst of the battle itself he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed a country that is apart from its name entirely unknown to Europeans and therefore everything was worth describing Voyages dans la Basse et la Haute Egypte pendant les campagnes de Imprimerie Impériale unknown
51-2902Paris: Isabey & Salis 1890-1891. Illustrated throughout with cartoons advertisements etc. by Steinlen DoesSaint-Maurice Capy Fau Belon Cottin Malteste Sta Thélem Folio 43x30 cm 17x12" bound in red cloth decorated in gilt.A collection of original weekly issues of the Paris periodical spanning 30 August 1890 to 29 August 1891. Le Chat Noir was a nineteenth-century entertainment establishment in the bohemian Montmartre district of Paris considered to be the first modern cabaret. From 1892 to 1895 the cabaret published a weekly magazine with the same name featuring literary writings news from the cabaret and Montmartre poetry and political satire.Wear and some dampstaining to cloth some vertical slits to cloth along spine; interior sound with toning; very good. Few pages with tears. Paris: Isabey & Salis, 1890-1891. hardcover
19799027709602Springer 1979. New/New. <p><strong>Author:</strong> M. Allais G.M. Hagen</p><p><strong>Publisher:</strong> Springer</p><p><strong>ISBN:</strong> 9789027709608</p><p><strong>Release Date:</strong> 1979</p><p><strong>Languages:</strong> English</p><p><strong>Binding:</strong> Hardcover</p><p><strong>Number Of Pages:</strong> 722</p><p><strong>Details:</strong> Utility theory or value theory in general is certainly the cornerstone of decision theory game theory microecon~mics and all social and political theories which deal with public decisions. Recently the American School of utility founded by von N eumann Morgenstern encountered a far-going criticism by the French School of utility represented by its founder Allais. The whole basis of the theory of decisions involving risk has been shaken and put into question. Consequently basic research in the fundamentals of utility and value theory evolved into a crisis. Like any crisis in basic research and this one was not an exception it was very fruitful. One may simply say: Allais versus von Neumann-Morgenstern or the French School of utility versus the American School became one of the battlefields of scientific development which proved to be a most creative source of new advances and new developments in all those sciences which are based on evaluation of utilities.</p> Springer hardcover
19522041ed. Arcanes 1952 in-8 br., coll. «Humour noir», portrait de l’auteur en frontispice, contes inedits du Chat noir reunis par Roger CORNAILLE et Michel LACLOS, preface d’Anatole JAKOVSKY, edition originale, ex. numerote sur pur fil Lafuma (2e papier apres un ex. sur Madagascar)
5934FANTASIO. Année 1912 (N° 131-154). Paris, Félix Juven éditeur, 1912. Fort in-4, demi-reliure toile, à coins.
