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191618223California: Private Printing. Very Good with no dust jacket. 1916. First Edition. Hardcover. Blue grained cloth pictorial rose decoration on front board edges lightly rubbed light speckling to front board edge pages untrimmed a lovely clean tight copy of this very rare book. ; 8" x 5" . Private Printing hardcover
1965M5604B<p>San Francisco: David Omer Bearden 1965. 1st edition. Soft cover. Good /No Jacket as issued. Good. 8vo 48pp stapled wrappers with rounded edges. A great one-shot mag from 1965 edited by David Omer Bearden with contributions from Bob Branaman Gerard Malanga Ron Padgett Claude Pelieu et al. Unmarked copy with dampstaining to covers and adjacent pages most notably to back cover which has partial owner name stamp at bottom margin.</p> [San Francisco]: David Omer Bearden paperback
99234Transcontact Frankfurt o.J. Hardcover Gut Transcontact Frankfurt, hardcover
13200LONDON. DAVID BOGUE 1846. WITH MEMOIRS WITH THEIR LIVES AND WRITINGS BY THOMAS MILLER. ENGRAVINGS BY SAMUEL WILLIAMS FROM DRAWINGS BY JOHN ABSOLON. A VERY FINE BINDING IN FULL RED MOROCCO BY J WRIGHT. ALL EDGES GILT AND FINE GILT DECORATIONS TO BOTH BOARDS AND THE SPINE. FIVE RAISED BANDS TO THE SPINE. EXTERNALLY AND INTERNALLY VERY BRIGHT. NEAT INSCRIPTION OF PREVIOUS OWNER. LONDON. DAVID BOGUE 1846 hardcover
18035147bEdinburgh: William Creech Manners & Miller; Archibald Constable. Worn condition. Cover heavily rubbed. Foxed but content in overall good condition. 1803. Reprint. Marbled hardback boards with grey cloth spine. 290mm x 230mm 11" x 9". xiv 147pp. . William Creech, Manners & Miller; Archibald Constable hardcover
18075147aaAlnwick: Catnach & Davidson. G: in good condition. Cover heavily rubbed. Marbled eps. Approx. 2 inch by 1 inch of top corner of title page missing - not impacting on text. Sporadic foxing and marking with some pencil inscriptions. 1807. Reprint. Half-leather blue cloth cover. 170mm x 110mm 7" x 4". 142pp. B/w plates engravings. . Catnach & Davidson hardcover
1918058504C. W. Beaumont 1918. 1st Edition . Hardcover. Good. 164 Pp Ads By Various Publishers At Rear. Errata Slip Tipped In. Light Yellow Ribbed Boards Printed In Blue Spine Label. . First Printing. Worn And Dusty Top And Bottom Of Spine Chipped Away Spine Label Intact Except For Tiny Chip At Lower Left Corner. Elaborate Pictorial Engraved Bookplate Of Gwynneth Capes. <br/> <br/> C. W. Beaumont hardcover
1859273985Literarische artistische Anstalt München 1859. Softcover Die Jahresangabe ist ungefähr. Einband mit Beschädigungen Einrissen Innen braunfleckig. Literarische artistische Anstalt, München, paperback
1955046135Mobile Ala.: Jordan Printing Co. 1955 Book. Very Good -. Soft cover. Inscribed by Authors. A RARE VOLUME INSCRIBED AND SENT WITH AUTHOR'S COMPLIMENTS. Inscription appears on the inside of front cover and reads: "The author requests this to be sent to you. Daisy Craig". Some scuffs and rub marks on exterior. Yellow paper. 40 pages. Jordan Printing Co. paperback
2013225502Leutelt Gesellschaft Neugablonz 2013. Hardcover Großformat Zustand: keine Beschädigungen keine Eintragungen. Rücken Ecken Kanten sehr gut. Leutelt Gesellschaft, Neugablonz, hardcover
196342473Phoenix AZ: Rampart Press 1963. Broadside. Folio 12½" X 16". Titled in red. Limited to 250 copies printed on German mouldmade paper. Fine. First separate printing. Although Beecher didn't graduate from Harvard he did attend Harvard Graduate School for language and literature in 1926 -- hence his opening declaration here "I am sir so to speak 'a Harvard man.'" Possibly occasioned by a much later visit by Beecher to his almost-alma he refers to "Nostalgic reminiscences brought on / by your most recent bulletin" this delightful piece begins as a tribute to the legendary Harvard literature professor G.L. Kittredge 1860-1941 Shakespeare and Chaucer authority prim and proper "in forked snowy beard and pearl-grey spats" whose teachings were equally fastidious: "Prince Hamlet / made no unseemly quips anent the thighs / Ophelia spread for him." -- thus "Nice young men were we / in Kitty's class." Personal recollections follow before a Lionel Trilling essay "Commitment to the Modern" found in the "recent bulletin" shows the poet that "you do not change / at Harvard like castrati whose voices / retain their boyish purity." Harvard's status quo conservative establishment he suddenly realizes rub this radical poet the wrong way: "Fend from me I beg you sir / offers of chairs magnates endow. Waylay / me with no teaching sinecure. Summon me never to recite my verse / before a convocation in my honor / nor to appear in doctoral costume / as orator at Commencement." A wonderfully dark provocative humorous poem. One of the great American protest and radical poets Beecher left his steel mill background to teach English and sociology at various universities; he worked various positions under the New Deal; his first published poem "And I Will Be Heard" 1940 placed him on the literary map and the book-length narrative poem "Here I Stand" came the following year; during World War Two he sailed aboard the first racially integrated ship the S.S. Booker T. Washington and wrote about those experiences in "All Brave Sailors"; blacklisted from teaching by refusing to sign a state loyalty oath in California in 1950 he became a rancher and farmer in Sonoma County; there he continued writing founding the award-winning Morning Star Press in 1956 to publish his poetry and other socially-oriented pieces becoming a gifted and accomplished practitioner in the process; this press then operated from San Francisco Berkeley and Jerome Arizona; renamed it relocated to Scottsdale Arizona and other locales; "Report to the Stockholders & Other Poems" appeared in 1962 to critical acclaim and "To Live and Die in Dixie" in 1966; these later years were filled with guest teaching positions from Massachusetts to California and Beecher was in great demand as a lecturer and poetry reader nationwide; descended from famed Abolitionists Henry Ward Beecher Harriet Beecher Stowe and Lyman Beecher much of John Beecher's poetry concerns itself with race relations labor reform and other social injustices. Rampart Press unknown
196342510Phoenix AZ: Rampart Press 1963. Broadside. Folio 12½" X 16". Titled in red. Limited to 250 copies printed on German mouldmade paper. Fine. First separate printing -- and although this broadside was never issued signed Beecher's wife and printing partner artist Barbara Beecher 1925-2016 handsomely signed a very small number in pencil at lower right and this is one such example. Although Beecher didn't graduate from Harvard he did attend Harvard Graduate School for language and literature in 1926 -- hence his opening declaration here "I am sir so to speak 'a Harvard man.'" Possibly occasioned by a much later visit by Beecher to his almost-alma he refers to "Nostalgic reminiscences brought on / by your most recent bulletin" this delightful piece begins as a tribute to the legendary Harvard literature professor G.L. Kittredge 1860-1941 Shakespeare and Chaucer authority prim and proper "in forked snowy beard and pearl-grey spats" whose teachings were equally fastidious: "Prince Hamlet / made no unseemly quips anent the thighs / Ophelia spread for him." -- thus "Nice young men were we / in Kitty's class." Personal recollections follow before a Lionel Trilling essay "Commitment to the Modern" found in the "recent bulletin" shows the poet that "you do not change / at Harvard like castrati whose voices / retain their boyish purity." Harvard's status quo conservative establishment he suddenly realizes rub this radical poet the wrong way: "Fend from me I beg you sir / offers of chairs magnates endow. Waylay / me with no teaching sinecure. Summon me never to recite my verse / before a convocation in my honor / nor to appear in doctoral costume / as orator at Commencement." A wonderfully dark provocative humorous poem. One of the great American protest and radical poets Beecher left his steel mill background to teach English and sociology at various universities; he worked various positions under the New Deal; his first published poem "And I Will Be Heard" 1940 placed him on the literary map and the book-length narrative poem "Here I Stand" came the following year; during World War Two he sailed aboard the first racially integrated ship the S.S. Booker T. Washington and wrote about those experiences in "All Brave Sailors"; blacklisted from teaching by refusing to sign a state loyalty oath in California in 1950 he became a rancher and farmer in Sonoma County; there he continued writing founding the award-winning Morning Star Press in 1956 to publish his poetry and other socially-oriented pieces becoming a gifted and accomplished practitioner in the process; this press then operated from San Francisco Berkeley and Jerome Arizona; renamed it relocated to Scottsdale Arizona and other locales; "Report to the Stockholders & Other Poems" appeared in 1962 to critical acclaim and "To Live and Die in Dixie" in 1966; these later years were filled with guest teaching positions from Massachusetts to California and Beecher was in great demand as a lecturer and poetry reader nationwide; descended from famed Abolitionists Henry Ward Beecher Harriet Beecher Stowe and Lyman Beecher much of John Beecher's poetry concerns itself with race relations labor reform and other social injustices. Rampart Press unknown
196327649Phoenix AZ: Rampart Press 1963. Broadside. 4to 9" X 12½". Titled in red. Edition limited to 200 copies. Fine. First separate printing. Presumably inspired by the Ap Bac hamlet encounter in Vietnam in which the Vietcong for the first time took on the American military and the South Vietnamese Army Beecher ruminates upon war. A fine critique in true Beecher form reading in part: "Proud / as pterodactyls in their prime are we / mighty as mammoths." His title comes from Shakespeare's "Julius Caesar" : "He doth bestride the narrow world like a Colossus and we petty men walk under his luge legs and peep about." One of the great American protest and radical poets Beecher left his steel mill background to teach English and sociology at various universities; he worked various positions under the New Deal; his first published poem "And I Will Be Heard" 1940 placed him on the literary map and the book-length narrative poem "Here I Stand" came the following year; during World War Two he sailed aboard the first racially integrated ship the S.S. Booker T. Washington and wrote about those experiences in "All Brave Sailors"; blacklisted from teaching by refusing to sign a state loyalty oath in California in 1950 he became a rancher and farmer in Sonoma County; there he continued writing founding the award-winning Morning Star Press in 1956 to publish his poetry and other socially-oriented pieces becoming a gifted and accomplished practitioner in the process; this press then operated from San Francisco Berkeley and Jerome Arizona; renamed it relocated to Scottsdale Arizona and other locales; "Report to the Stockholders & Other Poems" appeared in 1962 to critical acclaim and "To Live and Die in Dixie" in 1966; these later years were filled with guest teaching positions from Massachusetts to California and Beecher was in great demand as a lecturer and poetry reader nationwide; descended from famed Abolitionists Henry Ward Beecher Harriet Beecher Stowe and Lyman Beecher much of John Beecher's poetry concerns itself with race relations labor reform and other social injustices. Rampart Press unknown
196342471Phoenix AZ: Rampart Press 1963. Broadside. 4to 9" X 12½". Titled in blue. Edition limited to 200 copies. Fine. First separate printing. Dedicated to Father M. Louis O.C.S.O. -- better known as Thomas Merton 1915-68 the celebrated Trappist monk with the Cistercian Order of the Strict Observance. Ruminations on faith and the monastic life brought on by perusing "these old volumes that my hands / profane." One of the great American protest and radical poets Beecher left his steel mill background to teach English and sociology at various universities; he worked various positions under the New Deal; his first published poem "And I Will Be Heard" 1940 placed him on the literary map and the book-length narrative poem "Here I Stand" came the following year; during World War Two he sailed aboard the first racially integrated ship the S.S. Booker T. Washington and wrote about those experiences in "All Brave Sailors"; blacklisted from teaching by refusing to sign a state loyalty oath in California in 1950 he became a rancher and farmer in Sonoma County; there he continued writing founding the award-winning Morning Star Press in 1956 to publish his poetry and other socially-oriented pieces becoming a gifted and accomplished practitioner in the process; this press then operated from San Francisco Berkeley and Jerome Arizona; renamed it relocated to Scottsdale Arizona and other locales; "Report to the Stockholders & Other Poems" appeared in 1962 to critical acclaim and "To Live and Die in Dixie" in 1966; these later years were filled with guest teaching positions from Massachusetts to California and Beecher was in great demand as a lecturer and poetry reader nationwide; descended from famed Abolitionists Henry Ward Beecher Harriet Beecher Stowe and Lyman Beecher much of John Beecher's poetry concerns itself with race relations labor reform and other social injustices. Rampart Press unknown
195633338Oakland CA: Morning Star Press 1956. Broadside. Folio 9¼" X 17". Fine. Hand set and hand printed by Beecher. First separate printing. A tribute to the controversial educator and important civil libertarian Meiklejohn 1872-1964 a philosophy professor who founded the University of Wisconsin's radical Experimental College in 1928 folded in 1932. In September 1929 Beecher became an English instructor there. Occasioned by reading some "testimony" of Meiklejohn's Beecher seeks to celebrate his mentor before it's too late -- before "the long black limousine will stand / before your door and all unhearing you / will trundle off on casters while the winds / of elegiac oratory fill / the public prints and how the hearts will ache / of us who were your sons." A surprisingly emotional and personal outburst of affection for the educator whose "ideas broke the mould / of prejudice in which my mind was formed." He goes on: "You let the world in on me were the yeast / that set me boiling with desire to know / not merely but to do. I thought I loved / my country. You taught why America / deserved my love and all mankind's because / America was more than just a land; / it was the sum of all that men had won / against the ancient darkness." Meiklejohn would live to see this tribute -- and then some living another eight years before passing away in 1964 at the age of 92. One of the great American protest and radical poets Beecher left his steel mill background to teach English and sociology at various universities; he worked various positions under the New Deal; his first published poem "And I Will Be Heard" 1940 placed him on the literary map and the book-length narrative poem "Here I Stand" came the following year; during World War Two he sailed aboard the first racially integrated ship the S.S. Booker T. Washington and wrote about those experiences in "All Brave Sailors"; blacklisted from teaching by refusing to sign a state loyalty oath in California in 1950 he became a rancher and farmer in Sonoma County; there he continued writing founding the award-winning Morning Star Press in 1956 to publish his poetry and other socially-oriented pieces becoming a gifted and accomplished practitioner in the process; this press then operated from San Francisco Berkeley and Jerome Arizona; renamed Rampart Press it relocated to Scottsdale Arizona and other locales; "Report to the Stockholders & Other Poems" appeared in 1962 to critical acclaim and "To Live and Die in Dixie" in 1966; these later years were filled with guest teaching positions from Massachusetts to California and Beecher was in great demand as a lecturer and poetry reader nationwide; descended from famed Abolitionists Henry Ward Beecher Harriet Beecher Stowe and Lyman Beecher much of John Beecher's poetry concerns itself with race relations labor reform and other social injustices. Morning Star Press unknown
1900540568Oxford: Clarendon Press 1900. Hardcover with ornate boards no dust jacket in very good condition for its age. Beautiful patterned page block and pastedowns in pristine condition. From the collection of Dr Cathy King with bookplate on front pastedown indicating this book was an honorary gift by Lewis Gielgud to E. Lyttelton. Boards are sunned and board corners and spine ends are slightly rubbed. Pages are clear and unmarked throughout. LW. Hardcover. Very Good/No Dust Jacket. Used. Clarendon Press Hardcover
1994541915Hamden Connecticut: Archon Books 1994. First Edition hardcover with unclipped dust jacket in very good condition. Jacket is slightly marked and edges a little creased. Page block is very lightly blemished. Pages are clear and bright throughout. LW. First Edition. Hardcover. Very Good/Very Good. Used. Archon Books Hardcover
19862090502113716460Not Available 1986. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1964608414London: Longman Group Limited 1964. Hard cover with unclipped dust jacket both in very good condition. Includes contributions from Camara Laye Wilson Harris Birago Diop Ezekiel Mphahlele and Cyprian Ekwensi. DJ has a thin protective coat worn away at the tanned spine. General shelf and handling wear including light tanning to cover and pageblock. Minor wear to board edges otherwise in fine condition. Within pages are tightly bound content unmarked. CN. Hardcover. Very Good/Very Good. Used. Longman Group Limited Hardcover
1970618274Cambridge: Cambridge University Press 1970. Hardcover in very good condition with clipped dust jacket in good condition. Illustrated by Susanne Wenger. Jacket design by Kenneth Farnhill. Jacket is marked and sunned. Edges are creased and nicked including small tears. Board spine ends are slightly bumped. Page block head is lightly blemished. Binding is sound and pages are clear. LW. Hardcover. Good/Very Good. Illus. by Wenger Susanne. Used. Cambridge University Press Hardcover
1971fg-146aNewcastle-upon-Tyne: Frank Graham. VG: in very good condition with rubbed dust jacket. Spine of jacket faded. 1971. Limited Facsimile Edition 950. Maroon hardback leatherette cover. 190mm x 120mm 7" x 5". lix 334pp. A facsimile reproduction of the 1812 edition of these very important North Country Songs. . Frank Graham hardcover
2018094054New River Press 2018. First Edition. Softcover. Near Fine Condition. Near Fine 1st print 2018 paperback impressive collection. Light signs of usage only very well-preserved bright and unmarked. Quantity Available: 1. Shipped Weight: Under 1kg. Category: Poetry; ISBN: 0995480788. ISBN/EAN: 9780995480780. 84cxrarebooks is the trading name of Cambridge-based bookseller Marino Guida with 25 years experience in the trade. We guarantee the condition of all our books. Further images or a short video presentation of any book can be arranged on request. We send tax-free and tariff-free to EU US/Canada and Australia/NZ with insurance included for peace of mind. Inventory No: 094054. 9780995480780 New River Press paperback
1770004213London: D. Bellamy 1770. Hardcover. Fair. 4to - over 9¾" - 12" tall. Shana Valeska . Green calf gilt borders 5 raised bands gilt bordered spine panels and gilt lettering al edges gilt gilt tooling to interior edges numerous vignette engraviings throughout. Front board is detached but present wear to edges and spine contents lightly age-toned some light spotting to a few margins slight waviness to some pages. Text block is tight and interior is attractive and in basically sound condition; just needs front board to be re-attached. <br/> <br/> D. Bellamy hardcover
0259270547.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
192341485NY: Alfred A. Knopf. Very Good in Good dust jacket; Owner signature on front free endpaper . boards worn pages toned jacket soiled and tattered. 1923. First American Edition. Hardcover. Illustrated boards with red cloth spine. A collection of illustrated poems about Belloc's travels with a very colonial perspective in text and illustration. ; 8vo 8" - 9" tall; 80 pages . Alfred A. Knopf hardcover