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189027012London: Brett Limited 1890. 1st Edition. Soft cover. 1st Edition. Soft cover. DICK AND HIS FRIEND DUKE. A Tale Of Adventure In the Fiji Islands. London: Edwin J. Brett Limited. n.d. c.1890 4to. 138pp. Half dark blue cloth over plain beige boards. Illustrated throughout. Original Illustrated front cover carefully backed & bound-in some early sympathetic colour enhancement. Complete. In very good antiquarian condition. Brett published Jack Harkaway in America c. 1890 Penny Dreadful Dime Novels were the American version was a term applied to nineteenth century British fiction publications usually lurid serial stories appearing in parts over a number of weeks each part costing a penny. The term however soon came to encompass a variety of publications that featured cheap sensational fiction such as story papers and booklet "libraries." The Penny Dreadfuls were printed on cheap pulp paper and were aimed primarily at teenage boys from the working class though there is some evidence that many girls read them as well. Penny Parts The penny part stories got underway in the 1830s originally as a cheaper alternative for the working class adults but by the 1850s the serial stories were aimed exclusively at teenagers. The stories themselves were reprints or sometimes rewrites of Gothic thrillers such as The Monk or The Castle of Otranto as well as new stories about famous criminals. Some of the most famous of these penny part stories were The String of Pearls which ostensibly introduced Sweeney Todd The Mysteries of London inspired by the French serial The Mysteries of Paris and Varney the Vampire. Highwaymen were popular heroes. Black Bess or the Knight of the Road outlining the largely imaginary exploits of real-life highwayman Dick Turpin continued for 254 episodes. Working class boys who could not afford a penny a week often formed clubs that would share the cost passing the flimsy booklets from reader to reader. Other enterprising youngsters would collect a number of consecutive parts then rent the volume out to friends. Penny Dreadfuls In 1866 Boys of England was introduced as a new type of publication an eight page magazine that featured serial stories as well as articles and shorts of interests. It was printed on the same cheap paper though sporting a larger format than the penny parts. Numerous competitors quickly followed with such titles as Boys Leisure Hour Boys Standard Young Men of Great Britain etc. As the price and quality of fiction was the same these storypapers also fell under the general definition of Penny Dreadfuls also known as Penny Bloods or Blood and Thunders in their early days. American dime novels were edited and rewritten for a British audience. These appeared in booklet form such as the Boys First Rate Pocket Library. Frank Reade Buffalo Bill and Deadwood Dick were all popular with the Penny Dreadful audience. Half-penny Dreadful In the mid-1890s a publisher Alfred Harmsworth decided to do something about what was widely perceived as the corrupting influence of the Penny Dreadfuls. He issued new story papers The Half-penny Marvel The Union Jack and Pluck all priced at one half-penny. At first the stories were high-minded moral tales reportedly based on true experiences but it was not long before these papers started using the same kind of material as the publications they competed against. A.A. Milne once said "Harmsworth killed the penny dreadful by the simple process of producing the hapenny dreadfuller." Legacy Two phenomenally popular characters to come out of the "Penny Dreadfuls" were Jack Harkaway introduced in the Boys of England in 1871 and Sexton Blake who began in the Half-penny Marvel in 1893. Blake soon took over the lead spot in Union Jack and appeared in roughly 4000 adventures right up into the 1970s a record only exceeded by Nick Carter and Dixon Hawke. Harkaway was also popular in America and had many imitators. Over time the Penny Dreadfuls morphed into the British comic magazines. Brett Limited unknown
182650316Edinburgh UK: William Blackwood 1826. 2nd Edition. Hardcover. Good/None Issued. 12mo - over 6¾ - 7¾" tall. First published in 1825 this is considered one of the most interesting accounts of the Peninsular War. Gleig was seventeen when he arrived in Spain with the 85th Regiment of Foot and the Peninsular War was about to become the invasion of France. Gleig fought in Spain and the 1814 'American War' before become a chaplain and eventually becoming the Chaplain-General of the British Army. 374pp. Contemporary brown calf boards with five raised bands to the spine which has a red morocco title plate with gilt lettering. Newer green tooled leather boards have been laid over the original boards these have a gilt band around them Rubbing to extremities. Marbled page edges and endpapers. Contemporary name to title page. Spotting to inner endpapers. William Blackwood hardcover
1856J75261London: Society for Promoting Christian Knowledge - Richard Clay Printer Bread Street Hill 1856 approx acc. To Oxford Bodley. Hardcover. Good. Duodecimo 184x110mm original school buckram with printed title NEW SERIES - ENGLISH HISTORY to front cover edges worn/spine rebacked in matching old cloth xii incl. half title Titlepage & contents 324pp. Some foxing and fingering lacks free front endpaper and some corner creasing. Three names to pastedown Joseph Wigley Annie Benbow and Annie Lilly Benbow all very neat. Surprisingly scarce with only one copy of this edition of 324pp taking the history up to the fall of Sebastopol in Crimean war ending 8th September 1855. The book ends with this characteristic comment: "An Englishman can hardly help feeling proud when he looks on this little island home of ours and remembers that it holds the sceptre over so large a portion of the earth's surface. God gave it to us that we might give to the people of all these lands the great belessings which He has given us - freedom and just laws and. Above all the knowledge of the Gospel of Jesus Christ". Society for Promoting Christian Knowledge - Richard Clay, Printer, Bread Street Hill hardcover
1897871F60Chicago: Charles H. Kerr & Company 1897. First edition. Cloth. Very Good. 8" by 6". None. The scarce first edition of this late nineteenth century science fiction novel depicting a socialist utopia in the mid twentieth century. The first edition of this scarce novel published under the pseudonym of James M. Galloway.The titular character John Harvey lives in a socialist utopia of the future and during a war between America and Great Britain manages to single-handedly defeat the British.This scarce work was published once again the following year under the title 'Lock and Key' and with the author's real name in place of his pseudonym. In the publisher's original cloth binding. Light fading to fore edge of rear board otherwise exceptionally lovely. Internally firmly bound. Pages age toned due to paper type but clean. Very Good Charles H. Kerr & Company hardcover
1824500048588Longman 1824. 1st Edition . Hardcover. Fair. front board loose inscription G H Vansittart <br/> <br/> Longman hardcover
1875LTH20-C-15London: Privately Published c1875. Leather. Good. 10" by 7.5". Not Stated. A mounted collection of plates taken from a work by Gottfried Ehrenberg. With a letter explaining the origin of this volume. Consisting of 30 photographic plates believed to be photographs of the original plates in the work by Ehrenberg. The letter explains that the negatives have been scrapped and that this mounted copy is the only one remaining to the original compiler. Fortsetzung der mikrogeologischen Studien from which the plates originate is a work by German naturalist and microscopist Christian Gottfriend Ehrenberg. It is considered to a continuation of Ehrenbergs great work Mikrogeologie focusing particularly on the Radiolarian collections from Barbados. For nearly 30 years Ehrenberg examined samples of water soil sediment and rocks and described thousands of new species. He was particularly interested in diatoms but also studied and named many species of Radiolaria foraminifera and dinoflagellates. After his death in 1876 Ehrenberg's collections of microscopic organisms were deposited in the Museum fur Naturkunde at the University of Berlin. The Ehrenburg collection includes 40000 microscope preparations 5000 raw samples 3000 pencil and ink drawings and nearly 1000 letters of correspondence. In a half morocco binding. Externally sound with some rubbing and bumping. Spine sunned with personalised spine label. Letter affixed to front pastedown explaining origin of the work. Internally firmly bound. Plates generally clean with shading from original photos Good Privately Published hardcover
189710089Toronto: Privately Printed 1897 circa 1905. Limited Edition. Original Wraps. Good in Wraps. Moderate shelf/edge wear minor loss at tail chips at spine tidemark at bottom edge last page has closed tear near joint without loss even toning to wraps else tight and unmarred. Cream paper wraps black ink lettering and decorative elements. 12mo. 58pp. <br/><br/>InFamous work first published by Charles Carrington in 1897. Popular enough that an unauthorized sequel was issued approximately thirty years later. Young and bold a proto-flapper Flossie plays the adults around her with effortless skill. Made into film and reprinted repeatedly. <br /> Privately Printed paperback books
1826470716Edinburgh : J.Cunningham and J.and J.Johnstone 1826. 1826. Hardcover. hardback 8vo the two works bound as one 42;16pp title vignette frontis and 7 plates of Holyroodhouse plus 8 plates of Rosslyn no title page for the Rosslyn section owner's inscription on flyleaf moderate foxing on all the plates otherwise clean and tight gilt-decorated full leather binding rubbed Good condition . Edinburgh : J.Cunningham and J.and J.Johnstone, 1826. hardcover
188052146London: William Satchell & Co. 1880 / 1888. 8vo. Two volumes. 192; 188 pp. Original green cloth with gilt lettering to front boards & spines. Wear to spine ends & corners of second volume. Minor marks and bumping to boards of second volume. Volume one fresh and clean. Six woodcuts to vol. 1. Illustrations to vol. 2. Slight spotting. A VG pair. . Very Good. Gilt Lettered Cloth. 1880. William Satchell & Co. 1880 / 1888 hardcover
189151632Derby: Privately printed for subscribers only at The Moray Press 1891. 8vo. xxiii 171 pp. Edition limited to 444 copies of which this is copy no. 426. Dark red full leather with gilt borders to front & rear covers and gilt lettered spine. Top edge gilt. Gilt turn-ins and silk endpapers. Printed on Van Gelder paper. Edges uncut. Short tear to joint of lower spine. Bookplate to verso of ffep. VG. . Very Good. Full Leather. Limited Edition. 1891. Privately printed for subscribers only at The Moray Press 1891 hardcover
1828013914London: William Pickering 1828. First Thus . Hardcover. Near Fine. Blue blind-stamped cloth covered boards slightly flexible but not really limp gilt title to fr. bright and clean a touch of slight rubbing to extremities inevitable given mode of binding. iv 44; small sig. top outer corner fr. end-paper end-papers light yellow with blind-stamping showing through to paste-downs otherwise clean tight and virtually unworn. Frier Tuck also known as Robin Goodfellow and Puck was a devil the short anonymous introduction is a scholarly account of origins and bibliographic record of this version of which only two copies are known one having a 'limited reprint' in 1810. Apparently extremely scarce no website sale matches for the title located at time of listing. 11.5 cm x 18 cm <br/> <br/> William Pickering hardcover
1852LTH3-F-24London: Houlston and Stoneman 1852-3. Leather. Good. 6.5" by 4". None. Two interesting novels bound as one. The first Uncle Tom in England appears to be an english novel which draws a parallel to Harriet Beecher Stowe's Uncle Tom's Cabin. The author is not attributed although to the rear there is an essay by anti-slavery campaigner and president of the British and Foreign anti-slavery society Thomas Clarkson. To the preface is written that the author has connected its plot to the work of Mrs Stowe and is therefore to be looked on as an Echo or sequel to 'Uncle Tom'. Several characters share their names with Stowe's. This is the third edition of Uncle Tom in England printed the same year as the first American edition. Uncle tom in England is an extremely scarce and unusual text. The second novel to this text is Benjamin Disraeli's novel Venetia. Venetia was originally released in 1837 and was published so as to form an income for Disraeli in a time of need. It is a romance based on the characters of Shelley and Byron. In a half calf binding with paper covered boards. Externally generally smart with heavy rubbing to spine and boards. Spine label and head and tail of spine are particularly rubbed. Front hinge is slightly strained but firm. Prior owner's inscription to front pastedown 'John P Maitland Family Heriloom'. Another inscription to recto of front endpaper dated 1918. Internally generally firmly bound. Pages are slightly age toned to edges with scattered spots throughout. Good Houlston and Stoneman hardcover
18300046431830. Full Straight-Grained Morocco. Very Good. An exquisite manuscript copy of plates from the 1644 work by Wencelaus Hollar. While a copy the pen-and-ink work here is absolutely exceptional requiring a loupe or magnifying glass to fully appreciate the niceties of detailing achieved by the artist copier. It is also clear that this copier did not merely trace the original work. Heightening the pen-and-ink work are touches of watercolor. 8vo. 173 by 117 mm. Unpaginated half-title page with a handwritten copy of the verse from "The Merchant of Venice entitled "The Folly of Fashion the Deceit of Ornament or Appearance" second title copied from the 1644 work followed by 36 mounted pen and ink copies of fashion etchings from the 1644 work and a final page with a drawing of a trophy and two musings written out. The drawings besides being meticulous with near-microscopic detail are austere with the pen and ink work heightened with only touches of flesh color for the women's faces and tiny dabs of gold for jewelry buttons and the like. The austerity we would stress is befitting the fashions represented as the early and mid-17th century was a time that garments tended to be more monochromatic and sober meant to suggest piety as any student of portraits from this era coincident with the Puritan Revolution and religious wars on the continent would have absorbed. And we would add the austerity is not just of the dress but also the expression on the women depicted here. The flesh color applied to the faces and also hands is just as nuanced as everything else about these portraits. There is a gradient of coloration capturing very realistically the actual pigment of human flesh. The one exception to the limited color usage is a depiction of a woman from Virginia a Native American whose bare garment is painted red and who is wearing jewelry that is captured with bolder applications of gold. This exotic specimen also shows a woman with a tattoo on her arms something that was completely alien from European cultures at the time. The Virginian is not the only non-European depicted however as there is a woman from Algiers a Moresco woman an Argentinian. Also shown is a Turkish woman and the dress shown is from different strata of the societies represented. Short cursive handwritten captions identify for us where the model is from. All the handwriting including on the title the poem etc. is rendered in a tight minute script. Unfortunately there is no indication who the artist copyist was other than the initials PC by several of the drawings. In the front there is an ownership inscription of an Elizabeth Cobbett. There is a watercolored bookplate with the Hillman family crest. unknown
189255046London: Macmillan and Co. 1892. 12mo.Prize Binding. xi 454 pp. Gilt-decorated maroon full morocco. Raised bands to spine with gilt panels and lettering. All edges gilt. Prize binding with gilt school device of the Godolphin School Hammersmith to front board and prize bookplate to front pastedown. Gilt turn-ins and marbled endpapers. Bound by Bickers. Title-page vignette. Minor spotting to prelims. A bright and Fine copy. . Fine. Full Morocco. 1892. Macmillan and Co. 1892 unknown
1814V74766London printed L. Harrison & J.C. Leigh.: R. Ackermann 1814. Hardcover. Very Good-. Hand-coloured plates 81 uncoloured portrait of the dedicatee by Westall Pugin Nash Mackenzie Turner & Sir J. Reynolds costume plates by Unwins. Large quarto 36x28.5cm page size/binding height 38cm contemporary sugar paper covered boards rebacked with printed labels tips worn & lower edge somewhat shelf worn/corners a bit bumped. Half title coloured frontisplate title uncoloured Grenville portrait dedication leaf vi-xiv subscribers & plate list 1-xxv the city 275pp 6p index; Vol.II half title colour frontisplate title 262pp 6pp index. Without the Founders' portraits which are not called for in the plate list and which Tooley notes were 'not issued till a later date' so the book is complete without these. Some off-setting of plates to adjacent text leaves but not affecting legibility. More than a dozen plates carry the watermark of WHATMAN 1812 and most plates are uncut ie not trimmed thus with slight narrow edge tanning. Ex Library with circular blind stamps 1.6cm throughout. The verso of both titlepages have 3x4mm stamp with accession & shelf number and "enf.trans.4/70" filled in neatly. It does not show through to recto of leaf and there is now a gift book plate tipped over this. The pastedown has bookplate of F.W. Searle initials & 1" red ink circle. Newer free endpaper watermarked 1833 and is not part of the pastedown or next free sheet. Beautiful and very clean copy with large margins clean unsmudged coloring on thick crisp paper Abbey Scenery 278. R. Ackermann hardcover
1857205676United Kingdom: E P Williams 1857. Book. Very Good. Hardcover. 1st Edition. hardback 8vo bound in iron railings green calf boards ruled gilt rebacked with original backstrip laid over gilt a little faded and dulled to spine all edges gilt dentelles in gilt marbled endpapers a little rubbed to leather with repairs tightly bound and internally a clean and unmarked copy neat signature of a previous owner vignette title page nineteen fine b&w plates by E Radclyffe xvi 272pp. E P Williams Hardcover
18571712110001E P Williams 1857-01-01. Hardcover. Good. Bound in contemporary 3/4 green leather over marbled boards. Gilt stamped spine compartments. Top edge gilt. Marbled end pages. xvi 312 pages 19 pages of plates frontis : illustrations by E. Radclyffe; 23 cm. Mounted plates. Book plate of William J. Curtis with view of the Portlaw Spenceley 1910. Include calling card of Miss Lena Riley Curtis 986 5th Ave. Smith grad. Lena Riley Curtis married Lieutenant-Colonel Arthur Poillon U. S. Army in Paris in 1920. E P Williams hardcover
1822V74421London: R. Ackermann at the Repository of Arts 1822. Disbound. Fair. Hand-coloured plates 24 by Thomas Rowlandson 1756-1827. Tall octavo disbound with remains of calf spine gilt. Hand-coloured frontis illegible name on back titlepage 254 of 267pp lacking last 7 leaves. Pages 249-256 repeated in pagination but text and register are continuous. Corner losses not touching print to 6 leaves at front and back last leaf present stained and browned on back some corner creases. Here sold for the very fine 24 hand-coloured Plates. The rarest of the Syntax books as it only seems to have had one printing 1822 plus a 1903 copy of the 1822 edition with the plates colour printed. R. Ackermann at the Repository of Arts unknown
185458241London: Simpkin Marshall & Co. 1854. Small 8vo. xii 343 pp. Contemporary dark green calf with raised bands to spine & maroon leather title label. All edges gilt. Marbled endpapers. Boards slightly marked & rubbed. Bookplate to front pastedown. Internally clean. Includes a chapter on the discovery of gold in Australia in 1846. 'An anecdotal picture of social and economic conditions on various diggings'. Ferguson. The author later went to California during the Gold Rush. . Very Good. Full Calf. First Edition. 1854. Simpkin, Marshall & Co. 1854 unknown
185062042Wien: Carl Gerold 1850. 8vo. 226 pp. Contemporary quarter sheep over marbled boards. Ex-institutional library of Bibliothek der Musse Riga with usual markings. Rubbing to spine and board edges. Internally clean. Bookplate to the front pastedown of Manoug Parikian British concert violinist and professor at the Royal Academy of Music London. Loosely inserted are three TLS by Isaiah Berlin dated 1972-73 on 'Headington House Oxford' letterhead in which he thanks Parikian for the loan of the book and then apologises for not returning it in a timely manner as the book had become buried somewhere in his library. The author Wilhelm von Lenz was born in Riga and studied with Liszt and Chopin in Paris. He is best known for his research on Beethoven. The final chapter in this book deals with Beethoven's violin concerto as performed in St. Petersburg by Vieuxtemps. Text in German. . Good. 1/4 Sheep. 1850. Carl Gerold 1850 unknown
1891201049United Kingdom: Cassell & Co 1891. Book. Very Good. Hardcover. 1st Edition. hardback folio half deep brown calf with raised bands to spine ruled gilt lettered gilt on green morocco purple cloth coloured sides all edges and endpapers marbled some mild spotting but o/w a very good tightly bound copy frontis engraving b&w illustrations throughout 367pp a nice copy. Cassell & Co Hardcover
182223833London: Henry Colburn and Co. 1822. First Edition . Hardcover. Good. . Externally a very good copy in a half leather binding with marbled boards. Spine lettered and decorated in gilt. Top edge gilt. Marbled end-papers. Some spotting especially towards the foot of some pages and with a circular stain approx. two inches in diameter affecting the title page and frontispiece. Browning to some pages. Pp.xvi428. Photographs available on request. <br/> <br/> Henry Colburn and Co. hardcover
18521696529Edinburgh & London: William Blackwood & Sons 1852. Used-Good. Orig. cloth dec. in gilt and blind. vi 167 pp. Edgewear to cloth; binding shaken but holding. First edition. William Blackwood & Sons unknown
1841V74754Wien Vienna: Mayer & Compagnie 3rd revised edition. 1841. Hardcover. Good. Frontisplate 59 other steel-engraved plates lacking pl.50 Sisyphus originally engraved on copper in 1815 by Franz St ber 1795-1858. Large octavo 24cm x 15.5cm newer linen-spined boards with old paper relaid on covers and spine has title but lacks original paper at spine head and foot. Unpaginated but each numbered plate has tissue guard and facing leaf of text in German to explain each myth. Lacks plate 50 maybe cut out by censor. Some foxing and light marginal damp marks at gutter not touching engraved part of plates. The steel-engraved images of gods nymphs and heroes are quite small 9.5cm x 6.5cm printed on strong paper at centre of each plate but of very fine quality and detail. They are closely based on similarly numbered copperplate engravings by Franz Xaver St ber first published Vienna 1815 in similar large octavo format but with completely different anonymous German text. The detail of these later steel engravings only differs from St ber's original 1815 copperplates by covering up some female breasts better to comply with 1840s more prudish moral code. They still retain the strongly erotic impression given by many of the originals thus helping to maintain their popularity over more than 25 years. Mayer & Compagnie 3rd revised edition. hardcover
1881007977Ottawa Canada: Printed at the Office of the Daily Citizen 1881 50 pages. Inscribed on the dedication page: "With the Authoress / Compliments." Susan Anna Gunhilda Wiggins was born on 6th April 1846 at Waterborough Queens County New Brunswick. She was educated by private tutors and married E. Stone Wiggins at age sixteen. While living with her husband in Ottawa Susie Wiggins became embroiled in a dispute with the Anglican Lord Bishop of Ontario over his stated objection to the passage of a measure in Parliament legalizing marriage to a deceased wife's sister. Using the pseudonym Gunhilda she published letters in the press attacking Archbishop Lewis' position which attracted widespread attention. She also spoke before a senate committee to urge passage of the bill which eventually became law. She died in 1923. Size: 8vo. Signed by Author. First Edition. Wraps. Very Good. Printed at the Office of the Daily Citizen paperback