5 111 résultats
193244397Milwaukee:: The Casanova Press 1932. First edition; No. 131 of 525 copies. original printed wrappers in publisher's slipcase. Bookplate to pastedown; else just about fine in a very nice slipcase with minute signs of wear. 8vo. Including "Ultimately" A Poem by Ernest Hemingway. The Casanova Press, unknown
192915498New York: Harcourt Brace and Company Inc 1929. First Edition First Printing. Cloth. Near fine/very good. First edition of Sartoris by William Faulkner in the publisher's first state dust jacket. Octavo 4 380pp black cloth red title on spine and front cover. Top edge red. No additional printings mentioned. Solid text block free of markings or notations. Light rubbing to black cloth white blemish on rear panel. In the publisher's first state dust jacket chip at top of spine closed tears along front flap light sunning to spine price clipped free of restoration or archival repairs. Peterson A5.1. The dust jacket for this book was produced by Arthur Hawkins Jr the notable book jacket illustrator and designer. Harcourt, Brace and Company, Inc unknown
1942143j0112Philadelphia: The Curtis Publishing Company. Very Good. 1942. First Edition. Single Issue Magazine. This highly controversial issue featured an article by Milton Mayer entitled "The Case Against The Jew" in which he argued that "The Jews of America are afraid that their number is up. they know that the postwar collapse will remind a bitter and bewildered nation that 'the Jews got us into the war.'" - page 18. The Post subsequently received thousands of complaints resulting in the magazine announcing that it "deeply regrets the misunderstanding" and that "the Post has never been is not now and never will be anti-Semitic in belief or expression." Reference: JTA April 16 1942. Mayer 1908-1986 was born into a Jewish home and went on to write "They Thought They Were Free - The Germans 1933-45" which studied the citizens of Hitler's Germany. Other Features: Heroes Wholesale - Uncle Sam sets out to find men to man the planes of the Air Force; There is Only One Mistake - To Do Nothing - Advice to critics of the war effort by Charles F. Kettering of GM; The Terrible-Tempered Dr. Albert Coombs Barnes - Another visit to the pyrotechnist of the art world - article with color photos 2nd of 4 article; Where Do We Go From Rio - Hemispheric solidarity. Stories: Two Soldiers; Master of Dialogue; The Mamma Bull; Football Dance; Tall in the Saddle 8part 4 of 8; Murder in the OPM conclusion. Back cover color-photo Camel cigarette ad features figure skater Dorothy Lewis. 92 pages. Complete clean and unmarked with light wear. A very well preserved copy of this fascinating WWII-era issue.; Cover Art; Folio . The Curtis Publishing Company unknown
1926034922NY: Boni & Liveright. 1926. His second book first novel. Modest wear to corners and spine gilt. A near fine copy lacking the rare dust jacket. In custom gilt-stamped full leather slipcase. Boni & Liveright hardcover
193015860London:: Chatto & Windus 1930. First UK edition. publisher's cloth in dust jacket. Slight darkening to top edge else very good or better; in a bright unchipped jacket with some very slight tanning to the spine. An exceptional copy. . 8vo. Publisher's prospectus laid in. Chatto & Windus, hardcover
1832838671832. FAULKNER Charles. The Speech of Charles Jas. Faulkner of Berkeley in the House of Delegates of Virginia on the Policy of the State with Respect to Her Slave Population. Delivered January 20 1832. Richmond: Thomas W. White 1832. 22 1pp. Disbound. Tanned and foxing throughout else very good. Haynes 5925. SWEM 1707. Davis 8. Sabin 23926n. A remarkable anti-slavery speech delivered on the floor of the Virginia state legislature by Representative Charles Faulkner. The previous year Nat Turner had led the slave insurrection in Southampton County Virginia profoundly realizing the worst nightmares of southern slave owners and the incident sparked the last effort in the South to abolish slavery. Faulkner from what would later become West Virginia led the fight in alliance with Thomas Jefferson's grandson Thomas Jefferson Randolph to pass a bill that would have freed all children born of slave parents after July 4 1840. Had Faulkner succeeded Virginia and other southern border states would have been unlikely candidates for secession. The bill had much support but it eventually failed 73-58 owing in part to the malapportionment of the Virginia legislature in favor of Tidewater slave owners. Faulkner's stirring speech emphasized slavery's evil for whites: "It is an evil - it is an institution which presses heavily against the best interests of the state. It banishes free white labor - it exterminates the mechanic - the artizan - the manufacturer.It converts the energy of a community into indolence - its power into imbecility - its efficiency into weakness. Sir being thus injurious have we not a right to demand its extermination Shall society suffer that the slave-holder may continue to gather his crop of human flesh" A scarce and important document of anti-slavery sentiment in the South thirty years before secession. Only two market occurrences ever recorded. unknown
1940WB14615New York: Random House 1940. First Edition First Printing Stated. Hardcover. Very Good. Limited issue one of only 250 copies printed this being number 235. SIGNED by Faulkner. Original 3/4 navy cloth and decorative paper over boards. Short nick to top of spine minor toning and rubbing along the edges. <br/><br/> Random House hardcover
196287348NY: Random House 1962. First edition numbered & signed issue. 305 pp. Fine in full decorated cloth and fine clear acetate dust jacket. One of 500 numbered copies this is #499 SIGNED by Faulkner. His last novel. NY: Random House hardcover
193149092London: Chatto and Windus 1931. Near fine in very good dust jacket. First UK edition of Faulkner's second book to be published in England - emblematic of his rapidly-growing influence. The best known work of the early 20th-century American master of stream-of-consciousness first conceived with the image of a girl in a pear tree. Through fits and starts Faulkner gradually composed it in four different parts each written in a different style to reflect the perspective of that narrator with the last and easiest to understand in 3rd person. This story of one family in Mississippi was an enormous risk: its success is a great American example of the beauty and power of art. 7.5'' x 4.75''. Publisher's yellow cloth boards with red spine lettering - second binding as noted in Petersen. Original price-clipped dust jacket. 320 pages with 4 pages of ads to rear. Jacket with mild toning and a touch of edgewear; remnants of removed price label to spine. Binding with a hint of bumping to corners and spine ends. Tight. Chatto and Windus unknown
19385273New York: Random House 1938. First Edition. Near Fine. Octavo original half burgundy cloth and patterned paper boards top edge gilt. Number 164 of two hundred fifty signed copies. Complete with author's signature on the limitation page. A Near Fine copy of the book with the spine a bit faded and a previous owner's stamp on the half-title otherwise a very pleasing copy. Lacking the publisher's acetate jacket but with a new mylar.<br /> <br /> Personal responsibility and the fall of Old Southern gentility take center stage in Faulkner's The Unvanquished. Set in Mississippi and spanning the Civil War and Reconstruction the story follows the Sartoris family and their attempt to maintain a sense of identity as the nation changes. "Having chosen warfare as the exciting backdrop for The Unvanquished Faulkner writes of it well. By the time of the fall of Vicksburg when the novel begins the Confederate defeats at Shiloh and Corinth had opened northern Mississippi to the Federal armies.the border region of north Mississippi was overrun by both the Union and Confederate armies but controlled by neither" Brown. In this chaos the protagonist Bayard Sartoris grows from naïve boy to a young man with a greater understanding of the violent tensions that class and race can cause both for individuals and their communities. Near Fine. Random House unknown
1938005411Random House. First Printing. DJ in archival cover light wear. $2.50 price. 293 pages. Drawings by Edward Shenton. With a list of Faulkner's other titles on the rear flap. Stated first printing. . Very Good. Hardcover. 1st Edition. 1st Printing. 1938. Random House hardcover
1939365831New York: Random House 1939. First Edition number 89 of 250 copies signed by the author. 339 pp. 1 vols. 8vo. Wood-grained boards and red cloth spine. Very near fine. First Edition number 89 of 250 copies signed by the author. 339 pp. 1 vols. 8vo. Peterson A19d Random House unknown
1939005958Random House. DJ in archival cover edge ware tiny tears. $2.50 price on the flap. Stated first printing. . Near Fine. Hardcover. 1st Edition. 1st Printing. 1939. Random House hardcover
19392200New York: Random House 1939. First Edition. About Fine. Octavo with burgundy quarter cloth over wood-grain papered boards. Copy 148 of two hundred fifty copies signed by Faulkner on the limitation page. Slightest bit of chipping to edges otherwise Fine. A clean square and bright copy of this literary classic.<br /> <br /> Consisting of two interwoven short stories with opposing perspectives on love grief and sacrifice The Wild Palms is one of Faulkner's most experimental works. "When I reached the end of what is now the first section of The Wild Palms I realized suddenly that something was missing it needed emphasis something to lift it like counterpoint in music. So I .raised it to pitch again with another section of its antithesis which is the story of a man who got his love and spent the rest of the book fleeing from it" Faulkner. About Fine. Random House unknown
193115531New York: Jonathan Cape & Harrison Smith 1931. Limited edition. Hardcover. Very Good. Signed limited edition #281 of 299 copies printed for Jonathan Cape and Harrison Smith in August 1931 with Faulkner's tiny signature. Tan cloth boards brown spine with silver stamped titles silver top page edges. Cloth is slightly darkened around edges and slightly worn through at two corners. Page margins slightly toned around edges. A light erasure on front free endpaper. No dust jacket as issued. Housed in a fine recent biege and brown slipcase with copy of title page on side. Our photos don't show the color quite right: both the boards and the box are actually more tan not gray. <br/><br/> Jonathan Cape & Harrison Smith hardcover
19312403014Jonathan Cape & Harrison Smith 1931. first. hardcover. fine/near fine. First edition with First Published 1931 stated on copyright page. Book fine small sticker to bottom of rear paste-down dark staining of top edge fully intact. Dust jacket near fine some tanning to spine and panels very minor wear. Housed in custom-made fold-out case. Jonathan Cape & Harrison Smith unknown
193145971New York: Jonathan Cape & Harrison Smith 1931. Very Good /Very Good . New York: Jonathan Cape & Harrison Smith 1931. First Edition. Octavo; 380pp. Illustrated dust jacket with $2.50 price intact; minor professional restoration. Light gray cloth over magenta paper-covered boards; black topstain; geometric maroon patterned endpapers. Housed in custom-made clamshell case with cloth title labels. <br /> <br /> Dust jacket shows discrete professional repairs along edges with color in-filling to chips along edges and spine. Light shelfwear to boards; small spot to bottom third of front joint; binding sound and pages unmarked. A Very Good or better copy of Faulkner's commercial breakthrough which Faulkner claimed was a "potboiler" though Connolly commends its treatment of the underworld which "contains the true vitality of America in its code."<br /> <br /> Connolly 69; Petersen A8.2. Jonathan Cape & Harrison Smith unknown
198929136Fairlawn New Jersey U.S.A.: Clarendon Press. New. 1989. Hardcover. 0198124481 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- with a bonus offer-- . Clarendon Press hardcover
1921Signed Limited Edition. Copy #97 of 750 Fine in black cloth over marbled boards w/gilt titling at spine. Black corners. unknown
1938158475New York: Random House 1938. First Edition; First Printing. Hardcover. Very Good in a Good clipped dust jacket. All 4 flap corners clipped price remains. Both flaps separted from dust jacket at flap folds. Light stain on top text block edge. Rubbing chipping along panel edges. Illustrations by Edward Shenton. Random House hardcover
19402604020Random House 1940. signed limited. hardcover. very good. SIGNED limited edition number 147 0f 250 copies. First edition. Book very good rubbing to edges damage to paper on front paste-down slight tanning to edges of covers rear free end paper partially glued to paste-down along binding. Random House unknown
1939002800PN.Y.: Random House 1939. Limited Edition. Very Good. Very Good tight copy in custom clam shell box. Signed Limited Edition Number 40 of 250 copies. Light rubbing to edges and the cloth at the corners. Light fade to cloth spine. Copy comes with a new acetate and onion skin wrapper. Random House unknown
19672091202133211814Toyama bo 1967. Soft Cover. Fine. Number of books: 27 books in total Toyama bo paperback
1951884561New York:: Random House 1951. Limited Edition of 750 copies this is No. 161. SIGNED AND NUMBERED BY WILLIAM FAULKNER. Glassine jacket over cloth marbled boardsblack cloth spine and corners spine ruled and lettered in gilt. An immaculate copy - fresh clean and strong with Faulkner's signature on the limitation page. First Edition Limited. Fine. 8vo. Random House, hardcover
JD37133NY Random House 1939 first edition first printing. No. 71 of 250 numbered copies Signed by Faulkner now housed in a custom clamshell case Petersen A19d. Owner's name age and wear to extremities else a very pleasing copy. NY, Random House, 1939, first edition, first printing. unknown