Louis AragonBiblio.com
830 résultats
20032-2070115291Gallimard 2003. Leather Bound. New. 1740 pages. French language. 6.85x4.57x1.65 inches. Gallimard hardcover
1990I-006-711Seghers 1990. Paperback. Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations. Seghers paperback
BN327341Seghers. Softcover. Aragon parle avec Dominique Arban <br/><br/>Aragon parle avec Dominique Arban Louis Aragon et Dominique Arban Seghers paperback
1946991Y38London: Pilot Press Ltd 1946. First edition. Cloth. Near Fine/Very Good Indeed. 7.5" by 5". None. The first English edition of Louis Aragon's sweeping novel set against the backdrop of the Roaring Twenties with the very scarce unclipped dust wrapper. The first English edition.With the publisher's very scarce original unclipped dust wrapper. Aurelien follows the titular bourgeois hero as he navigates life post-First World War. The action unfolds against a backdrop of the famous Roaring Twenties as he becomes swept up in an all-consuming love for Berenice a young woman fresh from the provinces.The novel was ranked 51st in Le Mondes's 100 Books of the Century. From French poet and leading voice of France's surrealist movement Louis Aragon. He was a co-founder of the surrealist review Litterature and from 1959 he was a frequent nominee for the Nobel Prize in Literature. In the original cloth binding. With the original unclipped dust wrapper. Externally excellent with mild shelf wear and slight fading to the spine gilt. Dust wrapper is very smart with handling marks and mild edge wear. Internally firmly bound. Pages are bright and generally clean with spots to the fore edge affecting the occasional page. Light scattered spots to the endpapers. Near Fine Pilot Press Ltd hardcover
2-2070202186GALLIMARD 1944. Paperback. New. 584 pages. French language. 7.80x5.51x1.57 inches. GALLIMARD paperback
194479256Paris: Gallimard 1944. Fine. Gallimard Paris 1944 14.50 x 21 cm broché First edition one of 88 numbered copies on pur fil paper deluxe copies after 13 on Holland paper. Rare and very handsome copy. Gallimard unknown
198081311Paris: Les Editeurs Français Réunis 1980. Fine. Les Editeurs Français Réunis Paris 1980 10.50 x 13.50 cm reliure de l'éditeur First collected edition of which there were no deluxe copies. Publisher's full beige cloth binding smooth spine green paper endpapers and pastedowns. Work illustrated with drawings by Alexandre-Alecos Fassianos. Handsome copy. Autograph inscription signed by Louis Aragon to Christian Giudicelli: ""A Christian Giudicelli de la part de deux amis de l'Italie."" ""To Christian Giudicelli from two friends of Italy."" enriched with the signature of Hamid Foulâdvind. Les Editeurs Français Réunis hardcover
19572092902143901235Shinchosha 1957. Soft Cover. Fine. Number of books: 2 Shinchosha paperback
19572092902143801234Shinchosha 1957. Soft Cover. Fine. Number of books: 2 Shinchosha paperback
196774631Paris: Gallimard 1967. Fine. Gallimard Paris 1967 14.50 x 21 cm broché First edition one of 160 numbered copies on pur fil the only deluxe copies with 60 on Holland paper. Handsome copy despite some worming to the spine. Unsigned autograph inscription from Louis Aragon to Jacques Blumenthal. Gallimard unknown
196766840Paris: Gallimard 1967. Fine. Gallimard Paris 1967 14 x 21 cm broché First edition one of 60 numbered copies on Hollande deluxe issue. Minor insignificant spotting to the spine. A handsome copy. Gallimard unknown
feb97867Used. For more details please contact me unknown
19762091202133212860Maeght Editor 1976. Soft Cover. Fine. Volume: 1 Maeght Editor paperback
1972Q-207036791610/18 1972-12-01. Mass Market Paperback. New. New. In shrink wrap. Looks like an interesting title! 10/18 paperback
feb58949Used. For more details please contact me unknown
1982Q-0841907307Holmes & Meier Publishers Inc 1982-09-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Holmes & Meier Publishers, Inc hardcover
1982003697Holmes & Meier Publishers New York London 1982. Book. Near Fine. Cloth. 166 pp. many illustrations in color. Previous owner's information embossed to the ffep lower right-hand corner. Slight wear to the bottom edge of dustjacket cover. Dustjacket is protected with a mylar cover. Holmes & Meier Publishers, New York London Hardcover
BN311481Der Pariser Bauer <br/><br/>Der Pariser Bauer Louis Aragon unknown
1972B-2022-0743Paris Maeght May 1972. Dedicated to Marc Chagall and accompanied by an essay of Louis Aragon in French: Chagall l'admirable. With 3 original color lithographs made by Chagall especially for this edition. The Lithographs are on the front Cover page 11 and double pages 14-15 and are pulled in press by Mourlot. In the text there are also many other illustrations. Text by Louis Aragon. <br />In very good condition. Maeght Editeur
1945641571945. Fine. s. d. 1944-1945 19.80 x 26.50 cm une feuille sous étui-chemise Exceptionally rare autograph satirical poem by Louis Aragon entitledDistiques pour une Carmagnole de la Honte written between September 1944 and February 1945. 26 lines penned in black ink on a single leaf with a note from the author in blue ink at the foot of the page. Our manuscript belongs to a group of thirteen poems composed during the first half of 1945 intended for publication in a poetry anthology Aragon published by Pierre Seghers in Paris Collection Poètes daujourdhui no. 2 20 July 1945. It was sent by Aragon as a working copy to his editor and friend Claude Roy. This autograph poem is the only known manuscript of the Distiques with neither manuscript nor proofs held in the extensive Triolet-Aragon archives at the Bibliothèque nationale de France. The autograph poem is housed in a midnight blue half-morocco folder with patterned paper boards beige lambskin doublures and a matching morocco-edged slipcase. Binding signed by Thomas Boichot. A true historical document and scathing indictment of the collaborators who sought refuge in Sigmaringen Aragons Distiques were composed during the winter of 19441945 following the publication of Musée Grévin. A quintessential example of Aragons resistance poetry this octosyllabic and ten-line verse composition denounces in no uncertain terms the leaders of the Vichy regime and their most ardent supporters. Sarcasm insult and invective fuel a vengeful poetry reminiscent of the fiery tone of Front Rouge which marked his break with surrealism. Yet the poems tone remains brisk and lively: the residents of Sigmaringen castle sing dance and play and Aragon concludes with a rousing quatrain: «Ah ça ira ça ira Les Pétain Laval tous à la lanterne Ah ça ira ça ira ça ira Les Pétain Laval tous on les pendra» borrowed from the revolutionary anthem «Ah ça ira ça ira ça ira Les aristocrates à la lanterne. Ah! ça ira ça ira ça ira! Les aristocrates on les pendra.» Despite numerous appeals to flee France at the outbreak of war Aragon chose to remain going underground with Elsa Triolet after serving bravely during the German offensive. The Occupation marked a period of intense activity for the writer who clandestinely published his collections of resistance poetry Le Crève-cur 1941 Les Yeux dElsa 1942 Le Musée Grévin 1943 La Diane française 1944 and under various pseudonyms poems and responses to collaborationists in the Lettres Françaises. At the same time he was commissioned by the Communist Party to rally writers and intellectuals in the southern zone where he founded a branch of the Comité National des Écrivains bringing together Stanislas Fumet Auguste Anglès Henry Malherbe and Jean Prévost. Aragons example proved that in times of war poetry could itself be a form of resistance a refusal to yield. As Claude Roy recipient of the manuscript later remarked: «La parole dAragon sélevait avec une violence et une aisance qui se répercutaient dun bout de la France à lautre.» «Ça doit avoir de la dégaine/Le château de Siegmaringen/On sy retrouve entre félons/Sous les lustres du grand salon» Aragon wrote two poems about Sigmaringen the former Swabian stronghold of the Hohenzollern family which hosted Pétain and his entourage after their flight from Vichy and Belfort. As Allied forces advanced and on orders from the Reich the Marshal and his supporters set up a puppet government there in September 1944 later replaced by the Gouvernemental Delegation for the Defence of French Interests in Germany during the wars final months. Aragon dedicates a distich to Laval who had been ousted from power by this new structure: «Laval a lair bien embêté / Dêtre en disponibilité». Notably Aragon adds an e to Sigmaringen likely a sardonic play on the Nazi salute Sieg Heil. For nearly eight months until April 1945 this extraterritorial enclave shelter hardcover
193286460Paris: Bureau d'Éditions et de Diffusion 1932. Fine. Bureau d'Éditions et de Diffusion Paris 1932 18 x 23.50 cm agrafé First edition. Illustrated with 16 drawings by Georges Adam. A superb copy of this rare booklet by Louis Aragon a true ""anti-clerical anti-capitalist anti-colonialist anti-patriotic"" Pierre Juquin catechism for the children of the exploited working masses. ""On June 25 1932 the Imprimerie centrale completed printing for the Bureau des éditions et de diffusion 132 Faubourg Saint-Denis Paris a beautiful pamphlet now a bibliophilic rarity . On the cover a large red star - an important and recurrent image in Aragon's work - appears imprinted on children's brains. Sixteen quatrains droll and didactic punctuated for ease of reading alternate with drawings by Georges Adam whose nearly expressionist mockery reminiscent of Rouault's paintings overturns taboos and myths."" Aragon. Un destin français 1897-1939 After breaking with the Surrealists Aragon threw himself wholeheartedly into the Journal de la lutte antireligieuse. He wrote this pamphlet from Moscow and published it on the Party's presses to ignite the fervor of proletarian youth. French poet Jacques Prévert would later follow a similar path with his play Émasculée conception. Anticlerical activism within French Communist associations was in full swing at the time: every symbol and events of religious life were reinterpreted through the lens of class struggle. ""Red baptisms"" were organised forming a community of ""Godless"" children drawing their name from the Association of Godless Workers who corresponded with their Soviet counterparts. Aragon contributed to these new rituals with this particularly radical children's book deemed excessively antipatriotic by Maurice Thorez which he would later disavow at the end of his life. Bureau d'Éditions et de Diffusion unknown
196034271Paris: Gallimard 1960. 1st Edition. Soft cover. Near Fine. 1st Edition. Soft cover. Signed by Authors. Aragon Louis. ELSA TRIOLET choisie par Aragon. Signé /Signed. Paris: Gallimard 1960. 8vo./ in8 362pp. Broché / Wrappers. A near fine copy in the original glassine. Inscribed on the half title: "Au M. et Mme. LeBovia Leurs ami / Aragon / et Elsa". En bon états. Rare. GEOGHEGAN AL1446. Louis Aragon 1897 - 1982. Un poète romancier journaliste et essayiste français. Il est également connu pour son engagement et son soutien au Parti communiste français de 1930 jusqu'à sa mort. Avec André Breton Paul Éluard Philippe Soupault il fut l'un des animateurs du dadaïsme parisien et du surréalisme. Sa poésie est largement inspirée depuis les années 1940 par l'amour qu'il voue à son épouse Elsa Triolet écrivain elle aussi et belle-sur de Vladimir Maïakovski. Louis Aragon 1897 - 1982 French poet novelist & editor. Having been involved in Dadaism from 1919 to 1924 he became a founding member of Surrealism in 1924 with André Breton & Philippe Soupault under the pen-name "Aragon". In 1939 he married Russian-born author Elsa Triolet the sister of Lilya Brik a mistress & common-law wife of Russian poet Vladimir Mayakovsky. He had met her in 1928 and she became his muse starting in the 1940s. Aragon and Triolet collaborated in the left-wing French media before and during World War II going underground for most of the Nazi occupation. Louis Aragon wrote poems under the name of Le Musée Grévin using the pseudonym of François la Colère published during the Vichy regime by the Éditions de Minuit underground editor. Gallimard unknown
196484241Paris: Gallimard 1964. Fine. Gallimard Paris 1964 12 x 19 cm broché First edition one of 43 numbered copies on Holland paper deluxe copies. Very fine copy. Gallimard unknown
196480808Paris: Gallimard 1964. Fine. Gallimard Paris 1964 12 x 19 cm broché First edition on ordinary paper. Handsome copy. Precious and fine autograph inscription signed by Louis Aragon to Maurice Druon: ""A Maurice Druon à l'homme invisible son ami présent. Aragon"" ""To Maurice Druon to the invisible man his present friend. Aragon"" with an additional autograph inscription signed by Francis Crémieux: ""Ca va être ton tour. Ton creux frère. Francis."" ""It's going to be your turn. Your hollow brother. Francis."" Gallimard unknown
0656579668.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
