Louis AragonBiblio.com
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1958570L23Paris: Gallimard 1958. Fine Binding. Near Fine. 8.5" by 6". None. The first trade edition of this historical novel by Louis Aragon. In the original French. In a Sangorski and Sutcliffe binding with binder's stamp to the verso of front endpaper. Louis Aragon was a French poet and a leading voice of the surrealist movement in France. In a half crushed morocco binding with cloth covered boards. Externally very smart with light rubbing to the extremities and to the head and tail of spine. Binder's stamp to the verso of front endpaper Sangosrki and Sutcliffe. Internally firmly bound. Pages are age toned due to paper used. The odd spot to pages. Near Fine Gallimard unknown
2715221398.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2-2070202275GALLIMARD 1963. Paperback. New. 458 pages. French language. 9.21x7.17x1.50 inches. GALLIMARD paperback
194686653Paris: Les Editeurs Français Réunis 1946. Fine. Les Editeurs Français Réunis Paris 1946 12 x 17.50 cm broché New edition. Handsome copy. Autograph inscription signed by Louis Aragon to Jean-Pierre Lecointre. Les Editeurs Français Réunis unknown
194892155Paris: Gallimard 1948. Fine. Gallimard Paris 1948 11.50 x 18 cm reliure de l'éditeur First edition one of 1040 numbered copies printed on Navarre alfa paper. Publisher's paper-covered boards after Paul Bonet's original design. Endpapers fully shaded throughout as often encountered. Gallimard hardcover
193939370Souillac: In Le Point 1939. Fine. In Le Point Souillac 1939 18 x 24.50 cm broché First edition. Iconography. Spine and covers lightly and marginally sunned without consequence endpapers lightly and partially shaded handsome interior condition. In Le Point unknown
195685467Paris: Gallimard 1956. Fine. Gallimard Paris 1956 14 x 19.50 cm broché First edition a Service de Presse advance copy. Spine sunned with two small lacks at head and foot boards marginally sunned. This collection of poems contains the famous ""Strophes pour se souvenir"" a poem paying tribute to the members of the F.T.P. - M.O.I. of Missak Manouchian shot at Mont Valérien on February 21 1944. This moving poem would be set to music and performed in 1959 by Léo Ferré under the title ""L'affiche rouge"" referring to the ignominious red poster displayed by the Vichy regime depicting the F.T.P.-M.O.I. as vulgar and criminal foreign terrorists. Autograph inscription signed by Louis Aragon to Jean Ballard who was the director of the literary review Les Cahiers du Sud. Gallimard hardcover
196580850Paris: Pierre Seghers 1965. Fine. Pierre Seghers Paris 1965 13 x 19 cm broché First collective edition on ordinary paper. Pleasing copy. Valuable presentation copy signed by Louis Aragon: ""A Maurice Druon pour n'en pas perdre l'habitude. Louis.""  Pierre Seghers unknown
1960N - 2024 - 40<p>Paris: Les éditeurs français réunis 1960. Mes voyages My voyages. This beautiful book comprises of 28 lithographs in color by Fernand Léger that capture life in major cities around the world. It was produced after Leger's death by his widow Nadia Leger with plates from Ferdinand Mourlot's studio. The lithographs are accompanied by a poem by Louis Aragon. The book bears the artist's initials and is loose as issued in original chemise and paper wrappers in woodgrain guarded in the original slipcase. Limited to 280 copies on Vélin d'Arches of which this is number 90. Printing by Fernand Mourlot. 38 x 27 cm. Ref: Monod 7050. Box has a small tear on the bottom corner. All lithographs and pages within in very good condition.</p> Les éditeurs français réunis
0332400859.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
192273<p>NRF 1922. brochure in good condition</p> NRF
192431214Paris: Nouvelle Revue Française 1924. 1st Edition. Soft cover. 1st Edition. Soft cover. Aragon Louis. LES AVENTURES DE TELEMAQUE: avec un portrait de l'auteur par R. Delaunay gravé sur bois et tiré sur papier Chine. Paris: Nouvelle Revue Française 1922. 12mo. 95pp. In-12 broché couverture de papier brique. First Edition / Edition originale. Brown printed wrappers in the original glassine A fine copy /bel exemplaire. Tirage limité à 1000 exemplaires sur vergé de Rives numérotés après 35 hors commerce et 15 exemplaires sur Japon. TALVART et PLACE no.3; GEOGHGAN AL82. Les Aventures de Télémaque est un roman de Louis Aragon publié en 1922 aux éditions de la NRF. C'est un pastiche dadaïste de l'ouvrage du même nom par Fénelon. Aragon le qualifiait de «croisement entre Fénelon et Dada». La première édition accompagnée d'un portrait de l'auteur par R. Delaunay. Le roman est ensuite réédité en 1966 dans la collection «Blanche» Gallimard puis en 1997 dans la collection «L'Imaginaire». Louis Aragon 1897 - 1982. Un poète romancier journaliste et essayiste français. Il est également connu pour son engagement et son soutien au Parti communiste français de 1930 jusqu'à sa mort. Avec André Breton Paul Éluard Philippe Soupault il fut l'un des animateurs du dadaïsme parisien et du surréalisme. Sa poésie est largement inspirée depuis les années 1940 par l'amour qu'il voue à son épouse Elsa Triolet écrivain elle aussi et belle-sur de Vladimir Maïakovski. Louis Aragon 1897 - 1982 French poet novelist & editor. Having been involved in Dadaism from 1919 to 1924 he became a founding member of Surrealism in 1924 with André Breton & Philippe Soupault under the pen-name "Aragon". In 1939 he married Russian-born author Elsa Triolet the sister of Lilya Brik a mistress & common-law wife of Russian poet Vladimir Mayakovsky. He had met her in 1928 and she became his muse starting in the 1940s. Aragon and Triolet collaborated in the left-wing French media before and during World War II going underground for most of the Nazi occupation. Louis Aragon wrote poems under the name of Le Musée Grévin using the pseudonym of François la Colère published during the Vichy regime by the Éditions de Minuit underground editor. Nouvelle Revue Française unknown
195763161Paris: Gallimard 1957. Fine. Gallimard Paris 1957 14.50 x 21.50 cm broché New edition of the French translation for which it was not drawn from great papers mention of third edition. Back and flat slightly and marginally discolored and insolated without gravity. Presentation of Louis Aragon. Signed autograph of Louis Aragon to Julian Garavito. Gallimard unknown
196580810Paris: Hermann 1965. Fine. Hermann Paris 1965 11 x 21 cm broché First edition with no deluxe-paper copies printed. Illustrations. A handsome copy despite the slightly faded spine. Precious and fine signed presentation copy from Louis Aragon to Maurice Druon: ""A Maurice Druon pour qu'il sache que de temps je m'égarée dans Césarée. sic Louis"". Hermann unknown
194987699Paris: La bibliothèque française 1949. Fine. La bibliothèque française Paris 1949-1951 11.50 x 18.50 cm 6 volumes brochés First edition on ordinary paper for each of the volumes. Complete set in 6 volumes. Handsome copy despite small corner lacks of no consequence to the boards considering the poor quality of this paper. On the first volume autograph inscription signed by Louis Aragon to Jacqueline Gillet enriched with the manuscript signatures of Yves Robert and Daniel Delorme. La bibliothèque française hardcover
1989H-185-410Digraphe 1989. Paperback. Very Good. Ammareal gives back up to 15% of this item's net price to charity organizations. Digraphe paperback
BN314716Digraphe. Softcover. Les Communistes : février 1939 - juin 1940 coffret de 2 volumes <br/><br/>Les Communistes : février 1939 - juin 1940 coffret de 2 volumes Louis Aragon Digraphe paperback
195025234Paris: La Bibliothèque Française 1950. Fine. La Bibliothèque Française Paris 1950 12 x 19 cm broché First edition one of 535 numbered copies on pur fil the only deluxe copies. Light sunning partially affecting the spine otherwise a handsome copy. La Bibliothèque Française unknown
194763183Paris: Editions sociales 1947. Fine. Editions sociales Paris 1947 12 x 15 cm broché First edition. A photograph of Gabriel Péri as frontispiece. Editions sociales unknown
196057183Paris: Gallimard 1960. Fine. Gallimard Paris 1960 18.50 x 23.50 cm broché First edition one of 125 numbered copies on wove paper the only deluxe copies after 30 Holland. A crease mark on the back cover otherwise a handsome copy. Gallimard unknown
191475566Grandcamp-les-Bains Grandcamp-Maisy 1914. Fine. Grandcamp-les-Bains Grandcamp-Maisy s. d. ca 1914-1920 13.50 x 21 cm une page sur un feuillet remplié Autograph letter signed addressed to a correspondent whom we have not been able to identify. Written from the Grand Hôtel de Grandcamp-les-Bains Calvados in blue ink on a folded sheet of white paper. A transverse fold inherent to the posting of the letter and four small perforations affecting the text but not impeding its reading. The mention of Grandcamp-les-Bains - where Aragon seems to have been only once during the summer of his seventeenth year - and the signature - of an early form - lead us to think that the letter could have been written in the summer of 1914. Philippe Forest in his biography of Aragon confirms that it was indeed at Grandcamp-les-Bains where his family had rented fifty rooms in a large seaside hotel to accommodate family and friends that the future poet learned the news of mobilization. The handwriting less rounded than on manuscripts prior to the 1920s however seems to us later and we are therefore not in a position to confirm the date of 1914. unknown
19562111902154606772Aoki shoten 1956. Soft Cover. Fine. The book is in fine condition. Aoki shoten paperback
1950872201950. Fine. It has to be said that we are publishing here this masterpiece deliberately ignored by those who write literary history and which makes existentialist teeth grind or simply spoilt teeth as an example sure that it will not be in vain. s. d. circa 1950 21 x 30 cm une page sur un feuillet Autograph manuscript by Louis Aragon one page in blue ink on a leaf. Precious study by Louis Aragon accompanying the serial publication in Les Lettres Françaises of Marceline Desbordes-Valmore's novel L'Atelier d'un peintre 1833. Aragon rehabilitates the female poet-novelist canceled from the history of literature and snubbed by Existentialists placing her in the tradition of socialist realism. Autograph manuscript by Louis Aragon one page in blue ink on one leaf. Numerous crossed out words and rewritings. Slight rusting due to a paper clip slight shadows of an ink transfer from another page. Published in Les Lettres Françaises episode 16 23 February 1950. In 1949 Aragon chose to publish 'L'Atelier d'un peintre' serially with his own comments. The Cold War made socialist realism the official literary genre for Communist cultural policy: 'For Aragon reading Marceline Desbordes-Valmore is above all reading the history of a generation of a people. More precisely he made Marceline an incarnation of the unfinished Republic of a world still under construction and one that was tending towards freedom. To understand Marceline Aragon invites us to 'date her writings' and not be content to confine her to a single period of her life but to try to find an explanation for her stances which were as different as the regimes during the gestation of the Republic in the nineteenth century'. Aghbarian Lina 'Aragon éditeur de Marceline Desbordes-Valmore' Recherches croisées Aragon - Elsa Triolet no. 14. Of all his comments accompanying 'L'Atelier d'un peintre' this is one of his most polemical: Aragon opposes the Surrealists by contesting Lautréamont's distate of the Romantics with whom Desbordes-Valmore was associated. The writer criticizes the hasty rejection of her work which nevertheless has counterparts in modern literature: 'The Atelier that Aragon reopens with the publication of this novel to rework it to reveal it to give it a second life closer to his own concerns after having disentangled it from its time and emptied it of its Romantic religiosity to lay bare its richness which lies in the feminist cause defended by Marceline Desbordes-Valmore . . For her Ondine the literary character was a transposition of the missing child her son the son of Henri de Latouche her lover. Ondine is thus three times hybrid androgynous real and imaginary daughter and mother at the same time and Léonard her inverted double the one she would have liked to be in order to succeed in the forbidden world of painting. Aragon doubles androgyny with homosexuality as seen in Yorick's phrase 'Talma doubles my existence'. Among other allusions he refers to Henri Miller's Sexus an allusion is made about this work in this manuscript Aragon cultivates the theme of duality on which the whole novel is built. Without abandoning the imaginary world of the novel he seeks to bring out the realistic side of this romantic novel hidden in the shadow of the lyrical novel. In a word Aragon reverses the order of the foreground and background: the romanticism of Marceline Desbordes-Valmore's novel becomes secondary and the historical background takes precedence' ibid. 'We have now come to the night scene in the Place Vendôme which is one of the most intense the most beautiful minutes of the novel of the other century. I know that not everyone will agree. It's come to my attention that there are people who are superbly distracted from L'Atelier d'un peintre and find it wrong that we should publish a story in which there is absolutely nothing of what THEY are looking for in novels and it's possible that those who c unknown
19512082402113505673Nippon News Co. Ltd. 1951. Soft Cover. Fine. Volume: 1 Nippon News Co., Ltd. paperback
1943B-2022-0939<p>Paris: Martin Fabiani 1943. Preface Matisse-en-France by Louis Aragon. Limited numbered edition in 950 copies of which this is copy N 404. Loose as issued in the original publisher's lace-up hard chemise. Illustrated by Matisse with an original linocut on a black background in frontispiece three lithographs and 158 reproductions of drawings in full page and hors-texte. Ref: C. Duthuit Les Livres Illustres No. 9.; Monod 7847.Chemise is missing spine and is detached some of the reproductions are lightly tanned but linocut is in very good condition.</p> Martin Fabiani Editeur
