Paz octavio

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PAZ (Octavio)Livre Rare Book

Marcel Duchamp ou le chateau de la pureté

Paz, OctavioBiblio.com

Blanco

1967579Mexico City: Joaquín Mortiz 1967. First Limited Edition. Very good. 8vo. 9 x 6 3/4 in. 229 x 173 mm; printed in black and red Bodoni type on Antique RLCH paper joined to create a continuous 'concertina' of 32 pages joined every 4 and printed on one side only. Leporello binding with printed boards and cream cloth spine title in black slipcase. The binding is faintly thumbed and slipcase has a closed tear to the base and some rubbing at corners but overall this delicate book is in wonderful condition. One of the 29 lettered and privately circulated copies as stated on the limitation page from a run of 529 500 copies numbered. EXTRAS: "Aviso al lector" sheet printed on yellow paper. A scarce example of one of the 29 privately circulated lettered copies. The entire run consisted of 529 copies 500 of these being the numbered ones available to purchase. Octavio Paz wrote this poem in New Delhi between July and September of 1966 while he was serving as Mexico's Ambassador to India. As outlined in the "Aviso al lector" separately printed and included in this copy of the work «Octavio Paz conceives the long poem as a different form and governed by its own logic not as an expansion or extension of the short poem.» He begins experimenting with "poetry of movement signs in rotation" culminating in Blanco. «Appearance disappearance and reappearance of certain themes presences words obsessions the shape of Blanco is that of the spiral. There are two main currents-word and eroticism-that come together separate and come together again. The text allows multiple readings: it is a cluster of meanings a poem that contains several poems. . The same poetic requirement governs the visual conception of the page and explains the particularities of this edition. Typesetting is one aspect of verbal composition. On the one hand it is a kind of punctuation not orthographic but rhythmic; on the other it is the space where the written sign is displayed analogous to the time of elocution.» Octavio Paz Lozano 1914 -1998 was a Mexican poet and diplomat. Politically Paz was a social democrat who became increasingly supportive of liberal ideas without ever renouncing his initial leftist and romantic views. Although he broke with the early Marxist/communist beliefs Paz continued to consider himself a man of the left the democratic "liberal" left not the dogmatic and illiberal one. He was also a promoter of incremental change not revolution. In 1968 he resigned from the diplomatic service in protest of the Mexican government's massacre of student demonstrators in Tlatelolco. While participating in the political and diplomatic life of his country Paz was also a prolific author and poet publishing scores of works during his lifetime many of which have been translated into other languages. For his body of work he was awarded the 1990 Nobel Prize for Literature as well as the 1977 Jerusalem Prize the 1981 Miguel de Cervantes Prize the 1982 Neustadt International Prize for Literature. Joaquín Mortiz unknown

Rob Zanger Rare Books LLC · États-Unis4 400,00 $US≈ 3 722,84 €

Paz Octavio Author; Weinberger Eliot Translator; Motherwell Robert ArtistABAA

Tres Poemas Three Poems

1987171031013New York: The Limited Editions Club 1987. Limited Edition. Hardcover. Fine. Motherwell Robert. No. 351 of 750 820 total elephant folio size unpaginated signed by Octavio Paz and Robert Motherwell fine book in a near fine box. Octavio Paz 1914-1998 Mexican poet and diplomat won many awards including the Miguel de Cervantez Prize the Neustadt International Prize and the Nobel Prize in Literature. Critic RamÃ³n Xirau wrote "The poetry of Octavio Paz does not hesitate between language and silence; it leads into the realm of silence where true language lives." Paz's literary career helped define modern poetry and the Mexican personality N. B. info from The Poetry Foundation. Possessing perhaps the best and most extensive formal education of all the New York School painters Robert Motherwell 1915-1991 was well versed in literature philosophy and the European modernist traditions. His paintings prints and collages feature simple shapes bold color contrasts and a dynamic balance between restrained and boldly gestural brushstrokes. They reflect not only a dialogue with art history philosophy and contemporary art but also a sincere and considered engagement with autobiographical content contemporary events and the essential human conditions of life death oppression and revolution N. B. info from The Art Story. ___DESCRIPTION: Bound in natural linen with pictorial pastedown of red and black twenty-seven original lithographs printed at Trestle Editions on various hand-made Japanese papers with tissue guards Spanish text in red and English in black; hand-set Bauer Bodoni Bold and Italic type printed on mould-made paper from Cartiere Enrico Magnani; first poem was printed at Wild Carrot Letterpress second poem has been printed at Stamperia Valdonega and the last poem at Heritage Printers; elephant folio approximately 21.75" tall unpaginated; limited edition this number 351 of 750 an additional 70 copies were issued in various formats unbound signed by Artist Robert Motherwell and Poet Octavio Paz. Protected in a clamshell box bound in the same natural linen with black lettering on spine. ___CONDITION: Volume is fine; clean bright as new. The clamshell box is overall fine with professional repairs done to a small tear approximately 0.75" on the lower left corner the lower right corner of the box bumped a few other extremely small areas of bumping for so large and heavy an item. ___POSTAGE: Due to large size and weight additional postage will apply; we are happy to ship at cost for both domestic and international customers please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Limited Editions Club hardcover books

Swan's Fine Books · États-Unis3 850,00 $US≈ 3 257,48 €

PAZ, OctavioBiblio.com

Blanco.

1967132640Mexico City: Joaquín Mortiz 1967. First and limited edition number 405 of 579 copies of one of Paz's major works experimental in both form and content which when unfolded "in a certain sense. produces text by transforming the space itself into a text" Sanchez. It was composed while Paz was serving in India as Mexican ambassador; his time there is important in relation to his entire concept of the piece: "The physical presentation of the poem reinforces the Oriental concept of fusion of fragments or opposites both philosophically and graphically in endless succession not impeded by punctuation as in the theory of reincarnation' Kushigian pp. 98-99. At the opening of the poem Paz includes a quote from the Buddhist Hevajra Tantra. "'Blanco' has been described as "an intensely erotic poem as the Tantric Buddhist epigraph together with one from Mallarmé suggests. In it the outside world is reduced to the figure of a poet in a room listening to music playing and the sounds of a woman close by him: the act of writing and the act of love-making become one and the same" Caistor. "'Blanco' is an intricately designed poem that embodies many postmodern traits with its typography emphasizing the poem's visual aspects. The poem begins with the words spread out in three columns across the page. The text then forms a column that proceeds down the page with the occasional staggering of lines. The single column then splits into a bold font on the left accompanied by an italicized font on the right. As the poem progresses this pattern repeats four times with the bold and italicized verses gradually drifting toward and ultimately pressing against one another" Waring p. 27. The 'aviso al lector' explains the conception of the book as a presentation of 'el movimiento de la realidad'. A second edition in this format was issued in 1972; of this first only two copies are cited by Library Hub among British and Irish and institutional libraries Cambridge Oxford; WorldCat adds around ninety copies worldwide a generous portion of the print run of 579 copies. In commerce "Blanco" is decidedly uncommon. Square octavo. Letterpress printed in red and black on a single sheet folded concertina-style unfolding to 5 metres. Original leporello binding white cloth spine lettered in black covers with yellow hollow square motif superimposed on a black background front and white background back perhaps representing the hollow square of the Tibetan Buddhist mandala. With the original slipcase. Small private stamp "VHL" to slipcase title and half-title. Peripheral toning to slipcase which has short splits to head spine of leporello lightly toned same to back cover light abrading to front cover. A very good copy with the original "aviso al lector" loosely inserted. Caistor Nick Octavio Paz Reaktion Books 2007; Kushigan Julia A. "Flowing Rivers and Contiguous Shores: The Poetics of Paz" in Harold Bloom ed. Modern Critical Views: Octavio Paz Chelsea House 2002; Sanchez Alberto Ruy An Introduction to Octavio Paz Mosaic Press 2015; Waring Taylor D. Broken Mirror: A Look into Octavio Paz's "Blanco" Oshkosh Scholar 2013. hardcover

Peter Harrington · Royaume-Uni2 000,00 £GB≈ 2 283,60 €

Octavio Paz + Toshi KatayamaABAA

3 Notations/3 Rotations The Signed/Limited Edition

197416567Cambridge MA: Carpenter Center for the Visual Arts Harvard University 1974. Boards. Near Fine. Toshi Katayama. #22 OF ONLY 150 COPIES within a larger limitation of 1000 copies SIGNED BY BOTH THE POET OCTAVIO PAZ AND THE ARTIST TOSHI KATAYAMA. 3 brightly-colored laminate geometric boards plus one board containing the signatures and limitation the copyright information and a brief background to this project are sandwiched between 2 blank pieces of cardboard. They all measure 11 1/4" x 11 1/4" and are housed inside of a printed white laminate box. The 3 geometric boards with their moveable parts are designed by Toshi Katayama and each includes cryptic Octavio Paz text. These boards are titled "Bread or Riddle" "Two in One" and "Portrait" and along with the "copyright" or "signed/limited" board are in bright Near Fine condition. Just a touch of very light soiling to the "copyright" board otherwise they're all as clean as could be. The fragile publisher's box is very presentable as well but does show some spotting and soiling to the front panel and edges. A bit of clear tape as well discreetly reinforces all of the corners. The background offered on the "copyright" board: "The interrelatedness of form and meaning in art has been a special concern of several major writers. Octavio Paz first explored the effect of visible shape on verse in BLANCO. Written in India in 1966 this poem is composed of words arrayed in columns which the author intended to be read independently and in combination. The idea derives he has told me partly from admiration for Mallarme but mainly from pondering on permutation integration continuity and other aspects of Tantric thought to which his mind had recently turned. In 1968 he wrote the TOPOEMS a sequence of six more explicitly concrete poems. Whereas the effect of BLANCO's design is conveyed typographically in these the words are manipulated topographically. Later the same year Paz decided to see how movement might affect a poem's purpose. The idea came as he played with a timetable made of two superimposed and rotating discs which divulged through slotted openings flights distances and time between the world's major cities. These experiments led to the design and publication of DISCOS VISUALES. During his stay at Harvard in 1971/72 Paz met Toshihiro Katayama the graphic artist who had joined the faculty of Visual and Environmental Studies at rhe Carpenter Center in 1966." This wonderful collaboration of poet and artist not only yielded an important example of early 70s graphic design but also an ambitious artist's book that resonates on a number of levels. Carpenter Center for the Visual Arts, Harvard University hardcover books

Appledore Books, ABAA · États-Unis1 500,00 $US≈ 1 269,15 €

Paz octavio

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