Louis ARAGONBiblio.com
830 résultats
198692107Paris: Gallimard 1986. Fine. Gallimard Paris 1986 14.50 x 21.50 cm broché First edition one of 41 numbered copies on Rives pure rag vellum the only deluxe paper issue after 31 copies on Holland paper. A very fine copy. Introduction and notes by Edouard Ruiz. Gallimard hardcover
19469025047Paris: A la Bibliotheque Francais 1946. Paperback. Near fine. One of 500 numbered copies from a total edition of 615 bound in the publisher's original wraps. Lightly rubbed edges and extremities. Text in French 25 lithographs by Louis Valdo Barbey throughout. <br/><br/> A la Bibliotheque Francais paperback
102726Paris À la Bibliothèque Française 1946. 145 pages. 1 feuillet. 1 feuillet blanc. 28x225 Cm. Broché. Couverture imprimée rempliée. Dos et bords de couverture fortement insolés. Manque de papier au dos. Rares rousseurs. Intérieur en bon état. Cet exemplaire est le 59ème des 100 exemplaires du tirage de tête sur papier de chiffon à la main du moulin des clercs signé par l'auteur et l'illustrateur. Sur la page 39 nous trouvons le poème inédit "Il manque une tapisserie." en fac-similé et sur le 1er feuillet une jolie dédicace signée Henriette et Michel. Les poèmes de ce brillant et émouvant hommage aux résistants se trouvent ici magnifiés par les 25 remarquables et parfois douloureuses illustrations de Valdo Barbey. Aragon est mobilisé en 1939 comme médecin auxiliaire et part pour la frontière belge. Sur le front il fait l'expérience des chairs blessées de la violence extrême de la Première Guerre mondiale d'une horreur dont on ne revient jamais mais qui réapparaîtra constamment dans son uvre. Paris, À la Bibliothèque Française, 1946. unknown
59812Eds Seghers 1965 In-12 158pp. Nb-0319 unknown
3848472457.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
194780657Paris: Editions sociales 1947. Fine. Editions sociales Paris 1947 12 x 15.50 cm broché The first edition of which there were no deluxe copies. Spine and boards marginally and lightly sunned otherwise handsome copy. Autograph inscription signed by Louis Aragon to Micaëla Szekely. Editions sociales hardcover
1929CARROLLL008490The Hours Press Chapelle-R�anville - Eure. 1929. First edition in French. Quarto. Unpaginated. Red boards printed in black. The translator's two-page introductory text is printed in red. Out of a total edition of 360 copies signed by the translator this is one of 300 numbered copies.Presentation copy from the translator inscribed on the first blank: ''� Louis Hay - qui me met dans l'obligation de continuer au jeu du Boojum lequel est de longtemps mort mais j'esp�re bient�t moi aussi - amicalement Aragon.'' The recipient was a French literary theorist and one of the founders of genetic criticism. In 1976 he established the Centre d'Analyse des Manuscrits under the aegis of the Centre National de Recherche Scientifique to which Aragon bequeathed his archive together with that of his wife Elsa Triolet.Some rubbing to spine. Very good. The Hours Press, Chapelle-R�anville - Eure. hardcover
8498720605.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
100142389Livre Club Diderot. bon état de l'ensemble cependant bord inférieur du premier plat du tome 2 rogné livres X XI XII XIII et XV sans jaquette rhodoïd dos des jaquettes des tomes I et VI jaunis intérieurs propres bonne tenue édités de 1974 à 1981. in8. Sans date. Cartonné. 15 volumes. Livre Club Diderot unknown
1981272047Club diderot 1981. Très Bon Etat de conservation jaquette jaunies livres en très bonne condition haut de tranche un peu marqués intérieur très frais bonne tenue. in8. 1981. Cartonné. L'oeuvre poétique 9 tomes discontinus: 1: 1917-1920 - 2:1921-1925 - 3:1926 - 4:1927-1929 - 5:1930-1933 - 6:1934-1935 -7:1936-1937 -14:1963 et 15: 1964-1979 --- illustrations en noir et blanc Club diderot unknown
194684242Paris: Gallimard 1946. Fine. Gallimard Paris 1946-1953 12 x 19 cm 2 volumes brochés First edition one of 55 numbered copies on vellum for each volume deluxe copies. Spines very lightly sunned without detriment handsome set. Gallimard hardcover
1952164400Paris: Cercle d'art 1952. Hardcover. Rücken etwas gebräunt unten bestossen davon abgesehen gutes Exemplar. 4°. mit zahlreichen Abbildungen nach Zeichnungen von Gustave Courbet. Original-Leder mit geprägtem Medaillon Frankreich; 20. Jahrhundert; Cercle d'art, hardcover
194684233Neuchâtel & Paris: Ides et Calendes 1946. Fine. Ides et Calendes Neuchâtel & Paris 1946 16.50 x 22.50 cm broché First edition one of the numbered copies on vellum the only issue with 60 Ingres. The work illustrated with plates by Watteau. Handsome copy. Signed autograph inscription from Louis Aragon to Jeanne Moirond. Ides et Calendes hardcover
194623090Neuchâtel & Paris: Ides & Calendes 1946. Fine. Ides & Calendes Neuchâtel & Paris 1946 16.50 x 22.50 cm broché First edition one of the numbered copies on vellum the only deluxe issue with 60 on Ingres. Handsome copy. Ides & Calendes hardcover
2322479071.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1964mon0003394723Universidad Nacional Aautonoma 1964T. hardcover. Good. . Universidad Nacional Aautonoma hardcover
1963145743Universidad Nacional Autonoma de MExico 1963. Tapa dura. 2ª Mano. . Coleccion de Arte 15: Jose Guadalupe Posada Publicado por Universidad Nacional Autonoma de Mexico / Direccion General de Publicaciones Mexico 1963.-- REcopilación del mítico grabador mexicano creador de la Catrina y las más famosas calaveras de México. Una selección de 209 ilustraciones B/N. . . . 41 p. láminas b/n. 24x17 cm. tapa dura con sob Universidad Nacional Autonoma de MExico hardcover
1937049471Mexico Df Mexico: Imprenta Mundial 1937. 1st Edition . Soft cover. Good. Half Title Title 6 Pp Text Plates. Illustrated Wrappers. Wear Spine Torn. Inscribed To American Social Artist William Gropper By F. Gambon In New York In 1940. <br/> <br/> Imprenta Mundial paperback
194421641S.l. Paris: Éditions F.T.P.F. Francs-Tireurs et Partisans Français 1944. Limited Edition. Near Fine. <br /> THE EMBOSSED TYPOGRAPHY OF THE RESISTANCE PRESS HE SURREALIST TRANSFORMED INTO A WITNESS OF WAR.<br /> A primary artifact of the French literary Resistance this copy is the premiere example No. 1 of 25 of the special issue on Papier Alfa. <br /> <br /> Composed during the German occupation Aragon's poem is a harrowing and defiant invocation of national identity notable for its early and direct naming of the deportations and Auschwitz. Published by the Éditions F.T.P.F.-an imprint of the armed Resistance-this pamphlet was produced under the semi-clandestine conditions of the Liberation era. <br /> <br /> The title typography is executed in a distinctive tactile relief reflecting the urgent and irregular printing constraints of wartime France.<br /> <br /> CONDITION: Near Fine -- An exceptional survival for such a fragile pamphlet. The octavo is tight and square with a clean text block showing only light even age-toning. A small chip is noted at the lower edge of the rear wrap and a faint pencil notation appears at the lower corner of the final page. The original glassine wrapper is present and well-preserved having been stored separately to protect the tactile embossed title.<br /> <br /> SCHOLARLY INFLUENCES: <br /> The Witness of Auschwitz: Composed during the German occupation Aragon's poem is notable for its early and direct naming of the deportations and the camps. It represents a critical juncture where Surrealist poetry transformed into political testimony. <br /> Tactile Typography: The title is executed in a distinctive tactile relief reflecting the urgent and irregular printing constraints of wartime France. This 'raised printing' is a physical fingerprint of clandestine production. <br /> The No. 1 Specimen: As the first copy of the most limited state this specimen was likely intended for a high-ranking member of the Resistance or a central figure in Aragon's immediate Surrealist circle.<br /> Author: Louis Aragon was the leading poetic voice of the clandestine Resistance. Je vous salue ma France was written as the "Chant National" for the Liberation.<br /> <br /> Bibliographic Scarcity: While major institutions hold the standard issue this tirage de tête of 25 copies is effectively unrecorded in major bibliographical databases. It represents a foundational acquisition for any archive specializing in WWII Clandestine Imprints or French Modernism.<br /> While OCLC records 7 institutional holdings for the standard issue none specify this limited 25-copy state.<br /> <br /> KEY FEATURES<br /> Limitation: Copy No. 1 of only 25 numbered copies on Papier Alfa.<br /> Visuals: Unique embossed and tactile title typography; raised printing visible on recto.<br /> Imprint: Éditions F.T.P.F. affiliated with the Forces Françaises de l'Intérieur.<br /> Historical: Direct references to the Resistance imprisonment and Auschwitz.<br /> Specs: In-8° 8 unnumbered pages; 21 cm. HISTORICAL SIGNIFICANCE --<br /> Louis Aragon was the leading poetic voice of the clandestine Resistance. Je vous salue ma France was written as the 'Chant National' for the Liberation. <br /> <br /> This specific printing by the F.T.P.F. the armed wing of the Communist Resistance highlights the intersection of political militancy and high-art production. As Copy No. 1 this specimen was likely intended for a high-ranking member of the Resistance or a central figure in the Surrealist/Communist circle.<br /> <br /> SUBJECTS: Aragon Louis FranceHistory - German occupation 1940-1945; World War II Literature and the war French Resistance Imprints Clandestine publishing France Poetry Resistance Literature Wartime Printing French Modernism.<br /> <br /> BIBLIOGRAPHIC REFERENCE: FRBNF31726841 standard issue. Éditions F.T.P.F. (Francs-Tireurs et Partisans Français) unknown
1969023728Genève: Albert Skira 1969. 1ª Edição . Inteira de Pele/Full -Leather. Muito Bom/Very Good/Très Bien. In-8º 220x165. 1 Vol. de 152-6 pp. Ilustrado. Exemplar nº1236 da tiragem de 2000. Edição de luxo encadernada em inteira de chagrin dentro de um estojo próprio <br/> <br/> Albert Skira hardcover
PJH56641Skira 1969. Ownsership Signatre of Roger Cardinal on endpaper VG bright copy in publishers wrappers with film covering peeling. 1st edition. Roger Cardinal was one of Britains most distinguished art historians best known for defining what is generally known as Outsider Art - that is art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba Canada subsequently moving to Warwick University and finally to the University of Kent at Canterbury where he taught for fifty years and held a professorship. Roger Cardinal was not only a leading authority on Outsider Art but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent percipient writings include several books on a wide range of subjects such as Outsider Art 1972 German Romantics in Context 1975 Figures of Reality 1981 Expressionism 1984 The Landscape Vision of Paul Nash 1989 The Cultures of Collecting 1994 and Kurt Schwitters 2011. He also acted as a curator and was a regular contributor to art-historical publications. CardinalÕs interest in art lay in its margins - the neurodiverse psychotic uneducated autistic self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking. ISBN B0018JO5E4 Skira 1969 unknown
1969113396Albert Skira 1969. Softcover. Very good/No jacket. Inscribed by Aragon. In French. Plastic skin peeling from wrappers. Albert Skira unknown
185158455lithograph. View from 'Viajes cientificos durante los cuales fue visitada la oceania en sus tres nuevas divisiones geograficas: Malesia Polynesia y Australia dedicados a la nacion Venezolana' #10. Condition: light paper toning some foxing verso: 3 letters in and older hand cleaned. Ignacio Boix in Madrid.
2023H-138-005Publishroom Factory 2023. Paperback. Very Good. Ammareal gives back up to 15% of this item's net price to charity organizations. Publishroom Factory paperback
9197-AVelvet Publications. softcover. Fine. 5x8. First published anonymously in France in 1928 Le Con d'Irene is the last 'lost' masterpiece of Surrealist erotica. Likes Georges Bataille's Story of the Eye published the same year Irene's Cunt is an intensely poetic account the story of a man's torment when he becomes fixated upon the genitalia of an imaginary woman and is reduced to voyeuristically scoping 'her' erotic encounters. In between describing various events in brothels and other sexual adventures Louis Aragon charts an inner monologue which is often reminiscent in its poetic/ surreal intensity of the work of Lautreamont and of Artaud in its evocation of physical disgust as the dark correlative to spiritual illumination. This new edition features an exceptional and completely unexpurgated translation by Alexis Lykiard translator of Lautreamont's Maldoror and Apollinaire's Les Onze Mille Verges and includes complete annotation and an illuminating introduction. 1 of 8 Velvet book collection. Velvet Publications paperback
