AragonBiblio.com
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2008020851folio 2008. Mass Market Paperback. Good. <br/> <br/> folio paperback
30040Paris Gallimard 11 janvier 1945. 1 vol. 120 x 180 mm de 252 p. 1 et 1 f. Cartonnage éditeur d'après une maquette de Paul Bonet. . Deuxième édition. Un des 550 exemplaires sur alfa des Papeteries Navarre n° 184. Envoi signé : « À Joséphine qui est morte dans ses amours cet exemplaire plus beau que nature et merde pour les bibliophiles je le tiens pour la première que dis-je l’avant-première édition. Aragon né Baissette ». . La singularité du roman tient de ces mots : « Je ne veux plus me retenir des erreurs de mes doigts des erreurs de mes yeux ». Ainsi livré au pouvoir de son imagination devenu ce « paysan » qui redécouvre une ville dont il n'est pas plus Louis Aragon réinvente les lieux qu'il traverse. Pour Joséphine Baker et son « deuxième amour » qu'est Paris la lecture fut sans doute plaisante puisqu'elle n'évoque que la promenade au hasard dans les rues de la capitale dans un texte de référence pour les surréalistes : « Par la marche le paysan accède au merveilleux quotidien . J'aime à me laisser traverser par les vents et la pluie : le hasard voilà toute mon expérience ». Gaston Baissette fut un ami précoce des surréalistes collaborateur régulier des Cahiers du Sud. Médecin à l'hôpital de Nanterre il s'engage au parti communiste à partir de 1933 et pendant la guerre rentre en Résistance et se charge d'organiser les soins aux maquisards dans les Alpes Maritimes. Agent de liaison il accueille le couple Elsa Triolet - Louis Aragon pendant leur séjour niçois en 1941 : cette « adoption » temporaire est-elle la raison de la mention d'Aragon et de cette curieuse « filiation » Provenance : Joséphine Baker envoi - Jean-Luc Mercié vente Paris Cornette de Saint-Cyr Collection littéraire d'un amateur juin 2022 n° 4. Paris, Gallimard, (11 janvier) 1945. 1 vol. (120 x 180 mm) de 252 p., [1] et 1 f. Cartonnage éditeur, d'après une maquette de unknown
8877New York: The Limited Editions Club 1994. Hardcover. NF. Signed by Illustrator. Near Fine. #189 of 300 copies signed by Henri Cartier-Bresson. Designed by Dan Carr and printed on Velin Arches paper and printed by Wild Carrot Letterpress. Type set in Monotype Plantin Light by Dan /carr and Julia Ferrari at Golgonooza Letter Foundry with additional hand work by Art Larson at Horton Tank Graphics. This copy is NF with some slight fading on the spine but otherwise in fine condition. Original monthly letter #573 laid in. NF slipcase Print info from 1985 Bibliography and Snyman - Grossman LEC Checklist #573. The Limited Editions Club hardcover
SKU0608988Gallimard 2072-10-06. pocket_book. New. 4x0x7. New Textbook Ships with Tracking Gallimard unknown
1025785991.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19943115950New York: Limited EDITIONS CLUB. Fine with no dust jacket. 1994. First Edition; First Printing. Hardcover in Slipcase. Limited edition. Copy number 3 out of 300 SIGNED by Cartier-Bresson on colophon. Illustrated with 7 original Lithographs and a Photogravure by Henri Cartier-Bresson. The Lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock. Folio 12 x 16 inches. Laid-into grey-green silk slip case with interior felt linin. Book and slipcase are fine. The Photogravure frontispiece by Henri Cartier-Bresson is a portrait of writer Louis Aragon. A lovely production. ; 12" x 16" . Limited EDITIONS CLUB hardcover
1998Q-2070367827Gallimard 1998-06-01. Mass Market Paperback. New. New. In shrink wrap. Looks like an interesting title! Gallimard paperback
2070314634.Gpocket_book. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
323979The Limited Editions Club 1994. Edition limited to 300 numbered copies signed by Cartier-Bresson. Translated by Simon Watson Taylor. Illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. 1 vols. Folio 12 x 16 inches. Original blue-grey silk over boards matching slipcase. Fine. CARTIER-BRESSON Henri. Edition limited to 300 numbered copies signed by Cartier-Bresson. Translated by Simon Watson Taylor. Illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. 1 vols. Folio 12 x 16 inches. "Just twenty‑eight when he wrote this magical novel he compares a poet's love for his city to a peasant's love for his land. A leading Surrealist writer Aragon was keenly aware of the hidden life concealed by every object great and small. The Peasant of Paris combines minute descriptions of scenes and objects humorous anecdotes and philosophical reflections: all to create a reality that goes far beyond the literal or visual. Another love affair with Paris: that of the renowned artist and photo- grapher Henri Cartier‑Bresson who chose this book to illustrate with seven enchanting lithographs of Paris and a photogravure portrait of Louis Aragon" Publisher.<br /> <br /> The Lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock. The Limited Editions Club unknown
2070202143.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
27328AB1926. Premiére éditions. Paris Éditions de la Nouvelle Revue Francaise 1926. 19 x 12 cm. 252 pages. Broché. Bon état général. Trés Bon exemplaire. Intérieur propre malgré de légéres rousseurs éparses. Exemplaire numéroté: 286 un des 900 ouvrage déstinés aux Amis de l'édition originale in-octavo couronne sur papier vélin pur fil Lafuma-Navarre. / One of the great works by this co-founder of surrealism a prose poem which created a "modern mythology revealing the wonders of city life and celebrating the fusion of imagination and reality in a virtuoso style." One of 900 copies for amis de l'edition in a total first printing of 1053 copies. A very good copy with some dark shelf residues to bottom edge. Ce livre est né d'un sentiment inédit du paysage parisien. Comme un paysan ouvrant à tout de grands yeux le poète nous apprend à voir d'un regard neuf les passages les boutiques des coiffeurs à bustes de cire les bains les immeubles les plus ordinaires les affiches les extraits de journaux semblables aux collages des peintres. Deux morceaux célèbres du livre Le Passage de l'Opéra et Le Sentiment de la nature aux Buttes-Chaumont donnent l'éveil à " la lumière moderne de l'insolite ". Deux autres textes essentiels du Paysan de Paris : Préface à une mythologie moderne et Le Songe du paysan en. sont à la fois l'introduction et la conclusion le point de départ et le point d'arrivée d'une pensée prise dans sa variation. --Ce texte fait référence à l'édition de Poche.www.amazon.fr. unknown
193939370Souillac: In Le Point 1939. Fine. In Le Point Souillac 1939 18 x 24.50 cm broché First edition. Iconography. Spine and covers lightly and marginally sunned without consequence endpapers lightly and partially shaded handsome interior condition. In Le Point unknown
1948328702Paris: Gallimard 1948. First. hardcover. fine. Small 8vo full garnet crushed levant both covers decorated with important design of stars and gold white and blue fillets leading toward a central abstract figure gilt over uncut edges by P.L. Martin original wrappers bound in. Morocco edged chemise and slipcase. Paris: Gallimard FRS Limited First Edition. Fine.<br/> <br/> Number IV of only 14 large-paper copies on papier velin de Hollande in a handsome binding by one of the great modern masters.<br/> <br/> Gallimard unknown
194892155Paris: Gallimard 1948. Fine. Gallimard Paris 1948 11.50 x 18 cm reliure de l'éditeur First edition one of 1040 numbered copies printed on Navarre alfa paper. Publisher's paper-covered boards after Paul Bonet's original design. Endpapers fully shaded throughout as often encountered. Gallimard hardcover
194487421s. l. Aurillac: Les Editions de MinuitComité national des écrivains 1944. Fine. Les Editions de Minuit Comité national des écrivains s. l. Aurillac circa aout 1944 13.50 x 19 cm broché First deluxe edition of this masterpiece of Resistance literature one of 100 numbered copies on coated paper the only deluxe copies. A small fold at the foot of the first cover also affecting the following leaves minute foxing in the right margin of the first cover. First published probably simultaneously in the northern zone as a leaflet by ""Les éditions de Minuit"" and in the southern zone as a handmade brochure the cover was wallpaper inaugurating the famous ""Bibliothèque française"" this long poem would subsequently appear for the first time in volume form in October 1943 before it was decided to finally produce a deluxe edition sold for 100 francs instead of 10 francs for the ordinary edition ""intended to honor the financial contributions of Resistance bibliophiles."" Le Musée Grévin considered upon its publication as ""Les Châtiments of 1943"" Les étoiles Dec. 1943 no. 14 would remain with Paul Éluard's Liberté ""one of the masterpieces of clandestine literature."" In L'Intelligence en guerre published in 1945 Louis Parrot would write about it: « ce poème traversé d'images éblouissantes est en même temps qu'une condamnation sans appel des traîtres une prière un acte de fois envers leurs malheureuses victimes. Il peint en termes vengeurs les misérables qui les livrèrent aux bourreaux et évoque le visage de tant de femmes françaises torturées. » This pivotal poem is indeed one of the very first public evocations and the first literary one of the Auschwitz camp: « Aux confins de Pologne existe une géhenne dont le nom siffle et souffle une affreuse chanson. Ausschwitz ! Ausschwitz ! Ausschwitz ! ô syllabes sanglantes ! Ici l'on vit ici l'on meurt à petit feu. On appelle cela l'exécution lente. Une part de nos curs y périt peu à peu ». Exceptional copy printed on fine paper a true act of war whose perilous operation to procure luxury paper in a France where the Nazis controlled printing paper production through the Comité d'organisation des industries arts et commerces du livre COIACL can only be imagined. Les Editions de MinuitComité national des écrivains unknown
194491064Paris: Éditions de Minuit 1944. Fine. Éditions de Minuit Paris 1944 11.7 x 16.7 cm Broché First public edition of this text written under the pseudonym François la Colère one of 50 numbered copies on Madagascar paper the deluxe issue. Rare and fine copy. Éditions de Minuit unknown
194686653Paris: Les Editeurs Français Réunis 1946. Fine. Les Editeurs Français Réunis Paris 1946 12 x 17.50 cm broché New edition. Handsome copy. Autograph inscription signed by Louis Aragon to Jean-Pierre Lecointre. Les Editeurs Français Réunis unknown
2841098575.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2070300129.Gpocket_book. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
192647918Paris.: Librarie Gallimard. 1926. Original publisher's cream wrappers with typographic design printed in blue rear wrapper with a manuscript 'pensée' by Péret in Aragon's hand within blue three-dimensional box design. 4to. 237 x 187 mm. Title page repeating cover design with justification verso dedication and frontispiece by Max Morise verso half title and Aragon's poems pp. 9 - 95 printed with one full page illustration by Morise for the section 'Les Destinées de la Poesie' printer's credit to rear. The first edition of Aragon's second poetry collection with original manuscript 'pensée'.From the edition limited to 268 copies this one of 170 printed on Arches.The cover features a superb mirrored typographic design by Aragon himself. The boxed phrase 'Voir au dos la pensée' leads us to the rear cover where a quote by Benjamin Péret here in Aragon's hand reads: 'Ah que le charbon est beau sur / les routes tournesol / Tournesol et carré / Si je tourne c'est que le sol est carré' an extract with one variation from Péret's poem 'Dormir dormir dans les pierres' 1927.'Je dédie ce livre a la poésie et merde pour ceux qui le liront.' Librarie Gallimard. unknown
2070202186.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Q-2070202186GALLIMARD 2044-12-10. paperback. New. In shrink wrap. Looks like an interesting title! GALLIMARD paperback
207073661X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
197384127Paris : Livre Club Diderot 1973-1974. 180x120mm. 945Êpages reliure d'ÂŽditeur sous jaquette. Sous jaquette rhodo•d et ÂŽtui cartonnÂŽ. TrÂs bel exemplaire. 1263 Livre Club Diderot unknown
2070403424.Gpocket_book. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
